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Notes: You cannot describe exactly what it is; you can make any kind of music using The DROP, from roots pre-sequences techno to ambient landscapes, from 8-bit craze to pop-style dancy-fancies. And you'll play it live! The DROP is designed to be played, like any other musical instrument.

A self-contained analog groovebox, that uses LFO as a clock generator with divider - no programming needed to get highly complex absolutely crazy neverending and never repeating (analog!) rhythmic galore and fractal textures. Otherwise, it can be triggered manually with a pad, or via external trigger; so it works like a highly sophisticated drum module.

Six unique analog noise osclilators, classic BD generator with old-style analog VCA, sub-octave oscillator with an extra click; all patched (or repatched) to two wide-range LFOs or anything external - via bananas - for neverending rhytmic galore, and then soaked in a specially designed analog saturation. Full, bold, vivid and textured, rich analog sound; because of a highly ingenious, odd and peculiar circuits. Think NOS, discrete, germanium and unobtanium.

Thanks to a fully analogue design The DROP can play the same sequence for hours without being annoying. A vast field for experimentation thanks to a modular design with all its inputs and outputs. You'll lose yourself in a black hole of sounds repatching it even without any external modules. Banana sockets used in The DROP are compatible with any external synths and modules; eurorack or buchla or analog sync; no problem. You can even use bare cable without jacks to patch bananas. What about playing The DROP with jacks touching banana sockets? Did you know that your bare fingers are good for patching it too? Go bananas!

Drop is bringing back the real, instant joy and fun of playing electronic instruments live, for music beyond grids, borders, and programming, that makes an art happen as a reward.

Mad Sound Factory DROP offers a wide range of sounds including kicks, basses, hi-hats, and weird noises. With features such as tone generator, mixer section, noise generator, and two LFOs, The DROP allows for creative patching and modulation possibilities. The instrument also offers a unique DROP button that can trigger sounds and add a fun element to performance. It can be controlled through analog clock signals or MIDI sync. Designed for both live performances and studio use, this instrument offers a wide range of sonic possibilities for musicians looking to experiment with rhythm and sound design. The DROP is pretty compact - it easily fits in a backpack or ordinary shopper or whatever you use to drop your swimsuit to. It can be powered via USB-C from any power bank, phone charger or a laptop, pocket nuclear reactor or even a solar battery, if your star is close enough and you have enough sunny days to play with it. Modern world demands and requirements.

Notes: With a premium 88-key hammer-action keybed, over 1600 stage-ready sounds, and deep integration with Arturia's ecosystem, AstroLab 88 delivers an expressive, reliable, and inspiring experience - from studio to stage.

AstroLab 88 features a premium Fatar TP-40 hammer-action keybed with triple sensors and channel aftertouch. This ensures a highly expressive and responsive playing experience, capturing every nuance of your performance as well as providing more space for split keyboard arrangements.

AstroLab 88 comes with over 1,600 onboard presets specifically designed for live performance. It also allows you to integrate a near-infinite range of custom sounds through Analog Lab, V Collection, and Pigments. Transition seamlessly between beautifully authentic pianos, staple vintage keyboard timbres, and cutting-edge modern synth textures.

AstroLab lets you travel from the stage to the studio and back, without ever needing to compromise on sound quality and playability. Every aspect of AstroLab has been designed with the live musician in mind, including an aluminum and bakelite housing. Every unit is thoroughly tested to ensure it's tour-worthy and ready to stand out at your next live show.

AstroLab 88 is designed for the stage. With fast, intuitive controls like quick sound selection, four assignable macros, and a clear navigation interface, it's built to keep you focused on your performance. Whether you're switching presets mid-set or dialing in effects on the fly, AstroLab gives you total control without breaking your flow.

Craft your sound before the show and adapt on the go. Use the AstroLab mobile app to organize presets, build setlists, and manage your library from anywhere. And with Analog Lab Pro included, you can tweak presets, create multi-instruments and send custom patches straight to AstroLab for your next rehearsal or gig. If you own individual software titles, you can make use of the full instrument view and go even deeper into custom sound design.

