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Review: FXHE reissue this 1996 house classic by Marc Pharaoh.
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Review: Alex "Omar" Smith has covered all bases this year, offering up singles that flit between more experimental, off kilter fare, head-nodding beats informed by hip-hop culture and the unique blend of Detroit deep house and techno that has long been his stock-in-trade. His final single of 2019 sees him gleefully charge further towards disco pastures with "Another Man", a bouncy, club-ready house workout that peppers a good-time disco groove (think rubbery slap bass and crunchy drums) with spacey synth sounds, twinkling melodies and male spoken word samples ("I can quite understand... she left me for another man"). He's back on deep house mode on flipside "Suv's AKA Fatass Mobile's", where a drowsy riff and sustained synth strings bob along atop a sea of sweaty machine drums.
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Review: FXHE return with the master of the mysterious OB Ignitt! Arriving roughly a year on from the last slab of Ignitt goodness, Mysterious finds OB on imperious form, once more showing off his penchant for excellent track titles and singular slant on bumping Detroit business. The title track is a veritable epic of unquantifiable emotive stakes, emerging from a heat treated fog and easing into a subtle yet beguiling rhythmic framework which coaxes you into a spell that grows stronger as the track charges electrically forth. Face down, "Celestial Salacious" has that same rough edged bass line growl to it, but the skipping percussion and building layers of instrumentation give the track real energy, whilst you can almost feel the funk dripping off final track "Chocolate City" which sounds like DJ Nature hocked up on MDMA.
… Read morePlayed by: Owen Jay, Alexis Le-Tan, Fat dog, Ernie (Minuendo Recordings), Mental Vibe Construction, Hernan Cronner, Costelloe, Mimi, Zenner, 1DAN, Adesse Versions, Patrice Scott, Sahin Meyer, Philogresz, Horton Jupiter, Jay Simon (Must Have Records), Damon Martin (Disco Bloodbath), Jorge Caiado / Conversion, Nicholas, Dan Beaumont (Classic/Dance Tunnel), Midland, Johannes Volk, Doo, Nowicki, Anna Wall, Djs: Most Charted - Deep House, Jack Fell Down, Mosaik aka Mosaik Kollektif, Cecil (artfuldivision), Alan Dente, Anaxander, Marquis Hawkes, Mad Mats & Tooli / Local Talk
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Cat: AOS 432B. Rel: 01 Aug 08
Deep House
Review: It is hard to believe this EP is now more than 15 years old, because it certainly doesn't sound like it. It is one of literally hundreds of Omar S tunes that has more than stood the test of time for the way it so beguiling blends cold machine sounds and mechanical rhythms with irresistible synth craft. 'The Further You Look The Less You Will See' is all low-fi low end minimalism and glowing melodic warmth. 'Tecky Alexander' is a playful take on that with jittery rhythms and poppy melodies that allow your mind to wander and get lost in the subtly shifting loops. Perfection.
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Review: Omar S adopts a new style for his new Side Trakx project. Detroit house meets sample based hip hop... and it really works. Possibly inspired by the passing of the late Jay Dilla, this music is perfect for relaxing and kicking back, or even warming up the early hours of the club. While Detroit hip-hop producers already proved that there's a mutual creative interaction between the cities house, techno and hip-hop scenes, it's now one of the cities hottest house producers laying down some smoked out, next level instrumentals in the vein of the late genius Jay Dilla, Madlib or Underground Resistance's Hipnotech sublabel.
… Read morePlayed by: WAHEVER
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Review: Marcellus Pittman is one of the forefathers of the raw, gritty, lo-fi house sound that we so strongly associate with the Motor City. This EP for FXHE is a perfect case in point. It manages to be abstract and odd but also exude a human warmth and soul that is unlike anything you can get anywhere else. 'Nyrobi Knight' is a rickety drum workout infused with synth glows, 'Dirty' is depraved and dark and delicious and 'Cherry Lee' is dusty deep house with eerie vocals.
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Review: Omar S treats us to a second release in the space of a week, with a much deserved reissue of some 1996 Roy Davis Jnr rawness across the A Side. The Stevie Wonder classic "All I Do" gets chopped up, laid over a killer Chi town beat filled with instantly gratifying raw drum edits and augmented by some evil bass thumps. Relentlessly brilliant and sounds just as fresh some 14 years on. Echoing a current trend this side plays outwards from the inside groove. On the flip Omar S teams up with DJ B Len D for the bongo heavy deep groove of "Da Teys" a track that's characterised by melodic keys which increase with curveball drama as the track progresses.
