For those of us who review music for a living, the laziness of both artists and labels can be a constant source of frustration. This is particularly true when it comes to the humble remix. So often an afterthought or a simple marketing exercise, the power of the remix has waned in recent years thanks to a combination of sound-alike versions, limp revisions and needless, big name tweaks. That’s not to say that inspired, next-level remixes aren’t being released – see Maxmillion Dunbar’s schizophrenic, juke-goes-jack revision of Adjowa’s synth-laden “Science of Soul”, or Cloudface’s inspired, pitched-down new age house take on Bantam Lions’ “Recollections” for recent examples – it’s just that they seem increasingly few and far between.
In this cynical age where nobody anywhere does anything new, ‘Successful club night launches record label’ is one of many well-worn narratives in music. However, there is plenty that’s compelling about this debut release from Bradley Zero’s Rhythm Section International. He may well be best known as one of the faces of Boiler Room, or a reluctant figurehead for lazy press features on the Peckham Is The New Cool campaign, but strip this away and you’ll come face to face with someone who possesses a real undying passion for music.
Sounds from the Village Vol.1 by the South London-based producer is due next month.