Search dance music

Notes: A premium take on the classic portable turntable concept, the Handytraxx solid playback and compact design, plus contemporary features including digital effects, looping and a built-in fader for scratching.

Supplier's Notes:
Handytraxx Play

Portable vinyl performance, perfected.

The Handytraxx Play reimagines the classic portable turntable with modern innovation. Designed for DJs, vinyl enthusiasts, and creative performers, it combines portability with cutting-edge features, including unique Korg digital effects, a built-in audio looper, and a high-quality fader optimised for scratching. Developed in collaboration with Toshihide Nakama, co-creator of the original Handy Trax, this redefined turntable blends tradition and technology, delivering a truly unparalleled experience for music lovers on the go. Whether you're spinning at home or showcasing your skills anywhere, the Handytraxx Play is your perfect companion.

Key features

A portable player that lets you enjoy playing records and performing as a DJ, wherever you go
Unique Korg digital effects.
Audio looper for a wide range of musical expression and creativity
High-quality fader optimized for scratching
Custom-designed tonearm and motor control circuit
Developed in collaboration with Toshihide Nakama, former President of Vestax Inc.

The Handy Trax, originally created by Vestax, redefined portable turntables by giving users the freedom to play and scratch records anywhere. Beloved by DJs and vinyl enthusiasts alike, it helped spark the rise of "portablism".

Now, Korg proudly reinvents this iconic turntable with the Handytraxx Play. Developed in collaboration with Toshihide Nakama, former President of Vestax and co-creator of the Handy Trax, the Handytraxx Play retains the essence of the original while introducing exciting new features. These include cutting-edge digital effects, a built-in looper, and high-quality controls that make it possible to physically "play" with records on the go. Combined with unique customisation options, the Handytraxx Play delivers an unparalleled portable turntable experience. Perfect for casual vinyl lovers and hardcore portablists alike.

Honouring Toshihide Nakama

The Handytraxx Play is the result of a collaboration between Korg and Toshihide Nakama, the former President of Vestax and co-developer of the original Handy Trax. Developed closely with Nakama as an all-new kind of record player, the Handytraxx Play leverages Korg's unique digital processing and audio technologies while staying true to the spirit of the original Handy Trax. Tragically, Nakama passed away during the development of the Handytraxx Play on June 10th, 2023, but his vision and philosophy live on through this product, carrying his legacy to music lovers worldwide.

Optimised for scratching

The Handytraxx Play has been meticulously designed to provide an exceptional scratching experience. The high-quality fader, developed under Nakama's guidance, offers super smooth, precise motion and minimised silent zones for effortless cuts and transitions. Beginners and seasoned portablists alike will appreciate the responsive feel and the ability to reverse scratch by swapping crossfader channels. Every detail of the fader has been optimised to enhance performance while maintaining the portability that defines the Handytraxx Play.

Unique digital effects

Korg's expertise in digital audio processing brings powerful effects to the Handytraxx Play, elevating its creative potential.

Three types of filters

The Handytraxx Play offers three versatile filter types, each designed to provide dynamic control over your sound. The DJ filter seamlessly blends low-pass and high-pass filters, allowing smooth transitions. The EQ filter with a low isolator enhances bass frequencies for deep, impactful tones. Lastly, the peaking wah filter with modulation adds a unique, expressive touch, letting you shape bold experimental sounds or subtle nuanced effects in real time.
Delay
In addition to filters, the Handytraxx Play features a built-in delay effect that expands your creative possibilities. From creating spacious, ambient soundscapes to bold, metallic echoes, the delay effect can be controlled intuitively using the vertical fader for precise level adjustments.

This seamless integration of effects makes the Handytraxx Play an essential tool to enhance any DJ performance.

Built-in audio looper and versatile playback control

The Handytraxx Play includes a built-in looper that redefines creativity for DJs and vinyl enthusiasts. With its variable speed control switch, the looper lets you capture and replay live playback of a record's sound-a feature known as live looping. This capability allows you to craft unique DJ mixes by adding scratches to a looped beat, recording your favourite sounds to use as a sampler, or even swapping records while the loop continues to play seamlessly. The looper's versatility makes it an essential tool for both experimentation and live performance.

The variable speed control switch provides intuitive options for adjusting playback speed, a fundamental requirement for DJs. You can effortlessly switch between 33 and 45 RPM or fine-tune the variable speed ratio to match your creative needs. This adaptability extends to layering recordings over existing loops- for instance, playing back a beat loop at your chosen speed and overlaying scratching sounds on top. The Handytraxx Play's looper opens new possibilities for musical expression, offering endless opportunities to innovate and perform.

Precision craftsmanship

Every component of the Handytraxx Play has been crafted for superior performance. The custom-designed tonearm offers high-level tracing performance, minimising needle skipping during playback and scratching. A belt-driven motor with digital rotation correction ensures stable platter rotation and quick recovery for incidental effects that sound natural. Refinements to the turntable mechanism further reduce skipping, allowing for consistent, reliable performance during even the most demanding scratch play.

Groove on the go

Designed for ultimate portability, the Handytraxx Play can be powered by the included AC adapter or six AA batteries, giving you the flexibility to take your music anywhere. The built-in 2.5W speaker delivers impressive sound with rich bass and clear playback, whether you're connected to external speakers or not.

Flexible customisation

A redesigned headshell supports both ceramic and MM cartridges*, offering flexibility for various playback styles. Users can replace the scratch fader or reorient the control panel for right- or left-handed use, ensuring comfort and adaptability for every DJ. These thoughtful customisation options make the Handytraxx Play a truly personal and versatile tool, perfect for creating and performing.

* Basic soldering skills are required for replacing ceramic and MM cartridges.

Specifications

Drive system: Belt-driven (with digital rotation correction)
Drive motor: DC servo motor
RPM: 33-1/3, 45 or 78 revolutions per minute
S/N (signal-to-noise) ratio: Less than 60 dB (DIN-B)
Cartridge model: Stereo ceramic cartridge included (MM supported)
Maximum input level: AUX IN: 2.5 Vp
Maximum output level: LINE OUT ? 2.3 Vp, THD 1%, PHONO OUT: 300 mV (1 kHz, 5cm/sec)
PHONO preamp gain: Standard value: 34.5 dB; equalizer characteristics: RIAA
Digital signal processing
A/D, D/A: 44.1 kHz@16-bit, stereo
Crossfader: 44.1 kHz, 32-bit float, stereo
Mix: 44.1 kHz, 32-bit float, stereo
Looper: 44.1 kHz, 16-bit, stereo; max. recording time: approx. 20 sec
Filter: 44.1 kHz, 32-bit float, stereo; type: OFF, FILTER1, FILTER2, FILTER3
Delay: 44.1 kHz, 32-bit float, stereo; feedback (0%-80%), time (1,000 ms-10 ms)

Power consumption: 2.35 W
Power supply: AC adapter (included), six AA batteries (alkaline or nickel-metal hydride) Weight: 2.3 kg/5.07 lb
Dimensions: 370 x 280 x 84 mm/14.57? x 11.02? x 3.30?; with cover on: 370 x 286 x 87 mm/14.57" x 11.26" x 3.43"
Included items AC adapter, AC adapter replacement plug (5 types), dust cover, slip mat, EP adapter, Quick Start Guide

Notes: A contemporary reboot of the 1970s miniKORG 700, the 700Sm introduces a second oscillator, MIDI, arpeggiator and spring reverb. All the features of 2021's limited-edition 700FS reboot in a more compact, portable package.

Supplier's Notes:
The miniKORG 700Sm is a compact tribute to the iconic miniKORG 700, the very origin of Korg's analogue synth history, enhanced to meet the needs of today's musicians. Featuring two oscillators for thick, detuned sounds, the miniKORG 700Sm sees the return of the signature Traveler controller, allowing for expressive filter adjustments. With advancements like aftertouch, spring reverb, an arpeggiator, and a range of connectivity options including USB and MIDI, this synth is both a powerful standalone instrument and an excellent companion to stage keyboards. Complete with a custom soft case and a free software bundle, the miniKORG 700Sm brings vintage analogue sound into the present day.

Released in 2021, the miniKORG 700FS was a spectacular recreation of the legendary 1970s miniKORG 700S analogue synthesizer, enhanced with additional functionality that wasn't possible in the original. The miniKORG 700FS was so popular that its limited production run sold out quickly, with significant demand for increased production. Korg has a long history of groundbreaking analogue synthesizers. The miniKORG 700Sm is a tribute to the miniKORG 700, the very origin of Korg's analogue synth history, while being enhanced to meet the needs of today's musicians.

Downsizing the miniKORG 700FS

The miniKORG 700Sm retains all the features of the miniKORG 700FS in an instrument approximately 86% the size of the original. Additionally, the miniKORG 700Sm weighs just 5.8 kg (12.8 lbs), making it easy to transport.

The elements vital to an analogue synth

The character and richness of the sounds produced by the miniKORG 700 could not be realized through analogue modelling. Although it's possible to replicate a circuit by using the same parts and copying the design schematics or circuit board, there's no guarantee that this will reproduce the original sound. This is because the components age over time, dramatically altering the sound. To accurately recreate the original sound, Korg had to rely on the experience and skill of the technicians who worked on the original product.

Korg were able to bring the original sound to life thanks to their team of technicians, who have gained invaluable expertise over the years through their work on numerous synthesizer revival projects. This team was guided by the legendary Fumio Mieda, a Korg engineer since the early 1970s and one of the designers of the original miniKORG 700S. Working closely with Korg's sound designers, they meticulously reproduced the original sound as faithfully as possible. Those who play the miniKORG 700Sm will experience it as a beautifully crafted and authentic recreation of the original.

Beautiful synth leads, thick bass - and more

The miniKORG 700 was Korg's first synthesizer, and produced some of the most recognizable, rich and fattest analogue sounds of the time. The new miniKORG 700Sm features oscillators with an unmistakeable tone and an authentic recreation of the Traveler controller- a signature element of the miniKORG 700- designed to add extraordinary colour and expression to performances. Its sound fits seamlessly in today's music, especially with its standout lead and bass synth tones.

Secondary keyboard possibilities

The miniKORG 700 was originally designed as a secondary keyboard, often placed on top of an organ to expand their sound palette. The miniKORG 700Sm, with its compact and portable form factor, stands out as a powerful solo instrument but also complements stage keyboards like electric pianos and organs perfectly.

The controls on the miniKORG 700 were laid out below its keys in a row, allowing players to easily access them when it was placed on top of another instrument. This intuitive layout remains unchanged, offering simplicity, ease of use, and a unique look that sets it apart from any other instrument.

Expanded functionality When the miniKORG 700 was originally released, electronic components were larger in size, limiting functionality due to the small space inside. Thanks to advancements in technology, there is now room to include a spring reverb as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack. Korg have also added memory programs to store settings, something that wasn't available in the early 1970s.

Traveler controller

A unique feature of the miniKORG 700, the Traveler controller, consisted of two parallel sliders located below the keyboard. With these controls, players could adjust the cutoff frequency, with the upper lever controlling the low-pass filter and the lower lever controlling the high-pass filter. This gave players the freedom to adjust the expressive character of the sound according to the position of the levers. By moving the levers to the left and right while playing the keys, wah-wah and muted sounds could be created along with the iconic "traveling" sound.

Since the sound passing through the filter has a lower cutoff frequency and higher cutoff frequency than the frequencies set by the sliders, all frequencies are filtered and thus no sound is heard when the positions of the two sliders are inverted. In other words, making the two sliders cross would in theory produce no sound. To address this, the original miniKORG 700 featured protrusions on the sliders to physically prevent them from crossing.

The design was both a benefit and limitation of analogue circuitry. In the past- and even today- it's impossible to design a filter with perfect characteristics. During the time that the miniKORG 700 was sold, some players would shave off the protrusions on the sliders to allow them to cross, in an attempt to create new sounds. In fact, some models sold internationally did not even have the protrusions to begin with. The miniKORG 700Sm also does not have the protrusions, opening endless sound design possibilities and allowing players to create patches in unique ways.

A second oscillator The miniKORG 700 was a single-oscillator mono synth. One year later 1974, the miniKORG 700S was released with more space added to the left of the keyboard for a controller. This version also introduced a second oscillator, a ring modulator, and other enhancements. The new Sm model is a revival of the 700S, with its expanded functionality, including two oscillators that deliver powerful detuning and thick, penetrating sounds, particularly for bass and lead sounds.

Includes a made-to-fit soft case

The miniKORG 700Sm comes with a custom-made soft case designed to perfectly fit the instrument, ensuring both protection and portability. This case makes it easy to take your miniKORG 700Sm wherever you go, whether you're performing, recording, or traveling, keeping your synth safe and secure.

Free music software bundle

The miniKORG 700Sm comes with a diverse variety of music software including Izotope (featuring "Ozone Elements" which lets you not only create songs but also master them using AI), "Skoove" which will help you improve your keyboard playing skills, "miniKORG 700S" from the Korg Collection software, as well as a wide range of software synths from Korg and other developers.

Specifications

Keyboard: 37 keys (Slim-key, with aftertouch, no velocity sensitivity)
Range: 7 octaves
Waveform: Triangle wave, Square wave, Sawtooth wave, Chorus I, Chorus II
Programs: 14
Input: USB connector (Type B), MIDI IN connector, SYNC IN and SYNC OUT jack (3.5mm monaural mini phone jack), CV IN and GATE IN jack (3.5mm monaural mini phone jack), AUDIO IN jack (6.3mm monaural phone jack, TS unbalanced)
Output: OUTPUT L/MONO and R jack (6.3mm stereo phone jack, TS unbalanced), Headphones jack (6.3mm stereo phone jack)
Power supply: AC adapter (DC 12V)
Power consumption: 9W
Dimensions (W × D × H): 641 x 228 x 107 mm/25.24" x 8.98" x 4.21"
Weight: 5.8 kg/12.79 lbs.
Included items: AC adapter, Traveler knob (without protrusions type) x 2, Soft case Accessories (sold separately)
SQ-CABLE-6 (Patch Cable)

Notes: When the classic MS-20 analog synthesizer appeared in 1978, it had a trusted partner in the SQ-10 step sequencer. Now, after thirty years, the MS-20 has been reborn as the MS-20 mini, and the SQ-10 has evolved into the more modern SQ-1.

