Intellijel

Notes: A high-quality, custom Eurorack patch cable and bundled them in handy packs of four (4).

Instead of rainbow packs, each colour will be linked to a specific size, offering extra convenience for patching and sorting cable lengths.

Each pack of four comes with a custom velcro cable tie and is attached to a cardboard display hangar, in an effort to reduce plastic packaging where possible.

Notes: A high-quality, custom Eurorack patch cable and bundled them in handy packs of four (4).

Instead of rainbow packs, each colour will be linked to a specific size, offering extra convenience for patching and sorting cable lengths.

Each pack of four comes with a custom velcro cable tie and is attached to a cardboard display hangar, in an effort to reduce plastic packaging where possible.

Notes: A high-quality, custom Eurorack patch cable and bundled them in handy packs of four (4).

Instead of rainbow packs, each colour will be linked to a specific size, offering extra convenience for patching and sorting cable lengths.

Each pack of four comes with a custom velcro cable tie and is attached to a cardboard display hangar, in an effort to reduce plastic packaging where possible.

Notes: A high-quality, custom Eurorack patch cable and bundled them in handy packs of four (4).

Instead of rainbow packs, each colour will be linked to a specific size, offering extra convenience for patching and sorting cable lengths.

Each pack of four comes with a custom velcro cable tie and is attached to a cardboard display hangar, in an effort to reduce plastic packaging where possible.

Notes: A high-quality, custom Eurorack patch cable and bundled them in handy packs of four (4).

Instead of rainbow packs, each colour will be linked to a specific size, offering extra convenience for patching and sorting cable lengths.

Each pack of four comes with a custom velcro cable tie and is attached to a cardboard display hangar, in an effort to reduce plastic packaging where possible.

Notes: 4U x 104HP Gig Bag (For Palette)

Clearance to leave your system patched and with a Palette 104 Decksaver Lid attached

Padded main compartment protects your case from bumps and scratches

Waterproof zippers

Zipped outer pocket for stuffing accessories and other gear

The rear pocket closes with velcro at the top but unzips at the bottom to become a handle sheath so your case can sit on top of a rolling suitcase.

Super beefy strap connectors with clipped strap

Padded Handle

Lightweight

Notes: A high-quality, custom Eurorack patch cable and bundled them in handy packs of four (4).

Instead of rainbow packs, each colour will be linked to a specific size, offering extra convenience for patching and sorting cable lengths.

Each pack of four comes with a custom velcro cable tie and is attached to a cardboard display hangar, in an effort to reduce plastic packaging where possible.

Notes: A high-quality, custom Eurorack patch cable and bundled them in handy packs of four (4).

Instead of rainbow packs, each colour will be linked to a specific size, offering extra convenience for patching and sorting cable lengths.

Each pack of four comes with a custom velcro cable tie and is attached to a cardboard display hangar, in an effort to reduce plastic packaging where possible.

Notes: 7U x 104HP Gig Bag

Sized to perfectly fit the 7U x 104HP Performance Cases.

The padded main compartment protects your case from bumps and scratches

Waterproof zippers

Outer pocket for stuffing accessories and other gear (great for adding the Intellijel Pouch filled with cables and hubs)

The rear pocket closes with velcro at top but unzips at the bottom to become a handle sheath so your case can sit on top of a rolling suitcase.

Rugged strap connectors with clipped strap

Carry handles

Lightweight

Notes: A high-quality, custom Eurorack patch cable and bundled them in handy packs of four (4).

Instead of rainbow packs, each colour will be linked to a specific size, offering extra convenience for patching and sorting cable lengths.

Each pack of four comes with a custom velcro cable tie and is attached to a cardboard display hangar, in an effort to reduce plastic packaging where possible.

Notes: A high-quality, custom Eurorack patch cable and bundled them in handy packs of four (4).

Instead of rainbow packs, each colour will be linked to a specific size, offering extra convenience for patching and sorting cable lengths.

Each pack of four comes with a custom velcro cable tie and is attached to a cardboard display hangar, in an effort to reduce plastic packaging where possible.

Notes: Updated Atlantix module is an even better synth voice than the original Atlantis. Based on the Roland SH-101 formula, it's a monster with dual VCOs, legendary filter and built-in envelope generator. All you need for iconic analogue sounds.

Supplier's Notes:
Atlantix

Dual Oscillator Subtractive Analogue Synth Voice

It's Massive

The Atlantix is a complete analogue synth voice. It's quick to dial in huge bass or lead sounds, and easy to push it into new sonic territory. Dual VCOs, Multimode VCF, VCA with Drive, and an ADSR envelope; all of the building blocks needed to expand or start making sound in your rack. With 32 patch points and a selection of routing switches, you can remix these blocks into something all your own.