… Read morePlayed by: Ka§par, Ernie (Minuendo Recordings), Bad Passion Project, Kone-R (Uncharted Audio), Mick Welch (Elektrosouls), Ksoul, Carlos Nilmmns, JOALZ, Jay Simon (Must Have Records), Juno Recommends Deep House, Davor Ostojic, MR G, Nicholas, [NAKEDLUNCH], Vakula, KevinTsuba, BICEP, Deymare, Native Sound (Cortelyou Road), The Dead Rose Music Company, Bastien Carrara, Sameed
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Review: Omar S is back on FXHE with a seriously sassy piece of ballroom house vamping crying out for someone to walk. 'Miss Hunn'nay' features an insanely catchy vocal hook which loops out over some killer organ flex and a bassline guaranteed to get everyone grooving low down and nasty. It's Omar S at his party starting best. 'Money Hit Da Floor (Instrumental Mix)' brings it tough and deep, all snappy 909 beats, sharp stabs and those thick, immersive pads he does so well. 'Ice Cream (Instrumental Version)' closes this stellar 12" out with another finely chiseled workout which has all the hallmarks of an FXHE staple, rooted in the Motor City tradition but delivered with a panache that belongs to one man and one man only.
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Review: Hot on the heels of the boastfully-titled full-length The Best comes Desert Eagle, Alex Omar Smith's first 12" of 2016. The title track is as bold and brassy as you'd expect from the Detroit producer, with swirling, minor key melodies and woozy chords complimenting swinging machine drums and a deliciously bouncy, suitably tactile synth-bass line. Arguably better is "Cry Me A River", where soulful vocal samples and wonderfully positive melody lines are expertly combined with bumpin', distorted deep house drums. Throw in some sustained note strings and a bustling bassline, and you have another guaranteed floor-filler from the FXHE boss.
… Read morePlayed by: Patrick Luca (Island Issues), Owain Kimber (Owain K), Alex Dallas, Thatmanmonkz (Shadeleaf Music), Per Bojsen-Moller, Juno Recommends Deep House, Moscoman, Petko / Soul Print Recordings, Fabio Monesi (Wilson Records), Agnostic Rhythm, Da GobliNN /Remuted, Djs: Most Charted - Deep House, Don Crisp, Sunsiare, DJ Matpat, Askell (BORG LTD), Resident Advisor, Alan Dente, Lorca, BORG LTD, Shall Not Fade, TAPE_HISS, Thomas wood, LesYeuxOrange, Tilman
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Review: Such is the prolific nature of FXHE at the moment, which ever pressing plant Omar S uses must be pretty happy with their contract. Following swiftly from Omar S's ode to the Axel F sound comes the debut missive from Aaron "Fit" Siegel. Named so thanks to his work at the helm of Fit Distribution, Siegel is a key figure in ensuring the ongoing healthy output of Detroit's house and techno militia and "Tonite" proves to be an auspicious debut. Featuring the vocal talents of L'Renne, the track is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly. Such a track and the tougher B Side Detroit Mix just demonstrate how on top of their game FXHE are right now - big tip!
… Read morePlayed by: La Fleur, Ernie (Minuendo Recordings), Mental Vibe Construction, Far Out Radio Systems, Justin Miller, Eamon Harkin, Mister Saturday Night, Ksoul, Mehdi, Carlos Nilmmns, Thatmanmonkz (Shadeleaf Music), WOLF Music, James Fox, Milton Jackson, Martin Haberland, Jay Simon (Must Have Records), Nick Anthony Simoncino, Juno Recommends Deep House, Nicholas, Bobby., Chamboche, WEEKEND EXPRESS, BICEP, James Duncan, Giorgio Luceri, Fantastic Man, Djs: Most Charted - Deep House, Juno Best Sellers 2016, Sean Brosnan, Caseer, Brother G
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Review: Luke Hess delivered a stunning, dub techno masterclass with this rather unexpected gem on the FXHE label back in 2017 with fellow Motor City great Omar S on production. The superb title track opens with shimmering dub chords and hypnotic rhythms that evolve slowly but powerfully. 'Renewal' offers a more direct approach by channelling the spirit of Brendon Moeller's Beat Pharmacy. On the flip, 'Sacred' strips things back with a staggered groove, airy pads and a one-note bassline circling deep into the night. Closing track 'Motor Dub' nods to Deepchord with its swirling delays and spacious, bass-heavy mix. For fans of Basic Channel and immersive, textured techno, this is irresistible.
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Review: Detroit house maverick and FXHE boss man Omar S is back with a new EP named seemingly in honour of himself. And why not? Few house producers can touch him even 20-plus years into his career. The title cut 'O Maarr' is dry, paired back but immediately catchy with a loved-up vocal loop and knackered kicks that bump along nicely. The second track 'Glass' is for lovers of lo-fi sounds of the sort that this man has made his signature. Searching synths circle the dusty analogue drums and coarse claps add some raw texture. 'Bug Off' is another archetypal Omar S cut - pensive chords that are whimsical and inwardly reflective over chunky beats and bass with brighter chords bursting out of the mix to bring a hint of optimism.
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Review: What more can be said about the output of Alex 'Omar' Smith? The Detroiter's releases have perhaps been a little more varied of late than we've come to expect, but the quality nevertheless remains dizzyingly high. This white label excursion is full of floor-friendly gems, with Smith's use of classic house samples and familiar vocal samples also making it one of his most party-hearted releases for a while. Check, for example, "Catch Ya", where a much-loved turn-of-the-'90s acapella rises above bouncy New Jersey organs and snappy machine drums. "Better Believe It Baby" brilliantly wraps a chiming synth loop and R&B style vocal snippets around a chunky, disco-fired deep house beat, while "Cheat" and "Pull Ovaa" are deliciously dusty, bass-heavy deep house workouts with just the right amount of hypnotic late night charm.