The SQ-1 is a compact step sequencer with 2 x 8 steps. It's wealth of connection jacks allows it to be connected to the MS-20 and a variety of other synthesizers. Vintage analog synths or the latest compact synths can be controlled from this single unit. You can also switch between a variety of synthesizer modes and use the step buttons to create performances overflowing with spontaneity, just as when using a volca unit.

Liberate yourself from the numerically-bound parameter editing that's typical on a DAW; you'll enjoy truly musical inspiration as you train your ears and concentrate on what your fingertips are doing. Don't miss the experience of music that's driven by your instinct.

Rather than the commonly used V/Oct standard, the CV design of the MS-20 always used the Hz/V standard that provides excellent pitch stability limiting the step sequencers that are able to correctly control the MS-20. As a descendant of the SQ-10, the SQ-1 supports the Hz/V standard, enabling it to perfectly control the MS-20 or MS-20 mini. It goes without saying the V/Oct standard is also supported, and the voltage level of the CV output and polarity of the GATE output can be specified as appropriate for the device you've connected. This versatility will enable you to control a wide variety of other synthesizers as well.

As a connector, the SQ-1 provides two CV/GATE OUT channels, the standard MIDI OUT and USB MIDI, littleBits out (to connect to the littleBits synth kit by littleBits Electronics Inc.), plus the SYNC IN/OUT channel that allows you to connect to the volca series and monotribe. Compact and complete with all the functions you need, the SQ-1 is the ideal hardware sequencer.

The SQ-1 provides two channels (A and B) of 8-step sequencer that can operate consecutively, or be used in a variety of other modes. For example, you can run A and B following each other to function as a 16-step sequencer, ignore the order and make the steps play randomly, or use A and B to control different parameters as they run in parallel. From simple sequences to complex changes, you can choose from a variety of modes to suit your needs.

The 2 x 8 step buttons can be used in the usual way to turn notes on/off, but you can also use the MODE button to switch their function, opening up powerful possibilities such as letting you "perform" the sequence itself, as on a volca unit.

"Active Step" lets you skip steps mid-way through a sequence, and "Step Jump" lets you instantly play just the step that you press, producing irregular rhythms or effects that are reminiscent of short loops. "Slide" produces an effect in which steps are connected smoothly; using this to control a synth bass is an easy way for anyone to generate an acid sound.

Packed with carefully selected functionality, the SQ-1 features a compact and very sturdy sheet-metal body. Placed beside the MS-20 series, you'll notice a sense of solidity that gives the impression they were manufactured in the same era. The unit can operate on two AA batteries or on USB bus power.

Sequence step resolution is selectable as quarter notes, eighth notes, or 16th notes.

You can specify the way in which the step knobs control the pitch. The knob values can specify the pitch directly, or they can specify the closest note in a major, minor, or chromatic scale.

Notes: The legendary Kaoss Pad returns as part of Korg's DIY Nu:Tekt range. Simple to build, easy to use and infinitely customisable for those who want to go deep. Great value.

Supplier's Notes:
Build your KAOSS

Discover the Nu:Tekt NTS-3 KAOSS Pad: the iconic KAOSS Pad reimagined in a build-it-yourself format. This compact, customizable DIY effects unit integrates Korg's legendary KAOSS touch interface with up to 4 simultaneous effects. It offers intuitive controls, extensive effect customization via logueSDK, and versatile connectivity. Perfect for dynamic performances, it's designed for musicians and DIY enthusiasts seeking to explore new sonic territories with ease and creativity.

Build-it-yourself creativity

The NTS-3 KAOSS Pad goes beyond the boundaries of conventional effects units. It's a playground for creativity, offering up to four simultaneous effects with extensive editing options. From essential filters and compressors to imaginative delays and reverbs, the NTS-3 KAOSS Pad opens up a universe of creative possibilities. The ability to work with individual effects or combine them seamlessly, along with the freedom to tweak each parameter, makes it a perfect tool for live performances and studio sessions alike.

Embracing the essence of KAOSS products, the NTS-3 KAOSS Pad features user-friendly controls and adaptable connectivity, packaged in a performance-ready design. The XY pad is at the heart of its interface, enabling dynamic control over effects, rhythm, and depth, enhancing your performance with a fresh, tactile approach.

Customise the KAOSS

The NTS-3 KAOSS Pad isn't just about sound; it's about making your mark. With an open development API and logueSDK, you can dive into creating unique effects, while the included Librarian application allows for easy management of your custom creations. The physical customization options, including reversible side panels and 3D schematics, mean you can even add a personal touch to your performance hardware.

Seamless integration and effortless DIY assembly
The Nu:Tekt NTS-3 KAOSS Pad is meticulously designed for straightforward integration into any musical setup, offering advanced connectivity with Sync IN/OUT and MIDI In/Out ports. But what truly sets it apart is its effortless DIY assembly process. Emphasizing the joy of building your own gear, the NTS-3 can be assembled quickly and safely, with no soldering required. This ease of assembly ensures that you can start exploring its vast sonic possibilities in less than 20 minutes, making it a delight for both seasoned musicians and DIY beginners.

Specifications

Effect: 35
Filter: 5
Modulation: 6
Delay: 4
Reverb: 5
Other: 5 (looper, grainshifter, vinyl break)
Mastering: 7
OSC: 3
Performance programs: 200 programs (more than 100 preload, 100 user programs)

Input/output jacks:

Headphone / AUDIO OUT jack (3.5 mm stereo mini-phone jack), AUDIO IN jack (3.5 mm stereo mini-phone jack), SYNC OUT jack (3.5 mm TRS mini-phone jack, 5V output level), SYNC IN jack (3.5 mm TRS mini-phone jack, 20V maximum input level), USB port (Type-C),

Power supply: USB bus power mode
Current consumption: 500 mA or less
Dimensions (W × D × H): 104 × 101 × 39 mm
Weight: 119 g/4.20 oz

Notes: One of the most inspiring Volca instruments gets an upgrade. Second generation version offers more memory and easier transfer of samples via USB. A Juno favourite just got even better.

Supplier's Notes:
A new generation volca sample with more memory, features, and connectivity to take your music production further than ever before.

The volca sample is the compact and powerful sample-based drum machine that has captured the attention of countless creative players around the world.

This 2nd generation version retains all of the features which made the original so popular, and adds a micro USB port for better connectivity, increased sample memory, a new up to date sound library and additional functions for an improved workflow.

The new volca sample has everything that you need to advance your music creation in a compact form that works in the studio or anywhere you take it.

On its own, it is an advanced sample machine with a powerful engine capable of 8 voice polyphony, digital reverb and a dual band analogue isolator. Totally hands on, this new volca sample provides an amazing array of knobs for sample manipulation and performance sound-shaping. Plus, for added convenience, it runs on 6 AA batteries, has an integrated speaker and at only 372g/13oz (without batteries) is perfect for stand-alone use!

Furthermore, with its USB, SYNC IN-OUT and MIDI connections, volca sample can integrate seamlessly with your live rig, production studio and of course any other volca!

The new micro USB port provides a convenient connection between the volca sample and a computer for streamlined integration and sample management, allowing you to easily control, sync, and play your volca sample from any DAW. With newly added individual MIDI channels assignment per part, it is now easier to perform when using an external device such as a sequencer or keyboard.

With the volca sample's dedicated Librarian software (available for Mac and PC) utilising the USB port managing and sending your samples and patterns back and forth is now an instantaneous and pain-free process.

You can also use the dedicated app AudioPocket manager for iOS to record new samples on the fly and transfer them to your volca sample instantly.

Two new features have been added to this new volca sample that will help in your music making process:
Pattern chain mode with 2 different STEP JUMP modes
Start delay function: Go "off the grid" with the new delay feature that lets you slightly delay the start of any part to achieve different kinds of grooves or a swing feel.
More Memory, Pattern Locations, Samples, and Bonus Packs!

Volca Sample 2 has an increased memory of 200 memory slots; double its predecessor. 50 are left empty so you can load either your own original or pre-made libraries. Pattern locations have also have been increased from 10 to 16.

The new generation of volca sample comes with a brand-new sound library that has been carefully crafted to fit the needs of all music producers and beat makers everywhere.

This great selection of 150 samples will take your production to the next level, making it possible to make tracks on the fly with sounds that will fit every genre, including recent ones such as Future bass, Trap, Lo-Fi hip hop, and many others!

Notes: Unfold, connect, create wherever you go

The nanoKEY Fold is a compact, foldable MIDI keyboard that brings creative freedom to musicians and producers on the go. Small enough to fit in a pocket yet powerful enough for full-scale production, nanoKEY Fold unfolds to reveal 25 keys, complete with silent membrane technology and customisable velocity settings. This MIDI keyboard is designed for those who want inspiration at their fingertips, whether they're composing, performing, or producing on the go.

Instant portability, limitless potential

Unfold creativity on the go with nanoKEY Fold's innovative design. Its pocket-sized, foldable body makes it easy to carry, yet it opens up to reveal 25 keys, ready for any musical idea. Lightweight and minimalistic, it's crafted to go everywhere you go.

Comfort and control, anywhere

The silent membrane keybed delivers a smooth playing experience without disturbing those around you, while customisable velocity settings across 13 levels allow for expressive playing tailored to your touch. With nanoKEY Fold, music creation can be as quiet or dynamic as you want.

Enhance your music with built-in creative features

With this MIDI keyboard, scales, chords, and arpeggios are at your fingertips. Select from 15 scale types and let the LED-guided Scale mode keep your notes harmonically perfect. In Chord mode, assign full chords to each key, creating deep harmonies in an instant. The built-in arpeggiator opens endless rhythmic possibilities with 15 adjustable patterns and arpeggio types for inspired productions.

Responsive touch sliders and split functionality

Two touch sliders provide easy control over pitch and modulation, offering new dimensions to your sound. Assign sliders to trigger notes within your chosen scale, or divide the keyboard with the Split function, enabling custom left- and right-hand settings for expanded creativity.

Seamless connectivity with USB-C and MIDI

With both USB-C and TRS-MIDI outputs, nanoKEY Fold easily integrates with a wide range of setups, from mobile devices and computers to other MIDI-enabled instruments and controllers. A TRS-to-MIDI DIN adapter is included, providing instant compatibility with MIDI gear. Plug-and-play functionality ensures an effortless connection, keeping you focused on creating music.

Specifications

Keyboard
25 keys with customisable velocity (13 levels)

Octave Shift
-4 to +4

Scale Types
15 built-in scales

Arpeggiator
15 patterns

Scene Memory
15 user-defined scenes

Connectivity
USB-C, TRS-MIDI output (3.5mm stereo mini-phone jack, includes TRS to MIDI DIN adapter)

Power Supply
USB bus power (500 mA or less)

Dimensions
Folded: 147 × 73 × 17 mm / 5.79" × 2.87" × 0.67"
Unfolded: 282 × 73 × 14 mm / 11.10" × 2.87" × 0.55"

Weight
126 g / 4.44 oz

Included Items
USB cable, MIDI TRS-DIN adapter cable, Quick Start Guide

Notes: One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Notes: Module version of Korg's superb Modwave MkII features the same powerful wavetable synth engine in a compact package. Stereo 60-voice polyphony, deep programming options and excellent hands-on control.

Supplier's Notes:
All the features of the Modwave MkII in a compact 4U 19" desktop/rackmount package. Modwave builds on the legacy of Korg's DW-8000 and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

Like Modwave MkII, the Modwave Module provides an astonishing 60 stereo voices of polyphony - almost double the original Modwave's 32, and an unprecedented number for a wavetable synth at any price. The new 4U rack-mount enclosure has the same controls as the keyboard models, yet is easily transportable and fits neatly into any studio or desktop production system.

Responding to user requests, Korg have updated all LFOs with options for free running, delayed start, and retriggering. Korg have also added a pre/post switch for reverb sends, new modulation sources, and more.

The Modwave Module is fully compatible with the sounds and samples of the original Modwave, Modwave Mk II, and Modwave Native software, as well as many third-party libraries. MIDI 2.0 Property Exchange and Polyphonic Aftertouch Support

With the latest software updates, all models of Modwave, hardware and software, now support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to the Korg Keystage controller.

Rack-Mount and Desktop

The Modwave Module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Specifications

Maximum Polyphony: 60 stereo voices
Dimensions (W x D x H): 483 x 172 x 107 mm / 19.02 x 6.77 x 4.21 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter
Sound generating system: modwave synthesis engine

Modulation

Controllers: Mod Wheel, Pitch Wheel, Kaoss Physics, 4x Mod Knobs

Other Sources

4x Envelopes, 5x LFOs, 2x Mod Processors, 2x Key Track, Seq Lanes A-D, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +

Destinations: Most parameters can be modulated, including parameters of individual Motion Sequence Steps: Depending on Motion Sequence length, there can be more than 1,000 potential modulation targets per Program.

Effects

Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper

Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah

Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo

Master Reverb: Early Reflections, Overb

Master EQ: 4-band parametric EQ

General

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V, 2500mA)
Power consumption: 5 W

Notes: A synth-focused tuner merging Korg's pioneering experience in tuner technology with a deep understanding of the characteristics of analogue and modular synthesis. Designed with the unique needs of synth players in mind, the ST1K is compact, precise, and offers high visibility, ensuring your synthesizer is accurately tuned the way you want every time.

Analogue synthesisers can be tricky to tune! Not only can their pitch often fluctuate as the circuit adjusts to temperature changes, but you may also want to micro-tune different oscillators within the one synth.

This makes reliable tuning essential, whether you're recording in the studio or performing live. The ST1K delivers this with its capability for ultra-precise tuning to +/-0.1 cents. It features a large CMD LCD display that gives a clear, visually appealing readout of your tuning status, aligning with the aesthetics of modular and analogue synths. It also includes a built-in high-sensitivity microphone, expanding its use to a broader range of instruments!

At only 83 grams, this incredibly compact and light tuner is perfect for musicians and performers on the move.

Optimized circuitry for stable tuning of analogue synths

The ST1K's input circuit has been finely tuned to provide stable tuning for modular synths, accommodating high voltage levels without interference from LED noise, and with a clear focus on maintaining sound quality.

3D visual meter with large-screen visibility

The large, easy-to-read note name display and glowing LEDs allow the user to clearly perceive pitch deviations and changes at a glance. The 3D visual meter makes it possible to tune to within i0.1 cents, which is difficult with needle meters.

