Search dance music

Notes: For podcasters, videographers, bloggers, journalists and more, the F2 is the perfect audio solution for creators on the move.

The F2 is incredibly small, but its audio quality will amaze you.

The F2 features 32-bit float recording technology, allowing you to record the loudest audio signals without worrying about clipping. It will also record the quietest signals in beautiful detail. And the best part is you don't have to worry about setting the gain. Just plug in the lav and hit record.

Once you start your recording, use the F2's HOLD switch to ensure you don't accidentally stop recording.

Screw-lock connectors keep your lav plugged-in securely no matter the situation.

With the F2 actors can record and playback their lines to perfect their delivery.

The F2 Editor for PC and Mac allows you to adjust settings, format SD cards and more. Simply connect your F2 or F2-BT via a USB cable and launch the editor. The USB connection also makes it easy to transfer files to your computer. See the F2 Editor features here.

Whether a stroll through your garden, or the whispers and shouts of a dramatic reading, the F2 provides crystal clear recordings.

The F2 can record up to 15 hours (14 hours on the F2-BT) with two AAA batteries.

Record on microSD, microSDHC, and microSDXC cards up to 512GB.

The LMF-2 omnidirectional lavalier microphone has a low-profiled design, captures high-quality audio, and includes a windscreen and lapel mic clip.

The F2 Field Recorder gives you the option to choose the recording format that works best for your projects. Choose from 44.1 kHz/32-bit float or 48 kHz/32-bit float mono WAV files.

The F2 Is Perfect For Recording Interviews Anywhere.

Input
Connector: 3,5 mm stereo mini (with screw lock) Supports plug-in power (2.5 V)
Input impedance: 2 kO or more
Maximum input level: -5,5 dBu
Output
Connector: 3,5 mm stereo mini (with screw lock)
Maximum output level: 20 mW + 20 mW (into 32 ? load)
Recording media
Cards compatible with microSD/microSDHC/microSDXC specifications (Class 4 or higher, 512 GB maximum)
Recording formats
WAV, 44.1kHz/32-bit float, 48kHz/32-bit float Mono, BWF format supported WAV
USB
USB Typ-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Mass storage operation: USB 2.0 High Speed
PC app operation: USB 2.0 High Speed
Power
2 AAA batteries (alkaline, lithium or rechargeable NiMH batteries)
AC adaptor
Bluetooth
Bluetooth Ver4.2 (F2-BT only)

External dimensions: 57,5 mm (w) x 46,4 mm (D) x 22,4 mm (H)
Weight (main unit only): 32 g

Notes: The new lightweight stereo in-camera recorder that records in 32-bit float to ensure perfectly modulated audio on every recording. The M3 has a line output to send audio directly to the camera input and has a selectable mono/90-/120- recording pattern.

Stereo shotgun microphone with stereo recorder
High level stability (133dB SPL)
Support for mid-side (M/S) raw recording
Shock mount for camera included
REC/ PLAY button and mono/90/120
2xAA battery operation (up to 12 hours)
Perfect sound with every picture. In one take.

The M3 MicTrak offers filmmakers the ability to enhance their content with pristine sound quality. Designed to be mounted on a camera, the stereo microphone with built-in recorder records every sonic nuance with 32-bit float technology.

32-bit float recording

The M3 records clipping-free audio at all times. Thanks to 32-bit float recording, no equalisation is necessary. Whether it's dialogue, sound effects or ambience in outdoor recordings, you'll always get a perfect recording.

Absolutely ready at all times

The specially designed elastic mount keeps weight to a minimum and ensures minimal transmission of handheld noise.

Mono and stereo modes

Switch easily between mono and stereo modes. Mono mode is ideal for dialogue recording. 90O provides accurate, transparent stereo recording. 120O stands for a generous stereo pick-up, which is especially recommended for atmosphere or sound effects.

More flexibility in post-production

The M3 saves a backup file in mid-side RAW format at any time, giving you the flexibility to adjust the stereo width of the recording in post-production.

Backup for your recordings

Use the 3.5mm stereo output to connect the M3 to your camera and record a backup there. This is especially useful for synchronising audio to a video.

Effectiveness in post-production

With the M3 Edit and Play software, you can adjust the stereo width of your recordings and normalise your files to prepare them for dubbing and post-production.

USB Mic

Connect the USB-C port to a PC or Mac to use the M3 as a USB microphone for streaming or recording.

Monitoring

Listen to your recordings via the 3.5mm headphone output.

Power supply

Power the M3 on long production days with up to 12 hours of recording from two Type AA batteries.

Storage

Record onto SDXC cards with a capacity of up to 1 TB.

Tech specs
USB-C connector (2.0)
USB bus power supported
Recording media
4GB-32GB microSDHC cards
64GB-1TB microSDXC cards
Headphone jack
12 hours battery life
Recording format: 44.1/48kHz, 32-bit float (48kHz in audio interface mode), mono/stereo BWF and iXML

Whats in the box

Quick Guide
Windscreen
3.5 mm mini-jack coiled cable
Elastic microphone holder

Notes: The Zoom G2 Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
An external expression pedal can be used to control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2 Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

Zoom G2 Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been sampled at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historic guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2 Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones
The G2 Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, you set up the G2 Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2 Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: The Zoom G2x Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
Expression pedal lets you control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2X Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

The G2X Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been miked at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historical guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2X Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones

The G2X Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, set up the G2X Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Express yourself

The G2X Four features an expression pedal for controlling volume, wah-wah and more.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2X Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: Great value little 4-in/4-out interface, designed for portability when making music or streaming. Dual headphone outputs and four XLR/TRS combo inputs with pre-amps give you plenty of versatility.

Supplier's Notes:
AMS-44 For One or More Musicians

AMS-44 | 4-In, 4-Out

Whether you're recording or streaming, the AMS-44 keeps your setup simple. It features four XLR/TRS combo inputs along with Zoom's high-performance, low-noise preamps. The interface also includes two headphone outputs and two TRS outputs for external monitors.

Quick control

With their onboard hardware switches, the AMS-24 and AMS-44 are designed to simplify common streaming challenges without the need for additional software.

Little switch, big Streams

Toggle from recording to livestreaming with the Music / Streaming Switch. When in Music mode, each input acts independently with individual gain control. It also sends separate mixes to each headphone output.

When in Streaming mode all inputs are combined into one signal to work seamlessly with your streaming software.

Onboard monitoring

Use the Direct Monitor Switch to send the input signal directly to your headphones while routing the same signal to your DAW or streaming software.

Loop it back

The Loopback Switch combines the input audio with playback from your computer and routes it to your streaming software. This is perfect for adding background music to your stream or singing live with an instrumental track.

