Back catalogue: All genres

Review: For those familiar with manchester sax player Birchall's previous forays into dub, this album offers a deep dive into the analogue 70s Jamaican dubbing techniques that have defined the genre, paying homage to the trailblazers like King Tubby and Errol Thompson. The source material is heavily percussive, resulting in a collection of dynamic, dubby drum workouts that seamlessly blend live drumming in the Count Ossie style with drum machines that recall Lee Perry's experimental approach. A highly anticipated dub companion to Nat Birchall's acclaimed Dimension of the Drums LP, this continues in a similar spirit of the previous. Drawing inspiration from classic dub albums like Keith Hudson's Pick A Dub and Winston Edwards' King Tubby Meets The Upsetter at the Grass Roots of Dub, Birchall reimagines the tracks with roots dub precision, incorporating fresh horn lines and hand drums to enhance the album's authentic, organic vibe. The LP includes two distinct mixes of a new rhythm track that wasn't part of the original album, adding an extra layer of excitement for listeners. Birchall once again handles all aspects of the albumiplaying instruments, recording, mixing and masteringiensuring a deeply personal touch in every track. All in total, eight tracks of instrumental dub bliss that transport you back to the golden era of reggae's most inventive sound.

Review: Nat Birchall is one of the finest contemporary sax players around, He can do it all, from solo albums where his instrument takes the lead in seductive suites of meditative jazz, to more cosmically mind work with a band via superb reggae fusions. After last year's well removed Ancient Africa he is back with a third all-solo outing that finds him playing all the instruments himself. It's an homage to the king of tenor sax, John Coltrane, as the title suggests, and included are classic 'Trane compositions 'Acknowledgement' from A Love Supreme, 'India' from his Impressions LP and 'Dahomey Dance' from Ole.

Review: In the many-layered world of UK jazz, saxophonist Nat Birchall remains something of a hidden treasure. Having led many a group and recorded for the likes of Gondwana, Jazzman and Sound Soul and Spirit, he's now settled into a steady rhythm with Ancient Archive Of Sound, notching up a fourth album for the label which confirms once again what an incredible talent he is. The sound is spiritual, paying explicit homage to the deep rooted heritage of the music he plays without overstepping the mark - Birchall's fluid expression and composition is reverential and powerful, a true credit to the winding legacy of jazz music.