Review: Chikara Ueda's Flying Easy from 1980 is an essential exploration of jazz fusion, combining intricate melodies with infectious grooves. The opening track, 'Flying Easy,' sets the tone with a laid-back, yet dynamic rhythm, led by Ueda's electric piano and synthesiser work. The ensemble, featuring renowned musicians like Harvey Mason on drums, delivers precise and energetic performances throughout. Tracks like 'Cloudy' and 'Jojo' showcase the group's ability to weave complex rhythms with soulful melodies, while 'Do Like You Do In New York' adds an engaging funk groove. This release captures a vibrant era of jazz fusion and remains a standout for its smooth and innovative approach to genre-blending.
Review: PPU is one of your favourite labels when it comes to dusty and lo-fi soul and related sounds. Now the DC-based crew delivers another gem with Grand Hotel, a collection of ten rare tracks from Estonian funk legend Uku Kuut, who they have released several times before now. The instrumental album traces Kuut's journey through the Soviet Union, Sweden, Los Angeles, and Estonia and is a window into his excellently eclectic style. Highlights include his first home recording from 1982 and a track produced in Herbie Hancock's studio. After more than 30 years of travelling across borders, these precious masters have found a permanent home and means that Grand Hotel is a fine tribute to Kuut's international influences.
Ball Of Confusion (That's What The World Is Today) (10:49)
Smiling Faces Sometimes (3:11)
We've Got A Way Out Love (2:59)
Since I've Lost You (2:57)
Ain't No Sun Since You've Been Gone (2:31)
I Heard It Through The Grapevine (2:42)
Like A Rolling Stone (6:37)
Review: Fresh on the heels of a first-time-on-CD edition of The Undisputed Truth's first three albums compiled into a single record, the American Motown signees and psychedelic soulsters now hear a revisiting of their first album - the emergent basis of the now renewed interest in the band - onto a limited edition LP by Kent Soul. Known for its prescient mixture of the classic Tamla Motown soul sound with psychedelic rock, fan favourites such as 'You Got The Love I Need' and 'Since I've Lost You' come amix with many covers, including 'I Got Heaven Right Here On Earth' and 'Like A Rolling Stone'. The sound is nocturnal and rife with tender, candlelit, story-time moods, with a slinky dark slickness contrasting a otherwise normally bright psychedelic sound.
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