Mic/line guitar

Switch Input 1 from mic or line level to guitar level (Hi-Z).

Stereo link

Links two inputs for stereo recording or streaming and allows you to control both inputs with one gain knob.

Phantom power

Provides +48V phantom power for condenser microphones.

Power options

All three AMS interfaces can be powered from your PC or Mac via USB-C. Use external power when working from a tablet or mobile phone.

Additionally, the AMS-24 and AMS-44 can also use two AA batteries.

Plug it in...

Use the AMS Series on any device thanks to its support for Mac and PC, along with iOS and Android devices.

...And perform

The AMS Series is designed to integrate seamlessly with commonly used software, apps and platforms.

In Streaming mode, connect with your audience by streaming to popular platforms like YouTube, Facebook, Twitch, Instagram and Patreon.

In Music mode, record with software like Adobe Audition, Pro Tools, Cubase and GarageBand.

What's in the box

AMS-44 USB Audio Interface
USB-C Cable
Quick Tour

Technical Specification

Input and Output Channels
Number of input channels: Mono (MIC/LINE): 4
Number of output channels: Stereo (TRS): 1
Stereo (PHONES): 2

Connectors

INPUT 1-4 - Type: XLR/TRS combo jacks
(XLR: 2 HOT, TRS: TIP HOT) Input gain: -8 - +58 dB / -8 - +50 dB (when set to GUITAR)
Input impedance: XLR: 2.7 kO
TRS: 18 kO / 330 kO (when set to GUITAR)
Maximum input level: XLR: +6 dBu
TRS: +22 dBu / +8.5 dBu (when set to GUITAR)
Phantom power: +48 V
OUTPUT A (standard phone jacks)
Type: TRS phone jacks (impedance balanced)
Maximum output level: +10 dBu (at 0 dBFS)
Output impedance: 100 O
OUTPUT A-B (headphone jacks): Type: 3.5mm stereo mini jacks - 30 mW + 30 mW (32 O load)
Output impedance: 10 O
USB: USB Type-C (audio interface function)
Use a USB cable that supports data transfer. USB bus power is supported.
DC 5V: USB Type-C (for power supply)
Frequency Response: 44.1 kHz: 1 dB (20 Hz - 20 kHz) - 96 kHz: 1.5 dB (20 Hz - 40 kHz)
Equivalent input noise: -120 dBu or less (IHF-A) at +58 dB/150O input

Audio interface

Input and output channels: Recording: 4 channels
Playback: 4 channels
Sampling frequencies: 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz
Bit depth: 24-bit
Interface: USB 2.0
Class: USB Audio Class 2.0

Power

2 AA batteries (alkaline, lithium, or rechargeable NiMH), AC adapter (ZOOM AD-17): DC 5 V/1 A -USB bus power is supported.
Rated Current
USB/AC adapter (5 V): 350 mA
Batteries (2.4 V): 560 mA
Estimated continuous operation time using batteries
44.1 kHz, 48 V off, with 32O headphone load
Alkaline batteries: about 3 hours
NiMH batteries (1900 mAh): about 4.5 hours
Lithium batteries: about 8.5 hours
The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They could vary greatly according to use conditions.
Power Consumption: 5 W maximum

Dimensions: 129.0 mm (W) × 74.0 mm (D) × 46.0 mm (H)
Weight (unit only): 177 g
Weight (including batteries): 223 g

Notes: The H2essential is the only Handy Recorder with three internal microphones. With the ability to select different mic patterns, it gives creators more options than ever before. With two cardioid mics facing front and rear and a bi-directional mic facing side to side, the H2essential allows you to choose the perfect pick-up pattern for every recording.

Set your pickup pattern to 90O or 120O stereo, or choose mono for a hyper directional pickup, reducing background noise. Then choose to record from the front, rear, or activate both sides for surround sound pickup. Record in 32-bit float up to 96kHz ensuring high-quality audio without ever having to set gain.

When connected to a PC, Mac, iOS, or Android device using the USB-C port, the H2essential can be used as a USB microphone while simultaneously recording to the SD card. Connect the H2essential to your mobile device via USB and record professional audio directly onto your phone's video. Perfect for video podcasts and live streams.

Record in MS Raw and adjust the width of the stereo image in post production. This is helpful when you want to control ambient noise. The H2essential has advanced features such as a low cut filter, pre-record, auto record, and playback speed adjustment.

Using the BTA-1* Bluetooth Adapter, pair one or more H2essentials with your iOS device to remotely hit record and sync timecode. The H2essential is designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

The specially designed windscreen for the H2essential provides wind protection when recording outdoors. The custom fit gives access to controls while the windscreen is attached. The 3.5mm input can accommodate audio players, keyboards, and lav mics with plug-in power. You can record with the front mic and the 3.5mm input simultaneously.

Use the mixer to easily adjust each track's audio level. The color LCD screen makes it easy to navigate through the H2essential's simple interface.The real-time waveform display lets you see your audio as it records.

Use the 3.5mm headphone output for headphones or connect directly to a camera. The onboard speaker allows you to listen to your recordings for quick reference as well as utilize the Accessibility functions. The H2essential supports SDXC cards up to 1TB.

The H2essential has a dedicated Marker button to instantly set reference points while recording. The H2essential can be powered by two AA batteries or via the USB-C port. This includes bus-power as well as external USB battery pa

Notes: The Zoom MS-90LP+ is a versatile stereo looper. With the tap of your foot you can add loops, layers, effects and rhythm patterns. And with 32-bit float processing, the MS-90LP+ gives creators flawless audio quality every time.

Notes: Zoom H4essential Handy Recorder

Four Tracks. More Options

With four tracks, 32-bit float recording, advanced X/Y mics and 2 XLR/TRS inputs, creators have more ways to record their music, podcasts, and audio-for-video.


Features

4-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Colour LCD Screen
130 dB SPL XY Mic
2 XLR/TRS combo inputs with locking connector
3.5mm mic/line input for lavalier mics and line level sources
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm line output for headphones or to connect to a camera
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via Bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H4essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Now in colour

The new full-colour LCD screen makes it easy to navigate through the H4essential's menu and functions.

Advanced X/Y mics

The onboard X/Y microphones capture crystal clear audio up to 130 dB SPL.

High capacity storage

The H4essential supports SDXC cards up to 1TB to record hours and hours of audio.

For interview and podcasts

Podcasters can use the H4essential's XLR inputs with external mics for one-on-one conversations and the X/Y mics for interviews on-the-go.

