Now Again US Vinyl & CDs

Review: Previously unreleased, Joe Bataan (real name Bataan Nitollano) recorded the bulk of the material making up Drug Story in 1972. This new, highly limited box set hears seven revered, rarely-heard gems of Latin jazz, deep soul, raucous boogaloo, and heavy salsa by the legend, most of which were largely salvaged from his very own self-run Ghetto Records vaults. Drug Story was inspired by true events, and hears Bataan croon graciously over themes of destitution, lost family members and friends, and addiction. One of three definitive reissues of Bataan's greatest works, licensed from Bataan himself, with his oversight and input into a 15 page oversized book by Pablo Yglesia,s that details Bataan's larger-than-imagination life and his little Latin label that could.

Review: You can always count on Egon's Now-Again label to bring the finest curios from music's hidden history into the reach of the record buying public. On this occasion they're looking to the work of Jamaican legend Boris Gardiner, a singer, bassist and guitarist with a long and winding history through the beating heart of reggae culture. Ultra Super Dub is the rarest of rare dub treasures, pulled from Gardiner's prolific mid 70s era and originally issued by a Miami-based label in an incredibly short run. On it, you can expect to hear superlative, skeletal versions of classics from Otis Redding, Jimmy 'Bo' Horne and many more. Of course, the sonic treatment is top-notch on this reissue, and there's in-depth writing from Jeff Mao to take you into the world these versions came from. This is how a reissue should be done.

Review: Candido Y Su Movimiento's cult favourite album Palos De Fuego album is a rhythmic journey through the vibrant landscapes of Afro-Cuban jazz and Latin music that was first released in the 1970s. It superbly showcases the virtuosity of Candido Camero, a percussion maestro often hailed as the "Father of Modern Conga Drumming" as the album pulsates with infectious beats, intricate rhythms, and soulful melodies, all of which embody the essence of Afro-Cuban traditions while embracing contemporary influences. As a testament to Candido's enduring impact on the genre, Palos De Fuego stands tall and is a timeless exploration of percussive brilliance that continues to captivate and inspire Latin jazz lovers worldwide.

Review: Carmike's sole album is a gritty masterpiece of "slithering nightmare raps" that was originally recorded amidst carjackings and robberies and very ably and aptly captures the raw chaos of its 1994 cassette release. Now officially reissued for the first time on LP, this cult classic is dark, haunting and unapologetically authentic as it embodies the turbulence of its time. Delivering a visceral listening experience that resonates decades later, this gem is the latest of a multi-LP series exploring Memphis's influential hip-hop history These distinctive and often brutal tracks helped reshape rap music and have to be heard by anyone who considers themselves in the know.

Review: In 1971, in the midst of America's conflict in Vietnam, the US army held a 'battle of the bands' contest and showcased the two winning bands in a promotional album. East Of Underground, the gritty runner-up, managed to capture the spirit of America with their sweet-soul covers of Sly Stone, Curtis Mayfield and Funkadelic. The quality of the recording is superior, as is the musicianship: the falsetto harmonies, the gritty guitar, and the devouring drums...

Review: A classic album by Mark Fry, an English singer-songwriter, and an obscurity-lover's choice folk artist. Now over 50 years on from its first release in 1972, the album already held sway among its fans back then for its surreally up-close-and-personal, yet muffled, quality. But now more than ever, the passage of time lends further effect to Fry's approach to song, and could be construed as a coming-of-age piece, considering he was only 19 years old at the time of its recording. Through all its crud and layering, we can still make out the voice of a sweet soul, though the mystery of the titular Alice is still wrapped up in much illusion and allusion, with nods to the Lewis Carroll-created character cropping up throughout.

Review: Real rap heads will know that in the mid-90s, Memphis was the centre of an intriguing scene. It boasted a ton of great artists who all helped foment a raw, hard-hitting style with direct lyrics that revealed plenty about life on the local streets. Gangsta Blac's Breakin Da Law is a record from that time which gets reissued here and takes you right back to energy of Memphis at that time. With its pounding beats, eerie synths and relentless flows, the tracks capture the gritty realities of street life and rebellion while Gangsta Blac's commanding delivery and vivid storytelling paint a picture of survival and defiance that still resonates while channelling the spirit of the Dirty South and Southern hip-hop's golden era.

Review: Emerging from the vibrant but devilish Bermuda scene of the early 70s, Spacing Out stands as a gleaming instrumental lapis. The entirely self-taught band recombined the raw chi of OG instrumentation with pre-spirited arrangements by The Meters, The Temptations, Aretha Franklin and The Isley Brothers. This one cemented the Invaders as a finely polished instrumental ensemble, gilding the slabs for the retro-soul and funk scenes to follow, and which were in turn incubators of hatchlings Daptone and Big Crown. The reissue, a collaboration with the band and their full participation, comes complete with an expansive booklet by Jefferson "Chairman" Mao, offering an in-depth look at the group with rare photos. With expository, reverb-laden percs, ridin' breakdowns and low strung brasses, the record arouses a mood of loose-girdled passion.