Ultra-precise tuning down to +/-0.1 cents
Professional recording and stage performances always require perfect tuning. The ST1K is capable of ultra-high-precision tuning down to +/-0.1 cents in strobe mode. With the high measurement accuracy of the flagship model, this compact device is a truly professional tuner that allows you to track down even the smallest errors in pitch.

Three meter display modes in addition to note name display

Three types of meter display mode can be selected to suit the player's style. In addition to the standard "Regular Mode", the "Strobe Mode" and "Half Strobe Mode" indicate pitch changes by the direction and speed of meter flow, making it easy to see even the smallest errors.

Compact, flat design allows you to carry a large screen with you

The meter display is large and easy to read, yet the body is smaller and more compact. The flat design provides excellent visibility and portability.

Specifications
Scale: 12 averages
Detection range: A0 (27.50Hz) to C8 (4186Hz)
Calibration range: A4=436 to 445 Hz (1 Hz steps)
Detection accuracy: within +/-0.1 cents
Connectors: INPUT (monaural standard), OUTPUT (monaural standard)
Switch: POWER / DISPLAY / CALIB
Power supply: 2 x AAA batteries
Battery life: Approx. 50 hours continuous
Dimensions: 99 (W) x 65 (D) x 16 (H) mm
Weight: 83 g (including batteries)
Accessories: 3.5-6.3mmmini to standard conversion plug (included)

Notes: A new generation in hardware sequencing.

Create - perform - control- Step up to an unparalleled level of connectivity and control.

The SQ-64 is an incredibly powerful and compact Polyphonic Step Sequencer with amazing hands-on intuitive controls and deep editing options to give you all the flexibility and sequencing power needed for all your musical projects.

With its 64 step pad Matrix, Crystal clear OLED display, sturdy and elegant aluminium body, a wealth of connections and a variety of modes and features, the SQ-64 will become the central piece of your music studio providing total and seamless control over all your instruments so you can focus on what matters most; your music!

Despite its compact size, the SQ-64 has unparalleled connectivity and will allow you to easily control, connect and make the most of all your analog and digital gear. MIDI IN (x1) and OUT (x2), micro USB type B, Sync IN & OUT, 3 Melody tracks each with MODULATION, PITCH and GATE outputs and a DRUM track with 8 individual trigger outputs for controlling analog synths, Eurorack, and drum machines.

Each of the Melody tracks (x3) has 16 Patterns of up to 64 steps each, and the Drum track (x1) has 16 Subtracks also with up to 64 steps each, that can be played, chained and edited in a variety of ways. Melody tracks and patterns can be edited in several modes (GATE, PITCH and MODULATION) so you can alter the information sent by your sequencer on each of these steps in many interesting ways. The DRUM track outputs can be fine-tuned to match the polarity and voltage of your connected device(s).

Its audio Sync In & Out connections will allow you to seamlessly control all your other KORG gear such as the volca synthesizer series, minilogue, monologue, minilogue xd, prologue and many others!

Whether you are into Analog synths, Eurorack semi-modular synths, Digital drum machines, or do everything on your DAW with digital plugins, the SQ-64 will give you instant and precise hands-on control of each and all of these.

The SQ-64 has 64 beautifully LED-lit Step button pads that not only let you see the whole picture at once, but also allow for super-fast and satisfactory editing with its encoder knobs and dedicated mode buttons that will simplify and speed up your workflow. Each step has graduated lighting; the higher the modulation value, the stronger the button lights up to give you a clear visual on what's going on in the sequence.

The OLED Display is crystal clear, bright and visible from any angle, so you can have access to all the information you need no matter whether you are making music at home, in the studio or playing live!

The 3 melody tracks include a MODULATION output, so every step on your sequence can be creating complex modulations on your gear of choice, greatly expanding your options and possibilities for sound creation.

It has never been easier to create polyphonic chords patterns, melodies, complex poly-rhythms and modulations on the fly and record them as data on each of the 64 project slots available.

The SQ-64 won't just allow you to create incredible sequences; it packs several features and modes that will let you edit on the fly and play any of your gear real-time.

The 64 pad Matrix can be also be used as a Keyboard, allowing for several layouts to be used for maximum flexibility (several scales can be assigned to any of these and a number of other parameters can be easily changed)

Keys: Your traditional piano layout.
Isomorphic: the notes are displayed symmetrically in rows, you can easily transpose the same chord pattern up and down without changing its shape
Octaves: one scale displayed in 3 different octaves on each row

Sequencer: 64 step sequencer with 3 melodic tracks with up to 8 note polyphony, and 16 monophonic rhythmic tracks

Tempo: BPM30.0 - 300.0

Inputs: MIDI IN connector (3.5mm stereo mini-phone jack, use a type-A MIDI converter cable), SYNC IN jack (3.5mm monaural mini-phone jack, 20V maximum input level)

Outputs: MIDI OUT1, 2 connector (3.5mm stereo mini-phone jack, use a type-A MIDI converter cable), SYNC OUT jack (3.5mm monaural mini-phone jack, 10V maximum input level), CV GATE output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), CV PITCH output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), CV MOD output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), TRIG output 1~8 jack (?3.5mm monaural mini-phone jack, 10V maximum output level)

Power: USB bus power, or DC 9V AC Adapter ([- o +], separately sold)

Dimensions (W x D x H): 368 x 144 x74 mm / 14.49 x 5.67 x 2.91 inches

Weight: 1.0 kg / 2.20 lbs

Included items: Owner's Manual, USB cable

Accessories (separately sold): KA350 AC Adaptor, Patch cables MS-CABLE-18

Notes: The Volca Mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple Volca units.

Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all Volcas, there are also DC output connectors that can supply power for up to three Volca units. Numerous functions to facilitate your on-stage Volca performances have been packed into a high-quality aluminium-panelled body, reminiscent of a high-end DJ mixer. The Volca Mix will unlock the maximum potential of the Volca series.

An analog mixer for performance:

The Volca Mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three Volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each Volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound.

Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability:

The output section provides RCA stereo line outputs to ensure stable connection. There's a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous Volca units.

Powerful master chain:

The Volca Mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there's a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that's indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the Volca.

Connect an external effect unit for further variety:

The Volca Mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini Kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth Volca unit, an iOS app, or any other gadget, instrument, or device.

As the master of your Volca live setup:

The Volca Mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the Volca Mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your Volca units in even more ingenious ways.

Notes: A whooooole lot of synth power for the money, building on the original Minilogue's analogue platform with a load of added digital features. Hard to think of many more versatile synth modules.

Supplier notes:
Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

Notes: Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.

Notes: Korg's excellent FM synth offers a modern take on those classic 80s digital tones. Second-gen version doubles the number of voices to six, adds new MIDI features and extra effects.

Supplier's Notes:
The next-gen Volca FM is a powerful 6-voice, 6-Operator FM synthesizer with all 32 classic algorithms, a 16-step loop sequencer, effects and a powerful arpeggiator that perfectly reproduces the sound of the classic Yamaha DX7 and is completely compatible with SYS-EX patches for the DX7 as well.

Battery (included) or adapter (optional) operated with built-in speakers and a compact and light chassis, the Volca FM is the ultimate portable FM solution for all musicians.

This new generation - with double the voices of its predecessor, additional effects, expanded MIDI connectivity, and intuitive interface - is poised to bring unprecedented possibilities to your setup, and revolutionize your studio with new musical ideas.
With 6 voices (instead of the 3 of its predecessor) the new Volca FM brings a new world of harmonic possibilities to your production.

Now it is possible to play, sequence or arpeggiate complex chords with up to 6 voices in order to bring a unique flavour to your music production. No more running out of voices when sequencing melody, harmony and bass all in one device!

Moreover, the new Volca FM is now velocity sensitive via MIDI, which coupled with its 6 voice polyphony, provides a much more expressive and nuanced playing experience than ever before.

By popular request, Volca FM includes a lush Reverb effect in addition to the Chorus effect. Each of these two effects can be used and adjusted individually to add the finishing touch to any FM sound you are going for.

In addition to MIDI IN the new Volca FM also includes a MIDI OUT (IN/OUT 3.5 mm TRS), making it possible to use the intuitive Volca internal sequencer to control other devices through MIDI, making it the perfect addition to your standalone setup. Of course, it also works well with your DAW of choice thanks to note, control, and clock receipt via the MIDI IN.

The internal sequencer offers looping up to 16 steps, allowing you to record your performance on the touch panel keyboard as you play. Up to 16 sequence patterns can be stored in the internal memory.

Volca FM also incorporates a motion sequence function to record in real time all the subtle nuances of your playing and knob movements, letting you add time-varying change to the sound. This is a great way to polish your loops, and also lets you generate highly original live performances.
In order to spice things up, the new generation of Volca FM includes a brand new program randomizer, letting you find new inspiration through happy accidents and unexpected patches.

Of course, it still incorporates highly acclaimed functions such as the warp active step, pattern chain and an improved arpeggiator, making it easy to create crazy looping rhythms and patterns.

In addition to the active step function that lets you skip steps during a sequence, the volca fm provides new functions that enable you to generate more irregular rhythms. If the active step is fewer than 16 steps, you can use the warp active step function to compensate so you occupy the same playback time as 16 steps; then by synchronizing the playback with another volca series unit, you can deliberately skew the step timing to generate truly unconventional performances.

Specifications

Keyboard: Multi touch 27 key keypad
Synthesizer:
Type: FM synthesis
Maximum Polyphony: 6 voices
Structure: 6 operators, 32 algorithms
Number of Programs: 64
Edit parameters: Modulator (Attack, Decay), Carrier (Attack, Decay), LFO (Rate, P.Depth), Algrtm, Randomize Available to edit full parameters for each operator in Edit Mode
Controls: Transpose, Velocity, Octave, Arp (Type, Div), Chorus Level, Reverb Level
Arpeggiator Types: 9 (each 3 patterns of "Rise", "Fall", and "Random")
Voice Modes: Poly, Mono, Unison
Effect: Chorus, Reverb
Sequencer:
Number of Parts: 1
Number of Steps: 16
Number of Recording Patterns: 16
Controls: Motion Sequence, Active Step, Warp Active Step, Pattern Chain, Metronome
Audio Output: Headphones (3.5mm stereo mini jack)
Sync: Sync In (3.5mm monaural mini jack, Maximum input level: 20V), Sync Out (3.5mm monaural mini jack, Output level: 5V), When two units of Volca FM, available to export the sound programs and sequence data from a Volca FM to the other one
MIDI: IN/OUT - Note: 3.5mm stereo mini jack connector (type-A MIDI adaptor needed)
Available to convert and load SYS-EX/SYX files from Yamaha DX7
Power Supply: AA alkaline battery x 6 or AA nickel-metal hydride battery x 6, Or AC adapter (DC 9V) (optional)
Battery Life: Approximately 10 hours (using alkaline batteries)
Dimensions (W x D x H): 193 x 115 x 40 mm / 7.60" x 4.53" x 1.57"
Weight: 360 g / 12.70 oz. (Excluding batteries)
Included Items: AA alkaline battery x 6 (for verifying operation), Sync Cable, Edit Parameter List - Accessories: AC adapter (DC 9V) KA-350

Notes: The Korg NanoKontrol2 slim-line USB control surface fits perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space.

The Korg NanoKontrol2 controller provides knobs, switches and faders. It is perfect for controlling any DAW computer based DAW or numerous types of other music production software.

In a body proportioned to fit perfectly in front of your laptop computer, the Korg NanoKontrol2 provides 8 channels of the controllers you need to control your music software. It also features a dedicated transport control section. Many software titles are supported, dramatically reducing the need to make complicated connection settings. 1 knob, 1 fader and 3 switches are provided for each of the 8 channels, respectively assigned to pan, volume and solo/mute/record. In addition, there's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production.

Notes: For Use With:

VOLCA, MICROPIANO, JS-DS, MONOTRIBE, MICROKORGXL, MICROSAMPLER, PS60, MICROSTATION, KO1PRO (KAOSSILATORPRO), WAVEDRUM (WDX), WAVEDRUM MINI (WDMINI), KP-QUAD, KPQUAD, MS-20MINI, MS20 MINI, KP3+, KAOSSILATORPRO+, MICROKORGXL+, KROSS

Notes: Drawing on the iconic Mono/Poly synth from 1981, the Multi/Poly reimagines Korg's heritage for the 21st century. Super versatile analogue modelling engine allows you to create unique synth voicings.

Supplier's Notes:
Explore breathtaking analogue-inspired sound with the limitless power of digital technology. The multi/poly is the first synthesizer to use Korg's next-generation analogue modelling technology, building on the distinctive combination of big, bold sounds and modular-derived experimental features that made the Mono/Poly legendary. It's like having a polyphonic modular system in a compact, hands-on package, offering limitless possibilities for sound designers and synth enthusiasts alike.

Create hardware mashups with East-coast, West-coast, and wavetable oscillators alongside a wide selection of newly modelled filters. Bring these sounds to life with models of different envelopes, VCAs, and portamento circuits, while virtual voice cards add organic timbral variation. The Layer Rotate feature triggers new Programs with each key press, while Kaoss Physics, Motion Sequencing 2.0, massive modulation capabilities, and more allow for deep sound exploration.

Next-Level Analogue Modelling

multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly different character, creating rich and naturally evolving timbres. Just like in an analogue synthesizer, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended-release time, newly played notes "catch" the envelope at its current state rather than restarting from zero. Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.

multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave differently depending on voltage, with varying thresholds for turning on and off, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.

Four Oscillators Per Program for Complex Tones

multi/poly offers four oscillators per Program, providing thick, multi-layered tones. You can choose from three types of oscillators:

Classic oscillators:

These faithfully model traditional analogue waveforms with stunning accuracy. The 11 options include both single and dual waveforms, giving you rich, thick sounds. Front-panel knobs offer control over pulse width, triangle "lean," dual-waveform blending, and more.

Digital oscillators

Play wavetables with up to 64 steps, like vintage hybrid synths or modern Eurorack modules. Start with over 200 factory wavetables or import your own using the Editor/Librarian software for macOS and Windows. You can even import Modwave wavetables or convert wavetables from popular software formats. The 30+ Modifiers allow you to reshape wavetables, while 8 Morph Types (Stretch, Flip, Mirror, etc.) process them in real time.