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Review: Kontra stalwart Jason Fine makes a long overdue return to FXHE with two cuts of supreme jack material. Last seen on the Omar S hit machine way back in 2007, Fine announces his return in suitably dramatic terms with the cinematic expanses that characterise the opening moments of "Menage At Tois", though proceedings swiftly settle down into a delightfully bouncing house rhythm of crisp cascading drums and swift fingered key stabs - with the breathy, indecipherable vocal yearnings that occupy the nether regions clearly influencing the title making decisions. The flipside proves to be just as impressive - "Jack Yo Bodda" is an obvious ode to the days of Traxx and jack, commencing with some decidedly gloopy rhythms and an insistent female vocal refrain, your senses are sucked in then blown apart by a massive metallic kick drum sound and growling sub bass. The usual big tip superlatives most definitely apply here!
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Review: Detroit scene stalwart Tink Thomas returns with what we think is his first single under his given name since 1996. Here he showcases his sneaky remixing and re-editing skills, serving up a quartet of homemade, drum machine-driven disco revisions that have probably been staples of his DJ sets for some time. The weightiest of the bunch is bustling, redlined opener "Come On, Come On (Playa Choice Mix)", though both the Melba Moore-sampling "Dancin' (Detroit Disko Dub)" and stomping "Do It Together (Renny Raw Mix)" sound like proper peak-time workouts. The baggy-but-bouncy "Close To Me (Werk On Me Edit)" may be the best of the lot.
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Review: Little seems to be known about Detroit native Marc King, whose introduction to most listeners came via Rick Wilhite's 2010 compilation, Vibes: New & Rare, on Rush Hour. King is something of a veteran, and had previously released 12" singles under a variety of pseudonyms during the mid to late 1990s. Here he pops up on Omar-S's FXHE imprint with a belated debut single under his given name. There's a classic house feel about opener "Equality", which boasts bold organs, synth strings and twinkling piano solos riding a vintage groove. There's a similar mid-to-late-90s feel to the deep, bass-heavy and intoxicating "Loquious", while "Water Of Life" sees King move further towards gnarled techno territory whilst retaining his trademark melodious warmth.
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Review: Omar S is back with 'Psychotic Photosynthesis' on FXHE. This track really does float above the rest, and rather than adhere
to some petty law of nature, it steadily climbs upwards into the realm of the sublime; synths resonating with the tonal vibration
of visceral perfection. Like any other medicine, this record must be prescribed correctly for the above effects to manifest.
… Read moreto some petty law of nature, it steadily climbs upwards into the realm of the sublime; synths resonating with the tonal vibration
of visceral perfection. Like any other medicine, this record must be prescribed correctly for the above effects to manifest.
Played by: Jura Soundsystem, Omar S
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Review: Following his impeccable album Norm-A-Lize last year, Detroit's City Boy Player returns to Alex O Smith's FXHE imprint with five more soul-stirring sessions. "Foundation" lives up to its name with a classic spoken sample and 11pm mood-changing struts, "Detroit 2 Step" has a touch of the Bonobos with its woozy oboes over lightly swung, organic drums. "Fan Ta Cee" flips the mode for something a lot deeper and darker (think Theo's classic remix of "Falling Up" and you're not far off) while "Consciousness" is a cool creative percussive tool with a swooping rise that sweeps and dips in all the right places. Finally we're sent packing with the bold chord-striking piece "Friday Night". If this doesn't have you marching, nothing will.
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Review: The Detroit badman always delivers the goods, but he'd recently focussed on his more house-centric style thanks to a series of sleek, soulful releases. This time, he's come out all guns blazing with this new four-part killer, led by the absolutely nutty groove that is "Sink Holes" - a proper slice of Omar S acid, delivered in fine style and with his inimitable rawness. "HELL ON EARTH" is a moodier, funkier house tip with a jazzy side, while the flipside's "Hit It Bubba (I Want My Dadda's Rekids!!!!)" is a fast, upbeat house bomb with a crazy little disco sample that floats amid the grainy bass drums. "Party Marty" is a no nonsense kind of lick, pouncing away with a steady, yet unmistakably Omar S-style percussion, and a heavy bass blow. This is one hell of a way to make an appearance this early in the year - highly recommended!!
… Read morePlayed by: Jonna, Ben Sims, Dark Circles, DJ Mau Mau, Billy Nasty, Ernie (Minuendo Recordings), Corbi, Fabietto Delgado (Ankle Release), DJ 3000, Dirty Channels, Ionik (Traveller Records, KGS), Thatmanmonkz (Shadeleaf Music), Kid Who, Tiptoes, S-File, Dj soFa, Juno Recommends Deep House, Eddie C, Jamie Behan, TURNTILL, Djs: Most Charted - Deep House, Brame & Hamo, Don Crisp, DJ GLC (Shift LTD), TAPE_HISS, Bloody Mary (Dame-Music, Missile), Danijel Kevic, Slothboogie
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Review: Despite having already released a 16 track album this year, Detroit's finest, Omar S, proves that there is quite simply nothing stopping him as he issues the four track Nelson County. "Don't Let Dis Be HapNin! Comes on like the classic "Psychotic Photosynthesis" at witnessed through a haze of smoked glass, while "U Heard What Da Man Said Muthafukka!!" is something much more driving, like taking a spin on Detroit's streets after dark in a souped up Dodge Charger, before "Nelson County" sees the tough house-focused denouement take place in a dingy backstreet club. As always with Omar S, this stuff doesn't mess about....
