D LERIA Vinyl & CDs

Review: The impeccable Non Series label revises some D Leria material here with a quartet of brilliant remixes from different artists. Shoal is first to step up and remixes 'Kaleidoskop' into a deep, heavy mind melter with spangled leads taking you down the rabbit hole. 'Voodoo Magic' (Polygonia remix) has an eerie and post-human energy to it with rolling drums and slithering synths all getting you on edge. Anthony Linell remixes 'Apnea' with a superbly meditative take on atmospheric linear techno and last of all, D Leria steps up for a live mix of 'Goccia' that fizzes with static and describes an otherworldly landscape with great detail.

Review: D Leria (Giuseppe Scaccia) leaves us delirious yet again with another frontline hypnotiser EP for Non. This sextet of sound-scanners seem at first glance as deliciously want of emotion as any release on Non ever gets, and yet through D Leria's characteristic sound, we hear an EP unafraid to scrape against the emotive skysill, though not before a transition through the wacky. The A2 'Energia' pits wriggly lead whirls about sprung kicks, and 'Kaleidoskop' veers gooier, spraying an array of cephalopod ink-squirtings on the surround mix. We return to Brum techno arcana with 'Voodoo Magic', while the ambient highlight 'Apnea' is likely to be the most "melodic techno" vibe ever released on Non, teasing the leaden cheese whilst technically getting away with a more suspensory roller. Closer 'Goccia', finally, is the closing masterclass in sensory sapping and tactile tongue-tying, foreclosing on beats in favour of low pulsations against which giant laser-neurons spark like thunder overhead.

Review: The seventh V/A release on Mary Yuzovskaya's Monday Off imprint lands on vinyl, with Viels, ORBE, D-Leria, and Yuzovskaya all contributing tracks. Each artist lending their tender efforts to a mutant techno march, Viels' 'Nero' and Orbe's 'Rigging' provide strong titular clues as to their muses; the first uses both the Latin word for "black" and the name of an ancient Roman emperor, suggesting might, militancy and nyctalopic mis-seeing in its dispatch of a blind sonic firestorm; the latter likens production to construction, with its central, low-sined wayfinder sound effect, and dusty hi-hat caroms, suggesting some vessels have windshields that truly can brave the storm. Yuzovskaya's 'Trouble' lands us in hot water, with its startled, far-off vocal snippets and knockout prattles in the left and right lobes; then there's B-leria's closer 'Battito', a living, breathing planetary entity, prone to emit eerily harmonic Close Encounters-style tones and whose atmosphere we dare not cross.