Big stage sound for musicians

The H4essential is perfect for recording music. With 2 XLR/TRS inputs and the stereo X/Y microphones it's easy to record live shows, rehearsals and songs.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included

Specifications

Input & output channels

Inputs
Built-in mic (stereo): 1
XLR/TRS: 2
MIC/LINE IN: 1

Outputs
Headphones: 1
Built-in speaker (mono): 1

Inputs
Built-in mic: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -43 dB/1 Pa at 1 kHz
Maximum sound pressure input: 130 dB SPL

INPUT1-2
Connector: XLR/TRS combo jacks ×2, (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 10 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

MIC/LINE IN (supports plug-in power)
Connector: Stereo mini jack
Input gain: Adjustment unnecessary
Input impedance: 2 kO or more
OUTPUTS
Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32 O load)
Output impedance: 15 O or less

Built-in speaker
Type: 20 x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 4
Maximum simultaneous playback tracks: 4

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media:
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD: 360 x 240

USB
Connector: USB Type-C (Use a USB cable that supports data transfer).
USB Mic: USB 2.0 High Speed, 44.1/48 kHz, 24-bit /32-bit float, 4-in/2-out
File transfer: USB2.0 High Speed

Remote
Dedicated wireless adapter: ZOOM BTA-1

Power:

2 AA batteries; Alkaline, lithium or rechargeable NiMH batteries
AC Adapter:
ZOOM AD-17:DC 5V / 1 A - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (built-in XY mic)
Alkaline batteries: About 9 hours
NiMH batteries (1900 mAh): About 9 hours
Lithium batteries: About 19 hours

48 kHz/32-bit float, phantom power off, no headphones, no remote, display power saving on, display brightness at Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 4-track recording (built-in XY mic with INPUT 1-2)
Alkaline batteries: About 2 hours 30 minutes
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 8 hours
48 kHz/32-bit float, phantom power off, headphones used (33O load), no remote, display power saving on, display brightness at Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Estimated continuous operation times using batteries : 4-track recording (plug-in power mic with INPUT 1-2)
Alkaline batteries: About 40 minutes
NiMH batteries (1900 mAh): About 1 hour 30 minutes
Lithium batteries: About 3 hours 30 minutes
48 kHz/32-bit float, phantom power off, headphones used (33O load), no remote, display power saving on, display brightness at Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 3 W maximum
Dimensions: 66.9 mm (W) × 156.1 mm (D) × 38.0 mm (H)
Weight (including batteries): 243 g
Note: 0 dBu = 0.775 Vrms

Notes: Portable recording made with musicians in mind, the R4 records up to four tracks in 32-bit float resolution, with on-board EQ and effects, amp simulation and the option to bounce recordings down then overdub.

Supplier's Notes:
The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms

Notes: Updated version of the hugely popular MSP3, now with Yamaha's Twisted Flare Port technology for improved low-end response. Small design with big sound thanks to 4-inch woofer and precise dome tweeter.

Supplier's Notes:
MSP3A powered monitor speaker provides faithful sound reproduction in a compact form

The MSP3, a compact reference monitor speaker loved for many years, has been renewed as the MSP3A. This new reference monitor is the first in this series to include our Twisted Flare Port technology and provides an even clearer and tighter low-end while also realizing faithful sound reproduction.

The built-in 22W power amplifier is optimized for the speaker unit, which comprises a 10 cm (4") woofer and a 2.2 cm (.87") tweeter, to achieve a clear and natural reference sound.

The cabinet features a refined, simple design and weighs a mere 3.6 kilograms (7.9 pounds), making it easy to reposition and carry to different locations. Just like its predecessor, this monitor has multiple input connectors and controls, and is compatible with a variety of optional brackets, making it useful for a wide range of uses. These include serious audio and music monitoring in settings from small-scale studios to broadcast and post-production suites, as well as monitoring audio from digital musical instruments and ICT devices, and surround sound playback.

Twisted Flare Port technology, which is included in the MSP3A for the first time in this series, is an aerodynamic sound control technology that we at Yamaha have created by leveraging our extensive subwoofer development experience. Using it, we apply aerodynamic sound analysis and flow visualization measurement technologies to pinpoint and control noise generation mechanisms. Noise-generating air flow turbulence at both ends of the port is suppressed by changing how the port widens from input to output and adding a twist to it. Suppressing turbulence reduces bothersome muddiness in the sound and lowers the amount of noise generated at the port ends. This strengthens the connection between the sound and main speaker and delivers clear, tight low frequencies along with pitch and rhythm.

Compared to the air turbulence generated by the "ordinary port" shown in pink on the left, turbulence is reduced and air flows smoothly through the Twisted Flare Port shown in blue on the right.

Featuring a 22-watt built-in amplifier and Twisted Flare Port for clearer bass, the MSP3A reference monitor produces sound that is faithful to the original. With a variety of inputs, controls and optional support brackets, the MSP3A is ideal for small studios, post-production, monitoring electronic instruments and surround reproduction.

General specifications:

Speaker type: 2-way powered speaker, Bass-reflex type (Twisted Flare Port)
Frequency response: (-10dB) 67Hz - 22kHz
Components- LF: 4" (10 cm) Cone, HF: 0.8" (2.2 cm) Dome
Crossover: 4kHz
Output power: 22W
Maximum Output Level (Measured peak, IEC noise@1m): 99dB SPL
Input sensitivity- LINE 1 : -10 dBu, 10kO (RCA), LINE 2 : +4.0 dBu, 10kO (Combo)
I/O connectors- LINE 1 : RCA, LINE 2 : Combo (XLR/TRS phone)
Indicators: Power ON (Green LED)
Power requirements (May vary depending on region): 120V 50/60Hz, 110 - 120V 50/60Hz, 230V 50/60Hz, 220 - 230V 50/60Hz, 220V 50Hz, 240V 50Hz
Power consumption: 30W
Others: Level control (LINE1, LINE2); Tone control (LOW = Center, REF = 100Hz : MIN -3.0 i 2.0 dB, MAX +3.0 i 2.0 dB; HIGH = Center, REF = 10kHz : MIN -3.0 i 2.0 dB, MAX +3.0 i 2.0 dB)
Dimensions: W- 144mm (5-5/8"), H- 236mm (9-1/4"), D- 166mm (6-5/8")
Net weight: 3.6kg (7.9 lbs.)
Accessories: Power cord, Owner's manual
Packaging: Single
Flying and mounting hardware: 2 x M5 (Depth 15)
Options: Mic stand adaptor BMS-10A, Free-angle clamp BAS-10, Wall mounting bracket BWS20-120 / BWS20-190, Ceiling bracket BCS20-150 / BCS20-210

Notes: Configuring a streaming setup from scratch can be a daunting task, particularly for users with little or no music production experience. The minimalist design of the AG01 takes this into account by combining a high-quality condenser microphone with DSP effects, a LOOPBACK function, flexible input connectivity, and a simple, intuitive mixer for stress-free streaming operation.