… Read morePlayed by: EJECA, Stojche, Local Zero, KAZEY / The Town / ClekClekBoom, Placid, Mark Forshaw, Monty Luke, Ernie (Minuendo Recordings), Dave Miller, Owain Kimber (Owain K), Mental Vibe Construction, Hernan Cronner, Matthew Styles, Bearweasel, Patrick Bateman (Tic Tac Toe), Marcoradi as Hear and Now, Ksoul, Matt Tolfrey, Kid Who, Charles Webster, DJ Bone, Steven Tang (Emphasis Recordings), William WiLD (MindReaders), Jason Hodges, Juno Recommends Deep House, Vakula, Boddika, Ynnad zeugnimod, Roni Nachum (Ubertramp Records), Vadim Griboedov, Giorgio Luceri, DJ PayAndrewBurgerDotCom, Felix Bergleiter (Nonetheless), Jon Reynolds (LANDED Records), Anna Wall, Diego Perrisson, OCH, Tommy Finger Jr., Djs: Most Charted - Deep House, Fulbert, Resident Advisor, Shonky, Cecil (artfuldivision), Soul Of Hex, Anaxander, MIL (Music is Love Records), Marquis Hawkes, Ketsba (Rough House Rosie), MadderModes
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Review: FXHE maintain their monthly heat emission for 2012, with label boss Omar S displaying all aspects of his production prowess (as well as skill for a humorous track titles) across four productions - one of which features the button bashing assistance of one Patrik Sjeren. There's something icily brilliant about the restrained "Income Tax Refund Dance" melding a dark piano riff with snapping 808 kicks and rippling lo fi rhythms which only further justifies the title of Omar S's killer 2011 LP. It's complemented by the far rowdier box jam "The White Castle Song" which jackhammers a simple yet highly flammable key riff over low rent percussion for FXHE's most potent ode to the perfect warehouse moment since the all conquering "Here's Your Trance..." Given the lack of additional info, we presume the Patrik Sjeren that produces the B Side "Untitled" track is the same Patrik Sjeren that released in the mid 90s under a multiplicity of aliases, and his contribution is every bit as incendiary as the track preceding it, whilst "3c 273" sees Omar S slip into pensive utopian electro mode with aplomb.
… Read morePlayed by: Ben Sims, Jimpster, Domenic Cappello, Stojche, Flori, Steve Macri (s_m music/Two&Eight), Ethyl, Ernie (Minuendo Recordings), Owain Kimber (Owain K), Mental Vibe Construction, Eamon Harkin, Mister Saturday Night, Attan, REVERIE, Carlos Nilmmns, Dan Curtin, Charlton, Satore (Hizou Deep Rooted Music), Roberto Rodriguez (Manolo), Juno Recommends Deep House, Jamie Behan, Zoo Look, Sisterhood, Ney Faustini, Frawl, Felix Bergleiter (Nonetheless), Sleep D / Butter Sessions, Djs: Most Charted - Deep House, East Soul Person, Villa Savoye, Desos, Sev Dah, Colman Buckley
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Review: SEX (remixes) makes for another triumphant 12" from the uber prolific FXHE stable and further smears the edges of expectation when it comes to the singular Omar S. Once again utilising the silky vocal delivery of singer L Renee, the four tracks here take divergent stylistic routes but each is magnificent. Keen listeners of Benji B's Radio 1 show will have heard the Conant Garden Posse version on a recent Big Strick guest mix, a devilishly dirty riposte to the Ghetto House aesthetic which has L Renee's vocals gliding over a snapping, raw house beat. Alongside this are two variants done in collaboration between Omar S and Aaron Fit Siegel which sound like they've been particularly inspired by soundtrack to Drive. Check the final Mack & Bewick remix for some detuned analogue nightmare set to a rippling electro beat.
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Review: As he often tell us himself in his track titles, no one does it quite like Omar S. Even listening back to his earliest material from 20-odd years ago, it still sounds fresh and like no one else, which is why it's time to get excited about a bunch of reissues we're got hold of. 'Track 8' is an EP from 2004 with two brilliantly, beautifully raw house cuts that typify exactly what Smith is all about. The first one is eight minutes of scruffy kicks and brushed metal drums with eerie and alien melodies snaking their way through the beats. The second one is very similar in style with even more rawness and an unsettling but intriguing melody.
