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Home  DJ charts  Juno Recommends Jazz  

Jazz Recommends Jazz: April 2025

Juno Recommends Jazz

Juno Recommends Jazz

Jazz Recommends Jazz: April 2025
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1
Chicago, January 13th, 2020 (0:58)
Makaya McCraven - "The Jaunt" (2:38)
Junius Paul - "Ase" (2:51)
Dezron Douglas & Brandee Younger - "The Creator Has A Master Plan" (3:10)
Resavoir - "Taking Flight" (3:39)
Irreversible Entanglements - "Open The Gates" (2:32)
Angel Bat Dawid - "We Are Starzz" (4:22)
Rob Mazurek & Exploding Star Orchestra - "Abstract Dark Energy (Parable 9)" (2:44)
The Most Amazing Time (1:42)
Damon Locks & Black Monument Ensemble - "Rebuild A Nation" (2:04)
Dos Santos - "A Shot In The Dark" (3:06)
Daniel Villarreal - "In/On" (4:05)
Anna Butterss - "Pokemans" (3:04)
SML - "Industry" (4:25)
Jeremiah Chiu & Marta Sofia Honer - "Snacko" (4:48)
Jeff Parker - "Cliche" (4:04)
Jamire Williams - "And Then The Anointing Fell" (2:48)
Carlos Nino & Friends - "Please, Wake Up" (4:02)
Thandi Ntuli - "Voice & Tongo Experiment" (with Carlos Nino) (2:15)
Tom Skinner - "Quiet As It’s Kept" (4:03)
Ruth Goller - "Next Time I Keep My Hands Down" (3:42)
Alabaster DePlume - "A Gente Acaba (Vento Em Rosa)" (2:43)
Old Fashioned Chicago Music (4:55)
Jaimie Branch - "Theme 001" (live) (1:47)
Tomin - "Angela’s Angel" (1:54)
Asher Gamedze - "Melancholia" (2:36)
Ibelisse Guardia Ferragutti & Frank Rosaly - "MESTIZX" (Brownswood Basement live) (4:13)
Ben LaMar Gay - "Oh Great Be The Lake" (3:02)
Charles Stepney - "Step On Step" (3:59)
Review: Gilles Peterson remains a man with his finger firmly on the pulse and this is another album to prove it: International Anthem is a special double compilation highlighting the renowned DJ and curator's deep connection with Chicago's celebrated contemporary jazz label. Featuring selections drawn from Peterson's BBC 6Music, Worldwide FM and syndicated shows, the collection showcases standout tracks from the label's first decade and also included is an exclusive, previously unreleased live recording from Worldwide FM. Pressed on "Frozen Lake Michigan" coloured vinyl, this Record Store Day exclusive is part of International Anthem's "IA11" series-celebrating 11 years by honouring their past while shaping the future of boundary-pushing global sounds.

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 in stock $33.15
2
Birks Works (9:26)
Hallelujah (11:46)
Lady Be Good (9:58)
Lover Man (8:12)
36-23-36* (3:45)
Swingin' (9:38)
If You Could See Me Now (5:31)
Beef Stew Blues (4:38)
The Next Time You See Me, Things Won't Be The Same (7:33)
The Take Off (5:37)
Birks Works (alternate take) (9:40)
Lady Be Good (alternate take) (9:57)
Love Walked In (5:50)
36-23-36 (The Theme) (12:42)
 in stock $80.70
3
Cat: 752005 0. Rel: 21 Apr 25
 
