Back catalogue: Experimental/Electronic

Review: When electronic musicians invent new words, you know you're in for an accompanying sonic treat. u-Ziq aka. Mike Paradinas' latest record Grush aims at something between a crush and a grunt - as if to suggest the violent hydraulic floorings of the former and the cave-manic disinhibition of the latter. Sonically, this follows suit with Paradinas' as-ever ascendant, wompy-breaksy sound, which this time comes peppered with additional flavours of black MIDI and generative sound-spurts honed at live shows; the ultimate aim of the album is to replicate the nonstop feel of a live tour, with each track here having been meticulously road-tested and polished for home listening (or not - get out there and dance to the thing, couch potatoes!)

Review: There are basically two types of anniversary compilations: the humble retrospective, packed with classics and significant musical moments from the past, and collections of all-new music that showcase where an imprint is at right now. Predictably, Planet My founder Mike Paradinas AKA U-Ziq has chosen the latter option to mark the occasion of his legendary experimental label's 30th birthday. There's naturally plenty to get the blood pumping and the synapses snapping across the 25 tracks on show, from the skittish IDM of Jlin ('B12'), mutant future-boogie of Venetian Snares ('Drums') and hard-to-pigeonhole excellence of Falty DL ('Usually I'm Cautious'), to the chopped-and-screwed r&b of Bae Bae ('Living In The Memory'), Nik Colk Void's industrial gunk ('A Tough Design (demo)'), the glassy-eyed D&B/ambient techno of Xylitol ('Nevada') and the sample-rich instrumental hip-hop hedonism of Luke Vibert ('Bullet Drop').