Craft Vinyl & CDs

Review: Know What I Mean? is a sublime collaboration between two jazz giants. Released in 1961, it showcases the unparalleled musical chemistry between Adderley's exuberant alto saxophone and Evans' masterful piano. With tracks like 'Waltz for Debby' and 'Elsa,' it blends lyrical melodies with inventive improvisation to mesmerise the mind while Adderley's dynamic energy contrasts beautifully with Evans' introspective style. That captivating interplay highlights the best of both musicians and means this album is a timeless gem in the jazz canon that is rightfully celebrated for its sophistication.

Review: The music of David Axelrod is a rite of passage for many record collectors. The great composer, arranger and multi-instrumentalists crafted several seminal albums that all take you deep into gorgeous worlds of jazz, funk and library music with narratives you'd expect in film scores and emotion in high supply. Heavy Axe might be one of his best and so this welcome reissue is a timely reminder of that. Its sweeping strings, grand horns and orchestral arrangements ebb and flow with great drama and absorbing artistry so stick it on loud and give yourself over to its rare pleasures.

Review: Joe Bataan's 1968 sophomore album Riot! is considered a cornerstone of Latin soul and the record that truly cemented his reputation as the genre's king. Backed by the dynamic Latin Swingers band, Bataan masterfully blends Afro-Cuban rhythms, soul and funk with his signature streetwise flair. Tracks like 'It's a Good Feeling' and the title song capture the energy and emotion of late-1960s urban life while reflecting both personal and societal struggles. Its infectious grooves, raw vocal delivery and tight instrumentation mean that this one remains a timeless classic that continues to resonate across the generations.

Review: Reissued via Craft now, after a long run with Art Blakey's original issuers Riverside Records, Caravan is the first record by the drummer to be released in 1963. With Freddie Hubbard on trumpet, Wayne Shorter on sax, Curtis Fuller on trombone, Cedar Walton on piano and Reggie Workman on bass, Blakey commands a fiery, banging temper on this eight-track record, yet somehow still makes such carpal explosives flow like poetry. The album's most notable element is that Blakey finds immense joy in subtly variating around difficult, tupletting riffs, which nonetheless go on to produce discernible and well-rounded progressions. We wouldn't expect anything less from the master.

Review: Part of the Original Jazz Classics Series, this 1963 album from the great Kenny Burrell and John Coltrane is now reissued on 180-gram vinyl. Featuring Burrell and Coltrane, along with Tommy Flanagan, Paul Chambers, and Jimmy Cobb, the album comprises five tracks that have been remastered from the original tapes by Kevin Gray at Cohearent Audio. It's an absorbing journey into two genius creative minds and comes comes in a Tip-On Jacket, preserving the essence of the original release while offering enhanced sound quality for contemporary listeners.

Review: A deep dive into the Fania vaults has uncovered Cafe, a Latin funk and soul classic that was recorded half a century ago. To mark the 50th anniversary of this great album, which was produced by the legendary conguero Ray Barretto and originally released on Vaya Records, it gets this nice heavyweight reissue on Craft. The standout track 'Si Dame Tu Amor' delivers infectious funk grooves reminiscent of Barretto's own work, while 'Identify Yourself' is another one to light up any party. All the tunes have been cut from the original master tapes by Kevin Gray at Cohearent Audio so sounds superb.

Review: Renowned bassist Ron Carter's inaugural album, 'Where?' introduced a stellar lineup of talent alongside the main man including Eric Dolphy on clarinet, saxophone, and flute, and pianist Mal Waldron. Originally recorded at Rudy Van Gelder Studios in New Jersey in 1961, the record showcases the early brilliance of Carter's musical vision. Now reissued as part of the Original Jazz Classics Series, this edition is pressed on high-quality 180-gram vinyl by RTI. Mastered with meticulous care by Kevin Gray at Cohearent Audio, using analogue techniques from the original tapes, this release offers a pristine listening experience and is a great chance to rediscover the timeless allure of Carter's debut masterpiece.

