Review: Veteran Newcastle-based producer Johnathan Watson aka Smoove is back with the third instalment in the Multitrack Reworks, a new series that will be putting out limited edition, hand-stamped white label 12's that are made from reworked tunes constructed from the original multitracks. This one features the deep down and dirty P-funk of A-side cut 'Deep', while over on the flip Watson lends his Midas touch to a solid reconstruction of a certain deep funk classic by Slave, as well as a spruced up soul classic for all the heads out there on 'Superman'.
Review: Smoove is one half of the legendary edit duo Smoove and Turell from Northern England. He goes it alone here on the fourth volume of his Multitack Reworks series with two slices of the kind of grooves that we know and love and him for. A-side 'Live' and flip track 'Egypt' are both prime cuts of timeless funk with driving drum breaks and plenty of catchy and hooky melodic motifs. These limited edition, hand-stamped white label 12"s always do damage on the dancefloor so are well worth picking up.
Enjoy The Silence (Smoove Multitrack rework) (5:31)
Let's Stay Together (Smoove Multitrack rework) (6:20)
Blind Alley (Smoove Multitrack rework) (4:46)
Review: While the Reflex was the first to forge a career out of multi-track re-editing (which would have been called remixing back in the disco era, since you are rearranging using the original parts), plenty of producers have followed in his footsteps in recent times - not least popular disco and funk party-starter Smoove. Here he serves up a ninth instalment in his excellent 'Multitrack Reworks' series. On side A he does a stellar job in reinventing Depeche Mode's 'Enjoy The Silence' as a squelchy, synths-and-slap-bass sporting mid-tempo disco anthem, complete with spine-tingling vocal breakdowns. He opens side B with a stripped-back, dubbed-out take on Al Green classic 'Let's Stay Together', smartly emphasising the bittersweet beauty of the original version's orchestral accompaniment, before delivering a sweet, head-nodding take on the Emotions' 'Blind Alley'.
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