Tags: Effects module

Notes: End-of-chain stereo effects are on tap with this compact and powerful module, built around a large central control knob for quick hands-on tweaking of effects like DJ-style filtering, reverb, and loops.

Supplier's Notes:
The Best Eurorack Performance FX Module

Meta is the all-in-one solution for creating smooth transitions, exciting drops, and other creative live performance effects.

Meta controls are easy to understand and use. Its feature-rich compact size saves you space and time setting up various modules or expensive effects hardware.

This is the perfect performance effect module for you.

Designed for Performance by Performers

OXI Meta is designed to be easily operated with one hand, and the effects algorithm is built to work specifically for transitions between tracks, building up a drop, intros, or outros with effects like a DJ filter, risers, loopers, and more.

The Solution for Transitions in Eurorack

OXI Meta is an end-of-chain effects processor with a highly performative interface in only 6 HP. Blend your songs and build tension like a professional without all the expensive, bulky gear.

Effect Scenes Breakdown

Meta FX Scenes were crafted and tested to deliver premium level FX- with simplicity, but also allowing to tweak enough to fit your taste and technical needs.

Space

Send your mix into the outer realms with this reverb effect.

Choose from two types of reverbs, a classic long tail reverb with tone and filter control or an experimental reverb from shimmery to deep/black-hole textures.

Riser

One of the most effective ways to create tension for drops and transitions. The OXI Meta riser features two modes both with a high-pass filter & reverb. Mode 1 adds noise and mode 2 adds a Shepard tone-style effect.

DJ filter

A DJ style filter is must have for any live performer. OXI Meta provides you with a high-pass and low-pass filter for the ultimate in transitions.

Loop

Loop small sections of audio in forward or reverse order to create head-nodding breaks and rhythms.

Delay

A high-pass or low-pass clockable delay algorithm with a splash of reverb wash to help glue this classic effect into the mix.

Gater-roller

A unique dual gater effect for exciting audio. Turn the knob right for a gater with division control and built-in high-pass filter, or go left with a snare roll build up with reverb and built-in high-pass filter.

Technical specifications

Width: 6 Hp
Depth: 22 mm
Audio: 24bit, 48KHz

Power consumption:

+12 V: 110 mA
-12 V: 20 mA
+5 V: 0 mA

Notes: Tiptop Audio's Z-DSP is a cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer. Lush audio processing, greater stereo depth and a unique set of digital synthesis is what the Z-DSP is all about.

The Z-DSP has a stereo digital sound processor with 24-bit sampling, 15kHz of bandwidth, voltage-controlled parameters of stereo feedback, program switching, DSP parameters, equal power crossfading dry/wet mixing, as well as sequential program control switching and a clear display - all in Eurorack format. A dedicated clocking input for the DSP chip does wonders to passing sound by bending the algorithms in an unexpected way, a hardware technique computer plugins can't do and is unique to the Z-DSP.

In a recent update, the Z-DSP (NS) got an all new design of its analogue circuitry, contributing to a lower noise signal path, clearer sound of the entire frequency range, lower distortion and better immunity to noise emitted by other modules sharing the same power supply. A new analogue dry/wet circuit has been implemented to remove the 3db gain drop when the mix knob passes through the centre of the dial making the use of this function more practical in a live application. A reverse polarity protection has been added as well. The new front-panel matches Tiptop's colourful design, and a single printed circuit board and surface mount technology improve reliability during production and use. The powerful Z-DSP engine remains the same as the original Z-DSP module and all cards are compatible across both versions.

Notes: Enter a galaxy of rich and vibrant delays. The Dreadbox Nostalgia 3 Stage Delay is a superb effect module that can give you amazing results in moments. Delay is a true staple in the effects world and it can take your modular music to the next level via just a few cables.

The Dreadbox Nostalgia 3 Stage Delay is ideal for a range of modular music styles, from ambient to acid house. This 10HP module fits snugly in your system and has enough CV control to keep even the most avid patcher satisfied.

117 mA +12V
25 mA -12V
35 mm deep
10HP

Notes: Inspired by vintage tape echoes and spring reverbs, the Echo Cinematic combines EQ, delay, reverb, filtering and extensive automation options to create a highly playable echo module. From dub madness to more subtle ambience, this one's a real beauty.

