Caroline True Vinyl & CDs

Review: After over four decades out of print, Henry Badowski's 1981 debut Life Is A Grand finally comes reissued by Caroline True Records. Despite cult status, this is a can't unhear record whose privies are never lost on those who love it. Badowski built a quiet reverence for himself over the years, eluding mainstream rediscovery while gathering admiration from those drawn to its peculiar charm. Though he eventually slipped away from music and began a succession of other jobs - fans often wondered how such a gifted musician could just disappear - Badowski was known to have been a teenage bassist in Chelsea briefly linked to The Damned, later stepping away from punk's sharp edges to craft something far more whimsical and idiosyncratic. Drawing on his affection for Roxy Music, Ian Dury and Jethro Tull, he wrote, arranged and played nearly everything on the album himself, rom the baroque pop of 'Swimming With The Fish In The Sea' to the instrumental strut of 'Rampant'. Rich in synth flourish, sardonic lyricism and melodic invention, and now pulled up by the pinky and thus saved from the gorge of obscurity, Life Is A Grand returns with its sly wit and strange beauty completely intact.

Review: The latest compilation on CTR, curated by Jason Boardman of Before I Die Records, dives into the rich, underground landscape of early 1980s post-punk. This collection offers a fascinating glimpse into the era's DIY ethos, featuring rare and never-before-heard tracks that encapsulate the innovative spirit of the time. From the 2-Tone-influenced Skeet in Coventry to the dub experiments of Surface Mutants with Cabaret Voltaire, the album uncovers a trove of hidden gems that have largely flown under the radar. One track even boasts a unique post-punk diss track, adding a touch of rebellion to the mix. Boardman has unearthed a variety of tracks, some even sampled by the likes of DJ Shadow, showcasing the lasting influence of these obscure artists. The compilation highlights a time when independent musicians, studios, and labels banded together, bypassing major labels in pursuit of their creative vision. While it's not a comprehensive guide to the era, this album shines a spotlight on the overlooked and underappreciated, giving these artists the recognition they've long deserved, not to mention the enduring power and creativity of the post-punk underground.

Review: Whether or not you head the first one, Jon Savage's second exploration of the diverse sounds of the post-punk era is another eye (or ear?) opening listen that will teach you plenty and join many dots you might not have done otherwise. Spanning electronic music, disco, experimental, and proto-techno, Do You Have The Force Volume 2: Jon Savage's Alternative History Of Electronica 1978-82 is a masterfully curated compilation that showcases an eclectic range of genres and influences all handpicked and well sequenced by the renowned cultural commentator, writer, and filmmaker that is Savage. This is a double LP version which comes with a 12 page digisleeve booklet.

Review: Few have the depth and breadth of knowledge about music that Anglesey-based punk historian and author Jon Savage has, so to delve into the themed compilation he has put together is an education. Sticking to the idea of doing a musical voyage through the theme and idea of Space, Savage has clearly hit the brief. The Byrds 'C.T.A' sounds like an alien encounter; Devo's 'Space Junk' is quite timely in a lyrical sense, since experts are saying space is becoming a new frontier for war and there's satellite jams. There are some classics that you'd expect here - like Sun Ra - and it's great seeing leftfield icons Wooden Shjips included with their mesmerising cut 'Space Clothes' as theirs is contemporary psychedelia at its finest.