Funk

Review: Funkadelic superstar George Clinton knew many a side project as a producer; one was the ingenious, part-cyborg duo, The Brides Of Funkenstein. It was Clinton's idea that two other backing singers, Lynn Mabry and Dawn Silva, become the Brides Of Funkenstein, a character he invented for the 1976 Parliament LP, The Clones Of Dr Funkenstein. So popular were the brides that Clinton wasted no time in signing them to Atlantic Records; their debut album here followed the rip-roaring fan feedback that ensued from their debut single 'Disco To Go' / 'When You're Gone' in the US. The decision to break the male-fronted P-funk mould was intentional: simply *that many* Clinton instrumentals could not be credited to the man alone. "He's got thousands of tracks. He's got a whole cupboard full of them. He's got enough tracks to keep him in albums for two years," once chimed Mabry. Enchanting each jam with mecha-augmented femme flair, we're urged to be taken to the limit, across a blistering seven, smackout tracks. Mark 'Warship Touchante', the star tune by far: a wonky hi-NRG nutter, splattered with surreal, performative electronic vocal effects.

Review: Parliament-Funkadelic offshoot project Brides Of Funkenstein was masterminded by George Clinton but fronted by Lynn Mabry and Dawn Silva, whom originally served as the two core backing singers for Sly & The Family Stone. Funk Or Walk was their cyber-augmented opening statement as a duo, combining archly histrionic vocals with truncated funk struttage, and crossing into wonky hi-NRG at points. The record’s wonky and experimental bent epitomises the P-funk sound whose name Clinton helped coin, and which is finessed in the myriad usages of ARP String and Hohner Clavinet, best heard on the light-handed claps of ‘Birdie’ or the polyvalent brass-off ‘Amorous’. The weird brides of Parliament did go on to record two further great records, but this is by far their chef-d'oeuvre.