Review: High school band directors used to press up their bands' performances to vinyl, & none made as much sweet noise as this "Texas Thunder Soul." Deluxe gatefold package as well as some previously unreleased live music, plus a bonus documentary.

Review: MC Money and Gangsta Gold's collaboration offers a glimpse into the hard-hitting underground sound of Memphis rap, capturing the raw energy and stark realities of the city in the 90s. The tracks feature gritty, no-frills vocals, driven by bass-heavy beats and shadowy synths that mirror the harsh streets of Frayser. The music remains unapologetically rough around the edges, yet there's an undeniable sense of purpose behind each trackian unwavering honesty that demands attention. It's not just about the aggressive delivery or tough subject matter; it's about a snapshot of a time and place that continues to resonate. Each beat pulses with a sense of urgency, while the lyrical content cuts straight to the heart of Memphis' rap scene, without pretense or over-production. There's something undeniably compelling about its rawnessia reminder of the power of minimalism when it's done with conviction.

Review: The long-lost disco-soul-funk album You Can Be by the Music Makers Band is finally seeing the light of day on vinyl once more with new mixes from original multi-track tapes by Kenny Dope. Forgotten in a linen closet in Macon, Georgia since 1979, this reel-to-reel treasure contains recordings from the group that previously released 'Black Gold' as The Mighty Chevelles in 1977. By 1979, now known as Music Makers Band, they captured this disco-funk gem at Capricorn Studios and here each track shines anew thanks to the fine work of funk lover Kenny Dope's work.

Review: Paul Ngozi's 99% Confusion represents a powerful chapter in the history of Zamrock, a vibrant music scene that emerged in 1970s Zambia. This late-period hard rock and proto-punk album, featuring drummer Chrissy Zebby Tembo, shows Ngozi's enduring influence in the Zamrock movement. The LP comes with an oversized eight-page booklet filled with rare photographs, a detailed discography, and insightful annotations, providing a deeper understanding of Ngozi's musical journey. Zamrock itself was a unique fusion, blending fuzz-driven psychedelia, raw garage rock, and energetic funk with traditional African rhythms. This distinctive sound, cultivated by bands like Musi O Tunya, Amanaz, and Ngozi Family, stood apart from anything else on the African continent. 99% Confusion, released under license from Paul Nyirongo's estate, is part of Now-Again's ongoing effort to preserve and reissue these vital records. This album continues to showcase Ngozi's pivotal role in shaping the Zamrock legacy.

Review: The 1978 release Heavy Connection by Paul Ngozi and Chrissy Zebby Tembo is a thrilling ride through the heart of Zambia's vibrant Zamrock scene. A fuzz-drenched masterpiece, this split LP has the raw energy of two of Zamrock's most influential figures. Tembo's jagged drums and Ngozi's searing guitar riffs create a unique blend of psych-rock, funk, and garage that sets this album apart. Tracks like 'Bells of Death' and 'Born Black' feature swirling guitar lines and off-kilter rhythms that embody the strange, moody sound that defines Zamrock. The production may feel rough around the edges, but it only adds to the gritty, DIY atmosphere of the record. There's a sense of urgency and experimentation throughout, with tracks like 'I Shot Her' and 'Bye Father' carrying both an eerie intensity and melodic unpredictability. This reissue campaign breathes new life into this forgotten gem, highlighting its importance within the broader Zamrock movement.

Review: Released in 1977, this Nigerian rock album remains a hidden gem, rediscovered by a new generation thanks to recent reissues. Produced by Odion Iruoje, the album features a group of college students whose music captures the vibrant, post-civil war Nigerian rock scene. With a sound that blends Western rock influences like The Beatles, Buffalo Springfield and early Genesis with a distinct African touch, the album is a joyful yet melancholic exploration of love and harmony. Tracks like 'Love', 'Be Nice to the People' and 'Mary Enne' showcase the band's signature blend of fuzz guitar and heartfelt vocals. The music resonates with the exuberance of other African bands like Blo and Witch, yet it stands out with its heavy fuzz guitar and English vocals, steering clear of political or social activism in favor of pure, emotional expression. This album, recorded in Kenya, captures a moment in history when African rock was evolving, bridging cultures and sounds. It's a timeless piece, equally nostalgic, fresh and perfect entry point into African psychedelia for new listeners and a rewarding revisit for those already familiar with the genre.