Supplier's Notes:
Echo Cinematic is a practical stereo effects device inspired by the dub music culture that emerged from Jamaica and landed in London during the early 1980s. Analogue tape delays were routinely patched into the mixing desk through a channel strip, to be EQ'd and fed back to themselves via the FX send bus. The engineer could manipulate the EQ and FX send controls to create a constantly evolving rhythmic texture, a feedback loop teetering on the edge of self-oscillation. Echo Cinematic does away with the need for a sophisticated mixing desk and expands on this principle with a versatile resonant filter and five independent sources of automation built into the module; two LFOs for both EQ and delay modulation, a 30 second knob recorder capable of simultaneously controlling every knob on the front panel, and two external CV inputs, instantly assignable to any control as you insert a patch cable.

The EQ section features three filter types: a high/low-pass filter, a peak/notch filter, and a classic comb filter. Each of these can be patched into either the feedback loop (Dub Mode), the delay output, or the entire signal path, including the dry signal. The delay section offers up to two seconds of delay with a tap delay facility that also applies grid snapping, allowing your delay settings to be constantly locked to your beat or to a clock signal. Reverb duties are taken care of by the lush 24-bit stereo reverb, as featured on Knobula's other cinematic modules.

Notes: Befaco's unique GameBoy-based effects module allows you to change effects by swapping cartridges, all with CV control over key parameters. Effects include Skuara's harsh fuzz, Instruo's micro phaser and much more.

Supplier's Notes:
A crazy idea with the support of a bunch of crazy people.

A Multi FX module based on game carts!

FxBoy is a multi-FX module designed in collaboration with several talented manufacturers.

This is an effect unit with CV control over the parameters and Dry/wet control, with a Built-in CV controllable four bands EQ.

Each effect is physically hosted in a hot-swappable game cart and designed by a different manufacturer: Touell Skouarn with Skuara a harsh fuzz with overdrive, Instruo with micro Phaser, a two-flavoured Phaser, Feedback modules with a vintage Flanger, XOR with FX-Girl, a digital double effect module: Delay + Granularizer, Making sound machines with an analogue Wave folder, Tesseract with a bit crusher and Befaco Trash distortion!

What have these crazy people put in their cartridges?

Trash

Trash is a harmonic distortion that combines both clipping and folding flavours. Modes A and B will select between aggressive and more aggressive flavours!

Flanger

Analogue Wavefolder

Eskuara

AVMA
AVMA by Tesseract Modular is a bipolar VCA with one switchable wavefolder stage followed by an analogue frequency reducer. The VCA gain is x2, it can be used with i5V oscillator signals at the CV input for ring modulation effect.
Micro Phaser

Three cascaded all-pass filters, a built-in LFO and a saturator in the feedback path.

The purpose for this cartridge is to completely f&%k your phase up!

Instruo - We make sounds with the things that we make to make sounds with.

Technical Specifications

CV control over all parameters and Dry/wet
CV controllable four-band EQ, routable post or pre-effect.
Hot swap for all carts.
Selector for two different flavours of each cart.
Open specifications to design your own carts

Specs

Current needs: +12V: 125mA, -12V: 100mA, 5v: 0mA
Width: 12 HP
Depth: 35 mm (including power connector)
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

Notes: Stonk it's a joystick controller with 2 channels of CV and 2 of audio. It's a CV generator, looper & audio processor.

Very hands on module which can be a chaos pad or DJ looper.

Features:

2 audio in & out (AC coupled)
2 CV in & out (DC coupled) i5V
2 extra CV outputs +/-10V
12 illuminated push buttons
CV & Audio looper (2:30 per channel)
LFO
Euclidean envelope generator
Multimode Filter
Stereo Reverb
Wave
VCA

The audio AD/DA is 24 bit, 48 KHz, the internal audio handle is 32 bit float.

The CV AD/DA is 16/12 bits, 12 KHz.

The extra CV outputs are the analogue sum and difference of the CV outputs 1 & 2.

Each channel has 6 modes available. By default 2 parameters are assigned to the horizontal & vertical axes but this can be easily tweaked, so it's possible to control any of them (frequency, symmetry, offset or amplitude of the LFO, for example) not only with the joystick but with the 2 CV inputs.

The polarity control & offset of every parameter can also be modified on every mode and every channel.

6 presets for store and recall not only the joystick assignment and settings but all the parameter values for all modes and channels.

