Clay Pipe Vinyl & CDs

Review: Gilroy Mere is one of many alter egos of Oliver Cherer, and when working under this moniker there's a predisposition for transport-themed things to happen. The last album, beautiful and beguiling The Green Line, had a rich, dark green vintage British train on the cover just in case the title wasn't enough. In the past, he's done things themed on bus routes. This time, the locomotive on the sleeve is red.

More so, Adlestrop is a reference to one of many UK railway stations axed in the brutal Beeching Act of the 1960s - a cull of small stations deemed unviable, cutting off many communities. The opener, a strange, almost medieval slice of birdsong, chant, and twinkling chimes, even reels off a list of others that were closed. From there, we go deeper into sounds and words that are as inspired by the idea of rural England and travel as they are the country's eccentricity, which is so commonly founding its leftfield electronic output.