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Played by: Ernie (Minuendo Recordings), Tr One, Eamon Harkin, Mister Saturday Night, Glimpse, Ksoul, QUELL (2020Vision/These Days/4Lux), Richard Sen, Rising Sun, Steven Tang (Emphasis Recordings), Wesley Matsell, Arnaud Le Texier, Richard Zepezauer (RZ-1), Jolka, Agnostic Rhythm, Manos Mara (Bliq), Sebastian Mullaert aka minilogue, Anaxander
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Review: 'These Complimentary Track'x' is a classic 12" from Omar S - though to be honest, which of his releases aren't classics? - that came back in 2010 and features four of his firing cuts. 'Solely Supported' is a deep and slow burning house sound with a menacing energy. 'Under Jamaica' layers acid synth lines into raw, dusty analogue drums as the claps get increasingly coarse. 'Columns' brings out the 80s r&b loving side of Smith with a heart aching female vocal over deep kicks and 'Boot Hill' shows his fucked up and textural techno side with a twisted sound for dirty warehouses.
… Read morePlayed by: Brian James, Steve Macri (s_m music/Two&Eight), Ernie (Minuendo Recordings), Mental Vibe Construction, Esoteric Orchestra, Bearweasel, Roman Filippov, Alex Dallas, Ksoul, Wes [Cutloose :: Manchester], Michael Zucker - Finale / Balance, Dj joey anderson, Juno Recommends Deep House, Steph_Bomb[A], [NAKEDLUNCH], Vakula, KevinTsuba, Scott Ferguson (Ferrispark Records), MuteOscillator, Native Sound (Cortelyou Road), The Dead Rose Music Company
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Review: MK is now a global house star, but it wasn't that long ago that he couldn't even DJ. Instead, he'd pioneered the dub house sound in the 90s then gone off to become a hip-hop super producer. One of those early gems he crafted was his dub of 'Given' back in 93. It got put out by fellow Detroit great Omar S in 2011 and even today is a crowd-pleasing favourite with the muted horn stabs and garage-inflected, dubbed-out beats. Once you add in Omar S's own 'Sarah', a raw analogue deep house cut with plenty of FXHDE hallmarks like dusty hi-hats and wonky synths and you have a brilliant 12" that is now available once more.
… Read morePlayed by: Tobias Linden I Orange Muse, Tornado Wallace, Steve Macri (s_m music/Two&Eight), Ka§par, Ernie (Minuendo Recordings), Andy Ash, Andy Ticker, Marcello Napoletano, Photonz, Kone-R (Uncharted Audio), ZNTN, Eamon Harkin, Mister Saturday Night, J.Cub - E.A.R / CUB Records, Dario Damerini, Paul Starey, Ksoul, Sames (Godzilla Kebab), Michael Zucker - Finale / Balance, Juno Recommends Deep House, Steph_Bomb[A], Demetrio Giannice (Enterbt Rec.), Nicholas, Lwazi Koom, TENDENCY, WEEKEND EXPRESS, BICEP, Alex Bradley, Baldo, Sisterhood, Huxley, MARCOS CABRAL, Ricardo Miranda, Nathan Drew Larsen, Jordan Peak, Kastil (Soul Notes/Stale), Djs: Most Charted - Deep House
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Review: It is remarkable to think that Detroit badman Omar S's star has in no way diminished since this record first came out in 2004. If anything, he is ever more legendary than ever right now. His style hasn't changed much over the years - he still favours rolling drums, smart samples and bright melodies - but somehow he continues to mine new moods and grooves within that. This one was particularly special, though - the tinny drums seem to root you to the groove but also float, the melodic hook is buried deep but brings a haunting vibe that never lets yup. And that's about it, but that is more than enough when each element makes such an indelible impact.
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Review: New Omar S 12" featuring John FM!
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Review: As the man himself likes to tell us at every opportunity, no one does it quite like Omar S. The Motor City mainstay has been turning out lovely lo-fi, roughshod house grovers packed with emotional heat for decades and never seems to lose any momentum. After a warehouse dig, we have unearthed a few copies of this classic EP from the early days of his FXHE label. The A-side mix of 'Day' features his textbook roughshod drum loops and heart-aching vocal samples that loop infinitely and keep you locked in the moment. The B-side version is more rickety and twitchy for the after-hours.
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Review: Omar S is not only one of the most vital house producers of the last 25 years, but he also has a fine ear for talent. This FXHE Compulation #1 EP dropped a full two decades ago and was the first appearance of now globally renowned headline DJ Seth Troxler. As Young Seth he offered the moody, minimal house gem that is 'Moment' with its dry, gated drums and subtly chord work. Elsewhere, Underground Quality founder Jus-Ed got weird with 'Am-Mix', DJ Snotburger bright raw jack with 'Snotann' and Omar S showcased his icy and futurist style on 'Groove-On'. A historic EP.
… Read morePlayed by: Developer
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Review: No-one embodies the sound of Detroit quite like Omar S. The badman beatmaker has been touring out his idiosyncratic jams for more than two decades and rarely ever misses. Right now we've got a bunch of restocks of his earlier works landing and this one is from right back in the early days of his FXHE label. It opens with the wonky acid and whistle madness of 'Polynesia' then take sin the clunking, mechanical house of 'Churchill', scratchy sounds and wispy synths of the experimental 'Micronesia', low slung house sleaze of 'Frontwardsflip' and phased and drunken bassline madness of 'Nikademas'. Superb.