Size 12 HP
mA +12V
mA -12V

Notes: Cutting Room Floor V3 Eurorack Module

(Vintage Reel-to-Reel Tape, Echo, and Stutter)

The Cutting Room Floor was designed to emulate the sound and functionality of vintage reel-to-reel tape overdrive and echo. This eurorack module reaches into the 21st century with customized features that traverse the world of modulation and delay. Imagine an abandoned factory with a fluttering tape machine left on repeat.

The Cutting Room Floor provides beautifully marred saturated tape tone, and ethereal repeats in a streamlined 6hp interface. Other features include a freeze button that traps any tone while still playing and CV control for time.

Designed and assembled in Seattle, Washington. Includes a limited 1-year warranty, if registered within 30 days of purchase.

6hp, 43mm deep, 150ma current draw.

Notes: With the MORPHEUS digital filter module, Rossum are finally able to unleash the full power of the 14-pole Z0-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, which are called Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.

Like all Rossum Electro-Music digital modules, all parameters are available for adjustment with a single button press. No menu diving.

Morpheus Specifications

Filter cubes: 289
Filters: 1000
Filter sequences: 200
Sequence steps: 20,000 Dynamically Allocated

Inputs: Audio L/R
2x 3.5mm mono socket
100kO Input Impedance

Full Level Frequency CV
1x 3.5mm mono socket
100kO Input Impedance

Attenuverted Frequency CV
1x 3.5mm mono socket
100kO Input Impedance

Attenuverted Morph CV

1x 3.5mm mono socket
100kO Input Impedance

Attenuverted Transform/Distortion CV

1x 3.5mm mono socket
100kO Input Impedance

Filter Sequencer Dec

1x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Filter Sequencer Inc

1x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Filter Sequencer Reset

1x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Outputs

Audio L/R
2x 3.5mm mono socket
1kO Impedance

Power requirements
+/-12V via 16-pin, Doepfer-style connector

Current draw
135mA +12V, 25mA -12V (maximum)

Dimensions
18HP (W); Panel to power connector (with connector plugged in) 25mm (D)

Supplied accessories
1x 16-pin, Doepfer-style cable
4x M3 screws
4x M2.5 screws
4x Nylon washers
1x Quickstart Guide

Notes: Packed with powerful features while maintaining intuitive playability, Strymon's Magneto module is a stereo multi-head tape delay that also functions as a looper, phrase sampler, vintage spring reverb unit, phase-aligned clock multiplier, chaotic oscillator, zero latency sub-oscillator and more, with extensive CV I/O.

Turn simple monophonic signals into complex orchestrations. Create new oscillator tones using self-oscillation. Add rich stereo dimension to your sound, and enjoy the inherent warmth and sweet, subtle distortion characteristics of magnetic tape. Magneto transforms even the smallest rack into a fully expressive, immersive instrument.

To capture the full experience and complexity of a vintage tape echo machine, every last tape system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic tape when driven hard, to hands-on real-time controls for tape age, tape crinkle, and mechanical wow and flutter, Magneto delivers a rich multi-head delay experience that adds life and vibe to your sound.

Every function, control, gain stage, and signal path component in Magneto works together to respond musically and smoothly, even during the wildest live modular improvisations. All this is combined with a luxurious spring reverb to take the sound of your modular setup to a new level, and your sonic explorations into far-out territories.

Not only does Magneto deliver the warm, luscious delay signals that tape delays are known for, it is also capable of a high degree of saturation. Turn up the Record Level knob to send a hot signal to the record head for any amount of tape saturation you desire. Turn up the Tape Age control for warmer repeats. Add some truly beautiful Spring Reverb. Magneto adds organic heart and soul to the sound of your modular.

The effect of the Low Cut and Tape Age knobs are explored, followed by the mechanical 'deterioration' of the machine with the Crinkle and Wow and Flutter controls. The Speed knob is put to use for sonic enhancement.

In a typical digital effect the dry signal gets converted to digital, causing conversion noise and latency. Signals are often attenuated before combining digital dry and wet, with makeup gain amplifying the conversion noise. To avoid this scenario, Strymon have equipped Magneto with a completely analog dry path. Why go to all this trouble? Because the improvements in dynamic range and reduction in noise are so dramatic.