Simply connect to your computer or iOS/Android device along with the headphones of your choice, then set your levels and you've got a fully operational streaming station that can be up and running within minutes. If you're an aspiring live streamer that requires a compact yet comprehensive, high quality all-in-one solution, the AG01 is ready when you are.

In most streaming applications your microphone is likely to feature prominently onscreen so it is important for it to complement your overall vision. With a unique and iconic design that blends classic and contemporary aesthetics, the AG01 looks as good as it sounds, offering both black and white-based models to suit your preference.

In addition to the condenser microphone audio input, the AG01 is equipped with a mini stereo line input jack, and an upgraded 4-pole mini jack (TRRS) for smartphones that allows input and output. You can also add audio from devices connected via USB in LOOPBACK mode. Combined with these features, this microphone-type model can cover a wide variety of streaming styles that could not be achieved in the past without a separate mixing device.

The AG01's high-performance condenser microphone utilizes a cardioid polar pattern that captures your voice or musical instrument performance precisely, and converts it into high resolution audio (192kHz, 24bit) while blocking out unwanted ambient noise from the rear or sides.

The AG01 features high-quality DSP effects, allowing you to easily add COMP/EQ and REVERB to color and hone your audio and get the best sound possible to broadcast to your audience. What's more, these tools are processed by the internal DSP chip so there is no delay, making the AG01 particularly valuable for live streaming, when real-time accuracy is required.

You can also turn these effects off completely to capture pure, raw recordings of the AG01's condenser microphone for music/audio production that will be edited by an engineer later.

There are many situations in live streaming where you may need to make audio adjustments on the fly. The carefully configured physical controls of the AG01 respond to these needs providing a simple operating experience that won't detract from your live content or performances.

AG Controller offers two modes, "Simple" and "Detail," which allow users with varying degrees of audio engineering experience to easily and precisely check and adjust the AG's DSP processing from any Windows/Mac or iOS device connected via USB.

The AG01 can be easily placed on a desk or any flat surface with its dedicated stand, or mounted on a desk arm, making it adaptable to almost any environment.

It can also be used in combination with a mobile battery allowing you to take your fully functioning streaming station anywhere you like.

*For stable operation of the AG01, a power supply of DC 5V 900mA or more is required.

AG01 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG01 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.

Specifications

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 110 dB (THD - 1.0% at 1 kHz)
Sensitivity: -34 dB i 3 dB (0 dB=1 V/Pa, at 1 kHz)
Connector: USB Type-C

Input Channels
Microphone: 1 (Mono condenser microphone)
AUX: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1

Output Channels
PHONES: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1
Bus: 1 Stereo
Functions: MIC GAIN (HIGH / MID / LOW), MUTE button x 1, STREAMING OUT (MIC / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)

On-board processors
DSP: COMP/EQ, REVERB (SPX Reverb) *Detail is Controlled on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power Input: 1 - Type-C, 5 V DC, 900 mA

General specifications
Power requirements 5 V DC, 900 mA
Power consumption Max. 4.5W
Dimensions: W: 116 mm (4.6") H: 281 mm (11.1") D: 118 mm (4.6")
Net weight: 1.2 kg (2.6 lbs)
Included accessories: USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Others: Operating Temperature: 0 to + 40C

Notes: ***B-STOCK: Box opened, product in perfect working order***


The smallest speaker in Yamaha's range, the compact MS101-4 sits happily on even the most cramped desktop or attaches to a mic stand for versatile monitoring anywhere.

Supplier's Notes:
The industry standard in compact monitors

Yamaha MS101-4: The de facto standard for compact monitoring in a simple form

The standard model in Yamaha's range of desktop utiility powered monitors, the MS101-4 offers portability in a simple, compact design, with comprehensive functions for outstanding usability. The MS101-4 comes with a 3/8-16 threaded female mounting for direct attachment to a Euro microphone stand. Optional accessories can also be added for use in a wide range of applications.

A compact, convenient approach to high-quality monitoring anywhere

Compatible with both line and mic inputs, the MS101-4 offers the flexibility needed for temporary or permanent use in applications requiring simple, compact monitors.

Simple, portable, durable design

Yamaha Powered Monitor Speaker MS101-4: front and rear

With the controls (power switch, volume and tone controls) and the combo jack input on the lower front panel, you'll find the MS101-4 is easy to operate. The sturdy metal grill offers complete protection for the four-inch cone driver, while the rear panel is equipped with one stereo mini and a TRS Phone input connector, along with an output jack. An AC inlet for a removeable power cord provides excellent portability. The bass reflex port is also located on the rear surface, resulting in a more compact chassis.

MS101-4 Powered Monitor Speaker

The standard model in our range of desktop utiility powered monitors, the MS101-4 offers portability in a simple, compact design, with comprehensive functions for outstanding usability.

30W of amplifier power provides clean, high output sound
Redesigned enclosure for an even lower profile
Combo Input jack accepts both XLR and 1/4" connectors
Directly mountable on Euro microphone stands (optional mic stand adaptor BMS-10A is available for adjusting tilt angle)

General specifications

Speaker type: Full range Powered Speaker, Bass-reflex Type
Frequency range (-10dB): 77 Hz-20 kHz
Maximum output level (1m; on axis): 115 dB SPL *1
Components: LF-HF 4" Cone, 1" Voice coil, Ferrite magnet
Dimensions: W: 142 mm, H: 196 mm, D: 187 mm
Net weight: 2.1 kg (4.6 lbs)
Flying and mounting hardware Screw threads (bottom): 2 x M5 depth 11 mm pitch 60 mm (for 2, M5 x 6-10 mm screws), 1 x 3/8" depth 12 mm (for 1 x 3/8" x 9-11 mm screw)
Amplifier class: Class-D
Power rating: Dynamic: 30 W
Continuous: 20 W
Cooling: Natural cooling (no fan)
I/O Connectors: Mic Input: [Front] INPUT: Combo, [Rear] INPUT LINE 1: Stereo Mini, INPUT LINE 2: Phone (TRS)
Line Out: 1 x Phone (TRS)
AC: 1 x AC inlet
Input impedance: [Front] INPUT: LINE=5.4 kO / MIC= 5.4 kO, [Rear] INPUT LINE 1,2: 10 kO
Input sensitivity: [Front] INPUT: LINE=-10 dBu / MIC=-40 dBu, [Rear] INPUT LINE 1, 2: -10 dBu (VOLUME: Maximum)
Input Level: [Front] INPUT: LINE=+5 dBu / MIC=-25 dBu, [Rear] INPUT LINE 1, 2: +5 dBu (Nominal Input Level / VOLUME: Center), [Front] INPUT: LINE=+20 dBu / MIC=-10 dBu, [Rear] INPUT LINE 1, 2: +20 dBu (Maximum Input Level)
Others: Controls: 1 x VOLUME, 1 x LOW CONTROL, 1 x HIGH CONTROL, POWER
Indicators POWER (Green LED)
Power consumption: 1/8 Power Consumption: 10 W, Idle Power Consumption: 3 W
Power requirements: 100 V - 240 V, 50/60 Hz
Options: Mic stand adaptor BMS-10A, Free-angle clamp BAS-10, Wall mounting bracket BWS20-190, Ceiling bracket BCS20-150 / BCS20-210

Notes: Express Yourself with Yamaha

By incorporating decades of expertise in developing musical technologies, the YDM Series of dynamic microphones provides an exciting new addition to the Yamaha audio line-up that spans the entire input to output signal chain.

