Mint Condition Vinyl & CDs

Review: A Trifle Too Far, the collaboration between Essex natives Simon Ward and Tony Grimley, crafted this forward-thinking duo of tracks, inspired by their explorations of the acid house scene and rave culture. Catch Your Ear and Meringueatang embody the innovative spirit of early 90s prog-house. Engineered by Evren Omer of Strategy Records and Matt Clayden of X-Gate Records, respectively, these tracks remain a rare and exhilarating find. Mint Condition is reviving the essence of classic house and techno with their latest reissue: the elusive 1992 EP 'Catch Your Ear/Meringueatang' from A Trifle Too Far. This release is a thrilling addition for collectors and DJs, rekindling the excitement of a bygone era.

Review: It would be fair to say that Tobias Menguser's sole single as Leon De Winter, 1997's Apollo Jazz, has become a sought-after item in recent times - and with good reason. One of the earliest releases on the fashionable-again Eukahouse label, the two-tracker confidently blurred the boundaries between futurist early tech-house, electro and more psychedelic dancefloor flavours. Finally available again in remastered form thanks to this Mint Condition reissue, the A-side title track is simply sublime: a gorgeous and timeless fusion of deliciously dreamy chords, high-register acid lines, bittersweet melodies, smooth but deep bass and shuffling electro-not-electro bliss. It's emotive dancefloor perfection! Flip-side 'Metamat' meanwhile is darker, squelchier and moodier, with chunkier beats, rougher TB-303 motifs and weightier bass.

Review: Reissue label Mint Condition has done it again with another carefully dug-out treat from the house vaults. This one is from the underrated Charles Webster in his DJ Profile guise originally put out back in 1997. 'Prove It' sounds as good today as ever - it is house with ought edges and dusty drums overlaid with an aching vocal sample and muted chord work that fills your heart with soul. Flip it over and you get something bigger and more raw but with just as many feels. 'Realization' has ragged acid lines and skipping drums while pixelated melodic rain rises and falls. It's a classic many will recognise without ever having known what it is.

Review: Loose Caboose by Electroliners is a quintessential mid-90s west coast classic that embodies the essence of breakbeat and house music fused with a rave attitude. The title track, 'Loose Caboose,' is a timeless anthem that resonates with American ravers from that era, leaving an indelible mark on dancefloors with its infectious energy. On the flip side, 'Crazy Train' further solidifies the EP's reputation for delivering dancefloor devastation with its powerful beats and wicked energy. The Bassbin Twins remix of 'Loose Caboose' on the B-side adds a new dimension to the track, elevating its trippy vibe to new heights. Overall, Electroliners' Loose Caboose EP is perhaps the pinnacle of west coast breaks.

Review: Mint Condition, as you probably know if you are reading this, deals in reissuing classic tech house cuts. It has raced ahead in its mission and is now up to a 55th EP. This one brings back Presence's White Powder EP. 'Heart' opens up with dark but well swung drums overlaid with diva vocals while '$10' is a frazzled, slapping cut with bubbling basslines from the 90s. 'Power Chords' is a loved up dee house cut with echoing pads and cavernous grooves and 'Giving Love' is a jumbled of tribal hits and woodpecker bass.

Review: Mint Condition is exceptionally good at reissuing genuinely buried treasure, with their frequent vintage UK deep house and formative tech-house selections being particularly potent. They've hit the spot once more here, too, raiding the vaults of legendary UK tech-house imprint Oblong and returning with a killer 2002 single from Spincycle (AKA Dave Clements and Andy Davies). A-side 'Making Faces' is a great example of London tech-house from the period - all starry, echoing synthesiser motifs, dreamy chords, smooth bass and hypnotic beats - while flip-side 'Twister' sees them reach for bowel-bothering hoover bass, speed garage-influenced drums and undulating, Swag-style melodic motifs.