Strymon have outfitted Magneto with the powerful Analog Devices SHARC ADSP-21369 processor, which provides a 366 MHz core instruction rate, and an incredible 2.4 Gigaflops of peak performance. Thanks to this high-powered technology platform within Magneto, we had the freedom to craft our processor-intense tape echo algorithms without compromise.

Notes: Stereo version of the HUE module, the CLRS does what it says on the tin, adding colour via effects including filtering, overdrive, sample rate and bit depth reduction, plus one-knob compression and CV modulation of parameters.

Supplier's Notes:
C Introducing the CLRS (pronounced colours) module by Modbap, a powerful 10HP reimagining of the HUE eurorack module, now expanded to stereo.

At the core of CLRS is a versatile DJ-style filter, equipped with a single large top-centre knob that controls both the high pass and low pass filters. With the low pass to the left and the high pass to the right, effortlessly sculpting your sound in the stereo field becomes second nature. Find the ideal frequency balance and bring your audio creations to life with a seamless and harmonious blend.

Experience a transformative sonic journey with the Drive effect. From subtle saturation to edgy distortion, CLRS's Drive empowers you to sculpt the ideal sonic character that complements your creative vision. It adds warmth, character, and texture, taking your sound to harmonically rich territories.
The newly added stereo width control enables precise adjustments to the stereo field, providing greater control over the spatial aspects of your audio.

The Lofi effect on CLRS is a powerful feature that introduces a lo-fi or low-fidelity aesthetic to your audio. By reducing the sample rate, the "Lofi" knob emulates the characteristics of lower-quality audio recordings or older digital devices. This reduction in sample rate produces a vintage, degraded, or "lo-fi" sound, perfect for creating a nostalgic or retro vibe in your recordings.

The Bit Depth knob decreases the bit depth. This introduces a sort of aliasing sound and distortion, adding to the lo-fi character of the audio. The result is a gritty, distorted, or "bit-crushed" sound reminiscent of older digital devices or low-quality audio formats.
The Lofi CV input affects the combination of sample rate reduction and bit depth, opening up a range of possibilities to explore vintage recordings, nostalgia, and unique audio textures.

The "Mag" effect, short for "Magnet," combines the characteristics of tape saturation and tape distortion into a single control knob. Adjusting the "Mag" knob introduces a magnetic-like effect to the audio signal, emulating the warmth, saturation, and subtle distortion associated with analogue tape recordings. This feature allows you to add vintage and analogue-style tonal qualities to your audio, bringing warmth and depth to digital recordings or achieving a vintage vibe. The "Mag" effect can also introduce light tape distortion, adding a touch of grit, character, and a slight edge to the sound, imparting a vintage or lo-fi aesthetic.

CLRS offers an intuitive one-knob compressor, effortlessly controlling your audio dynamics. Elevate your mix to a professional level with depth and balance. The newly integrated 3-way switch for ratio control provides the freedom to choose between light, medium, and heavy compression settings. Also included in this expanded Compressor is a 'Duck' input which simulates side chain compressions allowing you to send LFOs, envelopes and the like to control the side chaining. Whether you seek gentle levelling or impactful squashing, CLRS's compressor adapts to your musical needs.

In addition, CLRS features CV inputs for modulation of the filter, drive, mag, and lo-fi effects. This allows for dynamic and expressive control over your sound, adding an extra layer of creativity to your music production.

Whether you're using CLRS in a Eurorack modular system or in your groovebox signal chain, it seamlessly integrates into your setup, providing you with a versatile and powerful tool for end-of-chain audio processing. Its CV inputs for modulation of the filter, drive, mag, and lo-fi effects add an extra layer of expressiveness and creativity to your music production, allowing you to dynamically shape and transform your sound.

Experience the flexibility of audio processing with CLRS and unlock a world of sonic possibilities for your Eurorack or groovebox setup. From side chain compression and shaping frequencies to adding warmth, character, and vintage vibes, CLRS is the ultimate companion for taking your music to new heights.

Features

Audio processing effect
DJ Style Filter (HP and LP)
Tape Saturation (mag), Drive, and Lofi effects
One knob compressor with switchable ratio
Ducking input
Width Control - stereo field widening parameter
CV inputs for Filter, Mag, Drive, Lofi.
Stereo input and output

Tech Specs

Width: 10HP
Depth: 24 mm
Power: 110mA +12V, 8mA -12V

Notes: Expand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. StarLab is a single module that will completely transform your modular rack.