Jazz
Love Is Everywhere (19:39)
To John (20:35)
Review: Finally reissued for its 50th anniversary, Love In Us All is a cosmic, uncompromising statement from legendary jazz cat Pharoah Sanders. This vital piece of the free jazz canon was released as his final Impulse! album and starts with 'Love Is Everywhere' which radiates transcendent beauty with layered horns, cascading piano and a repeated vocal mantra evoking the spirit of Coltrane's seminal 'A Love Supreme'. The flip, For John' is raw, chaotic and a furious outpouring of free jazz energy. Long out of print but here remastered, this essential release showcases Sanders' vision in its most fearless, spiritual form.
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 in stock $38.14
4
Abscretions
Equipoise
Prayer Of Peace
Emil Danenberg
Maimoun
Travelin' Man
Departure No 1
Departure No 2
Sweet Song
Review: Stanley Cowell, the Ohio-born pianist and co-founder of Strata-East Records, delivers a landmark solo recording that cements his reputation as one of jazz's most forward-thinking musicians. Recorded in 1974, this session finds him at a pivotal moment in his career, blending acoustic and electric piano to push the expressive boundaries of the instrument. Tracks like 'Equipoise' and 'Prayer of Peace' balance intricate phrasing with deep spiritual resonance, while 'Maimoun' channels his lifelong engagement with African and Eastern traditions. Both meditative and technically dazzling, this album remains a defining work in solo jazz pianoian essential document of Cowell's artistry and Strata-East's commitment to uncompromising musical vision.
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 in stock $41.74
5
Cat: SES 1974625LP. Rel: 28 Apr 25
 
Jazz
Bitchin
Hopscotch
In A Funky Way
Two Is One
In His Presence Searching
Review: Two Is One (1974, now 2025) recaptures saxophonist Charlie Rouse at the peak of his rabble-Rousing powers, commanding the popular will (through steering clear of sonic demagoguery) through effortless funk, soul jazz, and post-bop, all while orbiting that distinctive cosmic ring-edge that defined the Strata-East catalogue. Best known for his long tenure alongside Thelonious Monk, Rouse steps into a new light here, leading a stellar ensemble made up of guitarists George Davis and Paul Metzke, Cal Scott on electric cello and Stanley Clarke on bass. Together they stretch out across a set both grounded and exploratory, with a spiritual undercurrent running through the grooves. Newly issued on 180-gram vinyl, the record comes packed in a tip-on gatefold with fresh liner notes from Syd Schwartz and rare archival photos, bringing fresh focus to one of Rouse's most compelling records.
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 in stock $36.76
6
How My Heart Sings (Recorded live In Helsinki Finland August 13 1964) (4:27)
Come Rain Or Come Shine (4:38)
Nardis (3:50)
Autumn Leaves (3:59)
Five (5:43)
Detour Ahead (Helsinki Jazz Festival Finland November 1 1965) (5:54)
Come Rain Or Come Shine (5:31)
My Melancholy Baby (8:20)
Very Early (University Of Tampere Finland October 28 1969) (5:01)
Who Can I Turn To? (5:23)
'Round Midnight (7:50)
Gloria's Step (4:53)
Turn Out The Stars (5:30)
Autumn Leaves (5:46)
Quiet Now (5:51)
Emily (5:56)
Nardis (10:30)
Review: Unveiled as part of Record Store Day 2025 celebrations and produced by Zev Feldman in collaboration with the Bill Evans Estate, Further Ahead: Live in Finland 1964-1969 is a remarkable double album collection of previously unreleased recordings by the legendary jazz pianist. The set features intimate performances from Evans' iconic '60s trios plus a special 1965 session with alto saxophonist Lee Konitz. Pressed on great sounding heavyweight vinyl, this version includes rare photos, essays by Marc Myers and Gil Goldstein and reflections from Evans' trio members Chuck Israels, Eddie Gomez and Marty Morell, which makes it a real authority on Evans' work.
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 in stock $52.79
7
Birks' Works
Hallelujah
Lady Be Good
Lover Man
36-23-36
Swingin'
If You Could See Me Now
Beef Stew Blues
The Next Time You See Me, Things Won't Be The Same
The Take Off
Birks' Works (alternate take)
Lady Be Good (alternate take)
Love Walked In
36-23-36/The Theme
Review: By the time Kenny Burrell took the stage at the Five Spot Cafe in August 1959, he had already 90-degree head-turned his best jazz fellow travellers with a glissando of Blue Note LPs. But this gig, his first live date as a leader, brought a new kind of magic. Contracting Art Blakey, Tina Brooks, Roland Hanna, Bobby Timmons, and Ben Tucker on band duties, Burrell confidently executed a suite of hard bop soaked in sweat, swing, and soul. This 3xLP brings that steamy summer evening back to life in full analogue detail; housed in a tip-on trifold jacket with an accompanying booklet of rare Francis Wolff photos, an essay by Syd Schwartz, and new reflections from Burrell himself, it's a vivid snapshot of a moment when everything clicked.
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 in stock $15.47
8
Cat: STRUT 193LPB. Rel: 28 Apr 25
 