Notes: The Nord Wave 2 is a powerful 4-part performance synthesizer combining Virtual Analog synthesis, Samples, FM and Wavetable with an intuitive layer-focused interface. With 48 voice polyphony, innovative performance features and hands-on controls, the Nord Wave 2 offers outstanding sonic possibilities with advanced layering and tweaking on the fly.

With 4 independent synthesizers in one the Nord Wave 2 offers exceptional possibilities for layering both classic waveforms and samples. Dedicated OLED displays for Program and Oscillator sections provide an excellent overview when shaping your sounds. The wide range of performance features and instantly tweakable hands-on effects makes the Wave 2 our most versatile performance synthesizer ever. The new Monitor mode displays your settings for Amp Envelope and Filters in the Program display for better overview and control.

The Wave 2 features a Program Layer section with faders for easily controlling the volume or pan for all 4 layer parts at once. The Layer section also provides handy features for quick layer focus, pan control, solo and multi-editing. The Split mode offers three split points providing up to 4 zones with optional crossfades. The flexible Hold functionality lets you latch and hold slots independently in the background while playing something else on top. The new Group feature allows you to group 2, 3 or 4 layers and lets them share the same Filter, Envelope, Arpeggiator, LFO and Effect-settings - perfect when creating complex multi-layered sounds that can be edited as one coherent sound.

The Oscillator section for each of the 4 layers offers 4 modes: Analog, Wavetable, FM and Samples and is easily browsed with our new direct category mode. The Oscillator Control features additional control over shape, sync or detune. The Wave 2 features a powerful multi-oscillator Unison effect with true Superwaves simultaneously generating hundreds of waveforms for extremely thick and fat sounds.

The Sample section has 1 GB of memory and comes loaded with a wide selection of quality samples including Strings, Brass, Guitars, Choirs, Chromatic Percussion as well as the exclusively licensed sounds of the legendary Mellotron and Chamberlin. All sounds are easily replaceable using the Nord Sound Manager. Adding your own custom sample instruments has never been easier thanks to the new streamlined Nord Sample Editor 3 for Mac and Windows that lets you map, loop and transfer samples to your Nord Wave 2 in a breeze.

The Filter section has 6 Filter types featuring classic 12 and 24 dB Low Pass, a High Pass, High Pass/Low Pass and a Band Pass filter, together with a stunning emulation of the transistor ladder filter from the legendary Mini. The unique modeling of these filters captures the true character and response of the classic analog instruments, allowing for flexible and precise sound design. The Filter section is equippied with full ADSR envelope.

The Wave 2 features a dedicated LFO for each layer with a choice of waveforms plus AD/AR Modulation Envelope with dedicated velocity setting and Invert mode. The LFO has several morphable parameters and the rate can be synchronized to the Master Clock.

The Amp Section is equipped with a full ADSR envelope featuring a powerful new Transient Attack mode for adding more punch to your sounds.

The Wave 2 features an extensive range of morphable parameters that can be controlled from four different sources: Velocity, Aftertouch, Wheel and Control Pedal. All morph sources can be quickly assigned to control multiple parameters simultaneously and the powerful Impulse Morph feature lets you instantly change any parameter of your sound. Instantly assign LFO, Oscillator Control or Filter to the Modulation Wheel.

The Nord Wave 2 is truly a rhythmical powerhouse with both a classic arpeggiator and a polyphonic mode with directly editable patterns. The Poly mode is a polyphonic Arpeggiator that will retrig all held keys either straight or patterned featuring different inversions for exciting harmonic variations. The brand new Gate mode chops your sound up in a rhythmic pattern with adjustable depth. The Pattern mode contains a wide selection of Rhythmic Patterns allows easy editing for creating your own custom patterns.

