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Review: After hitting on something of a formula with 'Only Human', this A-side banger is further proof that Four Tet is onto a rich vein of side hustle action with his KH alter ego. 'Looking At Your Pager' is a cheeky slice of '90s throwback-ism in jackin' house form, and in a heuristically Hebden-esque style, makes deft use of the hilariously autotuned opening verse heard in 3LW's girl band hit, 'No More'. It's a very clever tune; just as no-one uses pagers anymore, nor do people use the kind of dubstep wobbles heard underneath the track's clacking groove... Mr. KH makes them cool again!

Review: Originally released digitally in 2013, Pink collated a series of 12" releases from Kieran Hebden issued over an 18 month period on his Text label. Hebden and record club and subscription service Vinyl Me, Please have teamed up to give Pink a double vinyl release for any Four Tet fans that weren't quick enough to nab those 12"s at the time. There is plenty of classic Four Tet to be had here too. "Jupiters" experiments with swung garage beats in an unmistakably UK Bass style, while "128 Harps" is a whipcrack MPC workout given his light melodic touch and "Peace On Earth" is a beatless 11 minutes of analogue kosmische. But it's the centrepiece of Hebden's Fabriclive mix, the brilliantly moody "Pyramid", and the loose limbed jazz-house of "Pinnacles" that really set this album apart from his other long-playing efforts, two examples of timeless dance music which demonstrate why after nearly 15 years in the game Hebden is only improving with age.

Review: If you were judging Kieran Hebden's 11th Four Tet studio album merely on the way it's presented, you'd immediately think he'd spent the last two years immersed in early '90s ambient house albums. While it's unlikely he's done that, it's fair to say that New Energy does owe a debt to classic electronica sets from that period. For all the exotic instrumentation and subtle nods to post-dubstep "aquacrunk" experimentalism and chiming, head-in-the-clouds sunrise house, the album feels like a relic of a lost era. That's not meant as a criticism - New Energy is superb - but it is true that his choice of neo-classical strings, gentle new age melodies, sweeping synthesizer chords and disconnected vocal samples would not sound out of place on a Global Communication album.

Review: Four Tet's Live at Alexandra Palace London 24th May 2023 captures the boundless energy of a live performance that effortlessly blends his signature electronic sound with the intimacy of a live setting. The opener 'School Green Romantics' builds slowly, layering intricate beats and subtle melodies, before escalating into a full-bodied rhythm that really commands attention. Tracks like 'Tides' take on a new life in this setting, with their intricate textures expanding and contracting, creating an immersive atmosphere that pulses with anticipation. Throughout, Four Tet's control over the crowd is palpable, using his deep knowledge of rhythm and melody to take listeners on a journey. A mesmerising live experience in every sense.

Review: Four Tet's live performance at Alexandra Palace delivers an immersive experience that blends intricate electronic soundscapes with undeniable dancefloor energy. The set opens with a subtle, hypnotic groove, gradually building in complexity and intensity as live drums and layered synths take centre stage. As the performance evolves, tracks like 'Sing' and 'Love Cry' explode with energy, effortlessly weaving between deep, ambient textures and vibrant, pulsing rhythms. The live setting offers a fresh dimension to the material, with each track feeling more expansive and dynamic. This is an exhilarating performance, showcasing Four Tet's ability to transform his recorded work into an electrifying live experience.

Review: It's been a hell of a long time since Kieran Hebden released a full-length album; Sixteen Oceans and Parallel both came out in 2020 and made for twin final inculcations of his twinkly, stellar dance sound. Three, by contrast, comes a full four years later and promises a return to a relaxed space for the artist, recalling the woodside studio space that facilitated his inauguration as a meme. Not quite abandoning the EDM bent, 'Daydream Repeat' recalls those earlier projects, but the likes of 'Three Drums' and 'Loved' are by contrast much more measured, soft-breaksy constructions in sound, recalling a more radical return to hip-hop than house.