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Review: New Omar S alert! The FXHE label boss wastes no time in dropping heat this New Year as he once again hooks up with vocalist Desire for this latest house gem. Up first is 'Something Real', in the classic Omar S mould of laying down a deep, heartfelt drum line and then topping it with a mad emotive vocal hook that is filled with r&b goodness and joined by the most subtle cosmic chord motifs. 'Hard Leaf Rag' follows next, so raw it will make your ears tickle with its busted drums and serrated stabs. Then flip it over for 'Conant Leaf Rag', which pairs warbling synth sounds with dusty hi-hats and tight kicks for a nice, full mind and body workout.
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Review: Aaron Siegel's Fit moniker links up with the considerable talents of Gunnar Wendel (better known as Kassem Mosse) for this killer two-tracker on FXHE, and even Omar S gets in on the action with some mixdown assistance. "Track 1" works around sizzling drums, emotive bass and a diverse spread of melodic sources for a simple and direct slice of analogue house. "Track 2" is a real carpet-burn of a track, taking the quality up to a new level with a gorgeous line in lead synths moulded into a thoroughly sexy concoction while the drums stay pert and primed for all manner of sultry floor action.
… Read morePlayed by: Rick Hopkins, Cez (Pop Your Funk), Ben Sims, Brian James, Stojche, Nick P Warren, Flori, Life Recorder, Ernie (Minuendo Recordings), Andy Ticker, Hernan Cronner, Bad Passion Project, Eamon Harkin, Mister Saturday Night, Chicken Lips, M//R, Ksoul, Patrick Richard, Zenner, Watson, Matt Tolfrey, M50, Juno Recommends Deep House, Damon Martin (Disco Bloodbath), Richard Zepezauer (RZ-1), Savile, Juno Plus, Manos Mara (Bliq), Ney Faustini, Da GobliNN /Remuted, Appian, Teshno, Fil Lavin, Sameed, Last Mood
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Pain EP (coloured vinyl 12" (comes in different coloured vinyl, we cannot guarantee which one you will receive))
Cat: AOS 444. Rel: 14 Apr 23
Deep House
Review: Omar S has always seemingly enjoyed working with other local talents and giving them a platform of his own vital FXHE label. That's what he does here as he looks to Motor City creatives in the young King Milo, Tayloe and old friend John F.M. He kicks off in solo mode with some signature stripped back house futurism on 'Tongue Pecker' before 'Pain' is a high speed and sleazy ghetto bumper. The standout is 'I Love Your Girl Friend' (feat John FM) with its heart aching vocal, gorgeous piano chords and deep, dusty drum bumps. A real classic in the making which is followed by another achingly beautiful mix of soulful vocals and grotty lo-fi synth and drums on 'Some Good Loving' (feat Tayloe).
… Read morePlayed by: Tr One, Replika | Common Mode
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OMAR S feat THEO PARRISH
The Grand Son Of Detroit Techno! (1-sided 12")
Cat: OMAR-S(008). Rel: 25 Apr 07
Techno
Review: Detroit heavyweights Omar S and Theo Parrish link up for a one-track release that lives up to its bold title. 'The Grand Son Of Detroit Techno!' stretches over ten minutes of raw, hypnotic movementidusty drum programming, looped keys and a low-slung groove that simmers with intent. Omar S keeps the arrangement locked and heads-down, while Theo's unmistakable fingerprints surface in the swung percussion and deep jazz-inflected textures that evolve across the track's longform structure. It's a meeting of minds that feels completely unforced, rooted in lineage but defiantly forward-facing a release that speaks in fluent Motor City dialect without ever turning nostalgic. Unapologetically stripped, functional and soulful.
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Review: Dub techno don Luke Hess has been a mainstay of Omar S's FXHE label for as long as we, or anyone in fact, can remember. The Motor City talent dropped this particular EP, 'Dubout EP #3.13', back in 2011 but it now resurfaces and has aged to perfection with some extra touches from Smith himself. 'Narrow Road' is strident and direct dub techno with signature FXHE chords. 'Leads To Life' is more liquid and paired back with an undulating bassline and a cosmic feel to the swirling pads. 'Unity Excerpt' closes with more icy beats, hi-hats and skittish synths that snake throughout the mix.
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Review: New Year, same old Omar S - turning out the top quality tunes on a regular basis, all with his own unique sonic imprint but always with a fresh twist each time. This first outing of 2024 on his own FXHE opens up with 'Life Force' which pairs Smith's unique drum sounds - brushed metal, scruffy, raw - with his super sweet synths that always bring the warmth and soul. 'All The Little Hand's Around' is another metallic sound tech house cut with celebratory chord loops up top and well-treated samples, then 'Evil J' shuts down with rasping basslines and glistening 80s keys. Another fine 12" from the Detroit don.