Jazz
Sun Interlude (Volume 1: 3rd August 1970) (8:47)
Love In Outer Space (2:34)
Shadow World (Excerpt) (2:31)
Cosmic Explorer (6:21)
Cosmic Explorer (Continuation) (4:31)
Piano Solo (Untitled) (15:40)
Friendly Galaxy No 2 (0:48)
Why Go To The Moon?/It's After The End Of The World (5:36)
Spontaneous Simplicity (5:41)
Watusi (6:32)
Percussion Interlude (4:40)
Interstellar Low Ways (6:16)
Somewhere Else (9:15)
They'll Come Back (2:03)
Tone Science (interlude) (1:28)
Satellites Are Spinning (3:48)
Sun Ra & His Band From Outer Space (1:57)
Calling Planet Earth (2:42)
Imagination (1:55)
I'll Wait For You (1:30)
We Travel The Spaceways (2:42)
The World Of Lightning (7:00)
Blackmyth; I) Shadows Took Shape II) Strange Worlds III) Journey Through The Outer Darkness (7:53)
Myth Tone Poem (Untitled) (1:58)
Sky (2:02)
Three Cheers For Ra (1:47)
Prelude (Volume 2: 5th August 1970) (10:17)
Theme Of The Stargazers (7:17)
Shadow World (4:19)
Satellites Are Spinning (1:20)
Second Stop Is Jupiter (6:16)
Tone Science (5:37)
Next Stop Mars (4:38)
Spontaneous Simplicity (10:40)
Friendly Galaxy No 2 (8:55)
Pleasant Twilight (14:16)
Outer Spaceways Incorporated/You Better Get Ready (7:21)
Enlightment (3:48)
Calling Planet Earth (3:02)
Space Bop (Untitled) (7:28)
Space Ballad (2:20)
Sun Ra & His Band From Outer Space/Theme Of The Stargazer/I’ll Wait For You (3:35)
Somebody Else’s Idea/Walking On The Moon/It’s After The End Of The World (7:49)
We Travel The Spaceways (2:07)
Tone Science (interlude) (3:45)
Days Of Wine & Roses (5:38)
Satellites Are Spinning (1:38)
 in stock $109.44
9
Berkeley DX7 Etude #1 (2:02)
Cosmos Interlude (2:57)
Stray Voltage #62 - Enigma (3:04)
Stray Voltage #201 - Mystery (3:36)
Stray Voltage #411 - The Unknown (7:33)
Berkeley DX7 Etude #2 (3:57)
Stray Voltage #150 - Riddle (5:27)
After The Spaceways (3:57)
Stray Voltage #166 - Question (5:44)
Stray Voltage #185 - Perplexity (6:44)
Kuumbwa Interlude #1 (2:07)
Fourth Dimension (10:55)
Stray Voltage #99 - Dilemma (7:00)
Manhattan Undertones (5:28)
Yesterdays (2:46)
Projection Of Equation Infinity (4:03)
Review: Stray Voltage is not for the faint of ear. This is triple-A rated Sun Ra at their best, namely audacious, aggressive and adventurous. Forget melodies or sing-along hooks-this collection dives deep into Sun Ra's unissued electronic explorations from the 70s and 80s when, using synths and keyboards as his tools, the one and only 'Ra didn't just play, he assaulted, provoked, and moulded raw sound into wild and unimaginable sonic landscapes. These are not songs in the traditional sense, but abstract journeys full of texture and tension that make for a thrilling glimpse into Ra's boundary-pushing experiments where structure gives way to sensation and the sheer power of cosmic expression.
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 in stock $43.95
10
Drought (9:22)
Felicite (8:25)
Orientale (17:38)
Spanning (8:26)
Wilpan's (10:38)
Our Second Father (13:27)
Review: Recorded at the storied Slugs' Saloon in Manhattan's Lower East Side, this unified collection captures the Charles Tolliver-led Music Inc quartet in blistering form. New York runs through the musiciits restlessness, density, sharp corners. Tolliver, a Brooklyn-born trumpeter with a militant edge and lyrical touch, fronts a group that helped define the forward-looking jazz of the early 70s. Beside him are Strata-East co-founder Stanley Cowell on piano, bassist Cecil McBee and drummer Jimmy Hopps, all embedded in the New York avant-garde at the time. On pieces like 'Felicite' and 'Wilpan's', they stretch out with blistering force, melting structure into raw, insistent groove. Even in quieter momentsi'Ruthie's Heart', or the shadowy 'Repetition'ithere's a tension that never quite releases, the sense that every note is carved in real time. This is the first time both volumes are presented as one continuous document, expanded with three previously unreleased tracks. It's a vital capture of a quartet thinking collectively, improvising with unrelenting intensity and total mutual trust. The sound, newly remastered, gives space to the grit and nuance of the live sessioniCowell's cascading runs, McBee's deep pull, Hopps' unpredictable propulsion. There's no studio polish here, just a direct line to the spirit of a time and place, when New York jazz burned fast, political and free.
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 in stock $46.71
11
Cat: KR 109. Rel: 28 Apr 25
 