Custom-designed Capsule

Encased in a sleek metal body, the YDM Series microphones feature custom-designed capsules that flawlessly capture your sound so you hear crystal-clear audio on the other end.

The YDM707 is equipped with a super-cardioid capsule that captures a wider frequency range and rejects unwanted background sounds even more efficiently.

Insulator that Reduces Handling Noise

YDM Series microphones are equipped with an advanced insulator Yamaha's proprietary materials that reduce vibrations from handling noise and other external sources, allowing you to concentrate on your performance.

A Refined Grip that's Instrumental

Taking cues from our experts in musical instrument design, the YDM Series microphones follow a refined design that incorporates the flowing curves of a wind instrument. The top and bottom of the grip are accented with silver rings, giving it a distinctive design.
The grip is not only beautifully designed; it has also been optimized through repeated prototype tests to ensure a comfortable fit.

YDM Series Grille

For some performers, mic drop moments are unavoidable. Whether from epic monologues or mishaps, replacement grilles are sold separately so you can keep your microphone looking like new.

Accessories

In addition to the microphone holder, a 5/8" to 3/8" inch threaded adapter and a microphone pouch are also included.

Microphone Unit: Dynamic
Polar Pattern: Super Cardioid
Frequency Response: 60 Hz - 18 kHz
Sensitivity: 1.8 mV/Pa (-54 dB)
Output Impedance: 300 Ohm
Connector: XLR
Dimensions (Microphone Only): 51 x 184 mm
Weight (Microphone Only): 285 g
Included Accessories: Microphone Holder, 5/8" to 3/8" threaded adapter, Microphone pouch

Notes: Samara is a "Swiss Army Knife" type of module, intended to serve the most common voltage and audio signal processing purposes such as attenuation, offsetting, mixing, inverting, and even basic waveshaping. Samara features four channels, each with two inputs and an attenuator, additional switchable offset generators, four voltage level and polarity indicators, two adders with switchable scale, and a precision four-channel processor that selects minimum and maximum voltage.

Notes: Part of Xaoc's Leibniz subsystem, which processes signals and voltages by manipulating binary 8-bit numbers, the Poczdam allows switching between two data sources.

Supplier's Notes:
Poczdam is a binary data routing solution for the Xaoc Leibniz Subsystem. It facilitates manual and remote switching between two Leibniz data sources, modifying individual bits of the data stream, and re-clocking the data with its onboard voltage-controlled wideband oscillator or any external clock signal. Poczdam is particularly useful within complex Leibniz setups where the user needs to reconfigure the data flow between multiple modules. However, it can also be employed in small creative patches, e.g., for waveform splicing, disrupting rhythmic loops, or generating digital chaos.
To better understand the device and avoid common pitfalls, it is strongly advised to read through the entire user manual before use.

Component of the Leibniz Binary Subsystem
Routing Leibniz data
Reclocking Leibniz data
Additional CV clock generator (up to 2MHz)

6hp, 30mm deep
Current draw: +20mA/-10mA
Reverse power protection

The high quality Coal Mine black panels are available for all Xaoc Devices modules. Sold separately. Ask your favourite retailer.

Drezno is the input/output front-end of the system, consisting of an analogue-to-digital converter (ADC) and a digital-to-analogue converter (DAC), that alone can be used for manipulating analogue signals and voltages based on their binary representation.

Lipsk is a binary logic processing expander module that can flip (invert) individual bits of the digital signal representation. There are more Leibniz Binary Subsystem elements coming, with specialized and advanced sets of features.

Jena is a digital module that may be used as a flexible waveshaper for CV and audio signals, a wavetable oscillator, a Walsh function generator, or a rhythm generator.

Erfurt is a bi-directional digital counter, frequency divider. It has multiple applications: the output of the counter may be used as a phase source driving a digital wavetable, connected to other Leibniz modules it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc.

Notes: Tallin is a dual voltage controlled amplifier (VCA) with overdrive, offering some unusual control features and a range of attractive tonal characteristics. Each of the two identical channels offers two simultaneously available inputs for voltage control over signal attenuation or gain, with linear and exponential response to CV. Volume control knobs offer manual gain settings ranging from fully closed (-80dB) up to +18dB. A colour LED indicator displays output signal levels. A soft-clip circuit avoids harsh clipping distortion, while a switchable overdrive circuit offers two carefully crafted distortion responses, simulating the sound of classic tube amplifiers.

Since both CV inputs are simultaneously active, they can be jointly exploited within patches featuring more complex volume control that otherwise would require using two traditional VCAs in series. As the signal path is DC-coupled, Tallin can also be used for handling the control voltages.

Notes: Add external feedback loops, tilt filters and more to the Timiszoara effects module with this versatile expander. A must-have for Timiszoara owners.

Supplier's Notes:
Deva is an expander for Xaoc Devices' Timiszoara multi-fx module designed for creative exploration of the dirty/nasty side of signal processing. Deva opens up the Timiszoara programs you've come to love with some unexpected twists and turns along the way. The analog side features two external feedback loops (for the left and right channel) with tilt filters adjustable via sliders with two additional switches for choosing positive or negative feedback (for each channel). The third slider controls the DAC clock - from overclocking by a factor of two down to 16-times slower, so you can go from chipmunk to hardcore teeth gnashing of underclocked goodness. A switch allows for turning the clock control off for normal/regular operation. All features have inputs for external CV.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Power drawn from Timiszoara: +60mA/ -50mA
Reverse power protection

Notes: Gera is a component of the Leibniz subsystem that allows masking individual bits of the digital data by the use of logical AND operation.

It features 8 individual gate inputs that affect the individual bits of data, as well as 8 illuminated tact switches for manual inverting of each control input. When connected to Drezno that is processing a waveform or voltage, masking of individual bits yields various forms of quantization. However, Gera can function on its own. The AND operation is a basic building block for sequence automation, chaos and rhythm generation, and various computer-like modular patches.

