Review: Behind the unassuming monotone cover of Colours, Judy Bailey's 1976 electric soul-jazz masterpiece, lies a richly textured, spirited recording that defies its minimalist presentation. A central figure in Australian jazz for over 70 years, pianist and composer Bailey captured the shifting jazz landscape of mid-70s Australia with Colours, a pivotal album in the country's transition from semi-acoustic jazz to electric jazz-funk. Often compared to the smooth production of Creed Taylor's CTI label, Colours features crisp drums, processed bass, and soul-jazz arrangements akin to those heard on Bob James and Joe Farrell albums, while also incorporating influences from the sensual vocals of Flora Purim and the lively flute work of Hubert Laws. Bailey's fusion of these elements with her own signature style creates a warm, sophisticated atmosphere. Tracks like the funky 'Fall Down Dead', the Latin-tinged 'Toledo', the vibrant 'Colours of My Dream' and the expansive 'The Eleven Eight Song' showcase her ability to blend genres seamlessly. With contributions from saxophonist and flutist Ken James, the album's grooves are both refined and raw, adding to its timeless appeal. Now reissued by The Roundtable, this seminal Australian jazz recording is available on vinyl in a replica gatefold sleeve, allowing new listeners to experience its vibrant energy firsthand.
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