The Master Clock of the Wave 2 allows the LFO, Arpeggiator and various effects to be synchronized, either internally or by an external MIDI clock. With Master Clock synchronization you can synchronize 4 layers with individual patterns, all perfectly in sync with Delays and LFO's. A Tap Tempo allows you to easily tap to the tempo of a drummer or to playback tracks.

A separate Effect section for each layer featuring a great selection of instantly tweakable high quality stereo effects modelled after classic stomp boxes. Tremolo, Pan, Ring Modulator, Chorus, Ensemble and Vibe effects with Rate and Amount control. All effects are controllable via Control Pedal (or other Morph sources) and can also be synchronized to the Master Clock for rhythmic effects. EQ with Bass and Treble control - or 1 Band Sweepable EQ. A sparkling Tube Drive emulation is also available. Advanced stereo Delay effect with Ping Pong mode, Analog Mode and Tap Tempo. New features include creative new Feedback options for adding Ensemble, Chorus, Vibe as well as HP/LP and BP filter in the Feedback loop. The Reverb section has five different Reverb sizes (Booth, Room, Stage, Hall and new Cathedral) for adding some ambience to your sounds, and the amount is now morphable. New features include Bright and Dark modes for either extended or reduced treble. The new Chorale effect adds a lush modulation effect.

Notes: Uranograph is a musical instrument that merges the expressive depth of classical instruments with the limitless possibilities of synthesis. Its capacitive tactile keys, instant note articulation, and MPE-inspired keyboard encourage musicians to develop a deep connection with its behavior, refine its technique, and master its nuances. With its ability to effortlessly reproduce microtonal notes, Uranograph is well-suited for exploring diverse musical expressions and cultural scale. Designed as a self-contained sonic ecosystem, Uranograph integrates an extensive 5 voices synthesis core, FX processing (both for internal and external sources), and looping into a seamless creative tool.

Uranograph's dual keyboards layout is more than just an input devices - it's the expressive heart of the instrument, offering an intuitive yet deeply responsive interface for performance and sound exploration. Their stainless steel touch plates provide an ultra-sensitive playing experience, responding to the most delicate gestures with precision and nuance. Unlike conventional mechanical keybeds, Uranograph's capacitive surface allows immediate, fluid articulation, enabling new microtonal performance, dynamic phrasing, and real-time sound shaping possibilities.

Uranograph's keyboard is highly responsive to touch, velocity, and aftertouch pressure. Each press translates into a continuous, organic sound variation, making it possible to shape phrases naturally, much like on stringed or wind instruments.By default, pressure is routed to the instrument's VCA/filter, and the envelope sustains level volume. An additional routing can be set to send the intensity of pressure to whatever other parameters you prefer, a dedicated knob is also implemented for instant control of the amount of this. This continuous pressure-sensitive surface offers a playing experience closer to acoustic instruments, bridging the gap between electronic synthesis and natural musical expression.

Uranograph notes output takes advantage of a series of prepared Keyboard, where each key can be easily assigned to any pitch or pure frequency, offering complete keyboard design and tuning flexibility. Whether adhering to traditional Western tuning, exploring Arabic maqams, Indian ragas, Just Intonation, or experimental microtonal divisions, Uranograph provides an expansive range of tonal possibilities. Preloaded with 50+ keyboard layouts Customizable keyboards allow users to design and store personalized layouts. Instant recall ensures seamless transitions between different tonal systems.This adaptability makes Uranograph an ideal instrument for non-standard tuning, enabling deep engagement with diverse musical traditions and avant-garde soundscapes.

Beyond pitch control, Uranograph features a dedicated control keyboard designed for dynamic, hands-on sound transformation. Unlike traditional mod wheels or faders, this touch-based control surface enables intuitive, real-time interaction with synthesis parameters, allowing for expressive, gestural modulation.
The control keyboard is divided into three functional sections: Articulation, Octave Shift, and ModKeys.