Bit processing logic in Gera is hardware based, hence there is virtually no latency, and the binary signals may change at extreme rates.

Main features:

Logical AND operation on Leibniz data
Masking of individual bits controlled manually and by gate signals
Visual indication by illuminated buttons
6HP
30 mm depth (including ribbon cable brackets)
- +12V: +45mA / -12V: 0mA / +5V: 0mA

Notes: The tiny but mighty Eurorack power supply with all the bells and whistles

Micronova is a miniature power supply with a big soul. It can provide up to 18W of power for your modules and multiple units can be easily daisy chained to power larger systems.

This bundle includes:

an assembled Micronova
an assembled Micronova busboard
a Micronova front entry kit

Please note that the front entry requires assembly. It's a delightfully easy kit, but make sure you know what you're getting into!

A suitable AC-DC power adapter is required. We have adapters available for domestic customers. International customers please take a look at the manual for guidance and recommendations.

Check out the manual to get to know Micronova and all of the delightful ways you can integrate it into your case.

100 mm x 30 mm x 13 mm
15-20V, 1.5A
+12V @ 1A
-12V @ 300mA
+5V @ 500mA
Daisy chainable
Busboard included
Front entry kit included

Notes: DASSBRUM is a powerful kick module capable of producing a wide variety of sounds, ranging from classic kick tones to complex folded timbres. It features an analogue core processed through a digitally controlled matrix of analogue wave folders and envelopes, offering deep sonic flexibility in a compact 8HP form factor. A built-in sweet spot mode ensures optimal pitch envelope relationships for consistently punchy and dynamic kicks.

Consumption: 120mA +12V /30mA -12V
Width: 8HP
Depth: 29mm

Inputs maximum ratings
Fold type (rear switch): 0/5V
Trigger IN: 5V (>0.5V)
Other inputs: -5/10V

Notes: EME (Eloquencer MIDI Expansion) is the perfect companion for the Eloquencer, adding capabilities to sync with MIDI devices, control most of the eloquencer parameters with MIDI interfaces, generating MIDI voices from the eloquencer tracks, and converting MIDI signals to the eurorack world.

Description:
MAIN FEATURES
IN / OUT
DIN-5 MIDI Input, DIN-5 MIDI Output, USB Host.

BUTTONS
4 freely assignable buttons. They can be assigned to:

Next/previous pattern
Next/previous part
Direct access to Pattern mode, Play parts, Duplicate, Project, Gate REC, CV Key REC, MIDI key REC, Free Play...
Save current project
Random 1 to 3 layers of selected track
Reset LFO of selected track
On/Off LFO of selected track
Freeze
Revert
Fill A to H or selected track
Mute A to H or selected track
DJ Nudge FWD/BCK fine/coarse

MIDI CLOCK
Eloquencer can receive 24ppqn sync from MIDI device from its DIN-5 MIDI Input, and can send 24ppqn MIDI clock through its DIN-5 MIDI out.
When working as 'internal' it will send the internal clock to the MIDI output.
When working as 'external' will send the eurorack incoming clock to the MIDI output transformed into 24ppqn.

MIDI OUT
The Eloquencer tracks can be independently assigned to:
- Voice events (note on/off, velocity, ch pressure...) For example Track A can be assigned to Channel 1 Note on/off and Track B can be assigned to Channel 1 Velocity, so track A gates and CV control Channel 1 notes and pitch, and track B controls Channel 1 Velocity.
- Control Change (CC)
- Program Change (PC)

The gate and CV output will work as usual when a MIDI OUTPUT is assigned, so voices can be doubled using the modular and an external synth.

There's a particular execution order for MIDI out events, so the first to be launched is the Program Change, followed by the CC and then the voice events. This way, we can launch program changes before the note on message is received allowing preset changes for each step.

MIDI IN
Both, the DIN-5 MIDI in and the USB can be used to change eloquencer parameters using controllers or to introduce notes in REC MODE using a keyboard.

There are 3 different groups of controls associated to MIDI channels:
- Channel : 8 MIDI channels to control parameters of specific tracks from A to H
- Global : 1 MIDI channel to control Global parameters.
- Focus: 1 MIDI channel to control the parameters of the currently selected track (track in focus). That means that if Track A is selected and we send CC 38, we will be shifting track A, but if we select track B and we send the same CC 38, we will be shifting track B.

When using the USB host input, the EME can send feedback information in case the controller that is being used has LEDs to be updated.

There is a big amount of eloquencer parameters that can be controlled using an external MIDI interface / controller. For example:

Non-destructive track parameters addition/subtraction (CV, CVP, CVR, GL GLP, R...)
Track length
Step mode / Step mode DIV / Step mode REP
Track shift
LFO on/off / Type / Length / amplitude.
Fill
Mute
Random
CV Gate link
Scale group and root
Tempo
DJ Nudge
Shuffle
Clock out
Play / Stop
Direct access to modes (Pattern, Project, Live REC...)
MIDI INTERFACE

A MIDI Channel can be assigned to an Eloquencer Track, so the gate and CV outputs will stop listening to what is sequenced and start listening all note on/off messages coming from the chosen MIDI channel.

Review: Second time around for Madonna's Finally Enough Love box set, which celebrates the iconic artist's unique achievement of notching up no less than 50 number ones on the Billboard Dance chart - the first artist in history to do so. In effect, it's a celebration of her Madgesty's links with dance music culture, showcasing 40 years of popular reworks of her biggest hits, presented in a 'rainbow edition' box set where each of the six slabs of wax is pressed onto different coloured vinyl. So, alongside classic early hits and reworks from 1987 remix album You Can Dance, we get revisions by everyone from Junior Jasquez, Jellybean, Shep Pettinone and Pet Shop Boys, to William Orbit, Aviici, Felx De Housecat, Jacques Lu Cont and Tracey Young. Madonna-ologists assemble!

Review: Green Day's American Idiot is the much-loved band's seminal 2004 album, capturing the perennial angst and disillusionment of a generation, currently enjoying its 20th birthday although its politically charged punk rock remaining as relevant as ever. This anniversary edition enriches the original with unreleased demos, live performances, and alternate takes to offer a deeper insight into the album's creation. Tracks like 'Holiday' and 'Boulevard of Broken Dreams' still resonate, while the added material highlights the band's creative process.

Notes: Varia Instruments' turntable weights feature a smart mechanism: The 7" adapter inside the weight is moveable, as soon as you put the weight on a 7", the adapter will fall down through the big hole of the vinyl. Your record is now centered and stabilized by the TTW10. If you place the kit on a 12" record, the adapter will remain in the rear position and stabilizes your warped records. A sticky rubber mat on the bottom side protects your vinyl and allows you to control the record in a very direct way. The difference to the classic TTW10 is the material used for the outer part: The heavy weight edition is machined out of high-grade stainless steel which results in a final weight of 808g/1.78lbs. The TTW10H comes in a neat printed box with a linen bag to take it out to your gigs.