Waveshaper oscillators

Inspired by West-Coast synthesis, these oscillators take simple waveforms (sine or triangle) and process them through a shaper table, producing dynamic harmonics. Use the Berkeley shaper for traditional wavefolding timbres, or choose from over 90 shaper types for a vast array of tones. The multi/poly also supports modulatable pulse width, adding richness and motion to your sound.

Additionally, the multi/poly includes a noise generator with dedicated filtering and saturation, and a ring modulator with inputs from the oscillators. You can create powerful sounds by leveraging the enhanced sync and x-mod capabilities, which expand on the Mono/Poly's original design. Create unique tones by syncing oscillators 2, 3, and 4 to oscillator 1, or split sync and x-mod into pairs for independent control.

Dual Modelled Filters for Maximum Flexibility

multi/poly's filters are newly redesigned to offer a range of classic and modern options. The multi/poly also includes the MS-20 LP and HP 12dB/octave Korg 35 filters, recreating the aggressive, distinctive sound of the MS-20. For gentler tones, use the SE M/P 2-pole filter, which offers continuous control for sweeping between lowpass, band-reject, and highpass, with a separate bandpass mode. multi/poly's filters support audio-rate modulation, allowing you to modulate filters using any oscillator or the ring modulator for bright, fizzy, and bubbling effects.

M/Poly: A 4-pole self-resonating filter, modelled on the Mono/Poly.
Mini: A ladder filter from a famous American mono-synth, with reduced resonance at low frequencies-perfect for bass.
Pro: From the first programmable polyphonic synthesizer, offering strong resonant sweeps.
Ladder HP/BP: 4-pole self-resonating highpass and bandpass filters.
Use the Drive circuit to add weight or distortion, ranging from subtle thickening to extreme saturation. You can use two filters at once in series or parallel, with each source (oscillators, noise, and ring mod) having its own balance control to crossfade between filters. Modulate the A/B balance for even more creative sound shaping.

The Power of Four

multi/poly's structure allows you to build four Layers, each containing a separate Program. This adds an entirely new dimension of sonic complexity, as you can layer up to four Programs simultaneously in a Performance. These can be used to create massive, multi-layered sounds or creative splits and velocity-triggered variations. Each Program features its own set of oscillators, filters, envelopes, LFOs, and effects, allowing you to craft detailed, evolving performances that change with every key press.
Each Program starts with four oscillators, a noise generator, and both sync and x-mod capabilities. These are processed through two independent filters, providing massive tonal flexibility. For modulation, multi/poly includes four loopable DAHDSR envelopes, five LFOs, and six Mod Processors, allowing you to create detailed and evolving sounds.

Layer Rotate for Evolving Performances

The Layer Rotate feature allows you to cycle through these four Programs with each key press, ensuring dynamic, ever-changing performances. Inspired by the original Mono/Poly's paraphonic mode, Layer Rotate offers endless creative possibilities. You can set the Layers to trigger in random or repeating order and use them in combination with the arpeggiator for complex, mind-bending patterns.

Production-ready Effects

The multi/poly's effects ensure your sounds are polished and ready for the stage or studio. Each layer features three dedicated effects, along with a send to the Performance's master reverb and a master parametric EQ. In addition to standard effects like compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll have access to unique sound-shaping processors such as the Wave Shaper, Talking Modulator, Reverse Delay, and Multiband Mod Delay, as well as the famous Overb from the OASYS and Kronos. multi/poly also includes modelled effects like Vox guitar amps, Vox wah, Vintage Distortion, CX-3 Rotary Speaker and Vibrato/Chorus, multi-head tape echo, and a collection of classic guitar pedals, giving you endless possibilities to shape your sound.

Built to Perform

An instrument that sounds this great deserves to look and feel fantastic, too. The new semi-weighted keybed is smooth and expressive, providing a responsive playing experience, while the knobs offer just the right amount of resistance, perfect for fine-tuning your sounds. The solid aluminium front panel ensures durability, making it road-ready for live performances, while the wooden side-panels and blue-on-black colour scheme are a stylish nod to the original Mono/Poly design. Plus, the multi/poly comes with a custom-made soft case, making it easy to transport and protect your instrument wherever you go.

Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.

Notes: The Korg Volca Keys is an ideal introductory synthesizer, with a simple, yet powerful polyphonic analog sound engine and loop sequencer.

The Volca Keys is a long awaited synthesizer that adds a new chapter to the long and storied history of Korg's analog synthesizers. This 27 key analog lead synth delivers unbelievably powerful sound in a compact body. Starting with a filter section that uses the circuitry of the legendary miniKORG700S (1974), it delivers astonishing sound that takes full advantage of Korg's half-century of know-how in circuit design.

With a simple structure that includes delay effect and a sequencer, it's also an ideal choice for a first analog synth. It offers the richly expressive sounds that are distinctive of analog, providing the enjoyment of simple yet deep sound-creation. The possibilities are endless; you can use the three oscillators to play chords, use them in unison with detune to produce solid lead lines, or apply ring modulation to create far-out metallic sounds.

The Voicing function makes it easy to specify how the three oscillators will be combined. Choose between poly, unison, octave, fifth, unison ring or poly ring simply by turning a dial. Easy for those taking thier first steps into synthesisers, the Volca's simple design makes it easy to obtain a wide variety of sounds.

Record phrases as you play them with the Volca Keys using the loop sequencer. With up to 16 steps, it's easy to create phrases as they come to mind. Use the overdub recording function to produce complex loops, with up to 8 sequence patterns able to be stored in internal memory. Craft your loops with the motion seqence function, apply time varying changes to your sound to enhance loops and add originality to your life performances.

Skip a step during sequence playback with active step, a function that creates effects similar to a short loop or unexpectedly irregular rhythms. This allows you to create a dynamic performance just as though you were performing the sequence itself. Flux function lets you play back the phrase without quantizing the steps, producing a loop with a distinctive sense of groove.

A useful self-tuning function constantly tunes the oscillators, so you never need to tune during a performance or wait for the pitch to stabilise after turning the power on.

Connect the Volca Keys with the rest of the Volca Series or a Monotribe using the sync jack. A MIDI in connector lets you synchronise with other devices, play the Volca from any MIDI keyboard and send note messages from your DAW.

The Volca Keys analogue loop synth has a compact size and a built-in speaker, easily playable anytime, anywhere. The ideal starter-synth.

http://www.youtube.com/watch?feature=player_embedded&v=7rbcYJ326EI

Notes: A modern classic from Korg's affordable Volca range. Genuine analogue business with a built-in sequencer, ideal for acid house bass. A much more powerful synth than you might expect for the money.

Supplier notes:
The Korg Volca Bass is a powerful analog bass sound creation and an Electribe-inspired sequencer for the ultimate bass lines.

Although simple in structure, the analog sound engine has an unmistakable presence with subtle nuances that cannot be reproduced by a digital simulation; it's a great choice for acid house and many other styles of music. The step sequencer distilled from the Electribe is not only visually intuitive; it's also a powerful way to generate "free form" bass loops that will stimulate your inspiration.

Notes: Peerless beats generated by solid analog drum sounds and an Electribe-style sequencer.

A vintage-style analog drum machine from Korg's recently announced Volca series. The Volca Beats includes a 16-step sequencer and 6 x editable analog parts including kick, snare, Hi/Lo toms and open & closed Hi-Hats designed to provide sounds reminiscent of classic 80s drum machines. It also has an additional PCM engine which is said to produce 4 x Lo-Fi percussion sounds including clap, claves, agogo and crash sounds.

There is one-knob-per-function parameter control for crafting each of the six analog sounds including click, snappy, pitch, decay and grain. The PCM sounds have control over pitch and speed. There is also a Level knob allowing volume adjustment of each part.

The 16-step LED-lit sequencer has 8 x memory locations for saving patterns. It includes a recordable stutter function for generating repeated triggers (or drum rolls) and delay effects, an active step feature for quickly adding or removing individual steps, and a step jump function that will instantly play any step. Notes can be entered live as the sequencer is running.

You can also wirelessly synchronise playback of all of the units in the Volca series with any iOS music app that support Korg's Wireless Sync-Start Technology (WIST) using their SyncKontrol iPhone app. This also allows control of the swing settings and fine control of the tempo (including tap tempo).

The Volca Beats is battery powered (with optional AC power) and includes a built-in speaker. It weighs in at only 372g with dimensions of 193 × 115 × 45 mm (W x D x H).

The Volca Beats editable controls include:

Kick (click, pitch, decay, level)
Snare (snappy, pitch, decay, level)
Hi/Lo toms (hi pitch, low pitch, decay, level)
Open/closed Hi-Hat (closed decay, open decay, level)
PCM sounds (pitch, speed, level)

Notes: ***B-STOCK: Box opened, product in perfect working order***


The best of both worlds, combining analogue drum circuits with samples and Korg's Multi Engine. Versatile step sequencing, built-in effects and seamless connectivity.

Supplier's Notes:
The introduction of Drumlogue marks a paradigm shift for drum machines. It combines the rich and raw power of analogue, the flexibility and convenience of digital, and the deep customisation of a unique SDK. A heavy-duty dynamic sequencer, powerful effects, and intuitive controls make Drumlogue a must-have in any setup.

The power of analogue

Drumlogue features completely new analogue circuitry from legendary Korg engineer: Junichi Ikeuchi (ARP 2600 M, MS-20 Mini, ARP Odyssey). The depth and richness of its sound is on a whole new level. New analogue circuits for bass drum, snare drum, low tom and high tom provide a solid foundation, and elevate tracks with harmonic richness and a thick low end.

The versaility of digital

Drumlogue has 7 digital parts: 6 sample-based and 1 Multi Engine based. The sample-based parts can play a wide selection of pre-loaded PCM samples alongside imported user samples. These can be easily loaded into Drumlogue by connecting to a computer via USB and simply dragging and dropping into its main memory.

Endless creative potential

The wildly popular Multi Engine from Minilogue XD is made even more powerful: in addition to Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine in Drumlogue features a new user slot able to play fully-fledged synth voices - providing vast sonic possibilities never before heard on a drum machine.

Custom Synths

Synth voices in Drumlogue are so much more than static waveforms. Custom synths can be built to not only generate sound, but can also draw on built-in filters, LFOs, MIDI controlled polyphony

Exclusive "Nano" plugin

Korg has collaborated with popular plugin developer "Sinevibes" to create a brand new synth plugin for Drumlogue: Nano. This exclusive plugin explores the power behind the newly expanded Multi Engine and gives an incredible first taste of the platform.

"Nano" is a full-fledged virtual analogue synth with a broad array of features and customisable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Sequencing powerhouse

At the heart of Drumlogue is a flexible, easy-to-use, and extremely powerful 64-step sequencer. This makes it easy to create complex patterns and polyrhythms that elevates the music creation process. Innovative features are available including per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. With the clear OLED display, it's also easy to follow and edit your sequences visually.

Chain mode makes creating long and interesting patterns simple. In loop mode you can switch between several variations to play sequences in new and interesting ways. The Motion and Accent recording functions are fast and intuitive, and if you want to try new things on your track, the randomisation function is there to help you.

Effects and customisation

Drumlogue has high-quality effects across three categories that can be used simultaneously: delay, reverb and master effects. The send amounts for delay and reverb effects are set independently, with multiple return points also available. Master effects add that final polish to the sound and can be bypassed on a per-part basis, meaning it's possible to send the effect to specific audio parts. A sidechain bus is also available to the master effects section.

Drumlogue has an audio input, so you can process other instruments through Drumlogue's effect chain, making it an ideal companion for your studio setup.

Connectivity

With a wide range of I/O, Drumlogue can be integrated seamlessly with your rig. A USB-A port supports connectivity with USB MIDI class-compliant devices, meaning volumes can be controlled with the faders on a nanoKONTROL 2, or sounds triggered by the pads on a nanoPAD 2.
It almost goes without saying that Drumlogue easily syncs with other gear via the MIDI in/out, sync in/out, or via USB MIDI.

Four individual outputs are available, in addition to headphone and main L/R. Any part can be assigned to any output, allowing for expanded routing versatility with external processing and multi-track integration.

Ease of use

Drumlogue is incredibly easy to use - having been designed with simplicity and accessibility in mind. The most important parameters for the main drum parts have dedicated knobs on the front panel for on-the-fly adjustments, as well as dedicated volume pots for each part to speed up the mixing process.

A wide and clear OLED screen coupled with a simple UI and 4 dedicated encoder knobs makes the navigation process fast and smooth.

Design

Unlike other drum machines, Drumlogue's main panel is slanted. This offers superior ergonomics and visibility, while a brushed aluminium body and wooden side panels add to the premium look and feel.

Specifications

Polyphony: 11 voices (*)
(*) User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation

Sound Engine
Analogue:4
PCM / User samples: 6
Multi-engine(NOISE, VPM, User Synthesizer): 1

Number of Programs (including rhythm patterns): 128 (64 preset programs by factory default)
Effects: Reverb, delay, master

Inputs / Outputs
Headphones
OUTPUT, (L/Mono, R/Audio, Out 1-4)
Sync In/Out
Audio In, MIDI In/Out
USB A (To Device) (Only for MIDI controllers)
USB B (To Host)

Power supply: AC adapter (DC9V)
Dimensions (W × D × H): 317 × 189 × 73 mm/12.48" × 7.44" × 2.87"
Weight: 1.4 kg/3.09 lbs.
Included items: AC adapter, Precautions, Quick Start Guide

Notes: The excellent Wavestate MkII gets a desktop/rack module spin-off. Exceptional value from this 96-voice Wave Sequencing synth, excelling at everything from glossy, modulated pads through to organic, evolving baselines.

Supplier's Notes:
A new modular model that makes a big difference in the music production environment.

Introducing the Wavestate module - all of the features of the Wavestate mkII in a compact 19" desktop/rackmount package.

In 2020, the acclaimed Wavestate brought KORG's Wave Sequencing to the next level. Featuring the radically re-imagined Wave Sequencing 2.0, the Wavestate delivers astonishing, ever-changing sounds with extensive hands-on control. Far from a nostalgic reissue, the Wavestate was designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition.

120 voices of polyphony, updated LFOs, and more

Taking full advantage of both a new enclosure design and new processing hardware, the Wavestate module provides an impressive 120 stereo voices of polyphony. The new 4U rack-mount enclosure has the same controls as the keyboard models, yet is easily transportable and fits neatly into any studio or desktop production system.