Three dedicated articulation plates provide instant access to advanced phrasing techniques and canonic musical articulations found in stringed instruments: glissando, trillo, and staccato:

Glissando: Enables smooth pitch slides between notes

Staccato: Shortens note duration, creating a percussive attack

Trillo: Rapidly alternates between notes

Each articulation can be activated momentarily (by holding the plate) or latched (by tapping once), offering precise control over phrasing. This flexibility allows musicians to engage articulations selectively, shaping expression dynamically within a phrase. They can introduce variation within a note and the successive one or as a general character of the part.
Three faders are implemented on the panel to quickly change the articulation's behaviors.

Four ModKeys serve as fully assignable, pressure-sensitive controllers for precise real-time modulation of synthesis parameters. Each plate dynamically responds to pressure, enabling simultaneous control over multiple parameters. By integrating expressive modulation gestures with the performance keyboard, players can shape fluid, evolving textures that respond organically to touch - enhancing expressivity and immediacy in synthesis. ModKey destinations and maximum values can be adjusted in the menu and stored during pattern changes.

At the bottom, two integrated octave shift plates provide instant transposition, allowing players to increase or decrease the octave range in momentary or latching modes:

Momentary Mode: Holding a plate temporarily shifts the octave.

Latching Mode: Tapping once locks the new octave until changed.

Bend Mode: Pressing both octave plates simultaneously activates the pitch bend feature, allowing for fluid and expressive pitch manipulation, similar to bending notes on stringed instruments.

Uranograph's core is built on additive and phase morphing synthesis, offering an innovative approach to shaping its five oscillators. The primary sound source is a core oscillator that starts as a pure sine wave and transforms through multiple synthesis techniques, generating a spectrum of timbres from warm, organic tones to sharp, digital textures. Uranograph provides multiple methods to modify the primary sine wave, introducing even and odd harmonics and sidebands, shaping both harmonic and inharmonic spectra. By altering the phase of a sine wave without changing its fundamental frequency, Uranograph transforms simple waveforms into dynamically evolving textures that range from warm and bell-like to metallic and aggressive:

Size (Phase Warping & Spectral Expansion): Stretches waveforms, altering harmonics similar to pulse-width modulation.

Tilt (Asymmetric Amplitude Distortion): Inspired by the Casio CZ series, this phase distortion skews waveforms asymmetrically, generating sounds from soft and vocal-like to harsh and metallic.

Fold (Wave Folding): Nonlinear reflection of signals creates a harmonic-rich spectrum, akin to West Coast synthesis.

The core oscillator can be split and harmonized into three voices, each following a chromatically quantized deviation from the main frequency set by the keyboard. This deviation can be changed trough two multi function programmable faders. This creates chord-like voicings, which are ideal for harmonic layering and ensemble effects. This enables Uranograph to function more as a harmonizer effect than a standard polyphonic synth. The three voices are direct copies of the primary waveform and inherit all parameter modifications from the panel, ensuring a cohesive harmonic response across all voices.

The central core oscillator works in a dual-spectrum configuration with a dedicated sub-octave oscillator. While the core oscillator's rich harmonics define the upper-frequency spectrum, the sub-generator reinforces lower frequencies, ensuring depth and body. Waveforms: Sine, saw, and square waveforms selectable via a switch. Selectable Sub Frequencies: unison, one or two octave below.

Completing the architecture, a dedicated modulation oscillator serves as either an additional fifth voice or a modulation source. Frequency follows the keyboard, but its base rate is controlled via the speed knob. The frequency range is 0.001 Hz to 3,000 Hz, allowing for both slow-evolving modulation and audio rate for rich spectral transformations. Waveforms: Sine, saw, and random noise selectable via a dedicated switch. A dedicated modulation amount knob determines how the modulator interacts with different synthesis parameters selected through a rotary potentiometer: AM, FM, Size, Tilt, Fold, or mix. This final layer opens the door to classic and unconventional sonic textures, making the Uranograph a versatile tool for sound design exploration and experimental synthesis.

