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L-Vis 1990 – Ballads

James Connolly has always been one of the trickier members of the Night Slugs family to get a handle on; his discography as L-Vis 1990 over the past four years has seen him deliver translucent UK funky, an album of full on pop for Island, and raw, tracky, Dance Mania-inspired club music. It was this last category that Connolly seemed to feel most at home with, and when he followed up that first record of Club Constructions on Night Slugs with a similarly rubbery house record on Clone’s Jack For Daze it felt as if he’d finally settled down into a groove.

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Various Artists – Night Slugs All Stars Volume 2

Carving out longevity as a label takes an exhausting amount of work these days. The path is fraught with the instantaneous uploading of your work to file-sharing sites, a flurry of plagiarizing “revisions” that are often barely glorified radio rips with a kick drum tacked on, and a crowd of internet-raised consumers imbued with the belief that they need to possess every release two months before it’s out.

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This week at Juno

This week’s two biggest records resulted in an extensive testing session of the Juno office hi-fi’s subs, and the one that arguably caused the most damage was the new record from A Made Up Sound.

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Night Slugs announce second All Stars compilation

London label Night Slugs will release a second All Stars compilation in February.

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Best Of 2012: Top 10 record labels

Record labels are the bricks and mortar of the independent music industry, the foundations upon which artists and scenes flourish and grow. During 2012 there seemed to be a glut of new labels popping up across the board, and though some made strong statements with their initial releases, our list largely acknowledges the imprints who continue to lead the way for others to follow. The people behind our top labels are individuals we – and many others – willingly place our trust in; their curatorial abilities are integral to ensuring they stand tall amidst a sea of samey musical dross.

In many cases, passion for the music these labels have released is the over-riding factor, any notion of profiting from the releases secondary to the rush of seeing it out there, pressed on wax and housed in a nicely presented sleeve. For regular readers of Juno Plus, these ten names should make perfect sense; a selection of labels whose output has made it easy for us to show our support for over the course of the last 12 months.

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Win: Night Slugs test pressings and tickets to forthcoming London showcase

We’ve got a load of Night Slugs merch to give away, including vinyl test pressings, a hat and tickets to next month’s label showcase in London.

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Listen: Bok Bok & Girl Unit Live @ Heaven

Listen to Night Slugs duo Bok Bok and Girl Unit lean through 30 minutes worth of material recorded live using strictly hardware.

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Jam City – How We Relate To The Body

If you’ve read about this year’s debut album from Jam City, you’re likely familiar with Jack Latham’s stories of how the album was inspired by a real-life stint as a corporate spy for a well known athletics brand. Dig around a bit, and you’ll hear about how he designed futuristic prototype chrome body extensions that were shelved at the last minute, or played Kevin Saunderson tracks to a group of oil barons in a mansion in the outskirts of Paris.

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Jam City prepares Classical Club Mixes

Jam City will complete the work he started on debut album Classical Curves with a second 12″ single and digital-only EP of club mixes and one all-new track.

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Jam City – Classical Curves review

I’ll be the first to admit that I didn’t really care much for Jam City’s Magic Drops EP, his debut EP proper for Night Slugs. To my ears, there was something too clean about its lines, something too plastic about its textures, something fundamentally lifeless about it. Everything that made his vital refix of Endgames’ “Ecstasy”, which arrived on Night Slugs’ white label imprint in Summer 2010, so exciting – its raw, frantic string slices, scattershot drums and a bassline that referenced grime without trying to slavishly recreate it – were missing in action. Last summer’s Waterworx EP was much more alive however, ripping apart the static structure of that debut EP like a child who had built up a Lego house using the instructions and wanted to reconstruct it in his own wayward manner.

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Listen: Jam City Classical Genesis Mix

Jam City is at the controls for a mix that sets the scene for his soon to drop debut LP Classical Curves.

No tracklisting is forthcoming for the Classical Genesis mix and don’t let the gentle sounds that permeate the opening moments lull you into thinking this is an exercise in calm. The subsequent 28 minute journey is aimed at demonstrating what to expect on the album, featuring the brutal “Videodrome” from L-Vis 1990 amidst “frenzied, sweat-drenched machine muzik” on a mix described as “part mission statement, part tribute, part documentary”.

Download via Night Slugs.