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on-the-go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Backpack lets you take a wide variety of your essential gear for your digital set up from one gig to the next. It lets you safely store your digital controller (Pioneer DDJ-SX3, Native Instruments S8) in the main compartment while in the side entry laptop compartment you can store up to 19" laptop. It has enough space in the two front pockets to store all your other necessities; hard drives, headphone, cables & accessories and is fully padded in all the right places for the ultimate in protection. The backpack has a 4-method carrying system. The UDG Controller Backpack is available in 2 sizes: Medium & Large skillfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight: 3,95 kg / 8.69 lbs
Outer Dimensions (W x H x D): 73.0 x 43.0 x 22.5 cm | 28.7 x 16.9 x 8.9 inch
Inner Dimensions (W x H x D): 70.0 x 40.0 x 10.0 cm | 27.6 x 15.7 x 3.9 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Adjustable foam inserts to customize main compartment to your gear

Extras
4 compartments: main: for controller, side: for laptop up to 19", front: 2x for headphone, hard drives, cables & accessories
4-method carrying system
Easy grip zipper pulls
Convenient carry handle & padded shoulder strap

Fits:
Up to 19" laptop
Pioneer DJ DDJ-FLX6, DDJ-1000SRT, DDJ-800, DDJ-1000, DDJ-RX, DDJ-SX3, DDJ-SX2, DDJ-SX, DDJ-RR, DDJ-SR, DDJ-S1, DDJ-T1
Pioneer DJ XDJ-RR, XDJ-R1, XDJ-Aero
NI Traktor S8
Denon DJ Prime 2, MC7000
Numark NS4FX, NS6II, NS6, 4Trak, N4, Mixdeck Quad
Rane One,
Reloop Mixon 8 Pro, Mixon 4, Touch
Roland DJ 505
or similar size controllers

Notes: The UDG SlingBag Trolley DeLuxe specially designed to protect your LP's and small DJ equipment + gear during travelling. With a capacity up to 60 records, this bag is perfect for mobile DJ's use or as an optimal complement to the UDG SlingBag. Constructed from high-quality fabrics, foam padded walls, electroplated zipper, comfort top-carry handle, detachable shoulder strap, and in-line wheels will provide secure and dynamic travel experience.

Specifications
Colour: Black , Black Orange
Weight: 4.5 kg / 9.92 lb
Outer Dimensions (W x H x D): 40.0 x 45.5 x 31.0 cm | 15.7 x 17.9 x 12.2 inch
Inner Dimensions (W x H x D): 33.0 x 33.0 x 20.0 cm | 12.4 x 12.6 x 7.9 inch
Material: Water Resistant Nylon 420D

Protection
Foam padded main compartment.
Integrated with a TSA combination lock.

Extras
Retractable handle with 3 stage internal trolley system.
Large front pocket + 2 side pocket for Accessories and smaller gears.
Smooth rolling in-line wheels.
Detachable ergonomic shoulder strap.
Padded handgrip for comfortable carrying

Fits

60 LP's or 1 CD Wallet 128 + 1 CD Wallet 280 or 1 CD Wallet + CD Player of MIDI controller. Trolley fits up to 13" laptop.

Notes: Ultimate DIGI Backpack specially designed for the laptop DJ. Constructed from high quality water resistant Nylon, it contains a cleverly designed side entry compartment for a laptop up to 15.4" without having the hassle of going through the main body of the bag. The bag main compartment can hold an extra laptop and it can also hold a Native Instruments MASCHINE MK2 size MIDI controller. There is a detachable interface pouch and on top of the bag there is a padded, quick access headphone pocket. There are 5 zipped compartments to securely store USB sticks, SD cards, wires and cables, AC power adapters, compact camera's, MP3 player, and other accessories.

Colour: Black Camo/ Orange Inside
Weight: 2,10 kg / 4.62 lbs
Outer Dimensions (W x H x D) cm: 33.5 x 48 x 27 | inch: 13.2 x 18.9 x 10.6
Inner Dimensions (W x H x D) cm: 30 x 42 x 13 | inch: 11.8 x 16.5 x 5.1
Material Water Resistant Nylon 450D
Protection: Various padding used

Extras

Front compartment with organization panel and detachable pouch for audio interface
5 exterior pockets for personal essentials, including one with earbud pass-through for Mp3 players
S-curved shoulder straps for ultimate comfort.

Fits:

up to 15.4" laptop, LP's,
Pioneer DDJ-XP2, DDJ-200, DDJ-XP1, DDJ-SP1, DDJ-WeGO 3/ 4, Toraiz Squid,
NI Maschine MK3/ Jam/ MK2,
Denon DJ MC2000, SC2000,
Akai MPC Live/ II, MPD226, MPD232, MPD32, MPD26, MPK Mini MK II, MPC Element, MPC 500, APC 20, APC Key 25,
Ableton Push/ 2,
Allen & Heath Xone 23/ C, Xone 43C,
Novation Launch Control XL, LaunchPad Pro, Circuit, Twitch,
Numark Scratch, Omni Control, Stealth Control, Party Mix, iDJ Live II, Mixtrack Edge,
Reloop Beatmix, Digital Jockey III/ II, Mixage IE, Neon,
Roland Aira MX-1, TR-707, MC-202, TR-8, TR-8S,
Korg MicroKey 25,
M-Audio Oxygen 25, Trigger Finger Pro,
Arturia Drumbrute,
Gemini FirstMix Pro, Slate2, Slate4, CDJ-700,
Hercules P32 DJ Controller, Universal DJ, DJ Consule 4-MX, DJ Control Air S, DJ Control Wave, DJ Control Instinct,
Livid CNTRL:R,
Stanton DJC.4,
Vestax Spin 2, VCI-300/MK2, VCI-100/MK2,
Audio interface or MP3/MP4 player, books and magazines,

Notes: UDG have further finetuned what was already a great design concept of a flight case into one especially for the most discerning DJ/ producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/ hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damage, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Denon DJ SC LIVE 2 Black Plus (Wheels) also features roller wheels with high quality in-line skate bearings for convenient transport and heavy-duty, spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Denon DJ SC LIVE 2 Black Plus (Wheels) not only transports your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications:

Colour: Black
Weight: 14,50 kg / 31.9 lbs
Outer Dimensions (W x H x D): 72.4 x 47.3 x 23.3 cm | 28.5 x 18.6 x 9.2 inch
Inner Dimensions (W x H x D): 65.4 x 33.5 x 14.2 cm | 25.8 x 13.2 x 5.6 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide silver solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover
Removable front access panel
Roller wheels with high quality in-line skate bearings for convenient transport
Fits: Denon DJ SC LIVE 2

Notes: Classy DJ luggage from the ever-reliable UDG. 12-inch design permitted as hand luggage by all airlines. Sleek black nylon body with strong wheels, front pocket and sturdy handle.