Reimagining a Reimagined Classic

The Atlantix is the highly-anticipated successor to the Intellijel Atlantis which was originally inspired by the classic Roland SH-101. Despite the SH-101's seemingly limited architecture, it produces various creative and musically useful sounds that have inspired generations of artists and countless hits. The Atlantix is just as immediate for dialling in beautifully rich bass and lead sounds. The thoughtful design, numerous additional features, and flexible patching options open up a massive amount of new sonic territory to explore as well.

The Atlantix is an analogue, complete subtractive synthesizer voice condensed into a single 42HP module. It provides all the fundamental building blocks needed to make sounds in Eurorack: VCOs, VCF, VCA, S&H, Noise, and an Envelope.

Oscillators - Advanced TZFM and Flexible Mixer

The Atlantix uses two triangle core voltage controlled oscillators (VCO) which respond in a musically pleasing way to frequency modulation. The Atlantix primary VCO (VCO A) is capable of thru-zero frequency modulation and has a dedicated amplifier for controlling FM depth (FM INDEX). The modulation oscillator (VCO B) can be used as either an LFO or VCO. The highly flexible architecture allows you to route VCO B as a modulation source or stack it as a secondary VCO all by the flick of a switch or slider. VCO B also has a bonus "spike" waveform output which is a square wave with fixed HPF, similar to the Buchla Easel. Both oscillators track very precisely over eight or more octaves.

In the mixer section, you can adjust the balance of the primary oscillator's waveforms, sub-oscillator noise, and two auxiliary inputs that are normalled to additional VCO A waveforms or VCO B waveforms. The auxiliary inputs also allow you to patch other external signals into the mix.
The second Auxiliary input has a switch that allows you to route the source between the mixer sum or directly into the VCA (post-VCF). The latter is a way to pass an unfiltered fundamental signal to the final VCA stage and then blend it with filtered audio from the VCF. This draws inspiration from the architecture of the CS-80 where a sine wave is mixed with the filtered audio to make glassy tones with some added harmonics.

Multimode Filter - From Drips to Growls

The filter section (VCF) is a discrete cascaded 4-pole multimode filter with lowpass, bandpass, highpass, and phaser (multi-notch) modes. The filter can self-oscillate which produces a very clean sine wave that also tracks 1V/Oct. The VCF has three frequency modulation sources, two of which are normalled to the external pitch and envelope and have switches for polarity.

Add Atlx for dedicated outputs from each mode.

Envelope - A Classic ADSR

The envelope section is an analogue ADSR with three timing ranges: slow, medium, and fast. It can be gated externally or via a manual gate button located in the centre of the panel. The ADSR is routed through a VCA which can be used for level or velocity control.

Modulation - Random, Feedback, and Built-in Routing

Two eight-position rotary switches allow you to select from eight different modulation sources and route them to outputs MOD X and MOD Y. Each switch also has a polarity control and an option to level shift between unipolar and bipolar operation. MOD X is normalled to VCO A frequency modulation and MOD Y is normalled to VCF frequency modulation. The dedicated outputs allow for further creative modulation patching.

Four of the Input jacks have normal switches to change your patch without the need for cables.

The analogue Sample and Hold (S&H) circuit is normalled to the white noise source and can be clocked by VCO B, an external clock source, or via the gate input for per-note synced randomization.

Atlx - Expander w/ Ring Mod (Optional) ***Sold separately ***

The Atlx expander provides 16 additional jacks to the Atlantix, including: dedicated waveform outputs for A and B oscillators, filter outputs, and a ring modulator. Atlx adds many new possibilities for self-patching, advanced routing, and connections to other modules.

Specs + Downloads

Width: 42HP
Depth: 25mm
Power: 140mA @ +12V
138mA @ -12V

Notes: Intellijel have created a 1U version of the handy Atlantix Expander. It is exactly like the 3U version but arranged to fit in a 1U space. Comes with a cable for connecting to the Atlantix.

Notes: Patching Heaven

Adds 14 dedicated outputs and a Ring Mod to the already powerful Atlantix module.

The Atlx expander provides 16 additional jacks to the Atlantix, including: dedicated waveform outputs for A and B oscillators, filter outputs, and a ring modulator. Atlx adds many new possibilities for self-patching, advanced routing and connections to other modules.

Filter Outs

Lowpass
Highpass
Bandpass
Phazor

Ring Mod

X In
Y In
RING Out

Oscillators A/B Outs

Sine
Triangle
Saw
Square (w/ PWM on A)
Sub Square (A only)

Notes: Dual Balanced ins and outs for the studio or the road. Interface your rack with the balanced line level world; send and return to pedals or desktop FX units; patch in and out of your DAW, external synths, drum machines and other line-level instruments.

Get Connected

Audio I/O (2023 edition) allows you to effectively interface your Eurorack modular system to the balanced line-level world (+4 dBu). You can send and return to rack mount/desktop fx units, patch to external line-level instruments like synths and drum machines, interface to a DAW and much more.