Responding to user requests, we've also updated all LFOs with options for free running, delayed start, and retriggering, added new modulation sources, and more. A software update will also be available for the original Wavestate.

The Wavestate module is fully compatible with the sounds and samples of the original Wavestate, Wavestate mk II, Wavestate SE, and Wavestate native software, as well as many excellent third-party libraries.

MIDI 2.0 Property Exchange and Polyphonic Aftertouch support

With the latest software updates, all models of Wavestate, hardware and software, now support MIDI 2.0 Property Exchange. Hundreds of the original factory sounds have been updated to include Polyphonic Aftertouch modulation (Channel Aftertouch is supported as well). All of this makes the Wavestate module an excellent companion to KORG's Keystage controller.

Rack-Mount and Desktop

The Wavestate module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Many musicians have requested a module version of the wavestate. Now that components are once again available after a long period of supply-chain disruption, KORG is pleased to make that request a reality.

Main Specifications

Maximum Polyphony: 120 stereo voices
Dimensions (W x D x H): 483 x 172 x 113 mm / 19.02 x 6.77 x 4.45 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter
Sound generating system: Wave Sequencing 2.0
Maximum Polyphony: 96 stereo voices
Sounds: Ships with 261 Performances, 799 Programs, and 1,042 Wave Sequences
Storage for tens of thousands of user Performances Structure

Performance

4 Layers, Reverb, EQ; all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. is supported but not required)
Layer: Program, Arpeggiator, Key and Velocity Zones
Program: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Filters: 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix
Modulation: Controllers
Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x Program/Performance Mod Knobs
Other Sources: 3x Envelopes, Vector Envelope, 3x LFOs, 2x Mod Processors, 2x Key Track, Step Sequencer Lane, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate/Gate+Damper, Note-On Trigger/Note-On Trigger+Damper, Note Number, Aftertouch/Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +
Destinations: Most parameters can be modulated, including parameters of individual Wave Sequence Steps. Depending on Wave Sequence length, there can be more than 1,000 potential modulation targets per Program.

Effects

Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper
Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah
Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo
Reverb: Early Reflections, Overb
Performance EQ: 4-band parametric EQ

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V, 2500mA)
Power consumption: 5 W
Dimensions (W x D x H): 565 x 338 x 92 mm/22.24" x 13.31" x 3.62"
Weight: 2.9 kg/6.93 lb.

Included items

AC adapter
Accessories (sold separately)
DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Notes: Second generation version of Korg's customisable synth and effects unit. New 18-key multitouch keyboard, upgraded processor, new oscillator types and new effects. Create your own personalised instrument.

Supplier's Notes:
Build it, tweak it, connect it; a world of synthesis at your fingertips!

The compact and incredibly powerful NTS-1 is back with an array of new features, a refreshed interface and more customization options than ever before.

Boasting a new keyboard, built-in sequencer, fresh sounds, and expanded MIDI capabilities, the NTS-1 mkII packs a gigantic set of features in the palm of your hand.

Powered by an even more powerful processor than its predecessor, the NTS-1 mkII unlocks its full potential and welcomes a new wave of custom content through its upgraded logueSDK.

This DIY synth and effects unit is not just powerful but also versatile, a must-have tool for both studio and stage.

New Multitouch keyboard

The NTS-1 mkII boasts a new 18-key multitouch keyboard, substituting the ribbon controller of the first generation, for precise playing and sequencing. This upgrade unlocks the ability to send MIDI note messages polyphonically, opening the doors to custom oscillators and effects leveraging the paraphonic potential of the NTS-1.

The centre of your performance

In addition to a powerful arpeggiator, the new 8-step sequencer opens a whole new world of musical possibilities. With live and step recording modes (with per-note gate length and velocity settings) available in combination with its new keyboard and easy octave switch, the NTS-1 mkII provides an intuitive and seamless performance experience.

The NTS-1 mkII takes the sting out of forgetting your creative sparks. A new autosave function recalls all the parameters used in your last performance, including the step sequencer data, so you can pick up right where you left off. No more struggling to remember knob tweaks and pattern edits!

But that's not all! NTS-1 mkII has a MIDI OUT output so you can use its internal sequencer to control other gear in your setup.

Powerful new engine, sounds and effects
NTS-1 mkII is an extremely powerful, flexible and fun-to-explore synth. While retaining the versatile features of its predecessor, this new iteration adds an array of new sounds, including new oscillator types and modulation possibilities, using its Audio IN signal as a modulation source to create FM, AM or RING sounds.

The NTS-1 mkII is also an incredibly capable and expandable FX unit. In the mkII, we added many new Modulation (distortion, fuzz...), Delay (tape delay, BPM synced delays...) and Reverb effects, as well as handy oscillator OFF and Filter THRU functions, making it a uniquely versatile piece of gear that will cover all your needs at home or on stage.

Expanded connectivity

Integrating the NTS-1 mkII is now easier than ever. In addition to the SYNC IN/OUT and MIDI IN, we've added a new MIDI OUT output for seamless connection and expanded performance possibilities with other gear. On top of that, most parameters on NTS-1 mkII have been made MIDI CC compatible for deeper control.

It is also now powered through a new USB-C bus.

Even more DIY fun

The new NTS-1 mkII retains the DIY kit format from the original, and offers new customization options with reversible anodized silver and metallic black side panels. And don't worry, we've kept the same form factor and dimensions as its predecessor meaning custom sides, stands and other custom parts will still fit!

A new and more powerful logueSDK

Powered by a new chip, the NTS-1 mkII has expanded processing power, making complex effects and oscillators more possible than ever before. A new development API is available for developers on Github.

Customization and 3D data

Thanks to its DIY nature and open design, the NTS-1 mkII is a highly customizable synthesizer that you can modify in several ways. In addition to the open source logueSDK that allows users to build their own custom oscillators and effects, the hardware of the NTS-1 mkII can also be physically modified cosmetically and functionally. To help you get started with physical customization, we are providing the necessary schematics and instructions to personalize your NTS-1 mkII in many different ways!

Free bundle of music software

The NTS-1 mkII comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.

Specifications

Keyboard: Multitouch keyboard
Sound generator system: 1 VCO, 1 Multimode filter, 1 EG, 3 LFO
Effects: MOD (CHORUS, ENSEMBLE, PHASER, FLANGER, SOFT CLIP, HARD CLIP, SINE FOLD, FUZZ), REVERB, DELAY
Input/output jacks: Headphone / AUDIO OUT jack (3.5 mm stereo mini-phone jack), AUDIO IN jack (3.5 mm stereo mini-phone jack), SYNC OUT jack (3.5 mm TRS mini-phone jack, 3.3V output level), SYNC IN jack (3.5 mm TRS mini-phone jack, 20V maximum input level), MIDI OUT jack (3.5 mm TRS mini-phone jack), MIDI IN jack (3.5 mm TRS mini-phone jack), USB port (Type-C)
Power supply: USB bus powered
Current consumption: 500 mA or less
Dimensions (W × D × H): 129 × 78 × 39 mm /5.08"×3.07"×1.54"
Weight: 122 g/4.30 oz
Included items: USB cable, Assembly Instructions

Notes: Second-gen version of the excellent Opsix features major updates including 64-voice polyphony and an improved interface. Same powerful six-operator FM synth engine.

Supplier's Notes:
A Full-Spectrum Sound Experience

Opsix mk II is a digital synth like no other. Based on the sound engine of the original Opsix, the number of simultaneous voices and voicings has been expanded to an astounding 64 voices. The result is superior performance and precise control.

The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

And, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Evolved to an astounding 64 voices

The Opsix mk II has 64 voices, twice as many as the original 32 voices, allowing users to enjoy tone editing without having to worry about the number of simultaneous voices. In addition, the operator-mixer section, the most distinctive feature of this product, has been accented with a new image colour, green.

Get Illuminated with the Operator Mixer

At the heart of every sound is Opsix mk II's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes Opsix mk II so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of Opsix mk II is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, Opsix mk II can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. Opsix mk II uses up to six envelopes and multi-modelled filters to achieve many cutting-edge and classical analogue synthesis tones.

Semi-Modular

Rerouting signal paths to change the sound. A spin through the Algorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed. Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Analogue (Modeling)

Analogue-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.

Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.

Classic FM

Last but certainly not least, Opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, Opsix mk II is uniquely suited as a "future-modern-classic" synth!

Altered Reality

What started as a legacy synthesis has evolved into something completely different. Opsix mk II is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

Opsix mk II provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: Altered FM sound generator
Maximum Polyphony: 64 voices (varies depending on the setting)
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step), Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs
Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V)
Power consumption: 5 W
Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"
Weight: 2.9 kg / 6.93 lbs.
Included items: AC adapter
Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.

Notes: Too many of today's rhythm machines are too complex to use. Many musicians wish that they could enjoy casually performing while being backed up by real rhythm patterns rather than just a metronome.

Korg has responded to these wishes with the KR Mini rhythm machine. It features a simple design that eliminates all complex functions, looks that overflow with nostalgia and analog-like controls. Playing a rhythm pattern is easy and intuitive; just press or strike the pads and turn the knobs.

Although operation is simple, there's no compromise with the sound. A total of 60 diverse rhythm patterns are ready to accompany you. Easy, simple and compact, the KR mini can play its role anywhere; it's the rhythm machine that many musicians have been waiting for.

Many musicians wish that they could enjoy casually performing while being backed up by real rhythm patterns rather than just a metronome. Korg has responded to these wishes with the KR Mini rhythm machine. It features a simple design that eliminates all complex functions, looks that overflow with nostalgia and analog-like controls. Playing a rhythm pattern is easy as making selection and pressing play. A total of 60 diverse rhythm patterns and 120 fills are ready to accompany you. Easy, simple and compact, the KR mini can play its role anywhere.

A dedicated knob helps you select the musical genres you want quickly. Six variations and two fills are available within each of the genres. KR mini covers a wide range of genres including 8-beat, 16-beat, rock and pop. In addition, three are eight song patterns containing drum parts that are several measures in length to jam along with.

KR Mini's Chain function lets you easily arrange patterns to create complete songs. Jump from one pattern to another, add fill-ins, and specify the loop end location as well as the number of playback repetitions with ease.

At the push of a button, the 16 pads double up as drum playable drum pads. All of the sounds of the KR mini are available in this mode, and you can finger drum on a whim the pads are velocity sensitive; letting you create even more dynamic drum phrases. Although finger drumming has typically been done using a PC-based system with samplers and MIDI controllers, the compact KR mini, with its built-in speaker and battery-powered operation means that now you can enjoy performing on the street, outdoors, or anywhere you may be inspired.

Two pedal inputs you are available to allow use of optional footswitches, allowing you to use your foot to start/stop the rhythm or to control fill-ins. In a performance environment, you'll be able to smoothly control the KR mini while continuously playing your instrument. The KR mini also has a headphone/speaker output, so you can connect it to your PA system. Use it with a guitar amp or compact multi-channel PA to create a simple setup for live performance.

Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Notes: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

Notes: The fastest and most intuitive way to make beats.

A production machine that lets you create using a gigantic array of samples.

The Electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think.

The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the Electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing.

The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colourful with the new metallic red model. And Korg have also provided bonus patterns that reveal even greater sonic potential.

Making your beat-making ideas rapidly take shape. It's the Electribe sampler; a sampler + sequencer that's thoroughly optimized for speed.

The Electribe sampler continues to evolve

A new metallic red model - a nod to the legacy of electribe

Following the dark black unit, the lineup has been joined by a metallic red model that's reminiscent of the previous model, the ELECTRIBE SX. Complemented by the numerous colourfully illuminated LEDs, this unit will energize your playing.

Many new functions added via system update

Updates make the Electribe sampler evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an Electribe sampler can update their unit and then enjoy playing.

Download over 200 bonus patterns

Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 237 different patterns are packed with sample sounds, drum kits, and ideas for a wide range of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration.

Specifications

Sound System
Type: PCM sound engine + Analog modelling sound engine

Maximum Polyphony
24 voices
* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type.
* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.
Sample: Type (920), Pitch/Glide, Edit
Sample Types: Analog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499)
Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (3)
Modulation: Type (72), Depth, Speed
Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off
Scale Types: 35
Gate Arpeggiator Types: 50
Sampling Frequency: 48 kHz
AD/DA Conversion: 24 bit

Sampler
User Samples: Up to 499 samples
Memory
Total maximum approximately 270 seconds (calculated as monaural)
* Regardless of the capacity of the SD card
* Including presets
Edits: Start/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling

Effect
Insert Effect:One unit (can be used on each of the 16 parts)
Type (38), Edit, Insert FX On/Off

Master Effect:
One unit
Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off
Sequencer
Number of Steps: 16 steps x 4
Number of Parts: 16 parts (one part consists of a sound, steps, insert effect, modulation sequence, etc)
Number of Patterns:
250 patterns (150 Presets / 100 Initial)
(one pattern consists of parts, master effect, key, scale setting, etc)
Motion Sequences: Up to 24 motion sequences can be stored (for each pattern)
Groove Types: 25
Pattern Set: Up to 64 patterns can be stored
Pattern Chain: Up to 250 patterns can be chained
Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit)
Event Recording: Up to 100 files can be saved

Trigger Pads
Number of Pads: 16 pads (Velocity sensitive)
Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set, Touch Pad
Modes: Gate Arp, Touch Scale, Master FX

Connectors

Audio:
L/Mono, R Output (Standard phone jack)
Headphones (Stereo mini jack)
Audio Input (Stereo mini jack)

MIDI: In, Out (Use an included MIDI adapter cable)
USB: Type micro B
Sync:In, Out (Stereo mini jack)

External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)

Power

Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)
Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)
Current Consumption: Less than 500 mA
Chassis: Zinc die cast

Dimensions (W x D x H): 339 x 189 x 45 mm / 13.35" x 7.44" x 1.77"
Weight: 1.6 kg / 3.53 lbs
Colour Variations: Metallic Red (electribe2s-RD), Black (electribe2s)
Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)
Accessories: Sync Cables SQ-CABLE-6, Gig Bag DJ-GB-1

Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: The Korg NanoKontrol2 slim-line USB control surface fits perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space.

The Korg NanoKontrol2 controller provides knobs, switches and faders. It is perfect for controlling any DAW computer based DAW or numerous types of other music production software.