Review: Craft Latino's vinyl reissue of Willie Colon and Hector Lavoe's 1970 album La Gran Fuga is a welcome revival of one of Latin music's most iconic collaborations. Newly remastered and pressed on 180-gram vinyl, this release allows listeners to experience the brilliance of Colon and Lavoe's sixth album in all its glory. With classics like 'Barrunto,' 'Pa' Colombia,' and 'Abuelita,' 'La Gran Fuga' presents the duo's unparalleled creativity and commercial success. Backed by a talented lineup of musicians overseen by Johnny Pacheco, Colon and Lavoe push the boundaries of salsa music, incorporating diverse musical traditions and delivering dance-floor hits alongside emotive ballads. The album's iconic cover art, featuring Colon's "Malo" alter-ego in an FBI wanted poster, adds to its cultural significance. Despite initial controversy, La Gran Fuga became a massive success, earning the duo their second Gold certification and solidifying their place in Latin music history. Retrospectively praised as "essential music" and lauded for its confidence and flexibility, La Gran Fuga remains a shining emblem of the Colon/Lavoe musical aesthetic. As listeners revisit these timeless tracks, they're reminded of the duo's remarkable talent and enduring legacy.

Review: This reissue brings an essential piece of Latin music history back to life. The album crackles with energy, blending Afro-Cuban rhythms with an electrifying brass section and masterful percussion. Upbeat guaracha mambo, driving son montuno and cha-cha-cha grooves create an infectious momentum, while the arrangements from legends like Tito Puente, Charlie Palmieri and Louie Ramirez ensure every track is dynamic and meticulously crafted. The opener is a self-affirming explosion of rhythm, setting the tone for a collection that seamlessly balances joyful exuberance with poignant storytelling. Tracks like the rapid-fire guaracha about the struggles of rebuilding life as an immigrant add depth, while lighthearted guajira melodies and a playful cha-cha-cha about space travel showcase remarkable versatility. Despite its initial modest success, this record was a foundational moment, paving the way for an illustrious career that would define and elevate salsa worldwide. The remastering from the original analogue tapes ensures a rich listening experience. Nearly six decades later, its impact and brilliance remain undeniable.

Review: Celia & Johnny, released in 1974 on Fania Records, marked a pivotal moment for both Celia Cruz and salsa music. By this point, Cruz was already a celebrated star in Cuba, but her attempts to break into the U.S. salsa scene had struggled. Enter Johnny Pacheco, co-founder of Fania Records and leader of the Fania All-Stars. A longtime admirer of Celia's powerful contralto voice, Pacheco believed her potential had been stifled by overly complex arrangements. He was confident that pairing her voice with his more streamlined Afro-Caribbean rhythms would catapult her into salsa stardomiand he was right. The album produced two defining hits, 'Toro Mata' and 'Quimbara', both of which immediately resonated with dancers and salsa enthusiasts. The infectious grooves provided by Pacheco's band allowed Celia's voice to shine, and the success of these tracks solidified her status as the Queen of Salsa. Celia & Johnny is now seen as a cornerstone of salsa's golden age. The record's blend of traditional Cuban styles like mambo, guaracha, and guaguanco with the modern salsa sound brought the genre to a wider audience, particularly younger U.S.-born Latinos. Deep cuts like 'Tengo El Idde', 'Lo Tuyo Es Mental', and 'Canto a La Habana' further showcase Cruz's versatility, with moving performances that tap into spiritual, comedic and patriotic themes. Ultimately, Celia & Johnny remains a landmark collaboration that helped define the global appeal of salsa.

Review: Craft Recordings get back on their curatorially expert business with this serious new reissue from Fania All Stars, the long out-of-print Latin-Soul-Rock. This eight-track gem from the 70s salsa ultragroup (literally; FAS consisted of over 25 members at the height of its fame), released via their own label in 1974, documents the moment at which over 40,000 salsa punters visited New York's Yankee Stadium to catch a glimpse of their talents, alongside a myriad of other Latin greats. Fania All Stars threw a curveball, however, by not only playing pure salsa but blending it with styles like funk and soul, thus sticking out from the crowd and adding a spicier punch. We welcome this record, out via Craft Latino, with alacrity, as it celebrates the 50th anniversary of this 'wow' moment, which deserves to be documented even if solely for its powers of FAS' fusional imagination.

Review: Piano player Hampton Hawes' For Real! embodies the raw essence of hard bop with its explosive energy and impeccable interplay between musicians. Originally released in 1961, this album showcases Hawes' exceptional artistry alongside the masterful Harold Land on tenor saxophone, Frank Butler on drums, and the legendary bassist Scott LaFaro. Throughout the memorable outing, Hawes exudes an inspired spirit, matching effortlessly with Land's dynamic tenor and LaFaro's virtuosic basslines. The quartet's synergy creates a captivating soundscape that captivates the listener with its spontaneity and infectious groove.