The 2023 edition moves the TRS jacks to the top of the panel

The rear-mounted 3-pin CHAIN IN connector allows you to sum (in parallel) other audio sources to go from Eurorack level to the BAL LINE OUTPUTS. This could be from modules like the Mixup 3U, Xfade 1U, Stereo Mix 1U, and XY I/O 1U. You could also use this to connect with the 3-pin headers on the Palette and 7U cases audio i/o boards.

The rear-mounted 3-pin CHAIN OUT connector allows you to directly connect the level-shifted BAL LINE IN to the inputs of other compatible devices such as the Mixup 3U, Outs 3U, Stereo Mix 1U, XY IO 1U, and Headphones v2 1U. You could also connect the to the TRS jacks of the Palette and 7U cases audio i/o boards.

Features:

2 x Balanced TRS 1/4" to Eurorack modular level input paths
2 x Eurorack modular level signals to Balanced TRS 1/4" output paths
4 x six stage analog led VU meter to monitor all inputs and outputs simultaneously
Input path has up to 20 dB of gain, which allows you to patch in low-level consumer level signals and boost them.
Output path steps a nominal Eurorack level (10 Vpp) down to +4 dBu with up to +6 dB gain
3pin CHAIN IN connector
3-pin CHAIN OUT connector

Dimensions
10 HP
39 mm deep

Current Draw
75 mA +12V
70 mA -12V

Notes: The aux mix 1U is a 3-channel stereo mixer module with a stereo auxiliary send bus. The routing options on this mixer module make using aux mix 1U for send FX, parallel processing, feedback mixing, and more possible. It is designed for audio signals only (not for mixing CV). It is AC-coupled, and uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.

Each channel has a dedicated pair of inputs for stereo audio sources. The left channel inputs are normalled to the right for mono audio sources. All three channels feature a precise level attenuator, a mute switch, and an LED input activity level indicator. The three stereo channels are mixed and summed to the main outputs, where they can be patched out to a wider Eurorack system or external pro-audio equipment. The output stage features soft-clipping diodes for smoother saturation when signal levels are very high.

In addition to the main mix controls, channels 1 & 2 also feature an aux level attenuator with a pre/post switch. These can be used to create an independent aux mix which is routed to another pair of outputs, separate from the main mix. The aux output stage also features the same soft-clipping diodes as the main output. aux mix 1U has four 3-pin connectors on the rear side for directly routing audio between other Intellijel cases & modules - without the need for patching cables. Connections include aux in, aux out, chain in & chain out. This also allows you to chain multiple aux mix 1U modules together to form even bigger mix chains.

Notes: Dual-channel wavefolding with a lot of creative power. Buchla- and Serge-style circuits combine with a voltage-controlled crossfader, allowing you to shape and sculpt sounds in intriguing ways.

Supplier's Notes:

Bifold is a unique dual channel wavefolder with numerous feedback and routing options along with CV control. Mix, blend and crossfade the two different folder flavours into a rich stew of unique waveforms and harmonic movement. It is the first wavefolder to offer simultaneous, independently controllable serial and parallel folder circuits.

Wavefolding is one of the most powerful ways to produce complex timbres out of a simple sound source or waveform. When done well, the results can be warm, textured, organic and full of musical character. Intellijel studied some of the most revered wavefolding circuits and looked at ways to integrate the positive qualities of these into a design that was full of sweet spots and allowed for a huge amount of experimentation and modulation.

Bifold combines two unique wavefolders with a crossfader; One channel (the P channel) has a sonic characteristic inspired by the Buchla-style Parallel "deadband" folding circuit, while the other channel (the S channel) is more characteristic of a Serge-type Serial folding circuit. There are distinct differences to how they react to specific waveforms, modulation and even their overall frequency response. By linking both folders together with a voltage controlled crossfader we further expand the ability to blend these two different folders together to create new waveforms. But this just scratches the surface of possibilities. Ring modulation, blending, crossfading, complex noise generation, feedback modulation, cascaded folding and so much more are all possible thanks to the strategically placed routing switches, jack normals and attenuators and other control options. This is a module that invites much exploration and discovery and pairs well with almost any kind of modulation and sound source.

Width: 8HP
Depth: 38mm
Power: 94mA @ +12V, 94mA @ -12V

Notes: Dual 1 x 4 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×8 buffered mult.

Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult

Notes: Holds everything you need

Very high-quality and durable padded gig bags for transporting your semi-modular synth cargo. Sized specifically for Cascadia.

The padded main compartment protects your case from bumps and scratches.
Zipped outer pocket for stuffing accessories and other gear.
The rear pocket closes with velcro at the top but unzips at the bottom to become a handle sheath so your case can sit on top of a rolling suitcase.
Super beefy strap connectors with clipped strap.
Lightweight with a single-handle design

Notes: Polycarbonate Protection

Transparent polycarbonate lid for the Cascadia made by Decksaver. Keep your synth patched and dust-free:

Clearance to leave your Cascadia patched with a Lid attached.
Perfectly sized to fit with Cascadia in our Cascadia Gig Bag.
Lightweight and rigid.
Made by Decksaver UK with smokey polycarbonate.

