Madlib Invasion US Vinyl & CDs

Review: The Madlib Invazion Music Library Series was created by Madlib and Egon over the course of the Pandemic, and was a chance to give their creative friends the ability to stretch out and indulge in whatever type of music they wanted for release on the label. The music had to be great and able to be presented as a standalone album, just like the best 'Music Library' releases of the past, be they on labels like Italy's Sermi, Germany's Bruton, France's MP2000 and the UK's DeWolfe. And, like those albums, it had to work as easy, one-stop clearance for background cues in film and television production and, as producers have been indulging since the 1990s, for sampling. Joe Harrison's top-up to the series is just one of many, and brings a heated, undeniably infectious array of instrumentals to the table, all of which we're sure will be put to good use in the decades to come.

Review: It's only six months since The Heliocentrics released their last album, 'Infinity of Now', but boy how the world has changed since then. To reflect that, this new collection of songs is more intense, dark, paranoid, uncertain and, well, angry. It makes for a typically out there record that pulls together disparate worlds and defies familiar conventions. There are moments of sweetness and light such as "Space Cake" but also pixelated realms of jazz complexity that glisten and glean. This is an album that will lead you to strange, thought provoking places, but will also greatly reward any time you spend there.

Review: This Record Store Blanc Friday, US label Madlib Invasion serves up a CD version of this most classic of albums from Jackson Conti aka the one and only beat making behemoth Madlib with Mamao. Sujinho landed in 2008 and since then has often been heralded as one of the best few projects Madlib has ever been involved with. It is a smooth fusion of hip hop, jazz, Latin and soul that, on vinyl, has fetched eye watering high prices until now. A new reissue has landed on wax as well as this CD.

Review: These seven tracks of scuzzy, lo-fi indie are ingrained with the sound of London streets. The trio of musicians behind it - guitarist Barrie Cadogan, bassist Lewis Wharton and drummer Malcolm Catto - draw on all their 25-year plus experiences of working in multiple genres to serve up blues and rock collisions, psyched-out indie trips, gauzy, summer of love sonics and breakbeat and jazz fusions. The tracks were recorded with minimal overdubs making for an expansive and all consuming sound where the driving rhythm sections do the heavy lifting while the swirling sonics up top take things to a higher level. It might be deeper and darker than you'd expect of this band, but what else would you expect of a record made during this most weird of years.

Review: Originally released in 2010, this album from Madlib's Medicine Show series saw him delving deep into the pocket of mother Africa for his source material, coming up with new slants on his unmistakable grooves. The samples centred around African records from the early 70s, from Afrobeat to funk, psych rock to soul, from all over the continent. Of course, Madlib is one of those artists whose signature is so strong, it all ends up sounding like him, but these high-life guitar licks and dusty drum beatdowns add an extra layer of vibe to one of the illest producers to ever do it. 37 beats taking you deep into the continent where it all began.

Review: Madlib's mad one a month release mission continues with his fifth outing on his own imprint, Madlib Invazion. The odd numbers in the series are joints produced by the man himself, while the evens are mixtapes. This one looks at his personal history as a the loop digga over a ten year span in which Madlib cranked out a whole slew of mixtapes. They were his early productions for the Alkaholiks in about 1992, while his popular Quasimoto album came in 2000, before a sabbatical saw him go and work on his fictional jazz outfit Yesterdays New Quintet.

Review: These are two serious legends right here: Madlib the extraordinary beatmaker behind countless seminal albums and collabs and Guilty Simpson the man who has voiced just as many classic records of his own. This limited edition gold vinyl double album version of Before The Verdict: Madlib Medicine Show #1 is considered a prelude to this pair's collaborative album O.J. and has a mix of original cuts as well as remixes from Simpson's own solo debut album Ode to the Ghetto. It's as real and raw as rap gets and features two brief guest appearances from J Dilla and MED.

Review: If you like Madlib then you will like this - a new and exclusive 28-track collection of the legendary hip-hop icon's best collaborations. Featuring are the likes of A.G., Guilty Simpson, MED, Oh No and Strong Arm Steady, with Karriem Riggins appearing for a Supreme Team session. There is also a special track taken from the Jaylib-era that was meant to be on a second album which never ended up being released. To finish it off, plenty of Loop Digga instrumentals, as well as some textbook interludes and outerludes also help colour this one and make it such a vivid listen.

Review: The Madlib Invazion Music Library Series clocks up its eighth entry here and the honour is given to drummer Karriem Riggins who offers up To The Jungle. He is someone who can play the sticks with real conviction and shows that here across another superb album in this series. It really makes use of the chance given to him to stretch himself and create the sort of music he might not dare to otherwise. It has all been created with a view to be ing given one-stop clearance for use in mim and TV and plenty of this one surely will because it is so evocative.