Review: Joe Henderson's synergistic 1973 sax record first came to Milestone Records amid the musician's long and storied fusion-crossing-into-free-jazz period. With a Warholian front cover and a punch-packing cast of talents behind him - from Larry Willis to James Blood Ulmer to Dave Holland to Jack DeJohnette - this is indeed a milestone, charging terminals of funk, blue jazz and Afrobeat, and crossing into both the spiritual and the atonal. Mid-record high-point 'Song For Sinners' almost certainly takes after Sun Ra with its trembling saxophones above a distended groove, while 'Turned Around' is a lot freer and easygoing and yet far more determined in the rhythm section.

Review: Craft Recordings offer up an in-demand reissue of Joe Henderson's Power To The People, an abiding classic in the domain of New York hard bop, and one of three standouts in Henderson's Milestone Records era, through which the completist listener may chart and increasing political awareness and stylistic horizon-expansion on the artist's behalf. Recorded during a turbulent phase in the Civil Rights movement of the 1960s, Power To The People raises a clenched fist in favour of democracy and equality, whilst at the same time incorporates many an unforeheard sound and instrument for Henderson, from electric piano to bass and enlisting the aid of fusion greats like Herbie Hancock and Ron Carter - all amounting to the jazz equivalent of a revolutionary event, after which nothing would ever be the same.

Review: Released with acclaim, John Wright Trio's South Side Soul resonates with an authentic and vibrant energy that captures the essence of the South Side music scene. Led by John Wright's soulful piano, the trio weaves intricate melodies and infectious rhythms throughout the record. Tracks like title song and '63rd And Cottage Grove' exhibit's the trio's ability to blend traditional jazz elements with the raw energy of soul music, resulting in a dynamic and captivating listening experience. The musicianship displayed on each track is impeccable, with tight grooves and expressive solos that keep listeners engaged from start to finish. South Side Soul is more than just an album; it's a journey through the rich musical landscape of the South Side. This album takes you to the street scene in Chicago 1950s.

Review: The legendary Yusef Lateef is a jazz great, a true innovator and artist with several seminal albums to his name. His famous 'Eastern Sounds' was one of the last recordings made by the band shared with pianist Barry Harris. With the demise of their playing relationship coming to an end, the album is a spiritual journey through tonal and polytonal improv, building on the musical expertise of the far East and appropriating it for jazz. It's a historic album that captures a special moment in his career and still stands out as a vital listen.

Review: The Black Hawk Vol. 1 by Shelly Manne & His Men is a classic hard bop album that captures the energy and excitement of a live performance. Originally released in 1960 and now in 2024 with stunning sound quality. The album features a dynamic band led by the legendary drummer Shelly Manne, who is widely regarded as one of the greatest jazz drummers of all time. The group also includes tenor saxophonist Richie Kamuca, trumpeter Joe Gordon, pianist Victor Feldman, and bassist Monty Budwig. The album opens with a laid-back rendition of "Summertime," which sets the stage for the more up-tempo bop tunes that follow. The band swings with effortless precision, and the solos are all top-notch. At The Black Hawk Vol. 1" is a must-listen for any fan of hard bop or jazz in general.

Review: A striking album of the bop era that was highlighted by his undying conviction and ability to reclaim his status as a primary architect of the genre. The album is built around two exceptional groups: a sextet and a quintet, both anchored by Davis' blue-chip rhythm section of Horace Silver (piano), Percy Heath (bass) and Kenny Clarke (drums). The sextet features trombonist J.J. Johnson and tenor saxophonist Lucky Thompson, while the quintet adds Dave Schildkraut (alto sax), whose contributions, though lesser-known, are memorable. The title track, an extended 12-bar blues, shows Davis' ability to exude an air of detachment from the music, making it feel like an extension of his solo rather than the other way around. 'Blue 'n' Boogie', in contrast, is a lively, energetic tune where Davis and Johnson engage in spirited improvisation, with Johnson even quoting from Thelonious Monk's 'Rhythm-A-Ning'. 'Solar' introduces a delicate interplay, with Silver's piano solo displaying an Ellington-esque elegance. The album's final track, 'Love Me or Leave Me', foreshadows Davis' later breakthrough, with his swift and decisive trumpet solo hinting at the bold innovations to come. Walkin' stands as an essential bop-era classic, with Davis' brilliant command over his instruments and his bandmates, with pieces like 'Walkin'' and 'Solar' cementing its place as a foundational jazz work.

Review: As part of the newly relaunched Original Jazz Classics Series, Kevin Gray at Cohearent Audio has remastered this seminal jazz record from Thelonius Monk and John Coltrane from the original tapes and in all analog fashion. It's a deserving treatment for what many believe to be one of the great ever collaborative jazz records. As well as those two legendary players and jazz innovators, further greats joined in the recording sessions including Art Blakey on the drums, Wilbur Ware on bass, and alto sax from Gigi Gryce. What a piece of history it is too.