Jazz
The Stone (part I - live) (5:27)
The Stone (part II - live) (7:02)
The Stone (part III - live) (7:58)
The Stone (part IV - live) (10:16)
The Stone (part V - live) (6:00)
The Stone (part VII - live) (5:38)
 in stock $23.20
12
Will You Still Be Mine? (6:22)
I See Your Face Before Me (4:44)
I Didn't (6:05)
A Gal In Calico (5:17)
A Night In Tunisia (7:22)
Green Haze (5:51)
Review: This early gem - in fact, it was the maestro's first ever 12" record - shows a masterful command of space and melody, spotlighting a warm, muted trumpet tone alongside a pared-down ensemble. Without a saxophone, the spotlight remains squarely on the lead, providing ample room for expansive solos and lyrical interpretations. Anchored by a stellar rhythm section featuring a buoyant bassist, impeccable pianist and dynamic drummer, the performances exude a relaxed yet precise energy. Highlights include a fresh, distinctive take on the Dizzy Gillespie classic 'A Night in Tunisia', where the group reimagines the piece with effortless ingenuity. Original compositions add further depth, with a witty riposte to a well-known standard and a contemplative piece that lingers in the listener's mind. A transitional moment for one of the all time greats, hinting at the greatness to come all the way back in 1955.
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 in stock $38.69
13
Cat: CR 00853. Rel: 21 Apr 25
 
Jazz
Walkin' (13:24)
Blue 'N Boogie (8:20)
Solar (4:44)
You Don't Know What Love Is (4:22)
Love Me Or Leave Me (6:57)
Review: A striking album of the bop era that was highlighted by his undying conviction and ability to reclaim his status as a primary architect of the genre. The album is built around two exceptional groups: a sextet and a quintet, both anchored by Davis' blue-chip rhythm section of Horace Silver (piano), Percy Heath (bass) and Kenny Clarke (drums). The sextet features trombonist J.J. Johnson and tenor saxophonist Lucky Thompson, while the quintet adds Dave Schildkraut (alto sax), whose contributions, though lesser-known, are memorable. The title track, an extended 12-bar blues, shows Davis' ability to exude an air of detachment from the music, making it feel like an extension of his solo rather than the other way around. 'Blue 'n' Boogie', in contrast, is a lively, energetic tune where Davis and Johnson engage in spirited improvisation, with Johnson even quoting from Thelonious Monk's 'Rhythm-A-Ning'. 'Solar' introduces a delicate interplay, with Silver's piano solo displaying an Ellington-esque elegance. The album's final track, 'Love Me or Leave Me', foreshadows Davis' later breakthrough, with his swift and decisive trumpet solo hinting at the bold innovations to come. Walkin' stands as an essential bop-era classic, with Davis' brilliant command over his instruments and his bandmates, with pieces like 'Walkin'' and 'Solar' cementing its place as a foundational jazz work.
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! low stock $38.69
14
Abscretions
Equipoise
Prayer Of Peace
Emil Danenberg
Maimoun
Travelin' Man
Departure No 1
Departure No 2
Sweet Song
 in stock $14.37
15
Cat: SES 1974625. Rel: 28 Apr 25
 