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Review: Bless up Omar S! The FXHE man is always happy to repress and reissue some of his earlier records for those that missed out at the time and here he offers a welcome chance to dig into a veritable slab of label history. AOS002 is where it all began for Omar S, first released way back in 2003 as a four track 12" of tunnelling techno and deftly sampled Detroit house. It's been repressed several times over the years with more recent editions featuring a bonus untitled track deep into the B side. The limited 2015 edition now comes in three different colours; orange, red, or brown. Whichever you chose this should be considered an essential addition to your FXHE collection.
… Read morePlayed by: Agnostic Rhythm
! low stock $15.22
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Review: Omar S' Detroit proud FXHE now has a staunch reputation as one of those buy on sight labels for a reason. This new release by rising star John FM follows up the well-received Alone and Where My Roots Lie EPs. Starting with the soulful machine funk of "Jehks" truly capturing the sounds of the city of industry in its heyday. There's then the fine R&B jam of "Motion" somewhat reminiscent of Theo Parrish & Andrew Ashong, but it's his smooth vocal delivery which undoubtedly makes it his own! On the flip, the mysterious and melancholic Omar-S remix of "Alone" is absolutely sublime, but just wait for the tough acid fuelled groove of "Gump" which truly takes it home in right fashion.
… Read morePlayed by: A-Future
in stock $15.49
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Review: For his latest trick, Alex "Omar" Smith has crafted a killer new tune out of a distinctive gospel soul sample that he first used on much-played 2004 single "Day". Pedants will point out that "That's Me" actually uses a wider variety of sampled loops from the same source track, rather than one specific repetitive section, but either way the results are fantastic. Bumping, distorted, bass-heavy and soulful with more grunt than your average blue movie, the track is a perfect example of how highly effective, life-affirming house music can be made out of the simplest of elements suitably arranged and tweaked. Basically, it's a jazz-flecked, hands-aloft bumper that will get played at a lot of festivals this summer.
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Review: killer new heat from Omar S on his FXHE label featuring Desire on vocals + backed with an instrumental mix.
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Review: Choosing favourites among the prodigious creative outpouring of Omar S isn't easy, but this one from 2009 is usually riding high on any list. 'Here With Me' is the one - a twitchy, futuristic house cut with detuned chords tumbling about the mix while a heart-aching vocal from Diviniti rings out with raw soul. Elsewhere is the raw minimalism of 'Three Blind Rats', the deep throb of 'Stop Running Around' and the forlorn synth work of 'Sign & Drive.' A timeless EP for sure.
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Review: The unique thing about Omar S's music is that no matter how much later you listen to it after its initial release, it still sounds mad futuristic. His dusty grooves and otherworldly synth sounds take on many different forms and atmospheres and for this one back in 2010 it was all about occult cosmic worlds. 'Kosmos 1402' has rickety kicks and hits that spit and fizz with grit and grime, while 'Plesetsk Cosmodrome' then sinks into deep astral worlds with rubbery bass bouncing beneath warped pads and 'Skynet 2 B' has a more playful feel with cute chords and a nice skipping rhythm.
… Read morePlayed by: Negghead, Steve Macri (s_m music/Two&Eight), Ernie (Minuendo Recordings), Eamon Harkin, Mister Saturday Night, Alex Dallas, Marcel Heese, Ksoul, Wes [Cutloose :: Manchester], Rising Sun, Jay Simon (Must Have Records), Dairmount (Room With A View), Juno Recommends Deep House, John Roberts, Nicholas, [NAKEDLUNCH], Richard Zepezauer (RZ-1), Astral T (Astral Love Affair), Vadim Griboedov, Policy
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Review: Marcellus Pittman's #2 EP on FXHE is one of the legendary labels very many early classics. It's originally from 2006 but if this one were to drop now you wouldn't suspect it was almost 20 years old. As always with Pittman, everything is muted and low-key as well as lo-fi. The pad drums on 'Obsession (Datsallivdatsalliv~'^**!!)' are suggestive rather than in your face, and the depths of his bass are bottomless as natty, barely-there synth patterns unfold up top. 'Skylark (Late Morning mix Foool!!)' is similar with swirling dub pads and a skeletal rhythm but this time it's a little more defined with rusty hi-hats. Two absolutely stone-cold classics.
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Review: Omar S teams up with Atlanta based producer Kai Alce for this killer new 12", with the FXHE boss openly suggesting the second B-Side offering is 'ringtone worthy'! The Jive Time EP features three original productions - "Not Phazed", which takes up the whole A Side, while the EP's dancefloor-friendly eponymous track shares the flip with ambient house track "Incognigro". Alce, a Detroit native who now resides in Atlanta, has had a fine year, releasing a tidy little 7" on FXHE back in April as well as a collaborative EP with Englishman Phil Asher and Atlanta vocalist Kayenne. Killer release.
