Back catalogue: Progressive Rock

Review: A landmark progressive rock album that showcases each band member's unique talents and their synergy as a group. The album opens with 'Roundabout', a dynamic piece featuring Steve Howe's classical guitar, Chris Squire's powerful bass, and Rick Wakeman's masterful keyboard work, drawing listeners into its complex structure and vivid musical landscape. Tracks like 'We Have Heaven' and 'Cans and Brahms' highlight individual members' creativity, while 'South Side of the Sky' and 'Heart of the Sunrise' feature full-band performances with intricate arrangements and memorable melodies. Wakeman, the band's new keyboardist at the time, brought a fresh, vibrant sound that complements Bill Bruford's precise drumming and Jon Anderson's ethereal vocals. Squire's bass is particularly prominent throughout, adding depth and inventiveness to the album's sound. The album marked Yes's rise to international fame and became one of their best-selling albums, cementing their reputation as pioneers of the genre. This new gatefold vinyl properly presents it as the legendary album it is.

Review: Yes are back with its second collection of singles release with yessingles2. Progressive rock, known for its complex compositions and fusion of jazz and classical elements, has always maintained a cult status, challenging mainstream tastes. The genre's elaborate, lengthy arrangements often clash with the commercial demands of record labels. As a result, studio engineers and producers frequently faced the task of trimming down ten minute epics into radio-friendly, four minute versions. For many new listeners, this serves as an accessible introduction to the world of prog rock. Yessingles 2, released as part of Rhino's Rocktober series, offers a collection of these radio-friendly edits from the legendary band Yes. While diehard fans might prefer the original, uncut versions, this compilation provides a convenient entry point for those looking to explore Yes's intricate soundscapes without committing to the full-length compositions. It's a nod to the balancing act between artistic integrity and commercial appeal that has defined progressive rock since its inception.

Review: Interestingly, having reinvented themselves in the 80s with the help of Trevor Horn and various other members of the team, accidentally spawning the pioneering legends Art of Noise in the process, when we come to 2023, a trip back to their 70s heyday is more what the doctor ordered. With their guitarist Steve Howe at the production helm they are fancy technology-free, sounding as live as ever, and have restoered everything from the long songs - two of the 13 here top nine minutes - to the old logo and sci-fi artwork. They've even got a new Jon in to replace the old one. and Davidson does a good job of impersonating Anderson, apparently with the help of a female singer double tracking his vocals. You don't need a PhD to work out this is a nostalgic trip, but as attempts to relive former glories go we have heard a lot worse.

Review: The remastered edition of The Yes Album by Yes revitalises their groundbreaking 1971 classic. Featuring hits like 'Yours Is No Disgrace' and 'I've Seen All Good People,' this album showcases the band's signature blend of progressive rock, intricate musicianship, and soaring harmonies. The remastering enhances the audio quality, bringing clarity and depth to Steve Howe's guitar work, Chris Squire's bass lines, and Jon Anderson's ethereal vocals. This release not only preserves the original magic but also introduces a new generation to the innovative sound of Yes, an undeniable cornerstone of progressive rock history.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Yes are back with its second collection of singles release with yessingles2. Progressive rock, known for its complex compositions and fusion of jazz and classical elements, has always maintained a cult status, challenging mainstream tastes. The genre's elaborate, lengthy arrangements often clash with the commercial demands of record labels. As a result, studio engineers and producers frequently faced the task of trimming down ten minute epics into radio-friendly, four minute versions. For many new listeners, this serves as an accessible introduction to the world of prog rock. Yessingles 2, released as part of Rhino's Rocktober series, offers a collection of these radio-friendly edits from the legendary band Yes. While diehard fans might prefer the original, uncut versions, this compilation provides a convenient entry point for those looking to explore Yes's intricate soundscapes without committing to the full-length compositions. It's a nod to the balancing act between artistic integrity and commercial appeal that has defined progressive rock since its inception.

Review: Steven Wilson's remix job injects new clarity into this iconic 1971 album, enhancing its already intricate compositions. The dynamic interplay of soaring vocals, textured guitar and Chris Squire's unmistakable bass lines feels revitalised, while Bill Bruford's drumming gains a sharp, articulate edge. The production balances the band's sprawling progressive rock vision with a modern, polished presentation, amplifying the complexity of the arrangements without losing their original charm. It's an experience that allows listeners to rediscover familiar layers while uncovering details previously buried in the mix.

Review: Analogue Productions' reissue of Yes' 90125 is a celebration of the band's pivotal album, marking Atlantic Records' 75th anniversary. Mastered by Kevin Gray at Cohearent Audio from an original analogue master tape, this 180-gram 45 RPM double LP presents the album in its finest form. 90125 was a departure from Yes' progressive style, but it propelled the band to new heights of commercial success. Hits like 'Owner Of A Lonely Heart' and 'Leave It' showed Yes' ability to craft memorable melodies with a contemporary edge. The album's slick production, courtesy of Trevor Horn and various other members of The Art of Noise, and the addition of guitarist Trevor Rabin and keyboardist Tony Kaye, contributed to its fresh sound. This reissue preserves the album's sonic richness and showcases the intricate harmonies and dynamic arrangements that define Yes' music. With its tip-on gatefold jacket and high-quality pressing, Analogue Productions delivers a definitive edition for fans and audiophiles alike. 90125 remains a significant and well-regarded album in Yes' illustrious discography, and this reissue is a must-have for collectors.

Review: Yes's breakthrough third album, The Yes Album, marked a critical juncture in the band's creative life and featured Steve Howe's debut - with the breathtaking 'Clap'. Released in February 1971, the album has stood the test of time, reaching high in the UK charts and the Top 40 in the US. Key to their success was producer Eddy Offord, who would go on to helm several of Yes's masterworks. Wilson's remixes 'spatialize' the album's tracks, opening up the instrumentation and reducing muddiness, so tracks like 'Yours Is No Disgrace'' and 'Starship Trooper' can truly showcase the band's tight musicianship, with each instrument standing out clearly. Jon Anderson's vocals on 'Your Move' soar above Tony Kaye's keyboards, highlighting the album's sheer beauty. Now available on beautiful sea blue vinyl, The Yes Album continues to captivate with its timeless sound.

Review: Yes' magnum opus, Fragile. A cornerstone in the genre of prog rock, and arguably the instant go-to for anyone even so much as vaguely desiring a deeper peruse of the genre once they're done smelling Pink Floyd's farts. Full of proverbial lyrics and intriguing (not to mention masterfully mixed) instrumental choices - Rick Wakeman's keys are a highlight - the album cuts an overall clean and fantastical sound, usually oscillating between upbeat prog-funk ('Roundabout') and mathy ballads ('South Side Of The Sky'). Reissued directly from the horse's mouth, we can guarantee top-tier audio quality on this one.

Review: Along with possibly King Crimson, there's few pioneering progressive rock acts today who still garner the same reverence, credence or demand a mention in any topical conversation as London-based legends Yes. The absurdly titled Yessingles (echoing the 1973 live album Yessongs) does precisely what it says on the tin with a first time ever vinyl compilation of the band's A-side singles, primarily collected from their third (real first) LP The Yes Album onwards, with choice cuts from Fragile, Close To The Edge, Relayer, Drama and more. Surely, the inclusion of iconic classics such as 'Roundabout' and 'Starship Trooper: Life Seeker', are worth the price of admission alone?