Jazz
Bitchin'
Hopscotch
In A Funky Way
Two Is One
In His Presence Searching
out of stock $14.37
16
Kevin Suwandhi & Kanhaiya - "Kimberly" (3:52)
Moon Pedestrian - "Nothingness" (3:27)
Batavia Collective - "Kenny's Groove" (5:59)
We Are Neurotic - "Couture" (3:29)
Celetre - "Mindspiel" (3:33)
Gold Plate Pipers - "Radiance" (3:32)
Kenny Gabriel, Rafi Muhammad, Tauffan Wirzon, Dennis Junio & Zakari Danubrata - "Lunchbreak Session" (3:26)
Littlefingers - "Everything Starts Here" (4:30)
Komang - "Mango Tree Replant" (3:57)
Greybox - "Holmwood" (3:36)
Tommy Pratomo - "Astramayay Arsa" (4:11)
Review: Lamunai Records present an 11-tracker spotlighting the more innovative currents permeating Indonesia's contemporary jazz landscape. Curated by Daniel Adisumarta, it recognises such standouts as Batavia Collective, We Are Neurotic, and Littlefingers, reflecting the diversity and depth of the archipelago's groove-driven output. The tightly woven breaks of Moon Pedestrian's 'Nothingness' contrast its offhand mood of spirituality, while Celetre's 'Mindspiel' presents a wonderstruck imaginarium of broken beaten woodwind jazz. As curator Chandra Drews puts it, "Indonesia's modern groove scene (is) filled with soaring breaks, introspective chord progressions, jaw-clenching grooves, and soul-soothing tones."
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 in stock $29.84
17
I Don't Know Why (I Just Do) (feat Ariana Grande) (3:47)
The Grease Patrol (5:54)
We'll Meet Again (feat Cynthia Erivo) (4:14)
Blue Minor (4:32)
The Best Is Yet To Come (feat Scarlett Johansson) (4:27)
Bye-Ya (4:56)
Stella By Starlight (feat Maiya Sykes) (4:24)
Bouncing With Bud (2:55)
Ev'ry Time We Say Goodbye (feat Jeff Goldblum) (4:43)
 in stock $29.84
18
Blue Monk (7:28)
Well You Needn't (7:35)
'Round Midnight (6:31)
Rhythm-A-Ning (6:48)
Blues Five Spot (Five Spot Blues) (6:05)
Bemsha Swing (5:22)
Straight, No Chaser (4:27)
Nutty (7:35)
Evidence (5:41)
Misterioso (6:51)
Gallop's Gallop (6:54)
Ba-Lue Bolivar Ba-Lues-Are (6:41)
 in stock $32.61
19
Cat: 484985 1. Rel: 07 Apr 25
 
