Domino Vinyl & CDs

Review: Domino Records embark on an ambitious reissues double-bill of John Cale's earliest solo records. Here - third to his debut record after his self-excision from the Velvet Underground, Vintage Violence (1970) (to which Cale was infamously disparaging in his later years, deriding his performance on the work as "masked" behind a disingenuous imperative to prove he could still write songs) and second to his Academy In Peril (1972) - comes his third and much better loved LP, Paris 1919. Released in 1973, Cale has regained ground here, still flexing a wonderful talent for songcraft, yet also an entirely new orchestral chamber pop direction, easily foiling the unflappable cool cat persona depicted on the front cover, and eschewing the dark experimentalism of his preceding album. Where it's not plush with string movements, Paris 1919 brims with softly-strung guitar arpeggiations and electric piano hooks, its placid easy listening approach much befitting of the Paris Peace Conference, and other related postwar drives to armistice, that bestruck the public imagination during the earliest post-war 20th Century.

Review: It's hard to feel 'meh' about John Cale. In fact, it's impossible. The Welsh musician, Velvet Underground alumni and composer has given us 18 studio albums, including June 2024's Poptical Illusion, and there's nary a misstep in the lot. His latest plays out like a warm bath full of dreamy optimism, a follow up to the highly collaborative affair, Mercy, here we see the super-talent adjust his focus and fly out alone to prove the point. And prove it he does. Across 12 weird and unarguably wonderful tracks, Cale manages to defy genres, flitting between chamber punk and beach pop, theatrical croon-dom and syrupy downtempo. While there are dark-er moods, 'Funkball The Brewster', for example, on the whole this is smile-inducing, if bat-shit crazy stuff, from start to finish.