The seemingly simple idea of allowing the pre-delay signal to be fed directly to the module's output led to the development of rich sounding delay, chorus, and flanger effects, all of which can be used together with or independent of the reverb.

While experimenting with short delay times using feedback and filtering, Strymon began finding very musical and expressive Karplus-Strong string synthesis sounds, and realized that StarLab could move beyond signal processing and become a truly unique voice module as well. All this ultimately resulted in the creation of a module that is equal parts reverb, delay/ modulation, and playable instrument.

From patch creation to live performance, StarLab's powerful features are easily accessible at the turn of a knob or the touch of a button. With no menus to wade through, StarLab's interface is designed for intuitive hands-on sonic exploration, while every function and control works together to respond musically and smoothly.

From perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size/pitch of the reverb process.

StarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.

In addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab's reverb capabilities.

Notes: Motion Pictures

(Delay And Reverb)

Motion Pictures combines lush delay and reverb with intuitive, powerful controls within a 10HP module. Choose between a crisp digital delay or a warm analogue delay and pair it with a spacious, large-hall stereo reverb. Delay and reverb levels can be adjusted independently, allowing you to use them separately or together. The delay time can be controlled using a knob, tap tempo, or CV. You can even send opposing CV signals to the tap tempo and delay time for glitchy, pitch-bending, rhythmic effects. Additionally, CV control extends to the feedback, delay, and reverb levels, providing greater flexibility. Motion Pictures offers rich ambient sounds in a compact design, combining delay and reverb in one module to optimize rack space while preserving sonic depth.

Notes: The TBD module is a multifunctional DSP (digital signal processing) module that includes more than 30 different synthesis and audio processing plugins. It is a collaboration project between CTAG Kiel (an academic working group of Kiel University of Applied Sciences), instrumentsofthings.com (who produce this module for Eurorack) and tangiblewaves.

The module looks quite simplistic with it's only three knobs and three buttons, but the power lies in the web based user interface for editing and storing the parameters. For editing, the module is connected via USB to your computer and a small software tool running here is the bridge to the editing of the parameters via your web browser. IMPORTANT TO KNOW: When the editing is done, the module runs autonomously, without a computer!

Up to 10 favourites can be stored on the module and be chosen by the CONFIG button.

Dynamic control of the modules' parameters works via the two CV inputs and two trigger inputs (which are linked to two buttons), and two knobs are also available for live tweaking parameters. The assignment of inputs/knobs to actual parameters is done in the web based user interface.

Please note that the TBD module has mono audio input and output (compared to the Eurorack version which is stereo); plugins that do stereo audio work also in the AE TBD, but only on one channel. ("Why only mono?" you might ask; the limitation to mono is due to licensing agreements to keep the module price in the usual AE range.

The contained plugins are:

Talkbox (Vocoder), MSxxNoise (MS20 filter and Stone Phaser), Antique (Old Record / Tape Effect), Subotnik (Huge Modulations), VctrSyn, SpaceFX, Formantor, Bjorklund, Karpuskl, APCpp, Retroactor, Rompler (sample playback), WTOsc (custom wavetable), Claude (ported MI granular audio processor), BBeats, CStrip, CStripM, EveryTrim, MISVF, TBD03, PolyPad, TBDings (ported MI resonator), TBDaits (Ported MI Macro Oscillator), TBDeeps (ported MI Wavetable Oscillator), DustLoop, Dust, SubSynth, Sine Source, Simple VCA, SDelay, Plate Reverb, Pink Noise, MiVerb, MiVerb2, MiPShift, MiEnsemble, MiChorus, HiHat1, G-Verb, Freeverb, FBDlyLine, EChorus, Progen Reverb, CDelay

Notes: The insert module allows you to connect stereo effects to your CGM setup, either by inserting them between two points of the internal summing bus or by placing them in parallel, as in a rudimentary stereo send-and-return.

It consists of two couples of outputs and inputs with dedicated gain switches. The first O/I stereo couple is the insert circuit, while the second is the parallel circuit.

The Insert module can be used:

between a group and a master;
between a group and a group;
between a channel and a group;
between a channel and a channel;
between a channel and a master (without a group).
The Insert module ships with two Insert cables compatible with every member of the CGM family, including the discontinued ones.

