Review: Stockholm-based multi-instrumentalist and composer Art Longo impresses here with Echowah Island, a new album sure to wind its way into your affections. It was crafted over years in his home studio and is "psychotropical pop" drawing deep inspiration from late 80s music and dub. The album's lush soundscape evokes orange sunsets and ocean breezes and is layered with spring reverb, space echo and wah-wah effects that smooth out the edges as the steady pulse of vintage drum machines moves things on down low. A standout feature is Claudio Jonas, whose ethereal vocals recall classic French femme fatale singers of the 60s. Her poetic, kaleidoscopic lyrics add to a nostalgic dream world that gently bends reality and makes his both escapist and thought-provoking.
Review: Originally released in 1990, Love Dub is a landmark in the dub landscape that reimagined the group's iconic material through a deeper sonic lens. With the legendary Prince Jammy at the controls, the album strips the majority of the vocals and amplifies the essence of the Black Uhuru sound-throbbing basslines, hypnotic rhythms and masterful use of echo, delay and reverb. Each track unfolds into a spacious, atmospheric journey that pushes the boundaries of reggae into more experimental terrain. Love Dub is more than a reinterpretation-it's a testament to Black Uhuru's legacy and Prince Jammy's visionary touch.
Review: 70s and early 80s Jamaican producer Keith Hudson's approach to dub was never about smooth edges or easy rhythms. His productions are dense, disorienting, heavy with delay, bass and drums that sound like they're ricocheting down a well. The Soul Syndicate, his long-time studio band, provide the backbone hereideeply locked-in grooves that Hudson warps into something ghostly. 'No Commitment' staggers forward with stabbing guitar chops that seem to dissolve mid-strike, while 'Ire Ire' loops through warped vocal fragments and echo chambers that stretch into infinity. 'Bad Things' and its dub counterpart pull apart the rhythm until it feels skeletal, each hit landing in the empty space between delay trails. Hudson's use of reverb and tape manipulation isn't just about atmosphere, but about control as well. He shifts and reshapes the mix to turn steady rhythms into something unsteady, always shifting just out of reach. 'Desiree' drifts through flickering hi-hats and cavernous low-end, while 'Keeping Us Together' seems to slow down and speed up in the same breath. There's something darker, more claustrophobic in the way he structures space and silence. Even the brighter moments, like 'Mercy' with its open, rolling groove, carry an unease, as if the music itself is bracing for collapse. Hudson was an architect of mood, twisting familiar elements into something deeply immersive and strangely hypnotic.
Review: This ten-track dub sizzler is an essential long player that delivers five vocal cuts and five dub versions, oof of which do a fine job of spotlighting early 80s Roots Radics magic. It takes in a mix of long-requested classics and five previously unreleased tracks, which all add fresh fire to the legacy of vintage dancehall. This album forms a brilliant trio alongside the great Wayne Jarrett's What's Wrong With the Youths and Chip In albums for Jah Life and Junjo Lawes. The music's raw, rootsy energy is palpable in all cuts, and the timing couldn't be better as this is perfect summer soundtrack tackle.
Review: This electrifying 1973 live broadcast captures Bob Marley & The Wailers during their US tour supporting the Burnin' album. Originally aired on KSAN-FM, the set showcases the legendary lineup of Bob Marley, Peter Tosh, Aston "Familyman" Barrett, Carlton Barrett, Earl "Wire" Lindo and Joe Higgs, all of whom were at the peak of their powers. The album takes in standout cuts from Burnin', including unforgettable contributions from Tosh and the performance follows their short-lived stint touring with Sly & The Family Stone. It's an unfiltered, visceral document of reggae history in the making that reflects the Wailers' seismic impact just before they exploded into international stardom.
Review: Veteran Wackie's artist and reggae don Coozie Mellers returns with a fresh ten-track long player that bridges the label's deep roots heritage with modern reggae sensibilities. It blends crisp digital rhythms with heartfelt lovers' rock and roots textures and features the standout track 'You Move', which was previously released as a 10" single in 2015. Mellers' vocals are beautifully soulful and glide over the smart dubwise arrangements and bring a mix of both warmth and grit, with jams like 'Special Friend' unfurling slowly and seductively and 'Your Love Is Dangerous' being sentimental heart swellers.