Notes: A massive semi-modular system in a small case with the footprint of a laptop. Cascadia has MIDI in/out/thru/USB, Eurorack compatible signal levels and pro-level audio I/O to interface with the rest of your studio or get your studio started.

Modern Analogue Architecture

Cascadia is packed with a mix of classic East and West Coast synthesizer blocks. Normalized connections let you get straight to the sounds inside. Or, let your imagination run wild and patch any of the modules together however you choose. Make small tweaks to the architecture, or re-route the entire synth to your liking- the choice is yours!

Summary:
Cascadia semi-modular synthesizer.
101 patch points, 34 sliders, 16 knobs, 28 switches, 5 push buttons, and 36 leds.
14 Patch cables - 4×10cm, 4×15cm, 4×30cm, 2×45cm.
USB-C to A cable.
International AC Adaptor.
Intellijel cable tie.

Two Precision Analogue VCOs
VCO A is Thru-zero FM-ready with a dedicated Index VCA, Sub Oscillator, PWM and Soft/hard sync.
VCO B is a combo VCO/LFO with 4 simultaneous outputs
Six Channel Waveform Mixer
Two patchable (normalled) inputs
Noise generator with multiple algorithms.
Optional asymmetric soft clipping on the mix output.
Liquid-Sounding, Cascaded 4-Pole Multimode Filter
Eight Modes: LP1, LP2, LP4, BP2, BP4, HP4, NT2, Phazor.
Additional dedicated outputs for LP4 and HP4.
Input Level Knob for fine control of filter input and resonance balance and added drive.
Multiple FM inputs and a QM input, all with attenuators.
Wavefolder Circuit
West Coast-style parallel wavefolder.
Normalled into the auxiliary input on the VCA in parallel with the filter.
Dual Digital Envelopes
ENV A is a versatile east coast style ADSR / AHDSR envelope generator with a hold function and dynamic level/time control. Normalled to the VCA to instantly shape your sound.
ENV B is a complex, multimode function generator with a West Coast style AR/ASR/Cycling AR, a beat syncable LFO, Burst generator modes, and the Entropic Sequence Generator (added in 1.3). Normalled to the filter for instant FM without patching.
VCA A and Output Path
VCA A is a linear VCA with auxiliary input.
Global Output Mixer with overdrive circuit and bypassable asymmetric soft clipping.

Expansive Utilities Sections
Cascadia also features a whole host of utilities for getting the most out of your patches.

The Utility Row
Sample and hold circuit with white noise normalled to the input.
Slew/Envelope follower.
Attenuverter/Mixer with multiple outputs.
Triple triangle LFO with rate control, rate input and divided outputs.
Triple buffered multiple.
Precision adder.
Signal inverter.
Bi-polar > Unity level shifter.
Expression level control for modulation the TRS expression input on an FX pedal.
Ring Modulator.
VCA B / LPF (LPG) - Auxiliary VCA and 4-Pole Diode Ladder VCF combination for additional dynamics.
The Top Row
Easy to access Pitch, Gate, and Velocity CV inputs.
Pedal Send and Return FX loop with Wet/Dry control, phase inverter and Line/Pedal level switches.
Output Mixer with Overdrive.
Eurorack Level Main output with level control for interfacing with other modular gear.

The Outside world - MIDI, Pedal and Audio I/O
Cascadia is equipped with a ton of I/O to get it connected to the rest of your gear.

Rear Panel

1/4" Stereo Headphone jack.
1/4" Balanced Output Jack.
1/4" Balanced Input routed to a slider and output on the main panel for patching anywhere into Cascadia.
1/4" TS Pedal FX Send Return and 14" TRS Expression Out.
MIDI DIN In/Out/Thru and USB-MIDI all routed to the MIDI > CV Interface on the top panel.
MIDI > CV Interface
Deeper MIDI configuration is available with the Intelljel Config App (link below). MPE Support has been added in v1.4 and supports the Ableton Live 12 Tuning systems. Dual Mono mode (added in 1.3) allows an additional channel to send its own Pitch/Gate signal on the CC/MOD outputs. All modes support MIDI Portamento.

MIDI Pitch / Velocity Outputs and Learn Button
MIDI Gate / Trig Outputs
MIDI CC / Mod - Learnable and assignable to any CC or Channel Pressure
MIDI LFO - Multimode LFO synced with MIDI or Tap Clock
MIDI CLK - Dividable MIDI clock with alternate Tap Clock functionality.
Cascadia comes ready to play.