In a body proportioned to fit perfectly in front of your laptop computer, the Korg NanoKontrol2 provides 8 channels of the controllers you need to control your music software. It also features a dedicated transport control section. Many software titles are supported, dramatically reducing the need to make complicated connection settings. 1 knob, 1 fader and 3 switches are provided for each of the 8 channels, respectively assigned to pan, volume and solo/mute/record. In addition, there's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production.

Notes: The best of both worlds, combining analogue drum circuits with samples and Korg's Multi Engine. Versatile step sequencing, built-in effects and seamless connectivity.

Supplier's Notes:
The introduction of Drumlogue marks a paradigm shift for drum machines. It combines the rich and raw power of analogue, the flexibility and convenience of digital, and the deep customisation of a unique SDK. A heavy-duty dynamic sequencer, powerful effects, and intuitive controls make Drumlogue a must-have in any setup.

The power of analogue

Drumlogue features completely new analogue circuitry from legendary Korg engineer: Junichi Ikeuchi (ARP 2600 M, MS-20 Mini, ARP Odyssey). The depth and richness of its sound is on a whole new level. New analogue circuits for bass drum, snare drum, low tom and high tom provide a solid foundation, and elevate tracks with harmonic richness and a thick low end.

The versaility of digital

Drumlogue has 7 digital parts: 6 sample-based and 1 Multi Engine based. The sample-based parts can play a wide selection of pre-loaded PCM samples alongside imported user samples. These can be easily loaded into Drumlogue by connecting to a computer via USB and simply dragging and dropping into its main memory.

Endless creative potential

The wildly popular Multi Engine from Minilogue XD is made even more powerful: in addition to Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine in Drumlogue features a new user slot able to play fully-fledged synth voices - providing vast sonic possibilities never before heard on a drum machine.

Custom Synths

Synth voices in Drumlogue are so much more than static waveforms. Custom synths can be built to not only generate sound, but can also draw on built-in filters, LFOs, MIDI controlled polyphony

Exclusive "Nano" plugin

Korg has collaborated with popular plugin developer "Sinevibes" to create a brand new synth plugin for Drumlogue: Nano. This exclusive plugin explores the power behind the newly expanded Multi Engine and gives an incredible first taste of the platform.

"Nano" is a full-fledged virtual analogue synth with a broad array of features and customisable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Sequencing powerhouse

At the heart of Drumlogue is a flexible, easy-to-use, and extremely powerful 64-step sequencer. This makes it easy to create complex patterns and polyrhythms that elevates the music creation process. Innovative features are available including per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. With the clear OLED display, it's also easy to follow and edit your sequences visually.

Chain mode makes creating long and interesting patterns simple. In loop mode you can switch between several variations to play sequences in new and interesting ways. The Motion and Accent recording functions are fast and intuitive, and if you want to try new things on your track, the randomisation function is there to help you.

Effects and customisation

Drumlogue has high-quality effects across three categories that can be used simultaneously: delay, reverb and master effects. The send amounts for delay and reverb effects are set independently, with multiple return points also available. Master effects add that final polish to the sound and can be bypassed on a per-part basis, meaning it's possible to send the effect to specific audio parts. A sidechain bus is also available to the master effects section.

Drumlogue has an audio input, so you can process other instruments through Drumlogue's effect chain, making it an ideal companion for your studio setup.

Connectivity

With a wide range of I/O, Drumlogue can be integrated seamlessly with your rig. A USB-A port supports connectivity with USB MIDI class-compliant devices, meaning volumes can be controlled with the faders on a nanoKONTROL 2, or sounds triggered by the pads on a nanoPAD 2.
It almost goes without saying that Drumlogue easily syncs with other gear via the MIDI in/out, sync in/out, or via USB MIDI.

Four individual outputs are available, in addition to headphone and main L/R. Any part can be assigned to any output, allowing for expanded routing versatility with external processing and multi-track integration.

Ease of use

Drumlogue is incredibly easy to use - having been designed with simplicity and accessibility in mind. The most important parameters for the main drum parts have dedicated knobs on the front panel for on-the-fly adjustments, as well as dedicated volume pots for each part to speed up the mixing process.

A wide and clear OLED screen coupled with a simple UI and 4 dedicated encoder knobs makes the navigation process fast and smooth.

Design

Unlike other drum machines, Drumlogue's main panel is slanted. This offers superior ergonomics and visibility, while a brushed aluminium body and wooden side panels add to the premium look and feel.

Specifications

Polyphony: 11 voices (*)
(*) User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation

Sound Engine
Analogue:4
PCM / User samples: 6
Multi-engine(NOISE, VPM, User Synthesizer): 1

Number of Programs (including rhythm patterns): 128 (64 preset programs by factory default)
Effects: Reverb, delay, master

Inputs / Outputs
Headphones
OUTPUT, (L/Mono, R/Audio, Out 1-4)
Sync In/Out
Audio In, MIDI In/Out
USB A (To Device) (Only for MIDI controllers)
USB B (To Host)

Power supply: AC adapter (DC9V)
Dimensions (W × D × H): 317 × 189 × 73 mm/12.48" × 7.44" × 2.87"
Weight: 1.4 kg/3.09 lbs.
Included items: AC adapter, Precautions, Quick Start Guide

Notes: Updated version of Korg's excellent Wavestate, drawing on the iconic Wavestation synth to create a modern take on wavetable synthesis, now with added polyphony.

Supplier's Notes:
Wavestate mkII

Extended polyphony. Extended possibilities.

Korg's legendary Wavestation introduced the world to wave sequencing, and the 37-key Wavestate mkII builds on that legacy with a reimagined, compact synth designed to satisfy today's demanding musicians and producers. MkII expands polyphony to 96 stereo voices and adds a fresh look. It's completely compatible with sounds and samples for the original Wavestate.

Overview

Korg's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS, Kronos and Nautilus keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, Korg is proud to present the new Wavestate mkII, with improved polyphony (96 stereo voices) and a fresh look. It's completely compatible with sounds and samples for both the original Wavestate, Wavestate SE and Wavestate Native software, including many excellent third-party libraries. Updated sounds and software keep it fresh and the compact form-factor, with 37 full-size keys, still transports easily and fits neatly into any stage, studio, or desktop setup.

Keyboard: 37-keys, velocity sensative
Sound generation: Wave Sequencing 2.0
Polyphony: 96 stereo voices
Configuration: Performance: 4 layers, reverb, EQ
Layers: Program, Arpeggiator, Key, and Velocity Zones
Programs: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Presets: 261 Performances,799 Programs, and 1042 Wave Sequences
Controllers: MOD wheel, PITCH wheel, Vector Joystick, 8 x program/Performance Mod knobs.
Effects: Pre FX x4, Mod FX x4, Delay x4, Reverb, Performance EQ

Inputs/outputs:

Audio Outputs L/MONO, R (6.3mm TRS phone jack, impedance balanced)
Headphones (6.3mm stereo phone jack)
Damper (6.3mm phone jack)
MIDI in,out
USB Type B

Power: AC adapter (DC12V, 2500mA)
Power consumption 5w
Dimensions: 565 W x 338 (D x 92 (H mm
Weight: 2.9kg

Notes: The premium version of Korg's excellent Wavestate gets the Platinum look in this limited-edition model. 61-note keyboard, metal chassis and limited-edition Platinum finish.

Supplier's Notes:
Wavestate SE Platinum

The ultimate Wavestate, the limited edition Wavestate SE Platinum features a stunning premium silver aluminium panel and stainless steel side panels.

Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis.

Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes of stereo polyphony to inspire new levels of creativity.

A sonic evolution

Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis. Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes (stereo) of polyphony to inspire new levels of creativity.

Premium, expressive touch

Featuring a 61-key natural-touch keyboard, Wavestate SE feels incredible to play. The inclusion of aftertouch gives fingertip control of the unique constantly changing sound. All factory presets have been meticulously programmed to take full advantage of this expressive control.

Beauty meets brawn

Wavestate SE's all-metal design is as hard-wearing as it is beautiful - with a matte-black aluminium panel complimented perfectly by glossblack stainless-steel sides. The premium finish continues to the controls themselves, where metal-plated knobs are perfectly weighted and add a luxurious touch.

Easily expressive. Exceptionally deep.

The Wavestate SE puts filters, envelopes, LFOs, effects and more at your fingertips with dedicated front-panel controls. Eight programmable Mod knobs are customised to bring out the most in every sound, for real-time performance and also when saving results as new patches. Pitch bend and modulation wheels, and the unique Vector Joystick, give you instant access to multiple dimensions of real-time expression. Digging deeper, almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Gigabytes of samples

Totalling in the gigabytes, Wavestate SE's sample library is vast. At a thousand times larger than that of the original Wavestation, the amount of great-sounding raw material for Wave Sequences is astounding.

Three of the key sound designers from the original Wavestation, John Bowen, John "Skippy" Lehmkuhl (Plugin Guru), and Peter "Ski" Schwartz, joined Belgian artist Airwave and the renowned Korg voicing team to create the incredible Wavestate SE sound library.

Powerful effects

An arsenal of superb effects ensures Wavestate SE delivers production-ready sounds. Each performance has a master reverb and parametric EQ while each layer has three dedicated effects. Alongside compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb, plus modelled effects including Vox guitar amps and wah pedal, multi-head tape echo, and a collection of other classic guitar pedals.

Multiply by four

Take all that power, and quadruple it! You can layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four layers, and can also modulate any other parameters. This sheer sonic power is further enhanced with 120 notes (stereo) of polyphony. Set Lists offer effortless organisation of your Performances, and deliver instant access at the gig or in rehearsal. And thanks to Smooth Sound Transitions, previously-played voices and effects continue to ring out naturally, even when a new sound has been selected.

Deep connectivity

Connect to recording or monitoring systems with balanced stereo outputs, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear. The Wavestate SE supports class-compliant USB MIDI connections to Windows and Mac computers, and the Wavestate SE Editor/Librarian and Sample Builder programs are available as free downloads from Korg.

Wave Sequencing 2.0

The original Wavestation gave each step of a wave sequence a duration, a sample and a pitch. This created ear-catching repetitive patterns, giving rise to entirely new approaches to sound design. But what if the sounds could evolve in organic and unexpected ways, instead of just repeating? Wave Sequencing 2.0 separates the timing, the sequence of samples, and the melody, so that each can be manipulated independently. It also adds new characteristics, including shapes, gate times, and step sequencer values. Each of these is a "Lane", and each Lane can have a different number of steps, start, end and loop points. Every time the sequence moves forward, the individual Lanes combine to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different! Lanes can also randomise the step order every time they play, with real-time control over the range of included steps, and individual steps can be randomly skipped (with a modulatable probability from 0 to 100%). The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

Specifications

Keyboard: 61 keys (Natural touch keyboard with velocity and release-velocity
sensitive, aftertouch)
Sound generation: Wave Sequencing 2.0
Polyphony: 120 stereo voices
Sounds: 261 Performances, 799 Programs, and 1,042 Wave Sequences. Storage for tens of thousands of user Performances
Performance: 4 Layers, Reverb, EQ; all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. is supported but not required)
Layer: Program, Arpeggiator, Key and Velocity Zones
Program: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Filters: 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix
Controllers: Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x
Program/Performance Mod Knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack) OUTPUT L/MONO and R (impedance balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack)
MIDI IN and OUT connectors
USB B port

Power supply: AC adapter (DC12V, 2500mA)
Consumption: 5W
Dimensions: 1,014 x 344 x 108 mm
Weight: 8.6 kg

Included items

AC adapter, hard case, t-shirt, stickers

Notes: Easy self-assembly for Korg's intuitive oscilloscope, part of the Nu:Tekt range. Surprisingly useful as a tool for visualising sounds, dialling in synth patches and understanding how sound works.

Supplier's Notes:
The ultimate toolkit for the modern musician

The Nu:Tekt NTS-2 oscilloscope kit is a DIY multifunctional tool for musicians. Building on a 4-channel oscilloscope - monitoring control voltage (CV) and audio signals alike - NTS-2 also packs a flexible waveform generator, a spectrum analyser, and tuner functionality into a
build-it-yourself device which fits in the palm of your hand!

The NTS-2 kit is compact and easy to assemble with no soldering required, but don't let its size fool you - it packs a real punch!

It's an oscilloscope, tuner, FFT, and spectrum analyser that is accurate, intuitive, and incredibly useful. But that's not all - using its dual stereo IN, dual stereo THRU/OUT, and two separate OUTPUTs, you can wire it into your synth rig and use its dual waveform generators to give yourself an extra pair of oscillators or LFOs!

4 channel oscilloscope
FFT/Spectrum Analyser
Duel Waveform Generator
Tuner
Powerful connectivity

4 channel oscilloscope

With dual stereo inputs, you can visualise up to four signals at once, comparing and overlapping them with ease. A variety of display modes let you choose how you see your data, while the user interface is clear and quick, thanks to its dedicated menu buttons and clickable encoder knob, and 240 x 320 pixel 2.8" colour LCD screen. NTS-2 even has a powerful "Lissajous" mode - opening the door to creativity and making it possible to visualise widely available oscilloscope art, for extra fun with your device.

Dual Waveform Generator

A flexible Wave Generator mode provides 2 oscillators with dedicated outputs. Each oscillator can create a variety of waveforms - sine, square, triangle, sawtooth, pulse, and noise - whose shape and phase can be adjusted to suit many applications. These sounds can be used in the audio range or as control voltage sources, and they can be set to cycle continuously or act as one-shot impulses; that means you can turn them into LFOs, envelopes, triggers, and control voltage generators, as well as sound sources. Attaching the NTS-2 to any patchable synthesizer instantly expands its power.

FFT/Spectrum Analyser

NTS-2 also comes with a dedicated FFT (Fast Fourier Transform) mode with a real-time spectrum analyser.

Tuner

This multi-functional utility kit wouldn't be complete without a precise and easy-to-use tuner with multiple display modes.

Powerful connectivity

The NTS-2 offers many ways to connect to your rig. Alongside its 4-channel input and dual waveform output features, its dual stereo THRU/OUT ports enable you to keep it wired into your system, rather than constantly plugging and unplugging cables. NTS-2 lets you maintain your signal flow at all times - even when powered off. NTS-2 maximizes portability and flexibility by using either batteries or a USB-C power supply.