Review: Neapolitan funk maestro Mystic Jungle returns with a new LP less than a year after the dreamy Words of Love with more astrally-charged electro/boogie/disco type wonderment. Dario di Pace's third full-length has been quietly brewing for years, shaped by studio shutdowns and shifts in location i and that patchwork journey adds a certain character to the gorgeously technicolour music on show. It's perhaps his most eclectic and free-flowing release yet: a bright, hazy blend of styles that feels both loose and deeply considered. On the dancefloor end, tracks like 'Secrets' and 'Some Lovin'' burst with disco grooves, searing guitars, call-and-response vocals and sultry sax lines. Elsewhere, 'Innervision' and 'Twilight' lean into lovers rock and wavy neon-dub pop, full of yearning, shimmer and otherworldly flourishes. Then there's the stoner sway of 'The Road' and 'Get Me Higher' i sun-soaked, psychedelic jams with zoned-out soul at their core. A richly immersive Amalfi joyride from start to finish, the Periodica fire just keeps on burning.
Review: Here we have a welcome reissue of the Lee Perry-produced Conscious Man from The Jolly Brothers. Recorded in the late 70s but only released as an album in 1992, it shares its name with the standout title track, which became a massive hit when released as a single in 1977. The music still hits with that unmistakable Black Ark magic. Perry's production is loose, heady and live i tape hiss, endless reverb trails and all. The Jolly Brothers' harmonies are rough-edged but full of heart, delivering roots messages with an unmistakable mellow. 'Conscious Man' rightfully pulls focus, with its soulful vocals, phasing guitars and gorgeously lo-fi feel. It's dubby even in its vocal form. But there's plenty more to enjoy here, with a dusty optimism running through the whole record. As spiritually inclined as it is streetwise, it presents soul and roots in equal measure.
Review: Since dub music and novelty sci-fi thematics go hand-in-hand, it's easily sayable that it was only a matter of time before dubbing bright spark Phil Pratt (George Phillips) would lend the genre a certain Lucasian fanaticism. The original Star Wars Dub album was first released in 1978 on Burning Sounds, and here it hears a special first-time reissue on picture disc; known across the board for his exceptional skills as a producer, singer, and songwriter, Pratt's Studio One days were well studded by this far-off galaxian moment, which doubled as a marketing boon (a true salesman, his debut record, released two years earlier, was called The Best Dub Album In The World). Though not directly made up of cover versions of classic Mos Eisley Cantina or Imperial March themes, the tunes channel a life-saving, lightsabring steeze, perfect for your next herbalised cosmic gallivant.
Review: This early '80s dancehall classic from Sister Nancy is an essential Record Store Day release for any serious reggae-head. One Two features the legendary anthem 'Bam Bam', which is still widely regarded as the most sampled reggae track ever, and features Nancy laying out her credentials as a female MC in a still very male-dominated world. Elsewhere, the killer tunes come thick and fast. It was originally only released in Jamaica, and this marks the first-ever UK pressing of the much sought-after album, for which Nancy only started getting royalties more than three decades after it was produced by Winston Riley and mixed by Soldgie at Channel One.
Review: For the first time, experimental saxophonist and composer Jimi Tenor finds Norweigan dance powerhouse DJ Sotofett, both teaming up for a collaboration: 'No Warranty Dubs'. Completing the trifecta is Berlin ensemble Kabukabu, the five-piece Afro-jazz-funkers whose original recordings - many of which were overseen expertly by Tenor himself - now come redistilled through a dubwise filter paper. The loose-limbed, lackadaisical energy of Kabukabu's live instrumentation merge fully with Tenor's genre-blurring composites, as Sotofett recasts fifteen tracks into rhythm-driven, bass-heavy versions. The original free jazz and Afro-influenced elements remain present, but they here serve as rawer material for layered studio treatments, channelling echo-drenched edit work and hypnotic repetition, where nothing ever rests to the point of complacency.