The normalization behind the panel allows for a ton of exploration without ever adding a patch cable; there is years of material to explore in Cascadia and years more when you start patching. There is everything you need to get started: 14 assorted patch cables, USB-A to USB-C cable, and an international power supply.

Expand and Customize

In addition to additional patch cables, there are additional options for swapping the wooden cheeks for metal side cheeks or a rackmount kit with a storage tray - great for an effects pedal or patch cables.

Specs

In the Box: Cascadia Semi-modular Synthesizer
14 Patch cables - 4×10cm, 4×15cm, 4×30cm, 2×45cm
USB-C to A cable
Intellijel cable tie
15V/1.2A AC Adaptor (Euro/American prongs included)

Height: 66mm (from rubber foot to top of knobs)
Width: 348mm (including wood end cheeks)
Depth: 246mm (front to rear jacks).
Power: 15V DC/1.0 A (minimum), centre-pin-positive.

Notes: The CVx 1U expander module has eight user-configurable outputs and connects to the MIDI 1U module. Using the Intellijel Config app, you can assign each of the eight jacks to generate just about any type of voltage that can be derived from a MIDI signal; pitch, gates, triggers, clocks, velocity ... you name it! You can chain up to four CVx modules to a single MIDI 1U to add a whopping 32 additional channels of midi control to your modular.

Each CVx module can also allow you to generate 2 or 4 voice polyphonic controls with selectable voice allocation modes. The connectivity, feature set, expandability, and compact size make the MIDI 1U + CVx system ideal for integrating your modular gear with the rest of your rig.

Intellijel's MIDI 1U system comprises several elements, which work together to provide flexible, programmable MIDI-to-CV conversion to your Eurorack modules: The system comprises two mandatory components, and one optional component:

MIDI 1U module - This 14HP 1U module receives MIDI from an attached, external MIDI input connector (7U case, Palette case, or MIDI IN Jacks 1U module), and extracts (by default) Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset messages - sending the proportional voltages to individual 3.5mm jacks for patching.If desired, the CC and MOD jacks may be configured to respond to either Channel Aftertouch or High Resolution CC, and the Reset jacks can be configured as a Run jack, instead. Additionally, MIDI 1U features an alternate Dual Mode, which maintains the Clock & Reset functionality, but uses the other six jacks to transmit Pitch, Velocity and Gate messages derived from two separate MIDI channels.

MIDI input connector - the MIDI 1U module does not have its own MIDI input jack. This enables you to use the MIDI/USB inputs built-in to your Intellijel 7U Performance Case or Palette Case. If you don't own one of these cases, you can purchase the MIDI IN Jacks 1U module to connect an external MIDI device.

CVx 1U module - This optional 14HP 1U module connects to the MIDI 1U module and adds an additional eight 3.5mm CV outputs. These outputs are fully programmable using the Intellijel Config app, and greatly expand MIDI 1U's ability to control your entire Eurorack system.

Width: 14HP
Depth: 32mm
Power: 55mA @ +12V
6mA @ -12V

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time

Notes: Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time

Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.

Notes: Accessory bag large enough to hold a Meanwell 90W PSU and IEC Power cable with room to spare.

Extra large zipper

Two inner mesh pockets

Dimensions: 21cm x 4.5cm x 14.5cm (8.25" x 1.75" x 5.75 )

Notes: The Voltage Controlled Amplifier or "VCA" is one of the most essential and useful building blocks in a synthesis patch. The DUAL VCA 1U packs two high quality, DC coupled, linear VCAs into a very compact 1U package.

The two VCAs can be used completely independently or in tandem via the handy signal normalling. The DC coupling means that the VCA can be used for the amplitude control of both control voltages (CV) and audio signals.

Some application/use examples:

- Dual, independent VCA for dynamic level control of two different audio or cv sources
- Stereo VCA (use the CV normalling where CV A normals to CV B) for processing stereo sources or CV pairs.
- CV/Audio summing (when Out A is not patched, it normals to sum with OUT B, CV A and B control the independent levels)
- Voltage/signal doubling (use input A only and the doubled voltage will appear at OUT B when a CV of +5V applied to CV A)

Notes: Duatt is a dual-channel active/buffered attenuverter and summing mixer. Each channel has a knob, which can function as a unipolar attenuator or a bipolar attenuverter, depending on the setting of its corresponding two-position polarity switch. It's a versatile and super handy utility module that will find its way into almost any patch you make!

Each input is normalled to a built-in +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 V or -5 to +5 V depending on the position of the channel polarity switch.

Channel A's output is normalled into the output of channel B for mixing duties, and channel A has a 2x voltage multiplier switch, allowing you to double the voltage sent into Channel A.

Notes: A multi-purpose module designed to combine noise and modulation sources, slew, sample-and-hold, envelope following and more. Extremely versatile way to add randomness and controlled movement to patches.