Review: The New Miles Davis Quintet album simply referred to as Miles represents a pivotal moment in jazz history that showcases the legendary trumpeter at the peak of his creative prowess. Recorded in 1955 for Prestige Records, this album features Davis alongside an extraordinary lineup of musicians, including John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. Their synergy is palpable as they navigate through a series of wild compositions with virtuosity and innovation. From the infectious grooves to the emotive solos, Miles captivates listeners with its timeless appeal, cementing its status as an essential cornerstone of the jazz canon.

Review: Originally released in 1963 under the Contemporary Records label, The Cry! still stands tall as a hallmark of free jazz by saxophonists Prince Lasha and Sonny Simmons. The timeless album which is now reissued on the Craft label, also showcases the talents of Gary Peacock and Mark Proctor on bass, and Gene Stone on drums. This Acoustic Sounds Series edition boasts AAA lacquers cut from the original master tapes by Bernie Grundman, pressed onto 180-gram vinyl at QRP and housed in a tip-on jacket for a deluxe presentation, making it a fantastic-sounding record.

Review: This vinyl reissue honours the wonderful Roberto Roena y Su Apollo Sound's 1970 debut for Fania Records. Formed in 1969, Apollo Sound became one of Puerto Rico's premier salsa bands. Highlights of this rich and vibrant album include 'Tu Loco Loco, y Yo Tranquilo,' 'El Escapulario,' and the Bobby Capo classic 'SoNando con Puerto Rico.' The 180-gram vinyl features lacquers cut from the original master tapes by Kevin Gray at Cohearent Audio, ensuring top-notch sound quality. Packaged in a vintage-style tip-on jacket, this US import is a must-have for salsa lovers.

Review: The Original Jazz Classics series continues to uphold its legacy with the reissue of Clark Terry's seminal album, In Orbit. Originally recorded in New York in 1958 and featuring the legendary Thelonious Monk in his sole Riverside outing as a sideman, this album is a cornerstone of Terry's discography. Accompanied by Sam Jones on bass and Philly Joe Jones on drums, In Orbit features Terry's inept talents as a trumpeter and leader. This reissue, pressed on 180-gram vinyl at RTI, benefits from AAA lacquers meticulously cut from the original master tapes by Kevin Gray at Cohearent Audio. The packaging also features a high-quality Tip-On Jacket, reflecting the series' commitment to preserving the integrity of the original release, from cover art to liner notes. Since its inception in 1982, the Original Jazz Classics (OJC) series has been the benchmark for collectible jazz reissues. In Orbit is a prime album to reissue, offering a pristine listening experience that honors the timeless artistry of Clark Terry and his collaborators.

Review: In 1970, soul icon Carla Thomas recorded a full album at Memphis' American Sound Studio for Stax Records. While two tracks were released as a single, the complete project was shelved and remained unreleased until it surfaced in a 2013 compilation. Now, 55 years later, the long-lost album finally sees its vinyl debut. Featuring songs penned by songwriting legends such as James Taylor, The Bee Gees and the duo Goffin and King, this record offers a long-overdue spotlight on a hidden gem from one of Stax's most beloved voices and captures a soulful moment in time that nearly slipped through the cracks.

Review: There have been many concurrent sounds of 60s and 70s New York, but the Latin soul subsidiary of said multipli-city saw and heard its heyday in the sweet-spot of 1964-78, where the Latin American favourite label Fania Records reigned supreme in its niche. Bannering the likes of Willie Colon, Hector Lavoe, Ruben Blades, Johnny Pacheco and Celia Cruz, Fania was born of a desire to promote salsa music and adjacent styles in New York, after Dominican musician and label boss Johnny Pacheco underwent financial woes and sought respite in memories of a quaint Cuban luncheonette of the same name. The heady mix of sonic pimento collides several of the best salsa bands in a New York otherwise dominated by soul and funk, amounting to a charred, lively stew.

Review: The first Latin soul collection featuring a mix of chart-topping hits and deeper cuts from the crown jewel of the mambo era Tico Records, celebrating the iconic imprint's 75th Anniversary. The 2xLP set includes 26 tracks from trailblazers Tito Puente, Ray Barretto, Joe Cuba, Celia Cruz, Eddie Palmieri, La Lupe, Willie Bobo and more. New liner notes by DJ Dean Rudland tell the story of the New York City label that launched the careers of some of the most revered names in Latin music.