Specifications

Dimensions: 12.9 x 7.8x 3.9 cm
Weight: 130g (not including batteries)
Power: USB type-C (2.0, 500mA max) or 2x AAA batteries (approx 2 hours running time)
Inputs: 2 x 3.5mm Stereo, +/-10V max
Outputs: 2 x Through Output: 3.5mm Stereo, 2 x Output: 3.5mm Mono, +/-5V max

Oscilloscope

Display modes: Single, Stereo (Input1L-INPUT1R, Input1L - Input2L, Input2L - Input2R), 4ch XY(Lissajous, 2ch)
Vertical: 10mV~5V/div, AC/DC MODE switchable
Horizontal: 50us~1s/div
Trigger: Auto, Rise, Fall, Single(rise), Single(fall)

FFT (Spectrum Analyser)
Input: mono (1L, 1R, 2L, 2R)
Frequency: 20Hz~20kHz

Waveform Generator
Wave type: sine, square, triangle, saw, noise, pulse, envelope
Frequency: 1Hz~10kHz, Hz/NOTE mode switchable, [1ms~10s,sec/BPM switchable(pulse, envelope mode)]
Output level: 10Vpp max, V/dB mode switchable

Tuner
Display mode: Needle, Meter
Input: Mono, Stereo (Input1L-Input1R, Input1L-Input2L)
Calibration: 410-480Hz

Notes: Unfold, connect, create wherever you go

The nanoKEY Fold is a compact, foldable MIDI keyboard that brings creative freedom to musicians and producers on the go. Small enough to fit in a pocket yet powerful enough for full-scale production, nanoKEY Fold unfolds to reveal 25 keys, complete with silent membrane technology and customisable velocity settings. This MIDI keyboard is designed for those who want inspiration at their fingertips, whether they're composing, performing, or producing on the go.

Instant portability, limitless potential

Unfold creativity on the go with nanoKEY Fold's innovative design. Its pocket-sized, foldable body makes it easy to carry, yet it opens up to reveal 25 keys, ready for any musical idea. Lightweight and minimalistic, it's crafted to go everywhere you go.

Comfort and control, anywhere

The silent membrane keybed delivers a smooth playing experience without disturbing those around you, while customisable velocity settings across 13 levels allow for expressive playing tailored to your touch. With nanoKEY Fold, music creation can be as quiet or dynamic as you want.

Enhance your music with built-in creative features

With this MIDI keyboard, scales, chords, and arpeggios are at your fingertips. Select from 15 scale types and let the LED-guided Scale mode keep your notes harmonically perfect. In Chord mode, assign full chords to each key, creating deep harmonies in an instant. The built-in arpeggiator opens endless rhythmic possibilities with 15 adjustable patterns and arpeggio types for inspired productions.

Responsive touch sliders and split functionality

Two touch sliders provide easy control over pitch and modulation, offering new dimensions to your sound. Assign sliders to trigger notes within your chosen scale, or divide the keyboard with the Split function, enabling custom left- and right-hand settings for expanded creativity.

Seamless connectivity with USB-C and MIDI

With both USB-C and TRS-MIDI outputs, nanoKEY Fold easily integrates with a wide range of setups, from mobile devices and computers to other MIDI-enabled instruments and controllers. A TRS-to-MIDI DIN adapter is included, providing instant compatibility with MIDI gear. Plug-and-play functionality ensures an effortless connection, keeping you focused on creating music.

Specifications

Keyboard
25 keys with customisable velocity (13 levels)

Octave Shift
-4 to +4

Scale Types
15 built-in scales

Arpeggiator
15 patterns

Scene Memory
15 user-defined scenes

Connectivity
USB-C, TRS-MIDI output (3.5mm stereo mini-phone jack, includes TRS to MIDI DIN adapter)

Power Supply
USB bus power (500 mA or less)

Dimensions
Folded: 147 × 73 × 17 mm / 5.79" × 2.87" × 0.67"
Unfolded: 282 × 73 × 14 mm / 11.10" × 2.87" × 0.55"

Weight
126 g / 4.44 oz

Included Items
USB cable, MIDI TRS-DIN adapter cable, Quick Start Guide

Notes: Unfold, connect, create wherever you go

The nanoKEY Fold is a compact, foldable MIDI keyboard that brings creative freedom to musicians and producers on the go. Small enough to fit in a pocket yet powerful enough for full-scale production, nanoKEY Fold unfolds to reveal 25 keys, complete with silent membrane technology and customisable velocity settings. This MIDI keyboard is designed for those who want inspiration at their fingertips, whether they're composing, performing, or producing on the go.

Instant portability, limitless potential

Unfold creativity on the go with nanoKEY Fold's innovative design. Its pocket-sized, foldable body makes it easy to carry, yet it opens up to reveal 25 keys, ready for any musical idea. Lightweight and minimalistic, it's crafted to go everywhere you go.

Comfort and control, anywhere

The silent membrane keybed delivers a smooth playing experience without disturbing those around you, while customisable velocity settings across 13 levels allow for expressive playing tailored to your touch. With nanoKEY Fold, music creation can be as quiet or dynamic as you want.

Enhance your music with built-in creative features

With this MIDI keyboard, scales, chords, and arpeggios are at your fingertips. Select from 15 scale types and let the LED-guided Scale mode keep your notes harmonically perfect. In Chord mode, assign full chords to each key, creating deep harmonies in an instant. The built-in arpeggiator opens endless rhythmic possibilities with 15 adjustable patterns and arpeggio types for inspired productions.

Responsive touch sliders and split functionality

Two touch sliders provide easy control over pitch and modulation, offering new dimensions to your sound. Assign sliders to trigger notes within your chosen scale, or divide the keyboard with the Split function, enabling custom left- and right-hand settings for expanded creativity.

Seamless connectivity with USB-C and MIDI

With both USB-C and TRS-MIDI outputs, nanoKEY Fold easily integrates with a wide range of setups, from mobile devices and computers to other MIDI-enabled instruments and controllers. A TRS-to-MIDI DIN adapter is included, providing instant compatibility with MIDI gear. Plug-and-play functionality ensures an effortless connection, keeping you focused on creating music.

Specifications

Keyboard
25 keys with customisable velocity (13 levels)

Octave Shift
-4 to +4

Scale Types
15 built-in scales

Arpeggiator
15 patterns

Scene Memory
15 user-defined scenes

Connectivity
USB-C, TRS-MIDI output (3.5mm stereo mini-phone jack, includes TRS to MIDI DIN adapter)

Power Supply
USB bus power (500 mA or less)

Dimensions
Folded: 147 × 73 × 17 mm / 5.79" × 2.87" × 0.67"
Unfolded: 282 × 73 × 14 mm / 11.10" × 2.87" × 0.55"

Weight
126 g / 4.44 oz

Included Items
USB cable, MIDI TRS-DIN adapter cable, Quick Start Guide

Notes: Unfold, connect, create wherever you go

The nanoKEY Fold is a compact, foldable MIDI keyboard that brings creative freedom to musicians and producers on the go. Small enough to fit in a pocket yet powerful enough for full-scale production, nanoKEY Fold unfolds to reveal 25 keys, complete with silent membrane technology and customisable velocity settings. This MIDI keyboard is designed for those who want inspiration at their fingertips, whether they're composing, performing, or producing on the go.

Instant portability, limitless potential

Unfold creativity on the go with nanoKEY Fold's innovative design. Its pocket-sized, foldable body makes it easy to carry, yet it opens up to reveal 25 keys, ready for any musical idea. Lightweight and minimalistic, it's crafted to go everywhere you go.

Comfort and control, anywhere

The silent membrane keybed delivers a smooth playing experience without disturbing those around you, while customisable velocity settings across 13 levels allow for expressive playing tailored to your touch. With nanoKEY Fold, music creation can be as quiet or dynamic as you want.

Enhance your music with built-in creative features

With this MIDI keyboard, scales, chords, and arpeggios are at your fingertips. Select from 15 scale types and let the LED-guided Scale mode keep your notes harmonically perfect. In Chord mode, assign full chords to each key, creating deep harmonies in an instant. The built-in arpeggiator opens endless rhythmic possibilities with 15 adjustable patterns and arpeggio types for inspired productions.

Responsive touch sliders and split functionality

Two touch sliders provide easy control over pitch and modulation, offering new dimensions to your sound. Assign sliders to trigger notes within your chosen scale, or divide the keyboard with the Split function, enabling custom left- and right-hand settings for expanded creativity.

Seamless connectivity with USB-C and MIDI

With both USB-C and TRS-MIDI outputs, nanoKEY Fold easily integrates with a wide range of setups, from mobile devices and computers to other MIDI-enabled instruments and controllers. A TRS-to-MIDI DIN adapter is included, providing instant compatibility with MIDI gear. Plug-and-play functionality ensures an effortless connection, keeping you focused on creating music.

Specifications

Keyboard
25 keys with customisable velocity (13 levels)

Octave Shift
-4 to +4

Scale Types
15 built-in scales

Arpeggiator
15 patterns

Scene Memory
15 user-defined scenes

Connectivity
USB-C, TRS-MIDI output (3.5mm stereo mini-phone jack, includes TRS to MIDI DIN adapter)

Power Supply
USB bus power (500 mA or less)

Dimensions
Folded: 147 × 73 × 17 mm / 5.79" × 2.87" × 0.67"
Unfolded: 282 × 73 × 14 mm / 11.10" × 2.87" × 0.55"

Weight
126 g / 4.44 oz

Included Items
USB cable, MIDI TRS-DIN adapter cable, Quick Start Guide

Notes: An analog kick generator that delivers powerful sounds from kick drum to kick bass.

The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick.

The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample.

Analog kick sounds generated by MS-20 filter oscillation:

The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones.

Simple and effective parameters are provided, allowing you to freely design a wide range of kick sounds to your taste. Start the sound design process by using MS-20 RESONATOR (PITCH/BEND/TIME) to control the sense of pitch that generates the "body resonance" of the kick sound. Then use PULSE COLOUR/LEVEL to adjust the clip components to control the sense of attack, and AMP ATTACK/DECAY to intuitively control the decay of the sound. From tight kicks to fat, slow-decaying kicks, and pitched kick bass, it's possible to create kick sounds that are appropriate for every type of dance music.

Aggressively control the sound using DRIVE and TONE:

In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. You can use the tone control to transform the character of the sound by adjusting the high-frequency range.

Powerful kick bass that rules the beat:

The volca kick is not just a kick drum machine. You can use the 16-key touch-panel keyboard to perform dynamic kick bass, and take advantage of the volca kick's powerful analog circuitry to generate the sub bass sound that's indispensable to dance music styles such as grime or trap.

Since the volca kick covers a wide pitch range from low- to mid-frequencies, your sequences can include a variety of sounds including low tom, high tom, and sound effects.

16-step sequencer allows automation of all parameters:

The volca kick features a 16-step sequencer that gives you plenty of improvisatory freedom. You can use it to quickly lay out a kick drum pattern, and it also supports realtime recording, which is an ideal way to perform kick bass phrases. And the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences.

The volca kick's motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances. Up to 16 sequence patterns and sounds can be stored in internal memory.

TOUCH FX controls realtime sequence effects with for instant cuts, breaks and fills:

The new Touch FX function further strengthens the performance potential of the volca kick. You can instantly trigger a sequence effect simply by touching a step key, transforming your realtime performance in kaleidoscopic ways.

Sequence effects include the roll function that plays a sound repeatedly, the octave function that raises the pitch by one or two octaves, and the sustain function that immediately maximizes the amp decay. These are great ways to create punchy and powerful breaks.

Playback can be synchronized with another unit:

The volca kick provides a sync connector that can be easily connected to many of KORG's other synths and groove machines. Connect to other volca units, minilogue, electribe or SQ-1, and experience a session with synchronized sequencer playback. The MIDI IN jack lets you use the volca kick as a sound module for DAW and MIDI controller.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The fastest and most intuitive way to make beats.

A production machine that lets you create using a gigantic array of samples.

The Electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think.

The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the Electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing.

The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colourful with the new metallic red model. And Korg have also provided bonus patterns that reveal even greater sonic potential.

Making your beat-making ideas rapidly take shape. It's the Electribe sampler; a sampler + sequencer that's thoroughly optimized for speed.

The Electribe sampler continues to evolve

A new metallic red model - a nod to the legacy of electribe

Following the dark black unit, the lineup has been joined by a metallic red model that's reminiscent of the previous model, the ELECTRIBE SX. Complemented by the numerous colourfully illuminated LEDs, this unit will energize your playing.

Many new functions added via system update

Updates make the Electribe sampler evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an Electribe sampler can update their unit and then enjoy playing.

Download over 200 bonus patterns

Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 237 different patterns are packed with sample sounds, drum kits, and ideas for a wide range of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration.

Specifications

Sound System
Type: PCM sound engine + Analog modelling sound engine

Maximum Polyphony
24 voices
* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type.
* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.
Sample: Type (920), Pitch/Glide, Edit
Sample Types: Analog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499)
Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (3)
Modulation: Type (72), Depth, Speed
Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off
Scale Types: 35
Gate Arpeggiator Types: 50
Sampling Frequency: 48 kHz
AD/DA Conversion: 24 bit

Sampler
User Samples: Up to 499 samples
Memory
Total maximum approximately 270 seconds (calculated as monaural)
* Regardless of the capacity of the SD card
* Including presets
Edits: Start/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling

Effect
Insert Effect:One unit (can be used on each of the 16 parts)
Type (38), Edit, Insert FX On/Off

Master Effect:
One unit
Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off
Sequencer
Number of Steps: 16 steps x 4
Number of Parts: 16 parts (one part consists of a sound, steps, insert effect, modulation sequence, etc)
Number of Patterns:
250 patterns (150 Presets / 100 Initial)
(one pattern consists of parts, master effect, key, scale setting, etc)
Motion Sequences: Up to 24 motion sequences can be stored (for each pattern)
Groove Types: 25
Pattern Set: Up to 64 patterns can be stored
Pattern Chain: Up to 250 patterns can be chained
Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit)
Event Recording: Up to 100 files can be saved

Trigger Pads
Number of Pads: 16 pads (Velocity sensitive)
Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set, Touch Pad
Modes: Gate Arp, Touch Scale, Master FX

Connectors

Audio:
L/Mono, R Output (Standard phone jack)
Headphones (Stereo mini jack)
Audio Input (Stereo mini jack)

MIDI: In, Out (Use an included MIDI adapter cable)
USB: Type micro B
Sync:In, Out (Stereo mini jack)

External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)

Power

Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)
Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)
Current Consumption: Less than 500 mA
Chassis: Zinc die cast

Dimensions (W x D x H): 339 x 189 x 45 mm / 13.35" x 7.44" x 1.77"
Weight: 1.6 kg / 3.53 lbs
Colour Variations: Metallic Red (electribe2s-RD), Black (electribe2s)
Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)
Accessories: Sync Cables SQ-CABLE-6, Gig Bag DJ-GB-1

Notes: Special edition Platinum version of the excellent Opsix SE. Metallic finish, aluminium front panel, stainless steel sides and the same powerful FM synth engine as the standard Opsix SE.