Supplier's Notes:
Flurry collects and connects a number of practical modular synthesis tools, focused on clocks, noises, and randomness to create a module that is rife with opportunities for exploration and experimentation. Equally capable as a synthesis source, modulator, clock, or signal modifier; It is bound to find a way to bring new life and dimensions to your synth patches.

Core Functions:

A clock and random pulse source with adjustable and modulatable rate
Accurate pink and white noise sources
Analogue sample & hold and track & hold circuits with very low droop
Analogue slew with adjustable slew time and edge selection (rising edge, falling edge, or both)
Envelope follower
16 noise synthesis algorithms, each with 2 parameters.

One of Flurry's more interesting aspects is its collection of digital noises, which provide a wealth of interesting noises, suitable for either audio or modulation purposes. Each noise type has its own pair of unique parameters to further dial in the desired characteristics, with the primary parameter under CV control.

Most people consider noise to be "undesirable," and product developers expend great effort to design circuits that minimize noise. So why make a module designed specifically to create noise?

Indeed, unwanted noise is undesirable. But not all noise is unwanted. Synthesizing the sound of wind or waves are a couple of the more obvious uses for a noise generator, but the possibilities go far beyond. The crack of a snare hit; the breathiness of a flute sound; an added sizzle to a resonant pad - all are within the sonic domain of noise.

But noise has many other benefits beyond simply being heard. Noise happens to make a wonderful modulator. When noise is used to modulate a filter's cutoff frequency, or an oscillator's pitch or pulse width, then all sorts of raspy, buzzy, gritty timbres are obtained.

Noise is also a key ingredient in sample & hold circuits - a technique most commonly used to generate stepped, random voltages. The circuit works by sampling an input signal's voltage each time you send it a clock pulse, and holding that voltage until the next clock pulse. So, naturally, Flurry also contains the requisite clocking tools! Two of the most common destinations for the S&H output are a filter's cutoff frequency (creating stepped, clocked timbral changes), and oscillator pitch (which produces random notes at clocked intervals).
Of course, you might not always want your voltages to change so abruptly at each clock pulse. Maybe you'd prefer they wobble about gradually and with more grace? To do that, you need a slew circuit, and once again Flurry has you covered - allowing you to select not just the slew time, but also whether the slew is applied to rising voltages, falling voltages, or both. A flick of the switch, and that Slew circuit becomes an envelope follower, enabling Flurry to generate envelopes from input signals (syncing to drum hits are a common use).

With all these features, plus the ability to create random pulses, clock to external pulses, and perform more esoteric track & hold duties, Flurry is a noise lover's toolbox.

Width: 8HP
Depth: 34mm
Power: 116mA @ +12V 30mA @ -12V

Notes: This is a simple 1U module designed to allow the monitoring of a system using headphones. However, if your cat isn't easily scared, the headphone jack doubles as a TRS stereo line level output. Simply connect the signal that you want to monitor to the 1/8? jacks, plug in your headphones, and adjust the volume as desired.

Notes: This module allows you to connect balanced line level audio (+4 dBu) into your Eurorack modular system. It is a compact and easy way to patch in a rack mount/desktop FX units, external line-level instruments like synths and drum machines, outputs from your DAW, or many other line level sources.

Notes: This module allows you to interface your Eurorack modular system to the pro balanced line level world (+4 dBu). You can send audio out to rack mount/desktop FX units, patch to external line-level instruments like synths and drum machines, interface to a DAW, and much more.

Features:

1 x Eurorack modular level signals to Balanced TRS 1/4? output path
Uses a high quality THATCorp balanced line driver IC
Output path steps a nominal Eurorack level (10 Vpp) down to +4 dBu with up to +6 dB gain.

Notes: Successor to the excellent Metropolis, the Metropolix is a performance-focussed step sequencer with some really neat features, including modulation and sub-sequences in Loopy mode.

Supplier's Notes:
The Intellijel Metropolix is a unique and powerful Eurorack format musical sequencer. With an abundance of hands-on, tactile controls and a wealth of modulation possibilities (both internal and external) you can quickly and easily create infectiously musical sequences that are never boring. Even the simplest riff can be brought to life with seemingly endless options to create variations or real-time manipulations. Equally at home in the studio or a live improvised performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

Width: 34HP
Depth: 25mm
Power: 95mA @ +12V 10mA @ -12V

On first blush, it appears to be a simple 8-stage sequencer - but there is far more functionality than first meets the eye:

There are two tracks (TRK 1 and TRK 2) that are variants of the single master pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the master sequence in a variety of ways - creating complementary sequence variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme). Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, Tracks 1 & 2 both have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

8 separate and individual MODulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs or to dozens of internal destinations, allowing for some sophisticated and powerful self-modulation.

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored in EPROM, ensuring that your Metropolix will always power up exactly as you left it - even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

The operation of the Metropolix is optimized for live performance and jamming, with quick access to all the most important performance parameters, and the ability to greatly affect your sequences with a single slider or switch.

