Back catalogue: Funk

Review: Curated as part of the iconic street artist's Tate exhibition this year, The World Of Keith Haring unites many of the talented souls Keith knew, or was inspired by, during his prolific rise as one of the most vital cultural spokesmen through the 70s and 80s. Soundtracking the gritty downtown NYC streets he made his first mark on, this limited collection captures the whole melting pot from b-boy culture with cuts such as "E.T Boogie" and "Bump N Grind", raw boogie and soul ("Over & Over") and pure drama ("The Guardian Angel Is Watching Over Us"). A powerful collection as striking and relatable as his own signature.

Review: Rhapsody, the Harlem Gospel Travelers' third studio album, was inspired by a request from the band's friend and mentor, Eli "Paperboy" Reed to record some covers of classic and lesser-known gospel-funk songs from the mid-to-late 1960s and early 1970s. Naturally, the New York based trio have put their own spin on the material, offering nods to hip-hop, stomping soul (see the genuinely terrific 'Somebody's Watching You'), doo-wop ('How Can I Lose', with its infectious vocal harmonies and irresistible hand-clap rhythm) and heady slow hams ('Have You Tried Jesus', the squelchy, hip-hop-soul flavoured 'Searching For The Truth'). It's a superb set all told, with the group's impeccable vocals rising high above brilliantly realised and expressively played instrumental backing tracks.

Review: Soul legend Isaac Hayes' enduring legacy as a soul visionary echoes through this second volume of his singles, which picks up from where the first left off. The collection spans 1972 to 1976, a time when Hayes transitioned from Stax to his own Hot Buttered Soul label. Tracks like 'Hung Up On My Baby' and the relentlessly funky 'Chocolate Chip' showcase his blend of lush orchestration with raw, gritty grooves, a style deeply rooted in the soul-rich streets of Memphis, where Hayes' early musical foundations were laid. As he moved away from Stax's structure, Hayes embraced a new sense of creative freedom, merging cinematic soul with the emerging sounds of disco, perfectly captured in 'Disco Connection'. The production, unpolished and alive, channels the intensity of Hayes' sound from the early 70s, pushing boundaries while remaining deeply personal. This release is a reflection of the man's profound influence on soul music, one that continues to reverberate through generations.

Review: Isaac Hayes passed 16 years ago but his legacy as a soul music icon endures and likely always will. Known for his groundbreaking work with Stax's Enterprise label, Hayes set the standard for what became known as "symphonic soul" by crafting albums that remain as powerful as when first released. Alongside his LPs, Hayes also achieved massive success with singles and had 16 consecutive hits on the r&b chart from 1969 to 1976, many of which crossed into pop. Hot Buttered Singles is the first collection to feature every A and B-side of his 'Yellow Stax'-era singles in their original versions and they all sound superb.

Review: Karl Hector and the Malcouns are an interesting proposition. While ostensibly a funk band, their output regularly touches on Afrobeat, exotic Indian instrumentation, trippy psychedelic rock, atmospheric soundtrack fare and wonky, drum-Laden sci-fi weirdness. This sophomore set - their debut, Sahara Swing, dropped in 2008 - includes all these influences and more, offering a vivid, off-kilter journey taking in psychedelic jazz-funk, Arabic instrumental soul and Hammond-laden psychedelic freak-outs. It's hard to pin down, for sure, but that just adds to its' humid, kaleidoscopic allure.