Late Vinyl & CDs

Review: The Head As Form'd In The Crier's Choir is Sarah Davachi's latest album, and her sixth or seventh for her very own Late Music. Inspired by the tragic myth of Orpheus and Eurydice, this new record is a vanishingly passionate septet of songs, a suite of mystifying reverence bound in the otherwise kept-simple arrangements of organs, strings, trombones, woodwinds, voices and electronics. A doomy liturgical feeling is instantly evoked here, with peacefully pure yet mournful drones sense-dashingly likened to the pealing of a bell, as though the sonorous resonances thus emitted had been stretched out in a worthy but failed attempt to stop time. A lengthy theoretical tract accompanies the release, minutely detailing the various specialist pipe organs used on the record, as well as their formal relevance to the record's theme as impurely meantoned instruments, as well as their historic, occult provenance.