Notes: Desktop module version of Intellijel's popular Metropolix sequencer, one of the best options for generating and performing melodies and patterns via MIDI or CV.

Supplier's Notes:
The Metropolix Solo is a unique and powerful desktop multitrack MIDI and CV musical sequencer. With an abundance of hands-on, tactile controls and a wealth of internal and external modulation possibilities, you can quickly and easily create infectious sequences.

Even the simplest melody can be brought to life with seemingly endless options to create variations or real-time manipulations. In the studio or in a live performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

CV and MIDI Sequencing on your desktop

Intellijel have set Metropolix free from the rack, in a small desktop case, allowing you to interface with your DAW or other hardware music machines without needing a full eurorack system.

Connections

Metropolix Solo has all the connections you need for USB MIDI, Serial MIDI (TRS or DIN with Adaptors) and CV/GATE for modular systems. Use CV/Gate, TRS and USB MIDI all at the same time.

Top Panel (CV/Gate)
A/B Assignable CV Outputs
X/Y/Z CV Modulation Inputs
CLK Sync and Reset Input
CLK Sync Output
Track 1 and 2 Pitch and Gate
Rear Panel (MIDI/Power)
MIDI TRS: In / Out / Thru
MIDI USB-C
2.1mm DC for Power Supply

Let's talk about Metropolix

Performance Controls

Metropolix is an interactive sequencer optimized for live performance, jamming, and improvisation i with configurable, hands-on control of all the most essential performance parameters. Sequences transform and mutate with just the twist of a knob; a flick of a switch; a nudge of a slider; or an injection of CV. With Metropolix, your music is as dynamic and evolving as your imagination.

Two Tracks, Interconnected

Two tracks (TRK 1 and TRK 2) are variants of a main pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the main sequence in a variety of ways i creating complementary variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme).

Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, both tracks have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV/CC lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

The Accumulator

Automate pitch movements on a per-track or per-stage basis. Use various trigger types and increments to control variation on your tracks.

Eight Modulation Lanes

Eight Separate modulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs, MIDI CC, and dozens of internal destinations, allowing for sophisticated and powerful self-modulation.

Three AUX Inputs and Two CTRL Knobs

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

100 User Defined Scales

Design and modulate between your own custom scales and root note.

Modulate BPM

Use the CTRL Knobs, AUX Inputs, or Mod Lanes to modulate the BPM of your track and the clock outputs of the Metropolix.

Loopy - Performance Looping

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

64 Total Recall Presets & Preset Chaining

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored on the module, ensuring that your Metropolix will always power up exactly as you left it i even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

Chain Presets to go hands free while you twiddle other knobs on your synth.

Specs

Width: 34HP
Solo Kit Only: Metropolix Solo Enclosure
USB-MINI-MINI internal connection cable
MIDI to 3.5mm TRS (A) Adaptor
15V/0.4A AC Adaptor (Euro/American prongs included)

Height: 66mm (from rubber foot to top of knobs)
Width: 175mm
Depth: 140mm (front to rear jacks).
Power: 15V DC/0.4 A (minimum) center-pin-positive.

Notes: Small and efficient MIDI to CV courtesy of Intellijel's 1U series. Works in conjunction with an Intellijel case or the MIDI IN Jacks 1U module to give you Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset.

Supplier's Notes:
The MIDI 1U system provides all the essentials to control and sync your Eurorack modular from your computer, mobile, or hardware MIDI device with a minimum of fuss. Several of the module's most important features can be changed using the two front panel buttons, with full configuration capabilities offered via the Intellijel Config app, which is available for both Mac and Windows. The connectivity, feature set, expandability, and compact size make the MIDI 1U system ideal for integrating your modular gear with the rest of your rig.

Intellijel's MIDI 1U system comprises several elements, which work together to provide flexible, programmable MIDI-to-CV conversion to your Eurorack modules: The system comprises two mandatory components, and one optional component:

MIDI 1U module - This 14HP 1U module receives MIDI from an attached, external MIDI input connector (7U case, Palette case, or MIDI IN Jacks 1U module), and extracts (by default) Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset messages i sending the proportional voltages to individual 3.5mm jacks for patching.If desired, the CC and MOD jacks may be configured to respond to either Channel Aftertouch or High Resolution CC, and the Reset jacks can be configured as a Run jack, instead. Additionally, MIDI 1U features an alternate Dual Mode, which maintains the Clock & Reset functionality, but uses the other six jacks to transmit Pitch, Velocity and Gate messages derived from two separate MIDI channels.
MIDI input connector - the MIDI 1U module does not have its own MIDI input jack. This enables you to use the MIDI/USB inputs built-in to your Intellijel 7U Performance Case or Palette Case. If you don't own one of these cases, you can purchase the MIDI IN Jacks 1U module to connect an external MIDI device.
MIDI Expander 1U module - This optional 14HP 1U module connects to the MIDI 1U module and adds an additional eight 3.5mm CV outputs. These outputs are fully programmable using the Intellijel Config app, and greatly expand MIDI 1U's ability to control your entire Eurorack system.