Jazz
Blues In (6:03)
Bewitched (4:27)
When You're Smiling (4:51)
Cool Bunny (4:15)
Diannes' Dilemma (3:50)
Stompin' At The Savoy (5:04)
What Is This Thing Called Love (6:05)
Blues Out (4:49)
Review: A refined and understated session, this reissue is a masterful example of West Coast jazz, offering a smooth, mellow and introspective listening experience. Recorded between december 1956 and January 1957 in Hollywood, California, this album showed Pepper's signature melodic alto saxophone over a relaxed and fluid quartet setting. The lineup features Russ Freeman on piano, Ben Tucker on bass and Chuck Flores on drums, each contributing to the album's effortlessly cool and unfailingly swinging atmosphere. Unlike the high-energy performances found on Art Pepper Meets the Rhythm Section, Modern Art unfolds at a more leisurely pace, making it a perfect soundtrack for a laid-back evening. The album's bookends, 'Blues In' and 'Blues Out', frame a collection of beautifully arranged pieces, including exquisite renditions of 'Bewitched', 'Stompin' at the Savoy' and 'What Is This Thing Called Love'. One of the true highlights is 'Summertime', a performance filled with emotional depth and intensity, as though Pepper poured his very soul into each note. This Blue Note Tone Poet reissue, produced by Joe Harley and mastered by Kevin Gray from the original analogue tapes, is an essential edition. Pressed with impeccable sound quality, this release does full justice to Pepper's warm, lyrical tone. Whether you're just beginning your jazz journey or a seasoned listener, Modern Art is the type of album that continues to reveal its brilliance with every spin. If you're new to jazz, this album might just make you a fan of the West Coast sound.
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 in stock $38.69
20
Cat: FARO 249DLP. Rel: 07 Apr 25
 
Jazz
Porto Feliz (6:20)
Janeiro (8:46)
Serena (6:38)
A Chegada (6:10)
Para Ana (7:08)
Pra Nova (4:00)
Constelacao (4:49)
Ascensao (4:39)
Clodes (9:20)
Naquela Base (3:52)
Atlantico (17:37)
Review: A long-lost gem from drum legend Edison Machado finally sees the light of day: Edison Machado & Boa Nova, recorded in New York in 1978 but never released, reflects the work of the master muso-mountaineer at his peak, fusing North and South American jazz rhythmic traditions with groundbreaking samba innovations. Machado, a pioneer of "samba no prato" (samba on cymbals), redefined Brazilian jazz alongside Jobim and Gilberto. Forced into exile under Brazil's dictatorship, he later found new creative energy in NYC, leading an ensemble of top-tier musicians. The result? A daring, dynamic, and electrifying session, controlled but untamed. Alongside original contributions from Dom Salvador, Guilherme Vergueiro and Aloisio Aguiar, this 80-minute lost masterpiece singes our ears with its carpal flair.
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 in stock $32.61
21
Splanky (3:36)
Flight Of The Foo Birds (3:24)
Whirly Bird (3:52)
Lullaby Of Birdland (4:47)
Anything Goes (with Tony Bennett) (2:23)
Jive At Five (2:57)
The Kid From Red Bank (2:42)
Cute (3:11)
You Go To My Head (with Sarah Vaughan) (4:53)
One O'Clock Jump (3:47)
out of stock $35.10
22
Cat: ALBFLP 022. Rel: 21 Apr 25
 
Jazz
We Fall (5:34)
Matildas's Dance (6:23)
Overdrive (7:51)
Nothing New (4:12)
Picture This (7:59)
Truth Be Told (6:56)
Review: Mark Millington's debut album showcases the UK saxophonist's dynamic, melody-driven jazz sounds across some well-formed new compositions. Energetic and percussive yet deeply lyrical, five original tracks range from the joyful exuberance of 'Matilda's Dance' to the tender emotion of 'Truth Be Told.' A standout reinterpretation of Becky Hill's 'Overdrive' adds a fresh twist to the mix and throughout this album, Millington is joined by a stellar ensemble including Addison Frei (piano), Jackson Potter (guitar), Yoshi Waki (bass) and Brian Karl (drums), with more guests also featuring and making this a memorable introduction to a promising new voice in jazz.
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 in stock $24.60
23
Cat: STRUT 483LP. Rel: 28 Apr 25
 