In Uranograph's additive and phase-morphing synthesis architecture, the filter plays a different role than in traditional subtractive synthesis. Unlike classic synths where filtering is crucial for shaping harmonics, Uranograph's core oscillators inherently define the harmonic content through their phase manipulation and additive processes. As a result, harmonic reduction and spectral shaping are already embedded in the sound generation itself. After the summation of the core oscillator, SUB, and MOD, Uranograph features a versatile circuit that functions as a VCA / Low Pass Gate (LPG) hybrid. The resonance, ranging from subtle warmth to highly aggressive self-oscillation, add an organic response to dynamic playing.

Uranograph's core sound engine is enhanced by a suite of tailored DSP effects, meticulously designed to shape and refine every aspect of its timbres. These effects are fully integrated into the synthesis architecture, ensuring seamless interaction with the instrument's dynamic sound design. From spatial depth to harmonic reinforcement, these tools expand the Uranograph's sonic capabilities, offering immersive and evolving textures. Uranograph's stereo delay system is engineered for rhythmic enhancement and spectral manipulation, seamlessly blending traditional echo effects with Karplus-Strong-style resonation.
DeltaT knob controls delay time with two distinct behaviors: in the first 25% of its range, time adjustment functions as a micro-timed continuous shift, allowing the delay to function as a resonator, producing rich tonal textures.

Notes: A Streamlined Classic! Maander-M Wavetable Synth with Analog Filterbank & Sequencer

The Flame MAANDER-M is a compact reimagining of a well-regarded classic from the Flame lineup - now more affordable and streamlined, but still packed with the same sonic depth. At its core is a wavetable synth engine, fed into the 12-channel analog bandpass filter bank, controlled by the internal pattern sequencer.

Sound sources include a polyphonic wavetable and FM oscillator, an analog white noise generator and an external audio input. The internal sequencer offers one polyphonic note track (up to 4-voice chords) and 14 mono tracks. The latter are dedicated to the filter channels, the audio input, and the noise source. Each track has its own VCA with individual envelope control and is accessible via MIDI notes.

Patterns can be created and saved as patches, and played live with ease. The built-in arpeggiator and keyboard scaler make the MAANDER a powerful tool for live jamming and generative sequencing. Updates, patch management, and wavetable loading are handled conveniently via MIDI SysEx.

New in this version: direct oscillator output, stereo noise output, and stereo audio input. Maander comes fully mounted in a powered 56HP wooden skiff to get started right away.

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: The Chromaplane is an instrument created in collaboration between KOMA Elektronik & Passepartout Duo.

The Chromaplane is played using two electromagnetic pickup coils, that are moved over its surface to listen to a cloud of electromagnetic fields produced by the instrument.These ten fields are represented by small indicators on the instrument's surface.

The Chromaplane is fully polyphonic, meaning that all ten of the instrument's analogue square wave oscillators are always sounding - this makes the instrument ideal for both sculpting complex drones, and playing agile melodies. Each field can be tuned using its corresponding adjustment screw. The oscillators are additionally organized into three rows, each with a switch that drops that row's pitch one octave.

The timbre of the Chromaplane can be further shaped using its internal VCF, a 4-pole low pass filter that darkens the instrument's sound and is also modulated by the internal audio signal, allowing for rich harmonic sounds and timbres reminiscent of frequency modulation. A lo-fi delay/echo effect with CV controlled time adds a sense of ambiance and rhythmicity to the dry signal's output.

The Chromaplane also features an external audio input, allowing the player to route other sounds to one electromagnetic field on the instrument's surface. The instrument's envelope output can also be used to modulate parameters on the instrument, or on other hardware synthesizers.

The Chromaplane includes: The Chromaplane itself, 2 pickup coils, 1 tuning screwdriver, 1 power adapter that works worldwide, 1 manual

Notes: Discover the perfect harmony of our top-of-the-line modules with our ORACLE system - a meticulously crafted 66hp stereo desktop instrument that seamlessly integrates our selection of eurorack modules: a full-featured system that offers a vast array of capabilities in a compact form factor. With ORACLE, you can dig into unorthodox sequencing, interactive modulation, and innovative stereo sounds- spanning styles ranging from ambient to techno, as well as experimental soundscapes and sound design.