Width: 14HP
Depth: 14mm
Power: 34mA @ +12V
2mA @ -12V

Notes: Mixup is a versatile, expandable audio mixer for Eurorack format. It has eight inputs (6 on the front panel) and two outputs. Inputs 1 and 2 are single-channel mono inputs, each with its own mute switch and level control; Input 3 is a dual-channel stereo input with a shared mute and level control; and input 4 is an auxiliary unity-gain, non-mutable stereo input.

Using bus connectors on the back panel, you can chain multiple Mixups together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing around larger systems.

Because Mixup is designed specifically for audio (and not for CV mixing), it uses AC-coupled circuitry (which reduces the potential for 'pops' when muting and unmuting audio), and it uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.

Notes: This is the third generation of Intellijel's much loved Korgasmatron filter designed in collaboration with David G. Dixon. The Morgasmatron features two completely independent six-mode filters (labelled "A" and "B") - each with its own mode-select knob, input, output, cutoff, resonance, Q-drive and gain control. Each filter has a pair of CV inputs (one with a built-in attenuator and the other with a built-in attenuverter) for modulating cut-off, and another CV input for modulating resonance. Both filters self-oscillate at maximum Q, and produce pitched sine waves that track the two separate 1V/OCT inputs.

You can use the two filters independently of one another, or you can use them together (in either a series or parallel connection) and smoothly crossfade between them using either the XFADE knob or the XFADE CV input and built-in attenuverter. You can flip the DRY switches to instantly bypass either or both filters; invert the phase of Filter B; or overdrive Filter A by switching on the new Overdrive circuit. A MIX output provides (as you might suspect) a mixed output of the two filters.

Notes: Dual 1x5 Passive Multiple

Two rows of 1 x 5 Passive Multing

Notes: Dual 4-way passive mult (one audio or cv signal in with multiple unbuffered outputs)

On the back of the pcb is a pair of solder points marked as "link". You can connect these (with a solder blob or small jumper wire) to turn the mult into a single 8 channel Mult instead of 2 x 4 channel.

Notes: Noise Random Tools comprises a collection of useful utility blocks that you could use in many of your patches - Clock, Random Pulse, Analog Noise, Sample and Hold, and Slew.

Features:

- Clock and Random pulse source with adjustable rate
- Analog pink and white noise source with very accurate spectrum
- Analog sample / track and hold with very low droop
- Analog slew with adjustable slew rate

Notes: Outs enables your modular system to output both professional and prosumer compliant audio, and send it to external amplifiers, mixers, recording devices, or DAW interfaces. Using the L+R Level knob, it scales modular-level voltages down to the level required to drive external gear at either the +4dBu balanced professional line-level standard or the -10 dbV unbalanced standard.

Headphone monitoring is also provided via a low noise built-in headphone amp (with its own independent level control), capable of driving a wide range of impedances - from studio grade headphones to portable style earbuds.

To use Outs, simply connect the final output of your patch to the 1/8" inputs (where the built-in activity LEDs light up to indicate the presence and intensity of the input signal). The left input is normalled to the right, so you can create a stereo signal from a mono source. Or if you have an Intellijel Mixup, you can remove a jumper from its rear panel, and connect it to the Outs module using the 3-pin link cable included with the Mixup.

Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter

Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter

Notes: This module connects via 3 pin cable to the Intellijel Pedal I/O 1U module.

It provides the 1/4" TS interface for connecting guitar pedals or instruments.

Dimensions: 8 HP
44 mm deep

Module is a 1U tile.

Current Draw: Module does not draw current

Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.

Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).

Notes: The shorter and wider brother to the popular Triatt module!

The four handy knobs can act as active attenuators (unipolar) or attenuverters (bipolar) depending on the setting of the two-position switches above each one.

Each input is normalled to a precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 v or -5 to +5 v depending on the position of the mode switch.

- 2 modes for each channel
- 5v normalled to each input
- With external signals it acts as active/buffered attenuator/attenuverter/mixer
- Each output normalled to mix into the adjacent channel on the right making it possible to do sub mixes in groups of 2, 3 or all four channels.

Notes: The Qx expander adds an EOR (End Of Rise) and an EOF (End Of Fall) trigger/gate output to each of Quadrax's four channels, enabling Quadrax's envelopes, cycles, bursts and LFOs to trigger external modules.

The definition of EOR and EOF vary depending on which mode is assigned to the corresponding Quadrax channel. Please see the manual for a more detailed explanation.

Dimensions
4 HP
22 mm deep

Current Draw
8 mA +12V
0 mA -12V

Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.

Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.

Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.

Shift:

Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.

You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.

Sequence:

Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.