Review: Canadian producer James Teej is hard to pin down. His glittering, heavily electronic productions sit somewhere between deep house, nu-disco, old-fashioned progressive house and downtempo beats, with occasional nods to the early '90s "intelligent techno" of Orbital. This second album, his first for Last Night on Earth, continues this trend. At its best, it glistens with positive melodies and acid-flecked dancefloor shuffle (see "Leaving the Island" and the bright and breezy "The Last Request"), while there's enough odd turns (the Meat Beat Manifesto-ish "Renunion" and decidedly Balearic "Sun Waltz & The Landing") to keep things fresh.
Copy and paste this code into your web page to create a Juno Player of your chart:
This website uses cookies
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.