… Read morePlayed by: Cez (Pop Your Funk), Hannulelauri, Domenic Cappello, [mxm], Ryan Shaw (Eclectic Avenue Records), Matt Long (FINA Records/mono_cult), Steve Macri (s_m music/Two&Eight), Ethyl, Ernie (Minuendo Recordings), Mental Vibe Construction, ARSENII, Esoteric Orchestra, Ksoul, Basic Soul Unit, Michael Zucker - Finale / Balance, Jay Tripwire, ISOUL8 (Volcov), Steven Tang (Emphasis Recordings), Dj joey anderson, Deep Space Orchestra, Juno Recommends Deep House, Scott Grooves, Carl (Thug Records), Steph_Bomb[A], Lwazi Koom, [NAKEDLUNCH], Vakula, TENDENCY, DISCREET UNIT, BICEP, Manos Mara (Bliq), Steffi, Djs: Most Charted - Deep House, Don Crisp
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Review: With a title like Annoying Mumbling Alkaholik, you'd expect this three-tracker from the mighty Alex "Omar" Smith to be full of pent-up anger and bitter frustration. Sure, there's a raging rawness about the third track - an undulating trip into spiraling acid territory - but for the most part the EP is a beacon of simple beauty. The opening track is particularly picturesque, with beautiful, new-age influenced melodies and immersive pads riding a cymbal-heavy Detroit deep house groove. There's more Mood Hut/Future Times style synth work on the Tangerine Dream influenced "Track 2", which contrasts deep, sun-kissed melodic loops with a fuzzy drum machine groove.
… Read morePlayed by: MOIRE PATTERNS, Hernan Cronner, Mimi, Tripeo, Toby Tobias, Kid Who, Steven Tang (Emphasis Recordings), Jay Simon (Must Have Records), M50, Juno Recommends Deep House, Jorge Caiado / Conversion, Roni Nachum (Ubertramp Records), Jamie Fatneck, Jimini, K-HAND, Frederick, Woody Wood Jr., Joe Montana, Tommy Finger Jr., Djs: Most Charted - Deep House, Resident Advisor, Cecil (artfuldivision), Last Mood, Nummer, Ghost Culture, MadderModes, Ptaki, Borrowed Identity, Louis Hughes (Bare Bones Wax), DJ Monchan
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Cat: FXHE-0&0. Rel: 11 Jan 12
Deep House
Review: After more or less owning 2011 with a surprise album, a collaboration with urban crooner Colonel Abrams, an ahead-of-the-game reissue of Marc Kinchen and the all-conquering "Here's Your Trance Now Dance", FXHE don Omar S kicks off a new year with Wayne County Hills Cops Pt 2 (where, we ask, was Part 1?), a hook-up with the mysterious OB IGNITT. The eponymous A-Side is characterised by the kind of glistening synths last seen on "Here's Your Trance...", with a rugged analogue bass line giving the track with the requisite bump. A tired cliche it may be, but this could easily soundtrack an 80s cop movie: clearly Omar has this in mind given the 12"'s title and the fact the record's centre label features a doctored image of Eddie Murphy from Beverly Hills Cop! On the flip, Omar S provides his own remix, drowning the synths in dubby textures and showering them with shuffling hats for a more heads-down take. Another killer 12" - business as usual at FXHE, then.
… Read morePlayed by: Rick Hopkins, Sound Shelter, Alexis Le-Tan, OOFT!, La Fleur, Lexx, Kleo(kleekrecordings), Matt Long (FINA Records/mono_cult), Ernie (Minuendo Recordings), Andy Ash, Bad Passion Project, Kone-R (Uncharted Audio), Justin Van Der Volgen, Scott Fraser, Eamon Harkin, Mister Saturday Night, Vahagn (Paradise Valley), Ksoul, Zenner, Johannes Albert, Karousel, LAYUP, Kid Who, DJ Tane Lee, Martin Haberland, Charlton, Elitechnique, Roberto Rodriguez (Manolo), Session Victim, Juno Recommends Deep House, Free Magic, Permanent Vacation, Carl (Thug Records), Nicholas, Dj Rame Pastaboys, Chamboche, Fabio Monesi (Wilson Records), Simonlebon (Luv Shack Records), Djs: Most Charted - Deep House, Anton Mayer, Villa Savoye, James Priestley
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Review: FXHE has been brimming with activity in recent times, with a steadfast flurry of singles refusing to let the quality drop, and now the big bossman delivers another two slices of finely cured business in his inimitable style. The lead track is an arresting piece with just a kick to drive proceedings, leaving ample room for a haunting array of bleeps and a 'speak & spell' vocal until the track slowly ramps up with some more prominent drum programming. "Mayall II" on the flip is a less tense affair, with a cheery string refrain and old school jack-in-the-box beats disseminated in a plain and simple fashion.
… Read morePlayed by: Chris Duckenfield, Simon Heartfield, Miles Simpson, Marco Febbraro, John Heckle, Skudge, Costelloe, Marcel Heese, Rising Sun, Nick Anthony Simoncino, Jamie Behan, Richard Zepezauer (RZ-1), Metrobox, Love Hotel District, OLDERIC, Leri Ahel, Ney Faustini, Da GobliNN /Remuted, RUF DUG, Sean Innit, Psyk, MARCOS CABRAL, Beto Cravioto, Kastil (Soul Notes/Stale), Departures Records, Djs: Most Charted - Deep House, Rivet, Resident Advisor, Roman Lindau, A Sagittariun
… Read more in stock $16.05