Jazz
Afro Futuristic Dreams (13:02)
In God's Country (4:43)
China Lane Suite (17:38)
Tembeka (7:53)
Grandma Cole Story (10:35)
Now! (8:49)
Moonlight & Sunshine (9:34)
Review: In celebration of 50 years in the performing arts, Idris Ackamoor presents Artistic Being for Record Store Day 2025-a powerful blend of jazz, spoken word and activism. Featuring the voices of acclaimed actor Danny Glover and stage legend Rhodessa Jones, this record captures highlights from the Underground Jazz Cabaret, which was performed during Black History Month 2024 at The Lab in San Francisco. Co-produced by Ackamoor's Cultural Odyssey, the release fuses poetic storytelling with evocative musical textures while reflecting on social justice, identity and resilience. Artistic Being is a profound statement from a visionary artist.
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 in stock $30.13
24
Our Boys Are Doing It (19:29)
Dennis Groove (9:56)
Orlando (9:51)
Review: Dennis Mpale had become a key figure in South African jazz by the time the mid-70s swung around having already had a career spanning some pivotal moments in the genre's evolution. From leading the trumpet section in Chris McGregor's Castle Lager Big Band to co-founding the jazz fusion group Roots, Mpale was instrumental in shaping jazz and in 1977, he released Our Boys Are Doing It-his solo debut. It was produced by Rashid Vally and issued on Mercury as a bold response to global trends which embraced township bump jive and featured legends like Kippie Moketsi. We Are Busy Bodies now reissues this essential title from analogue masters so it sounds superb as a key bit of jazz history.
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 in stock $27.09
25
Cat: 754725 8. Rel: 14 Apr 25
 
Jazz
Angels Speak (3:51)
Cinnamon Sugar (4:11)
Sacrifice Culture (2:33)
How Much Love? (3:38)
Count M (2:25)
Just Above (5:21)
Lovingly (3:53)
Rush (4:14)
For Peace (2:33)
More Always (3:38)
Space Seas (2:26)
Endless Tubes (5:18)
Review: Dutch-born American jazz pianist and composer Gerald Clayton is back with a sixth album, his second on Blue Note. Ones & Twos is another exploration of jazz, hip-hop, neo-soul and raw improvisation that is all rooted in a deep conceptual framework. Featuring standout collaborators like Joel Ross, Elena Pinderhughes, Kendrick Scott and Kassa Overall, the album moves effortlessly from groove to abstraction and is inspired by turntablism, which is why Clayton created two sets of tracks that can play individually or simultaneously, blurring the line between harmony and dissonance. As rich as the sonics are, there is also real philosophical intent here, making it both a visceral and cerebral listen with layered commentary on collaboration, coexistence and creativity.
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 in stock $29.84
26
Cat: ASA 105. Rel: 21 Apr 25
 
Jazz
It Was A Very Good Year (6:50)
Swallowin' The Blues (13:21)
New Cambridge Blues (11:44)
Dennis Mpale - "Track 4" (6:08)
I Can See Clearly Now (17:17)
Black Frost (6:44)
Wavy Gravy (11:18)
Review: Hard Top brings together a long-overdue collection of 1975 recordings by South African alto saxophonist Kippie Moeketsi, released here under the 1970s spelling Moketsi. Issued by As-Shams/The Sun in a gatefold double vinyl edition, the record arrives in the wake of Tete Mbambisa's African Day and marks the centenary of Moeketsi's birth. Known for his foundational role in the Jazz Epistles and his deep imprint on the evolution of South African jazz, Moeketsi remained a devoted interpreter of classic American jazz traditions even as he embraced the funk-infused direction of the 70s. Flanked by standout sidemen Sipho Gumede, Dennis Mpale, and Pat Matshikiza, the album is a clement covers set, revisiting many an r&b standard, from 70s soul and pop to contemporary township grooves. Lovingly compiled and produced by Calum MacNaughton from sessions originally overseen by the late Rashid Vally, here hear: a vital artistic dossier of a musician whose influence resonates well beyond his lifetime.
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 in stock $36.76
27
Tubbsville (4:01)
You For Me (4:36)
Lady 'E' (3:16)
Angel Eyes (6:07)
Johnny One Note (7:34)
Pedro's Walk (4:43)
Bluesology (5:04)
Blues In Orbit (3:23)
For Members Only (7:23)
Hey Jude (3:31)
Review: Decca Records, a champion of British jazz and particularly the homegrown talent of the 50s, 60s and 70s, continues its exploration of those eras. Curated by Mark Baxter, this is the perfect entry point for those unfamiliar with the virtuoso saxophonist, flautist, vibraphonist and composer Hayes, gathering ten tracks originally recorded for the Fontana label between 1961 and 1969 and answering to the question "Where do I start with Tubby Hayes?" Hayes was a significant figure in British jazz, a multi-instrumentalist and composer whose work spanned various styles, from hard bop to modal jazz. This collection showcases the breadth of his talent, highlighting key moments from his prolific period with Fontana. It's a chance to hear Hayes at his peak, demonstrating his technical prowess and his distinctive musical voice. Here, seasoned jazz aficionados are offered a curated selection of familiar favorites, perhaps revealing new nuances with fresh ears. But its primary purpose is to introduce new listeners to Hayes's brilliance and by focusing on a specific era and label, the compilation offers a coherent taste of Hayes's evolution throughout the 60s
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 in stock $29.84
28
Cat: 347558 6. Rel: 28 Apr 25
 
