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Boredbrain Music

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Items 1 to 7 of 7 on page 1 of 1
Cat: 725978 Rel: 15 Jul 19
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
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 1 in stock $14.15
Cat: 725969 Rel: 15 Jul 19
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
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 2 in stock $14.15
Cat: 725967 Rel: 15 Jul 19
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
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 2 in stock $14.15
Cat: 725964 Rel: 15 Jul 19
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
Read more
 2 in stock $14.15
Cat: 725976 Rel: 15 Jul 19
 
Passive 1 to 2 splitter or 2 to 1 mixer
Notes: Whether you are mixing control voltage signals for more interesting modulations or just copying an audio signal for parallel processing, SPLIX is a handy addition to your arsenal of Eurorack tools.

Functioning as either a mixer or splitter, its small lightweight form-factor means it can fit nearly anywhere without weighing down your patch. The thumb-wheel controls the crossfader balance of two inputs, or the level ratio between two outputs. SPLIX also functions as a passive inline attenuator when using only one input and one output.
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 1 in stock $14.15
Cat: 731235 Rel: 15 Jul 19
 
Adds routing flexibility to signal chains of guitar pedal effects, electronic instruments & other audio devices
Notes: Are you playing with your cables more than your pedals? The Terminal adds new routing possibilities to a more permanent setup. Its half-normalled wiring, which is also used in recording studio patch bays, allows an audio signal to pass "normally" and to be copied from the Green SND jack without interruption. However, the signal can also be cut off or replaced by patching into the RTN jack. It's easy to insert effects and re-route instruments without pulling your rig apart.

This simple but very useful design was originally a custom project for musician Tycho, who is using Terminal in his studio and live rigs to quickly patch between sections of pedal and instrument chains. Community interest in the product has led Boredbrain to produce Terminal in limited batches. Each unit is hand-built; from drilling and printing to wiring, soldering and assembling.

Pedalboard access points:

Each Terminal channel is placed at specific points in the signal chain. New effects can then be inserted at these points, or entire sections can be bypassed using a single cable.

Instruments patch hub:

Each Terminal channel is a dedicated patch point for an instrument signal on its way to a mixer or DAW. Effects can be inserted into the signal easily, or it can be copied to another channel.
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 2 in stock $90.51
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quote 731235
Cat: 704118 Rel: 11 Jan 19
 
Nexus for effects pedals & Eurorack effects modules
Notes: Are your effects chains suffering from radioactive decay? The Transmutron allows you to combine pedals (and Eurorack effects) within its sonic reactor to create new and exciting compounds! Different results can be achieved using one of three modes: Fission (crossover filter), Fusion (crossfader), and Fallout (resonant wide-notch filter).

In the primary mode, Fission, the signal from your guitar, bass, synth, or drum machine is split into separate frequency bands, sent simultaneously to different effects, and then recombined to a single output (or two separate outputs). The Splitpoint parameter can be controlled manually or with an expression pedal, and simultaneously injected with a control voltage (CV) source for extremely dynamic reactions!

In Fusion mode, the Splitpoint instead acts as a pre-FX level crossfader, rather than splitting the signal into separate bands. This allows for less extreme blends, especially when modulating. In the third mode, Fallout, a resonant wide-notch filter is applied to both pre-FX channel signals, cutting a hole and creating a phasing-wah effect when using an expression pedal or LFO to sweep the Splitpoint back and forth.

To further shape the signals sent to your effects, the Transmutron is equipped with dedicated hi and low cut filters. In Fission and Fallout modes, the cutoff frequencies of these filters also define the end-to-end sweepable range of the Splitpoint parameter and its centre frequency. The filters have selectable slopes of 12, 24, or 48 db/oct, which also affects the crossover filter, and greatly enhances the resonance of the wide-notch filter. If further separation of the parallel FX channels is needed, a dedicated phase switch is on-hand.

Both FX channels have two sets of sends and returns: 1/4-in for guitar pedals and line-level effects, and 3.5mm for Eurorack level processing. For each channel, the 1/4-in and 3.5mm FX loops can be used simultaneously, as they are in series (3.5mm then 1/4-in). The FX sends are half-normalled so they can be used as buffered copies without affecting the returns. Additionally, the 3.5mm FX loops for each channel can be independently switched to pedal/line-level using internal dip switches, which allows for seamless integration with the Boredbrain Patchulator 8000.

How complex the reaction is up to you! From simple tone shaping using only a couple effects, to interconnected combinations of pedals and Eurorack modulation madness, the Transmutron is just the tool you need to reactivate your effects!
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 2 in stock $306.51
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