Flexible placement

The insert can effortlessly sit between every CGM module. Use it between a group and a master as an end-of-chain bus, or between two series of channels of the same group to create a channel subgroup with independent solo-in-place controls.

Stereo insert circuit

This circuit overrides the internal summing bus and allows you to route whatever sum goes into the insert module through your favourite stereo effects.

Stereo parallel circuit

A second out-in circuit remains parallel to the main one, excellent for adding stereo ambiance effects to the main sum.

Gain switches

The outputs and inputs provide three degrees of attenuation and matching amplification to scale the signal to most of the audio equipment out there.

Specifications:

Size: 6 HP
Depth: 38 mm
Current draw: 35 mA @ +12 V / 35 mA @ -12 V

Recommended warmup time: 30 min
Audio input impedance: > 30 KO (mono)
Audio output impedance: =100 O
Maximum output level before clipping: = 17 dBu
Frequency response: 0.01 to 40 KHz
Harmonic distortion: < 0.3 %

Notes: The LedPressor is a full stereo Diode-based compressor module.
Its unique core adds character and color to any signal passed through it.
The LedPressor can be used as a normal compressor with low input levels, but as the input volume increases and the "nuke" LED lights up, it enters a new territory that combines compressor and overdrive, creating a dynamic overdrive effect.

Get it pumping with the Side Chain
The module features an external sidechain input that accepts audio and CV signals. Only the sidechain signal passes through a high pass filter, which gives the user greater control over the sound shape. The audio signal itself is not affected by the filter.
Parallel compression
The module also includes a mix knob that can be controlled with a dedicated mix CV input, allowing for greater flexibility when blending dry and wet signals. Additionally, it features a momentary bypass button to easily adjust the levels of dry and wet signals.
Feed-Back Or Feed-Forward - it's your choice
The module can be configured with a feed-back or feed-forward topologies with a jumper in the back.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 34mm
Current Draw
+12V
: 20mA
-12V
: 15mA

Notes: GOBLET is an analogue filter and distortion unit with some added quirks and extra controls.

Why:

To make stuff sound filthy.
To shape the output of an oscillator.
To live interact with the sound during a performance.
To soft sweep the cutoff thanks to the optocouplers logarithmic response.

With:

Simple waves - make them unrecognizable.
Complex waves - shape them into something new.
Percussions - crank the resonance and give an acid twist to a beat.
No input - play with the feedback and the touch controls.

Dimensions:

8 HP
18 mm deep

Current Draw:

45 mA +12V
25 mA -12V

Whichever power connector you use should work fine with the polarity.

Notes: T-spectrum takes the concept of merging modulation sources and destinations into a single module.

T-spectrum is a spectral processor, an organic sound sculpting tool transforming drastically what passes through it.

The powerful modulation engine lets you hear frequency bands dance, smoothly or frantically. Bring life to your patches with free running or resettable custom drawn modulations.

Maximum automation recording length of 20s for each parameter.

MODE allows to change between 1/2/4/16 (max) bands

FREQ moves the filter initial frequency

SPREAD changes the bandpass filters Q peak

TILT moves the selected peaks around the spectrum.

The integrated touch lightstrip controllers can drive four parameters with looping or one-shot recording playback mode on each track with global RESET input.

Secondary distorted output.

Current draw: 150 mA (+12 V) / 20 mA (-12 V)
Width: 8 HP
Depth: 34 mm

Notes: Reduxer is a stereo sample reducer effect module.

Depends on it's signal, It can produce dynamic range of sounds from knurly bitcrushing to formant/vowel style effects.

Extra resolution

Custom made Redux potentiometer with 300 degrees rotation for extra crashing resolution.

Double the power

Two proprietary sample reduction circuits with extra offset control on channel 2 via the "Spread", lets you create motion in the streo field for wider effect.

Stereo operation

Inputs are normelized - supporting mono to stereo configuration.

Reduction under control

Redux CV input with attenuator for external control of the bit reduction rate.

Reverse polarity protection

The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.

Dimensions

Width: 8HP
Depth: 20mm

Current draw

+12V: 25mA
-12V: 25mA

Notes: This module is designed to generate a multitude of aggressive, punchy, violent and absolutely bonkers variations of the original unprocessed sound,

Transform any clean sound into a distorted monster, using 2x drive stages per channel with a wide range of distortion flavors ranging from subtle saturation to extreme fuzz.