Review: Hailing from Memphis, Tennessee, Gotta Be Lyrical is the sole offering by Lil Ced and Big Syl, together known as R.A.N. (Ruthless Ass Ni**as). Originally released in 1993 on cassette, this hazy southern horrorcore rap album hears its first release on vinyl, amounting to a rare contemporary Memphis rap full-length. Forming part of Now Again Records' multi-LP series on the history of the genre, R.A.N.'s contribution to the scene breaks new evental ground, sticking somewhat truly to the laid-back, smoke-out-the-droptop steeze most characteristic of this tape-bound rap style, while also bringing momentarily aggressive flows on consecutive tracks, such as on 'Sticking Up Tha Dope Track' or 'Life On Tha Dark Side'. This is a rupturous slice of Memphis rap which - despite the genre's exemplarily grave thematic rigor-mortises and emphasis on bodybagging - breaks free of any *de rigueur* stereotypes of the sound. Closer 'Dedication' is an especially prescient proto-cloud-rap track, commanding a temporally unbound, fluxing flow from both rappers, as if to suggest a drug-induced brain fog of the deadliest degree.

Review: Wendell Harrison and Phil Raneli's Message From The Tribe is regarded by those who know as an untouchable example of spiritual jazz. The Tribe label - run of course by the pair themselves - it came on was also one of the great of its era in the 1970s. Here the album has been remixed from the OG master tapes, all under the watchful eye of its creators, then lacquered by Bernie Grundman. It is an expansive and indulgent record that includes a vast booklet that takes us through the history of the label and touches on the story of Black American empowerment.

Review: The reissue of Stone Alliance's self-titled debut album from 1976 is a thrilling revival for jazz fans. Originally released on Gene Perla's PM Records, this album has transitioned from a rare groove gem into a cornerstone of America's deep jazz canon. The all-analog remaster by Bernie Grundman enhances the record's sonic depth, removing Dolby noise reduction and allowing the music to breathe, resulting in what Grundman claims is the best sound this album has ever had. The ensemble, featuring percussionist Don Alias, bassist Gene Perla and saxophonist Steve Grossman, delivers a dynamic performance. The album kicks off with the electrifying 'Vaya Mulatto', a track that masterfully shifts from a samba-like groove to high-speed funk, exciting even non-jazz fans. 'Sweetie Pie' shows the group's chemistry with its infectious riff and adventurous sax explorations. Meanwhile, their languid interpretation of Stevie Wonder's 'Creepin'' adds a different flavor. This definitive reissue, complete with an informative eight-page booklet, makes this a record you need to have.

Review: Loving On The Flip Side compiles overlooked ballads from the flip sides of funk 45s in the Now-Again and Truth and Soul vaults, all presented in the same format as the Soul Cal anthology. This collection showcases incredible music that pairs heavy funk with sweet soul to create a sound the label calls "sweet funk." The journey began nearly a decade ago with the discovery of the Darling Dears and Funky Heavy's unique two-sided single which sparked a search that led to their full inclusion in this anthology. The process unearthed other soulful gems and now culminates in an essential exploration of black American creativity and musical innovation.

Review: US label Now Again follows up the success of its recent Forge Your Own Chains compilation with another, and this time one that has never before be available on vinyl like this. It features a fine selection of small run private presses that are all incredibly hard to find or long out of print. The bands behind the music range from legends of the krautrock scene to Turkish teenagers to Icelandic prog-rock outfits, prison funk ensembles and even the uncle of E-40. It's real, raw and full of plenty of visceral funk thrills made between 1970 and 1975 but suitable for all occasions.

Review: Soul Cal is a deep dive into America's independent 70s soul scene, expertly curated by Eothen 'Egon' Alapatt. This compilation is a prime blend of the retro-utopian vision, where small-town record stores and garages across the U.S. might have been hiding virtuosic funk and soul outfits. The bittersweet joy of these previously overlooked musicians finally getting recognition is palpable, and the music itself is an absolute thrill. Songs like Luther Davis' 'You Can Be A Star' and Pure Essence's 'Wake Up,' the album is an impressive variety of styles, from heartfelt ballads to hard-hitting funk grooves. Anubis' 'Ecology' and Mixed Feelings' 'Sha-La-La' add a dash of social consciousness, while Leon Mitchison & The Eastex Freeway Band's 'Love Is' brings smooth sophistication. Mastered by Dave Cooley and team, the sound quality is stellar, making these hidden gems shine. Soul Cal is not just a tribute but a rediscovery, offering a bittersweet glimpse into an era of soul music often overshadowed by its mainstream counterparts.

Review: This timely reissue of Zamrock's Afro-prog-psychedelic masterpiece makes its debut on vibrant yellow vinyl. WITCH was a group influenced by James Brown, the Stones, and Deep Purple and they dominated 70s Zamrock stages in their heyday. Their musical journey spanned only five years and culminated in the fifth and final rock album, which predated a split and a new disco venture in Zimbabwe. The record fuses traditional Zambian rhythms and folk melodies with progressive rock and, somewhat echoing Lukombo Vibes, it embodies the Osibas' "afro-rock" style. This release encapsulates WITCH's evolution and influence and gives a vivid glimpse into the era's musical fusion and cultural resonance.