I Scream This In The Mirror Before I Interact With Anyone
Sin Miedo
I'll Be Right There
It's Dark & Hell Is Hot
New Black History (feat Vince Staples)
Don't Rely On Other Men
Vulgar Display Of Power
Exmilitary
Jihad Joe
JPEGultra! (feat Denzel Curry)
Either On Or Off The Drugs
Loop It & Leave It
Don't Put Anything On The Bible (feat Buzzy Lee)
I Recovered From This
Review: JPEGMAFIA's fifth album, I LAY DOWN MY LIFE FOR YOU, is a chaotic, confrontational listen. It's noisy, brash, and often jarring, a sonic journey through the Baltimore rapper's abrasive personality. His music is equal parts sonic experiment and artistic statement, blending noise, hip-hop and punk, refusing to be confined by genre. The album's title itself is a defiant declaration. JPEGMAFIA commits fully to his own vision, unafraid to be loud, abrasive, and uncompromising. He pushes boundaries and challenges listeners with a relentless barrage of glitchy beats, jarring samples, and breakneck flows. Brazilian funk, 90s r&b and industrial sounds collide in a seemingly random fusion that occasionally grates. 'New Black History', for example, is an uneasy marriage of a Future sample and a persistent whirring. Yet, moments of sonic brilliance emerge. 'It's dark and hell is hot', a 170 bpm Brazilian funk production assisted by DJ RaMeMes, showcases JPEGMAFIA at his most electrifying. His lyrical content matches the volatility of his music. A sharp, confrontational rapper, he targets everything from fake rappers to cultural appropriation.
Review: LP! marked the fourth studio album by esteemed Baltimore rapper JPEGMAFIA. Dropping back in October 2021 and coinciding with his 32nd birthday, the record boasts collaborations with DatPiMaa, Kimbra, and Tkay Maidza and picked up plenty of acclaim from Pitchfork, NME, and others. Lyrically, it delves into JPEG's struggles within the music industry while maintaining his own sense of authenticity. Fully self-produced, it epitomizes his artistic ethos and comes after he has amassed over 1.5 million monthly Spotify listeners and a 500K+ strong Instagram following. As such with this album, JPEGMAFIA has solidified his status as a leading figure in contemporary and experimental hip hop.
Review: JPEGMAFIA's All My Heroes Are Cornballs is a departure from his earlier work, showcasing a sprawling collage of influences and pop culture totems. While his past projects sometimes obscured this scope with adrenalized politics, this album lays bare the breadth of his creative influences. Adopting gendered terms and staging songs from diverse perspectives, JPEG fearlessly explores identity and expression. As a producer, he creates hyper-syncretic songs that blend disparate sounds seamlessly, turning friction into motion. Sequences blossom fully, with tracks like 'Kenan Vs. Kel' effortlessly shifting through keyboard melodies and crunchy power chords. 'Grimy Waifu' exemplifies this approach, blending gun ode lyrics with gorgeous instrumentation. All My Heroes Are Cornballs is a trippy, earnest journey into JPEG's interdimensional mind showing his fearlessness and creativity.
Review: JPEGMAFIA's Veteran is a confrontational and glitchy masterpiece, both musically and politically charged. Drawing inspiration from Ol' Dirty Bastard's experimentalism, the album delves into themes of racism, gentrification, and internet culture with unapologetic fervor. Entirely self-produced, the album showcases JPEGMAFIA's adept ability to use of sound and texture, weaving together frayed elements into a cohesive and atmospheric whole. Tracks like 'Baby I'm Bleeding' and 'Panic Emoji' exemplify the album's sonic chaos, with distortion and fragmentation used percussively and melodically. JPEGMAFIA's delivery is equally dynamic, seamlessly transitioning between singing and rapping, often on the same track. His lyrical prowess shines on 'Williamsburg,' where he paints a vivid portrait of gentrification's cold and industrial reality. JPEGMAFIA's music remains firmly rooted in his unique perspective, making Veteran a breathless and essential addition to the hip-hop landscape.
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