Process two channels at the same time and create balanced and smooth or raw and rough transitions between them.

Allow the kick drum and bass line to coexist effectively in the mix, avoiding conflicts in the low-frequency range with env. follower and sidechain.

Shape any sound with 3 band adaptable EQ.

Function as a signal generator as well, this module can be pushed into self-oscillation at any frequency even with no input.

Add sub-octave tones to melodies and bass lines.

Preserve the dynamic range and clarity of the sound through parallel processing, ensuring that the original characteristics are not lost even when applying heavy distortion.

Add character, flexibility and madness to any source that sparks your imagination.

Notes: This module is designed to generate a multitude of aggressive, punchy, violent and absolutely bonkers variations of the original unprocessed sound.



Transform any clean sound into a distorted monster, using 2x drive stages per channel with a wide range of distortion flavors ranging from subtle saturation to extreme fuzz.



Process two channels at the same time and create balanced and smooth or raw and rough transitions between them.



Allow the kick drum and bass line to coexist effectively in the mix, avoiding conflicts in the low-frequency range with env. follower and sidechain.

Shape any sound with 3 band adaptable EQ.

Function as a signal generator as well, this module can be pushed into self-oscillation at any frequency even with no input.

Add sub-octave tones to melodies and bass lines.



Preserve the dynamic range and clarity of the sound through parallel processing, ensuring that the original characteristics are not lost even when applying heavy distortion.



Add character, flexibility and madness to any source that sparks your imagination.

Notes: Alpha Duo is a stereo precision VCA with ring modulation, overdrive and distortion.

Alpha Duo's VCAs have three modes:

1) Two quadrant, for classic VCA behaviour
2) Four quadrant, where the VCA responds to both positive and negative Gain CVs. This creates a classic ring modulator.
3) In four quadrant separate (4S) mode, each of the two VCA channels is controlled by separate gain CVs, turning Alpha Duo into two independent VCA/ring modulators.

Alpha Duo also features three drive modes.

1) In Drive Mode zero the overdrive circuit is not active, giving a clean signal.
2) Drive Mode One is a tube style soft overdrive. Like a tube, the positive and negative parts of the waveform are distorted differently, producing a pleasing, warm fuzz.
3) Drive Mode Two is a harder clip - more like a transistor amplifier - for a harder edged distortion.

Alpha Duo's signal path is DC coupled, so it's great for processing CVs as well as audio.

Specifications:
Width: 10HP
Depth: 22mm excl. power cable. Approx 32mm inc. shrouded power cable
Power Requirements:
+12v: 200mA
-12v: 50mA
+5v: 0mA

Inputs:
Signal (Zero attenuation): +/-5v nominal, +/-12v max
GainCV [Zero attenuation]: +/-5v nominal
Pan CV [Zero attenuation]: +/-5v nominal

Outputs:
Dual/Stereo: +/-5v nominal, +/-11v max

Notes: This is a revision 02 of ADDAC's Power Starvation module.

It provides an "ideal" way to power starve other modules, starving modules means the modules will receive less voltage than the standard +/-12V supply.

Power starvation is the first hack that any "DIY'er" learns. It's also one of the hacks that can generate some of the most interesting sonic effects in circuit bending.

Plug any module below +/-200mA through it and independently tune it's supply power. This will have most interesting effects in analog modules: filters, delays, mixers... They can either go silent or start screaming at your ears, going berserk with the lack of current to behaving normally, making them cough, choke... Something like a safely induced heart attack...

While revision 01 was a simple circuit with pot working as a voltage divider, this upgraded version uses a DC to DC converter that receives its input from the +12V power rail and outputs a bipolar 15V supply. This DC-DC converter also offers short circuit and overcurrent protection. The +/-15V lines are then sent through variable analog voltage regulators that can output a range of 2.5V to 13.5V.

In other words, the module features a +/-200mA PSU with variable voltage outputs.

Safety disclaimer:

While using ADDAC300 should be safe for any module, there may be specific modules where its use may not be advised.

!! Use at your own risk !!

ADDAC System won't be responsible for any issue that may arise while using ADDAC300 power starvation.

If in doubt contact ADDAC prior to any connection.

Tech Specs:

6HP
4.5cm deep

UP TO 600mA +12V (Depending on the starving module connected)
0mA -12V