Blue Note Vinyl & CDs

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Guitar virtuoso Julian Lage's Speak To Me is a dynamic Blue Note album produced by Joe Henry. Arriving with 13 original tracks, Lage's compositions navigate a rich tapestry of American music genres, from gospel hymns to California singer-songwriter vibes and skronky jazz. The album's lead single '76' showcases a hard-driving blues essence, while 'As It Were' offers an atmospheric acoustic ballad. With contributions from Kris Davis, Patrick Warren, Levon Henry, and his trusted trio with bassist Jorge Roeder and drummer Dave King, Lage presents a multifaceted musical journey that captivates and enthrals in equal measure here.

Review: By 1960, Georgia-born tenor saxophonist Mobley was at the height of his powers, crafting a trilogy of hard bop masterpiecesiSoul Station, Roll Call and Workout. Roll Call, the middle entry, finds Mobley leading an inspired quintet featuring the young and fiery Freddie Hubbard on trumpet, alongside the rock-solid Soul Station rhythm section of pianist Wynton Kelly, bassist Paul Chambers and the explosive Art Blakey on drums. The result is a hard bop stunner, bursting with energy, interplay and lyrical phrasing. This reissue opens with the dynamic title track, a minor-key powerhouse that jumps out of the speakers, pushing each musician to deliver their best. Mobley and Hubbard's chemistry is electrifying, their solos crackling with urgency. The swaggering 'My Groove Your Move' follows, built on a confident, swinging groove, while 'A Baptist Beat' channels the deep, soulful call-and-response tradition of the black church. A second take of the latter further showcases the group's enthusiasm and spontaneity. The album's only standard, 'The More I See You', is a sublime moment of restraint, with Hubbard's use of the harmon mute adding a delicate, smoky touch. Mobley's playing here epitomises his gift for melodic improvisationisubtle yet deeply expressive. His warm, bluesy tone and sophisticated phrasing made him one of the most lyrical saxophonists of his era. Even decades later, Roll Call remains a cornerstone of hard bop.

Review: Stanley Turrentine's debut as a bandleader arrived in June 1960, just a few months after his notable sideman role on Jimmy Smith's Midnight Special and Back at the Chicken Shack. With these albums cementing his status as a standout player, Blue Note boss Alfred Lion wasted no time bringing Turrentine back into the studio to record his first outing as a leader. The result announced the arrival of his deeply soulful tenor saxophone, immediately marking him as a key figure in the hard bop scene. Turrentine's approach was distinctiveieach note infused with emotion and a deep sense of groove. His compositions, like 'Look Out' and 'Minor Chant', alongside tunes by Parlan and Clifford Brown, revealed his mastery of both melody and rhythm. The session was anchored by a strong rhythm section, featuring pianist Horace Parlan, bassist George Tucker, and drummer Al Harewood, each contributing to the album's powerful sound. A highlight is the ballad 'Journey into Melody', where Turrentine's ability to infuse warmth and depth into a song is on full display. This all-analogue remastering offers a true-to-the-original listening experience, preserving the warmth and clarity of this essential jazz release.

Review: American jazz drummer Tony Williams rose to acclaim as a member of Miles Davis' so-called 'Second Great Quintet'. He later went on to pioneer jazz fusion with the group and formed his own outfit, the Tony Williams Lifetime. In 1986 he released 'Civilization', which marked a triumphant return to Blue Note and a great window into his visionary approach to jazz. Leading a stellar acoustic quintet with Wallace Roney (trumpet), Billy Pierce (sax), Mulgrew Miller (piano) and Charnett Moffett (bass), Williams served up a dynamic set of original compositions that pulse with intensity and technical brilliance, as well as emotional depth, while taking post-bop tradition into new relays. Each player brings sharp improvisational insight, but it's Williams' explosive yet precise drumming that anchors the session.