Supplier's Notes:
Special limited edition of opsix SE.

Celebrating the release of the long awaited opsix SE, a stunning Platinum model (*) will be available in very limited quantities. While this model shares the same features as the standard model, it boasts a high-end metallic finish with an aluminum front panel and stainless steel side panels. This magnificent instrument is bound to command attention, whether on stage or in the studio.

(*) Differences are only cosmetic, specifications are exactly the same as the standard model. opsix SE Platinum also includes an exclusive set of stickers.

The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Notes: The premium version of Korg's excellent Wavestate gets the Platinum look in this limited-edition model. 61-note keyboard, metal chassis and limited-edition Platinum finish.

Supplier's Notes:
Wavestate SE Platinum

The ultimate Wavestate, the limited edition Wavestate SE Platinum features a stunning premium silver aluminium panel and stainless steel side panels.

Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis.

Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes of stereo polyphony to inspire new levels of creativity.

A sonic evolution

Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis. Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes (stereo) of polyphony to inspire new levels of creativity.

Premium, expressive touch

Featuring a 61-key natural-touch keyboard, Wavestate SE feels incredible to play. The inclusion of aftertouch gives fingertip control of the unique constantly changing sound. All factory presets have been meticulously programmed to take full advantage of this expressive control.

Beauty meets brawn

Wavestate SE's all-metal design is as hard-wearing as it is beautiful - with a matte-black aluminium panel complimented perfectly by glossblack stainless-steel sides. The premium finish continues to the controls themselves, where metal-plated knobs are perfectly weighted and add a luxurious touch.

Easily expressive. Exceptionally deep.

The Wavestate SE puts filters, envelopes, LFOs, effects and more at your fingertips with dedicated front-panel controls. Eight programmable Mod knobs are customised to bring out the most in every sound, for real-time performance and also when saving results as new patches. Pitch bend and modulation wheels, and the unique Vector Joystick, give you instant access to multiple dimensions of real-time expression. Digging deeper, almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Gigabytes of samples

Totalling in the gigabytes, Wavestate SE's sample library is vast. At a thousand times larger than that of the original Wavestation, the amount of great-sounding raw material for Wave Sequences is astounding.

Three of the key sound designers from the original Wavestation, John Bowen, John "Skippy" Lehmkuhl (Plugin Guru), and Peter "Ski" Schwartz, joined Belgian artist Airwave and the renowned Korg voicing team to create the incredible Wavestate SE sound library.

Powerful effects

An arsenal of superb effects ensures Wavestate SE delivers production-ready sounds. Each performance has a master reverb and parametric EQ while each layer has three dedicated effects. Alongside compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb, plus modelled effects including Vox guitar amps and wah pedal, multi-head tape echo, and a collection of other classic guitar pedals.

Multiply by four

Take all that power, and quadruple it! You can layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four layers, and can also modulate any other parameters. This sheer sonic power is further enhanced with 120 notes (stereo) of polyphony. Set Lists offer effortless organisation of your Performances, and deliver instant access at the gig or in rehearsal. And thanks to Smooth Sound Transitions, previously-played voices and effects continue to ring out naturally, even when a new sound has been selected.

Deep connectivity

Connect to recording or monitoring systems with balanced stereo outputs, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear. The Wavestate SE supports class-compliant USB MIDI connections to Windows and Mac computers, and the Wavestate SE Editor/Librarian and Sample Builder programs are available as free downloads from Korg.

Wave Sequencing 2.0

The original Wavestation gave each step of a wave sequence a duration, a sample and a pitch. This created ear-catching repetitive patterns, giving rise to entirely new approaches to sound design. But what if the sounds could evolve in organic and unexpected ways, instead of just repeating? Wave Sequencing 2.0 separates the timing, the sequence of samples, and the melody, so that each can be manipulated independently. It also adds new characteristics, including shapes, gate times, and step sequencer values. Each of these is a "Lane", and each Lane can have a different number of steps, start, end and loop points. Every time the sequence moves forward, the individual Lanes combine to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different! Lanes can also randomise the step order every time they play, with real-time control over the range of included steps, and individual steps can be randomly skipped (with a modulatable probability from 0 to 100%). The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

Specifications

Keyboard: 61 keys (Natural touch keyboard with velocity and release-velocity
sensitive, aftertouch)
Sound generation: Wave Sequencing 2.0
Polyphony: 120 stereo voices
Sounds: 261 Performances, 799 Programs, and 1,042 Wave Sequences. Storage for tens of thousands of user Performances
Performance: 4 Layers, Reverb, EQ; all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. is supported but not required)
Layer: Program, Arpeggiator, Key and Velocity Zones
Program: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Filters: 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix
Controllers: Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x
Program/Performance Mod Knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack) OUTPUT L/MONO and R (impedance balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack)
MIDI IN and OUT connectors
USB B port

Power supply: AC adapter (DC12V, 2500mA)
Consumption: 5W
Dimensions: 1,014 x 344 x 108 mm
Weight: 8.6 kg

Included items

AC adapter, hard case, t-shirt, stickers

Notes: Killer value as usual from Korg's consistently reliable Volca range. Here the focus is on digital drum synthesis, offering a range of conventional percussion instruments plus creative options including basic synth sounds.

Supplier's notes:
Welcome to an infinitely expanding world of sound-design. Joining volca kick and beats as the third, and most unique, drum synth in the volca lineup. The volca series is all about unique sound. Whether it's analogue, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer. Based on a simple trigger waveform, wave folder and overdrive are used to add overtones and distortion, and then a waveguide resonator effect brings the sound to life. The six-part DSP synth engine was designed with a completely different philosophy than conventional drum machines, and generates a wide range of unexpectedly different sounds. And of course, you can play those sounds from the volca-style sequencer.

Adding these distinctive sounds to your rhythms will revolutionarily transform your performances and productions.

Digital percussion synth with a 6-part x 2-layer structure:

The term "digital" typically brings to mind sounds that are based on PCM-sampled bass drum, snare drum, or cymbal, but the volca drum creates its drum sounds by DSP-powered analogue modelling. Oscillator waveforms such as sine wave, sawtooth wave, and noise are provided. By applying various changes to these waveforms, you can create a wide variety of percussion sounds that range from realistic to idiosyncratic, and are not limited only to drums.

The six parts each have two layers, and do not impose any rules or restrictions such as specifying which parts must be used for the bass drum or for the cymbal; all parts have the same specifications. You can freely assign your new sounds to these six parts without being limited by the conventions of a drum set. A kit consists of the six parts that you've assigned plus the waveguide resonator effect settings, and 16 such kits can be stored in memory (the factory settings contain 10 preload kits).

Distinctive sound from a newly developed DSP engine:

Each part consists of two layers. For each layer, users choose one of five types of oscillator waveform including sine wave, sawtooth wave, and HPF noise, and also choose from three types of pitch modulator and amp EG, each optimized for drum sounds. Layer parameters can be edited either individually or simultaneously, and users can also use the two layers to produce the same sound for additional thickness.

Waveguide resonator adds rich resonances:

The effect section features a waveguide resonator that's based on physical modelling, and which adds sympathetic resonances to the sound. You can choose from two types of waveguide: "tube" which adds the resonance of a cylindrical object such as a drum body or a long pipe, or "strings" which adds the metallic resonance of a string. The three knobs located in the centre of the panel let you specify the DECAY (amount of attenuation), BODY (sonic character), and TUNE (pitch). Setting TUNE to a lower value will produce a delay-like behaviour. You can take advantage of these knobs not only for sound design but also in your live performances.

16-step sequencer with a wide range of parameter automation:

The 16-step sequencer is excellent for improvisation. You can easily create patterns using the 16 buttons, each corresponding to one of the 16 steps. In addition to step recording, the sequencer also supports realtime recording in which you can construct a pattern while looping the playback. The pattern chain function lets you play multiple sequence patterns successively, so you can successively play back desired patterns of consecutive numbers. Up to 16 sequences can be connected to construct patterns with 256 steps.

Notes: Premium version of the excellent Opsix, Korg's contemporary take on FM synthesis. Full 61-note natural-touch keybed with aftertouch, 80-voice stereo polyphony and full metal construction.

Supplier's Notes:
The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Notes: Special edition Platinum version of the excellent Opsix SE. Metallic finish, aluminium front panel, stainless steel sides and the same powerful FM synth engine as the standard Opsix SE.

Supplier's Notes:
Special limited edition of opsix SE.

Celebrating the release of the long awaited opsix SE, a stunning Platinum model (*) will be available in very limited quantities. While this model shares the same features as the standard model, it boasts a high-end metallic finish with an aluminum front panel and stainless steel side panels. This magnificent instrument is bound to command attention, whether on stage or in the studio.

(*) Differences are only cosmetic, specifications are exactly the same as the standard model. opsix SE Platinum also includes an exclusive set of stickers.

The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Notes: ***B-STOCK: Box opened, item already assembled but product in perfect working order***


Second generation version of Korg's customisable synth and effects unit. New 18-key multitouch keyboard, upgraded processor, new oscillator types and new effects. Create your own personalised instrument.

Supplier's Notes:
Build it, tweak it, connect it; a world of synthesis at your fingertips!

The compact and incredibly powerful NTS-1 is back with an array of new features, a refreshed interface and more customization options than ever before.

Boasting a new keyboard, built-in sequencer, fresh sounds, and expanded MIDI capabilities, the NTS-1 mkII packs a gigantic set of features in the palm of your hand.

Powered by an even more powerful processor than its predecessor, the NTS-1 mkII unlocks its full potential and welcomes a new wave of custom content through its upgraded logueSDK.

This DIY synth and effects unit is not just powerful but also versatile, a must-have tool for both studio and stage.

New Multitouch keyboard

The NTS-1 mkII boasts a new 18-key multitouch keyboard, substituting the ribbon controller of the first generation, for precise playing and sequencing. This upgrade unlocks the ability to send MIDI note messages polyphonically, opening the doors to custom oscillators and effects leveraging the paraphonic potential of the NTS-1.

The centre of your performance

In addition to a powerful arpeggiator, the new 8-step sequencer opens a whole new world of musical possibilities. With live and step recording modes (with per-note gate length and velocity settings) available in combination with its new keyboard and easy octave switch, the NTS-1 mkII provides an intuitive and seamless performance experience.

The NTS-1 mkII takes the sting out of forgetting your creative sparks. A new autosave function recalls all the parameters used in your last performance, including the step sequencer data, so you can pick up right where you left off. No more struggling to remember knob tweaks and pattern edits!

But that's not all! NTS-1 mkII has a MIDI OUT output so you can use its internal sequencer to control other gear in your setup.

Powerful new engine, sounds and effects
NTS-1 mkII is an extremely powerful, flexible and fun-to-explore synth. While retaining the versatile features of its predecessor, this new iteration adds an array of new sounds, including new oscillator types and modulation possibilities, using its Audio IN signal as a modulation source to create FM, AM or RING sounds.

The NTS-1 mkII is also an incredibly capable and expandable FX unit. In the mkII, we added many new Modulation (distortion, fuzz...), Delay (tape delay, BPM synced delays...) and Reverb effects, as well as handy oscillator OFF and Filter THRU functions, making it a uniquely versatile piece of gear that will cover all your needs at home or on stage.

Expanded connectivity

Integrating the NTS-1 mkII is now easier than ever. In addition to the SYNC IN/OUT and MIDI IN, we've added a new MIDI OUT output for seamless connection and expanded performance possibilities with other gear. On top of that, most parameters on NTS-1 mkII have been made MIDI CC compatible for deeper control.

It is also now powered through a new USB-C bus.

Even more DIY fun

The new NTS-1 mkII retains the DIY kit format from the original, and offers new customization options with reversible anodized silver and metallic black side panels. And don't worry, we've kept the same form factor and dimensions as its predecessor meaning custom sides, stands and other custom parts will still fit!

A new and more powerful logueSDK

Powered by a new chip, the NTS-1 mkII has expanded processing power, making complex effects and oscillators more possible than ever before. A new development API is available for developers on Github.

Customization and 3D data

Thanks to its DIY nature and open design, the NTS-1 mkII is a highly customizable synthesizer that you can modify in several ways. In addition to the open source logueSDK that allows users to build their own custom oscillators and effects, the hardware of the NTS-1 mkII can also be physically modified cosmetically and functionally. To help you get started with physical customization, we are providing the necessary schematics and instructions to personalize your NTS-1 mkII in many different ways!

Free bundle of music software

The NTS-1 mkII comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.

Specifications

Keyboard: Multitouch keyboard
Sound generator system: 1 VCO, 1 Multimode filter, 1 EG, 3 LFO
Effects: MOD (CHORUS, ENSEMBLE, PHASER, FLANGER, SOFT CLIP, HARD CLIP, SINE FOLD, FUZZ), REVERB, DELAY
Input/output jacks: Headphone / AUDIO OUT jack (3.5 mm stereo mini-phone jack), AUDIO IN jack (3.5 mm stereo mini-phone jack), SYNC OUT jack (3.5 mm TRS mini-phone jack, 3.3V output level), SYNC IN jack (3.5 mm TRS mini-phone jack, 20V maximum input level), MIDI OUT jack (3.5 mm TRS mini-phone jack), MIDI IN jack (3.5 mm TRS mini-phone jack), USB port (Type-C)
Power supply: USB bus powered
Current consumption: 500 mA or less
Dimensions (W × D × H): 129 × 78 × 39 mm /5.08"×3.07"×1.54"
Weight: 122 g/4.30 oz
Included items: USB cable, Assembly Instructions