Back in the autumn of 2013, Dark Entries and Honey Soundsystem joined forces to shed new life onto the largely unknown early work of one of disco’s ost unique producers. Before the release of School Daze, a compendium of early, largely experimental 1970s synthesizer recordings that ended up forming the soundtrack to the long-forgotten gay porn flick of the same name, most listeners knew Patrick Cowley for his work with Sylvester, or the throbbing, high-energy electronic disco of “Menergy”, “Megatron Man” and his infamous 15-minute extension of the Moroder-produced Donna Summer hit “I Feel Love”. His take on disco – rugged, surging, highly sexually charged and seemingly crafted with the bath houses, saunas and gay clubs of San Francisco in mind – was unique and ground breaking, but occasionally too masculine for straight audiences elsewhere.
A new archive compilation and single from the legendary Australian industrial pioneers will be released next month.
Another wedge of audio sleaze from the disco pioneer will be released in a lavish box set.
Josh Cheon’s label reveals details of forthcoming records by Liquid G., Shoc Corridor and Boytronic.
Flashback: I’m back at a Mediterranean pool party in a miniskirt made out of a binbag having an incoherent conversation about how awful it is to work in the fashion industry when none of us ever worked in the fashion industry. Bravo, Dark Entries, for putting out records that are interesting nevermind how brutal the memories they conjure might be. Odd decision, to dig through the studio offcuts of Miss Kittin and The Hacker, but an interesting one. Following Josh Cheon’s mantra “if I like it, I’ll put it out”, as he told Richard Brophy on Juno Plus, there’s a certain logic to the move as well. I remember buying a CD compilation by INCredible called This Is Not The ‘80s years ago in an Athens record store which featured a number of Kittin and co. tracks and thinking mmm, yes well, this is not the ‘80s but it undoubtedly descends from there.
Idiosyncratic techno-pop from Mexico, homages to Einstein, further Cold Waves of Colour, Second Layer’s World Of Rubber, and early ’90s techno from Estonia feature as Flora Pitrolo assesses July’s best reissues.
Another month brings another bright, full Italo moon from Dark Entries who spoil us with a trio of singles to accompany us into the glossy nights of the headiest of seasons. This time, we are given some of the rare offerings of power-couple Manlio Cangelli and Lorella Ghilardi; the former a session musician and composer for the early days of commercial TV. Boy can you hear that televisual smack in this gorgeous melody. Ghilardi was his wife, and a singer with a catty and magnetic voice, as well as a talented writer and performer.
Releases from Bézier and Jackie House next month herald the San Francisco collective’s return to the label game.
A Second Layer retrospective, some archival material from Miss Kittin & The Hacker and new material from Honey Soundsystem’s Bezier will arrive next month.
Blue Russell, Clay Pedrini and Wish Key 12”s are all due to drop at the end of June.
Dark Entries continues its copious and eclectic 2015 with an adventure into some of the most legendary stuff to pour out of the German 1980s. Hardly a sunny record, No More’s A Rose is a Rose compiles the band’s early discographic output, the EPs A Rose is a Rose, Too Late and the Suicide Commando 7’’, into a tightly-packed, luscious whole. 50 minutes of succulent, protean, and paranoid goth-synth-post punk guaranteed to add spikes to any kind of glossy early summer fantasy you might be having. The period chronicled here covers the very early 1980s, when the German trio (Andy A. Schwarz, Tina Sanudakura, Christian Darc) developed a rough, jittery sound equally at home with the post-Kraftwerkian minimalists and with the most infernal, angst-ridden, youthful goth-punk.
This month’s best picks head through downtown New York circa ’83 to admire the earliest Editions Mego offerings, highlights the latest Dark Entries discovery, peeks into the shadows of the American underground and celebrates troubadours for the age of surveillance.
Sludgy new beat business from a New Jersey basement receives the reissue treatment.
A record from Yello co-founder Carlos Perón and an album from German post punk act No More will arrive at the end of the month.
For this month’s column Flora Pitrolo singles out subaquatic electroacoustic music from the 1980s, some must-have Italo from the archives, German and Greek synth wave and Iranian research projects.
Hip hop mixtapes, experimental industrial cassettes from the UK and Italy, cult Leipzig electro and some classic Warp Records all feature in March’s best reissues.
The San Francisco label will celebrate Women’s History Month with records from the pioneering Greek musician and the Danish trio.
Dark Entries describes this reissue of Die Form’s 1982 LP as “unable to fit into any genre,” and believe Die Puppe to be “in a class of music all of its own,”. For once, that statement is 100 per cent true – true of Die Form but especially true of this album. I remember a feeling of pride when picking an ‘elegant’ digipak reissue around the turn of the century when returning home on a Saturday night eager to listen to it. High on the project’s mid-’90s productions, “L’Ame Éléctrique” and “Suspiria de Profundis”, I expected to find in this first album proper from Die Fom the seed of what haunted me in their later work: this filigree of fuzzy electronics and a distorted operatic female voice. This wasn’t quite the discovery I hoped for, so I moved on, back to their earlier material, and Die Puppe currently rests on the bookshelf of my parents house. From it, I think I wanted something I already knew, and Die Puppe can’t offer that: you don’t get to decide what you want from Die Puppe, it’s Die Puppe that sets the rules.
It appears that Dark Entries is on a mission. Having re-released a stack of obscure wave records, the San Fran label shifted its attention and spent much of last year reissuing Italo classics by Charlie, Big Ben Tribe and International Dancing System. Now it appears to have moved from European dance music of the late ’70s and early ’80s over to mid-’80s Detroit with the re-release of these electro tracks by Nu Sound II and Crew and Magnus II, aliases of DJ Maestro.
Albums from both early ’80s acts will be given the deluxe reissue treatment by the San Francisco label.