Review: Widely hailed as one of the greatest albums of all time, Joni Mitchell's Blue is one of those totemic releases which transcends musical divisions to land in the hearts of anyone it touches. From the sincerity of her lyricism to the fathoms-deep feeling in her voice, the fragile beauty of the melodic composition and the tender playing of the guitar and piano, it's quite simply perfect. It's an album which should be in every home, and now it's repressed by Rhino on heavyweight wax in a gatefold sleeve - the definitive way to experience such an important document of 20th century music.
Review: A whole host of superb Joni Mitchell albums are in the process of being reissued and Clouds is one of them. For many, this is one of the best LPs Joni ever recorded and the stats back that up - it is BPI certified gold and it also won a Grammy in 1969 for Best Folk Performance. Join went on to win another nine such awards after Clouds, which came on May 1, 1969 and features the iconic self-portrait on its cover. Alongside one of Joni's best-known songs on 'Both Sides, Now,' other gems included are the delightful 'Chelsea Morning' and 'The Fiddle and the Drum'.
Review: Every so often Record Store Day really does throw up a doozy and this is one of them. Hejira Demos is a highly anticipated vinyl release directly from the Joni Mitchell Archives Vol. 4 box set. Pressed on 180g black vinyl, this collection features the iconic folk singer's solo demos from March 1976 so offers a raw, intimate look at the creation of one of her most revered albums. The demos capture her signature style and insightful lyrics in their early, unpolished form. Notably, you can hear the iconic Chaka Khan providing backing vocals on 'Black Crow' which adds another layer of depth to this timeless work.
Review: Joni Mitchell's The Asylum Albums (1976-1980) is a comprehensive collection which documents her transformative period of musical exploration and wanderlust. Remastered by Bernie Grundman, the set includes her albums Hejira, Don Juan's Reckless Daughter, Mingus, and the live album Shadows and Light. Mitchell's shift from the "hit department" to the "art department" is evident in her collaboration with jazz virtuosos and experimental compositions. The collection is accompanied by a heartfelt essay from Meryl Streep, underscoring Mitchell's profound impact on listeners. Hejira stands out with its introspective lyrics and subdued instrumentation, while Don Juan's Reckless Daughter offers experimental music that inspired artists like Bjork. Mitchell's collaboration with jazz titan Charles Mingus on Mingus is a highlight, showcasing her immersion in jazz. The Asylum Albums (1976-1980) culminates with the double live album Shadows and Light, capturing Mitchell's electric performances during her Mingus tour. This collection is an ideal way to show her enduring influence and artistic evolution.
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