 

Watch: Girl Unit – Club Rez EP teaser

The Night Slugs camp has unveiled a video teaser to herald Club Rez, the monumental return of Girl Unit this week.

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Listen: Night Slugs Mix 001: Bok Bok

While you couldn’t accuse Night Slugs of slacking in 2011, it’s clear the label was operating a few gears below the explosive speed that characterised their debut year in the game. From the scale of material due over the coming months it would seem the label are going to dominate proceedings much more in 2012.

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Night Slugs usher in the return of Girl Unit

The sense that Night Slugs are slipping back into a gear similar to that which propelled their breakthrough year is strengthened with news that core member Girl Unit will return with a double 12″ EP entitled Club Rez next month.

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Jam City readies Classical Curves

A chance to gaze fully into the fantasy filled musical mind of Jam City arrives next month when Night Slugs release the producer’s debut album, Classical Curves.

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Night Slugs start Club Constructions series

London label Night Slugs will expand operations further with the launch of a new 12″ series entitled Club Constructions with co-founder L-Vis 1990 at the helm for the inaugural release.

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Watch: Jam City – The Courts

Night Slugs have released this delightfully gaudy CGI video to accompany Jam City’s forthcoming release, entitled “The Courts”.

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Mosca next up for Numbers

The Numbers imprint, which has settled nicely into a monthly release groove this year, will follow up the recent reissue of Pierre’s Pfantasy Club with a hotly anticipated two track twelve from Mosca, due to drop in September.

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MUTEK 2011: Jacques Greene interview

Hailing from Montreal, Jacques Greene is a name already well known to those of you who follow the neon-tinged end of the underground music spectrum, with releases on Glasgow’s LuckyMe and London’s Night Slugs in 2010. Breaking through with The Look EP – which earned him fans from the UK’s go-to men and women on the tastemaking front – Greene showcased a unique style that was rooted in house – with deep Chicago hooks and acid synths – but also incorporated a garage swing and undisguised love for R&B. “(Baby I Don’t Know) What You Want” meanwhile was one of the standout tracks on the Night Slugs All-Stars Vol.1 compilation, capping a fine year for artist and label alike. The fact he’s been chosen to remix Radiohead’s “Lotus Flower” as part of a series that also sees Caribou and – probably – Flying Lotus retweaking the UK band’s new album highlights the esteem in which he is currently held. Juno Plus writer Helen Luu caught up with him before his live set at the recent MUTEK festival in Montreal to talk about his hometown, R&B and his new live show.

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Bok Bok – Southside EP review

Bok Bok (real name Alex Sushon) has reinvigorated the contemporary bass music scene with the heady blend of grime, dubstep and house purveyed on the Night Slugs imprint he co-runs with L-Vis 1990. The label was a dominant force in 2010, coming from literally nowhere (the first ever release was in January) with EPs from Mosca, Egyptrixx, Girl Unit, Jam City, Kingdom and Lil Silva among others which left an indelible, neon-tinged smear on the musical landscape. Such was the relentless nature of the Night Slugs release schedule that it barely dawned on anyone that the label boss himself was yet to contribute any solo material of his own.

Thus Bok Bok’s first official Night Slugs release, the five track Southside EP, has been the cause of much excitement and anticipation. Sushon is not a newcomer to the production game – “Ripe Banana” and “NNTF09” both appeared on the Night Slugs EP on the Dress 2 Sweat imprint formerly run by Jackmaster (and since swallowed up by the Numbers collective). Southside kicks off with the swirling, hazy atmospherics and taught chimes of “Charisma Theme”. Immediately demanding the listener’s attention, the hollow thumping kicks  swiftly build into a clipped, rolling riddim with clapping beats, a fidgeting melody and undulating b-line.

“Hyperpass”, up next, is a much deeper, darker beast, with ominous dread vocal, a dubbed out soundscape, the sound of rainfall and urgent, insistent beats pumping out menacingly. “Reminder” is all hissing hats and searing snares, coupled with lassoing synths and a simple, repetitive bleepy melody. Hypnotic and harassing in tone, it will stay with you long after the needle has reached the run out groove. Then, there’s “Silo Pass” with its scythe sharpening intro, and distant voices, weighty subs and rattling SFX, before grime-infused half step smasher “Look” concludes the EP with poised and understated prowess.

Belinda Rowse


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