At the heart of the system is our renowned module Chaos; within this compact ecosystem, it can unleash its full potential and seamlessly integrate with the other modules.

Chaos can produce control signals quickly and creatively with minimal user input. It can be used as a rhythmic or melodic sequencer, as a random or deterministic source of modulation: A random stream of data that you can manipulate at your linking and then loop.

Our ORACLE system is, indeed, built on the fundamental concept of loops, a powerful and versatile technique used in many forms of audio production. While loops are traditionally used to repeat audio samples, our system, ORACLE, expands on this concept by allowing you to loop various elements, including gestural movements, waveforms, note progressions, and beats from random sources.

With Thererec, our sketchable dual-channel function generator, you can experiment with your system's interaction differently. Move your hands over the sensors and loop your movements to create intricate voltage patterns, envelopes, or LFOs. With Thererec, you can unlock a new level of creativity in your system design.

One of the key features that sets our system apart is our advanced stereo oscillator, Proteo. With its innovative approach, it can convert any voltage source into high-quality audio waveforms and put them in a loop.Waveforms can be frozen or left in a constantly evolving state, giving Proteo an unheard distinctive sound. With Proteo, you can explore new territories and experiment with different audio sources, allowing you to create truly unique stereo sounds.

Axis includes all the classic blocks for audio amplitude management, such as a dual-function generator, dual VCA, a crossfader, channel volume, AM modulation, and dynamic control capabilities like velocity.The idea is to manipulate a sound over three axes: its length, its volume, and its place inside the stereo field.

At the end of the chain, Endline is our ultimate solution for your summing and outputs needs. This high-quality module offers four stereo channels of summing, sub-mix capabilities, two sends and returns, a headphone output, and transformer-balanced outputs.

Notes: Discover the perfect harmony of our top-of-the-line modules with our ORACLE system - a meticulously crafted 66hp stereo desktop instrument that seamlessly integrates our selection of eurorack modules: a full-featured system that offers a vast array of capabilities in a compact form factor. With ORACLE, you can dig into unorthodox sequencing, interactive modulation, and innovative stereo sounds- spanning styles ranging from ambient to techno, as well as experimental soundscapes and sound design.

At the heart of the system is our renowned module Chaos; within this compact ecosystem, it can unleash its full potential and seamlessly integrate with the other modules.

Chaos can produce control signals quickly and creatively with minimal user input. It can be used as a rhythmic or melodic sequencer, as a random or deterministic source of modulation: A random stream of data that you can manipulate at your linking and then loop.

Our ORACLE system is, indeed, built on the fundamental concept of loops, a powerful and versatile technique used in many forms of audio production. While loops are traditionally used to repeat audio samples, our system, ORACLE, expands on this concept by allowing you to loop various elements, including gestural movements, waveforms, note progressions, and beats from random sources.

With Thererec, our sketchable dual-channel function generator, you can experiment with your system's interaction differently. Move your hands over the sensors and loop your movements to create intricate voltage patterns, envelopes, or LFOs. With Thererec, you can unlock a new level of creativity in your system design.

One of the key features that sets our system apart is our advanced stereo oscillator, Proteo. With its innovative approach, it can convert any voltage source into high-quality audio waveforms and put them in a loop.Waveforms can be frozen or left in a constantly evolving state, giving Proteo an unheard distinctive sound. With Proteo, you can explore new territories and experiment with different audio sources, allowing you to create truly unique stereo sounds.

Axis includes all the classic blocks for audio amplitude management, such as a dual-function generator, dual VCA, a crossfader, channel volume, AM modulation, and dynamic control capabilities like velocity.The idea is to manipulate a sound over three axes: its length, its volume, and its place inside the stereo field.

At the end of the chain, Endline is our ultimate solution for your summing and outputs needs. This high-quality module offers four stereo channels of summing, sub-mix capabilities, two sends and returns, a headphone output, and transformer-balanced outputs.