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Review: Toby Marks aka. Banco De Gaia is one of the foremost producers to ever operate in the crossover of breakbeat and 'tribal'. That pairing of associations might seem naff to some music fans now, but no performative dismissal on the grounds of any connotative problematic can ever detract from the inpourings of ardour and talent gone into his albums. Trauma is Marks' first record in nearly ten years, following on from The 9th Of Nine Hearts, and hears the esteemed trance-gressor continue to eke a sound rooted in the oblique, yet inspirationally powerful themes of global sufferance and idealism, both of which find their expression in the weighty, acidic dreamworlds of 'War' and 'The Dying Light', which are complex in mood and express a real ambivalence through their concurrent use of deep stereo padwork and poignant vocal sampleage. Far from indulging a mood of pure resignation, Marks crafts a dance-musical dreamworld that demands analysis, through which Trauma refers not to a wound, but to a dream.