Jazz
A Fine Romance (3:53)
Gee Baby, Ain't I Good To You (4:12)
Moonlight In Vermont (3:40)
Don't Be That Way (4:56)
They Can't Take That Away From Me (4:37)
Stompin' At The Savoury (5:13)
Tenderly (5:08)
Cheek To Cheek (5:53)
Autumn In New-York (5:59)
I Won't Dance (4:46)
A Foggy Day (4:31)
Let's Call The Whole Thing Off (4:13)
Love Is Here To Stay (4:00)
They All Laughed (3:50)
I've Got My Love To Keep Me Warm (3:10)
Stars Fell On Alabama (3:31)
I Got Plenty O'nuttin' (3:52)
Summertime (4:57)
It Ain't Necessarily So (6:35)
 in stock $26.26
29
VARIOUS
Cat: 3691. Rel: 21 Apr 25
 
Jazz
Dean Martin - "Ain't That A Kick In The Head" (2:22)
Bobby Darin - "Beyond The Sea" (2:49)
Frank Sinatra - "Come Fly With Me" (3:14)
Les Brown & His Band Of Renown - "The Lady Is A Tramp" (2:40)
Sammy Davis Jr - "Too Close For Comfort" (3:01)
Shirley Bassey - "They Can't Take That Away From Me" (3:09)
Peggy Lee - "Fever" (5:35)
The Glenn Miller Orchestra - "In The Mood" (3:31)
Louis Armstrong & His All-Stars - "Mack The Knife" (3:21)
Benny Goodman & His Orchestra - "Stompin' At The Savoy" (3:15)
Margaret Whiting - "Make Someone Happy" (2:10)
Fred Astaire - "Sluefoot" (2:32)
Judy Garland - "Zing! Went The Strings Of My Heart" (3:40)
Nat King Cole - "Straighten Up & Fly Right" (2:36)
Ted Heath - "Sing, Sing, Sing" (2:43)
 in stock $26.81
30
Cat: 756049 3. Rel: 21 Apr 25
 
Jazz
Prelude: Survival (3:40)
Sumud (11:38)
Elegy: The Pilgrimage (13:01)
Floating River Requiem (6:22)
Kite (8:19)
Procession: Defiant Life (10:27)
Review: The second album from Vijay Iyer and Wadada Leo Smith on ECM is a meditation on resilience, sorrow and the human condition. Across four expansive tracks on Defiant Life, Iyer's piano and Fender Rhodes intertwine with Smith's haunting trumpet to create a soundscape that's both urgent and serene. From the solemn depth of 'Sumud' to the shimmering melancholy of 'Floating River Requiem' and the radiant close of 'Procession: Defiant Life' notions of suffering, resistance and hope are explored. The record was recorded in Lugano and produced by Manfred Eicher. It's a deeply reflective work of emotional and spiritual resonance.

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 in stock $24.88
Juno Records
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