Supplier notes:
The UDG Trolley To Go is specially designed to cater to the growing demand of the Airlines. The Trolley is a lightweight, compact version of the UDG Trolley 256 CD and is permitted as hand luggage in every airplane.

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning DJ/producer. This flight case is constructed from aluminium, thus providing an extremely stable structure with a lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam that consists of two separate layers, each allowing the user to create individualised adapted compartments. The pick & pluck foam allows you to pluck out any desired shape you require for various-sized DJ-controllers and providing the additional option of creating another slot underneath the controller for a laptop or cable storage. This pick & pluck foam creates an easy, do-it-yourself customised system of case interiors.

The UDG Ultimate Pick Foam Flight Cases are designed to keep your gear protected from accidental damage when you transport it to and from gigs. They're compact and lightweight, yet tough enough to keep your gear safe.

New Features:

- Increased product dimension
- Three rear cable access hole with cover
- Four solid metal hinges

Colour: Black
Weight: 6,65 kg / 14.63 lbs
Outer Dimensions (W x H x D): 82.1 x 53.6 x 19.8 cm | 32.3 x 21.1 x 7.8 inch
Inner Dimensions (W x H x D): 80.1 x 51.6 x 17.6 cm | 31.5 x 20.3 x 6.9 inch
Material: Aluminium

Protection

Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding & egg-crate foam on lid
2 side strong butterfly lock & 4 solid metal hinges
Rubber feet at the bottom for support in standing

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Pick & pluck foam with two separate layers
Replacement pick & pluck foam is available to purchase
3 rear cable access holes

Fits:

Pioneer DDJ-REV5, DDJ-FLX10, DDJ-REV7, DDJ-FLX6, DDJ-1000/ SRT, XDJ-RX3, XDJ-RX2,
Denon DJ MCX8000
Rane One, Four
Roland Gaia SH-01
Akai Advance 49, MPK249
Arturia Keylab 49, Keylab Essential 49
Korg MicroStation, Taktile 49
M-Audio Oxygen 49
Novation Launchkey 49
Numark NS7 III
Or similar sized equipment

Notes: ***B-STOCK: Box opened, product in perfect working order***


The player is being released to promote the reissue of the vinyl version of "Memory of Creamy Mami" originally released in 1986, for which there have been many requests for a rerelease. The cover of the player is a special version that can be replaced with a magnet illustration of Mami and Yu.

Of course, the new player is also a collaboration with the famous ANABAS "GP-N3R". The body part will be pink, the surface will be light gray, and the parts will be pastel blue. The package (cosmetic box) will also be a special specification only available this time.

It will be released on July 10 2024 together with the vinyl edition of "Memory of Creamy Mami"!

Notes: MIXZ is a multi-channel mixing module for mixing audio, CV, and gate signals with excellent linear response and low noise. Balancing a clear visual layout and multiple mixers in a small footprint makes the MIXZ easy to use in a variety of configurations within a modular synth. Its high-quality analog mixing circuitry makes for a great sounding mixer with plenty of headroom, providing a smooth, organic merge of dynamics and excellent separation of mixing sections and channels. MIXZ has three sections:

Mixer A: a low-noise, 4-channel mixer with independent gain control for each channel.
Mixer B: a low- noise, 4-channel mixer with master gain control.
MixBus: a multi-channel mixer that mixes signals from modules utilizing the Tiptop MixBus.

Mixer A and B can be configured as either two independent, 4-channel mixers or as a single 8-channel mixer. If the output of Mixer A is not in use, then Mixer A will be routed internally to Mixer B forming the 8-channel mixer.

Tiptop MixBus is a new method we have developed to mix audio signals through the Eurorack power bus board without patch cables. A little bit of magic, eh? Although this technique is not ideal for a low-noise mix, we found it to be useful for some applications, including mixing our drum modules, which all have a MixBus-enabled output. The result is that your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch. This will save you time and frees up cables for repatching sound again and again, while keeping the channels of MIXZ free to bring other signals into the mix.

Combining the MixBus with Mixer A and B, the MIXZ sums dozens of channels in only 10HP.

Dimensions:
10 HP
36 mm deep

Current draw:
14 mA +12V
14 mA -12V

Notes: The Z4000 NS is a snappy voltage-controlled analog envelope generator with a built-in CV processor for scaling, inverting, and voltage-controlled deviating of the envelope shape. The Z4000 generates an envelope made of the four classic segments: Attack, Decay, Sustain and Release, in which each segment can be manually set using knobs or dynamically set under voltage control.

Control knobs for the Attack, Decay, and Release segments are scaled. The first 0-50% of the knobs rotation is dedicated to high resolution adjustment in the millisecond range.

The output levels are fully adjustable with signals that can reach up to 10V in either polarity and can be mirrored into the opposite polarity or clipped using the voltage-controlled deviater-scaler. A bi-color LED indicates intermediate values in both polarities and their crossfade state.

The Attack slope switch allows selection of a logarithmic or exponential curve for the Attack segment. This subtle effect helps further the fine adjustment of the Attack segment slope. A Shoot button is provided to let you fire the envelope manually. The Z4000 also provides a retrigger input allowing you to create legato notes when using a classic keyboard interface.

Going down to nuts and bolts, the Z4000's smoothness and snappiness is made possible by a four segment active-charge discrete circuit which is an extended version of circuits found in classic two segment rise / fall transient generators.

Size: 8HP
Depth: 28mm
Power: +12V 34ma / -12V 18ma

Notes: Introducing the HATS808, a drum module that brings the classic TR-808 closed and open hi-hat sounds to the Eurorack modular synth format. This module includes features like independent accent levels, a high-powered gain stage, dual input pulse-shaper, and adjustable Filter Q and VC-Q knobs for additional tuning.
The HATS808 uses six analogue square wave oscillators to create its signature sizzling sound, maintaining the unique metallic character of the original. The original "choke" circuitry is fully implemented but can be disabled if needed. The high-powered gain stage allows for further sound harmonization through distortion and clipping. The dual pulse-shaper circuit ensures consistent sound quality from any pulse source, making the HATS808 an easy and powerful addition to any modular synth setup.

TR-808 is a Trademark of Roland Corp Japan

Size: 8HP
Depth: 14mm
Power: +12V 30ma / -12V 25ma