Review: Jamaican reggae don Winston Hubert 'Peter Tosh' McIntosh was a core member of the Wailers alongside Bob Marley and Bunny Wailer, but he also had a successful solo career. This Greatest Hits compilation spans his entire Parlophone catalogue with iconic tracks from albums like Johnny B. Goode, Wanted Dread and Alive and Bush Doctor. Originally released in 1987 exclusively in Brazil, this reissue marks its global availability for the first time and it comes on striking red, green, and yellow tri-colour vinyl that helps showcase his powerful blend of reggae, rock and political activism. Tosh's revolutionary spirit and musical mastery were second to none, as this collection proves.
Johnny Lover & The Towerchanters - "Who You Gonna Run To"
Lee & The Blue Bell - "Tighten Up"
Val Bennett & The Upsetters - "A Serious Joke"
Brad Osborne & The Towerchanters - "Little Flute Chant"
Devion Iron - "When Jah Come" (extended version)
The Upstetters - "Strach Walking"
Lee Perry & The Black Arks - "Come Along"
Ricky & Bunny - "Bush Weed Corn Trash"
The Upsetters - "Curley Dub"
Review: Originally released in 1981 on the Clocktower label, this killer compilation does a fine job of harnessing the raw magic of Lee "Scratch" Perry's legendary Black Ark era. Although the sounds are mostly drawn from mid-70s sessions, it also features two standout early cuts from the late 60s, namely Perry's gritty versions of 'Tighten Up' and 'Serious Joke'. Elsewhere, highlights include Johnny Lover's deep DJ take over Devon Irons' 'When Jah Come' and the rootsy energy of Ricky and Bunny's 'Bush Weed Corn Trash.' This reissue is a crucial document of Perry's genre-defining production, masterful take on vintage dub, toasting and spiritual reggae heat.
Review: Reggae and ska heads unite - GG's Hit Disco Mixes is a well-assembled new compilation featuring 12 tracks across five different riddims. Across the course of both sides of wax, there is a real mix of vocal cuts, DJ cuts and dub versions for many different occasions. The album was produced by Alvin Ranglin and has some notable contributions from legendary artists such as The Maytones, Barbara Jones, Horace Ferguson, Enos McLeod, Trinity, Lone Ranger, U-Brown and more. With additional input from GG's All Stars and The Revolutionaries, some rare and unreleased versions are also included and sound tip-top as they have been sourced from the original master tapes, with extensive liner notes by Dr. Buster Dynamite.
Bad Sound/DJ Marfox - "Both Twanche Riddim Refix" (1:41)
Veaygel - "Dirty Lows Riddim" (2:21)
Krome Productions - "Tic Tac Toe Riddim" (part 2) (1:55)
LMT Mafia - "DAF Riddim" (1:57)
P6 - "Heat Wave Riddim" (3:07)
Veaygel - "Fire Ball Riddim" (2:46)
Slaughter Arts Media - "Bad Weather Riddim" (part 2) (3:22)
Ransum - "Walk It Riddim" (2:38)
ScarnX - "Midnight Fever Riddim" (2:37)
Review: The intriguing Road Fever delivers a hurricane of high-octane, body-shaking rhythms from St. Lucia, Dominica and Guadeloupe, all of which capture the zeitgeist of Caribbean music in 2025. This compilation showcases raw, instrumental Dennery Segment and Bouyon riddims that were originally crafted for vocalists and are now presented as standalone tracks. With turbo-charged 150+ bpm beats, minimal percussion, DJ and vocal samples all woven in with synth riffs, these tunes mash up carnival sounds with elements of trap, drill, Haitian konpa and Angolan kuduro for a truly global listen. They have all been compiled by Rozaly and highlight the electrifying energy of the Caribbean's current scene.
Nu Yorican Yardi (feat Vin Gordon, Jonah Little & Kevin Davy)
Bossa Rock (feat Ernest Ranglin)
Megahgroove (feat Megah Bass & Jalon Keyz)
Know Yourself (feat Vin Gordon)
Too Short (feat Vin Gordon)
Land Of Love (feat Vin Gordon)
Kaya Theme (feat 7 Binghi & Kaptain Kaos)
Touch & Go (feat Paolo)
Mascot Parade (feat Megahband)
Runnings (feat Sly Dunbar & Alan Weekes)
Slow Mo (feat Jackie Mittoo)
African Blood (feat Vin Gordon)
in stock$20.74
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