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Braiden – The Alps review

A long time coming, Braiden’s debut release finally arrives on Doldrums and it’s mark of just how accomplished “The Alps” is that the accompanying release of DLDRMS002 from Joy Orbison – released in the same week – in no way overshadows the track. Indelibly shrouded with keen anticipation since Braiden debuted the track on his summer mix for Mary Anne Hobbs, it marks another reason to be more than a bit jealous of someone who is already an accomplished photographer, DJ and presenter for Rinse FM.

In syncopation with the aforementioned twelve inch from Orbison, “The Alps” is Doldrums realigning themselves towards a proper house and techno sound. By the time the end arrives your senses have been treated to a deeply pressurised amalgamation of raw throbbing house rhythms and metallic UK funky patterns which presents itself as an auspicious debut for Braiden. Just as exciting is the accompanying remix from Kassem Mosse that nudges the track further towards permaretro surroundings, flipping a tinny jacking beat over Basic Channel style dubbed keys before opening out in glorious fashion into a hypnotic acid house pulse reminiscent of “Blackout” from Lil Louis. This twelve aligned with a recently announced remix for Jacques Greene’s LuckyMe release mark Braiden as one to watch next year.

Tony Poland


Kassem Mosse debuts on Doldrums

Kassem ‘The Boss’ Mosse will make his debut on Joy Orbison‘s Doldrums imprint with a remix of Braiden’s “The Alps”, due for release next week.

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Kassem Mosse – We Speak To Those review

“Kassem Mosse lives in a nighttime world somewhere on the edge of forever,” we are warned on his MySpace page. Dark enough. But he continues… “Can it all be so simple? Choose your steps carefully, as black holes pave our way through the shadows (…) will the night last forever? I remember nothing.”

Cryptic, slightly sinister, are these mere ramblings or lucid, idiosyncratic thoughts? Who knows. One thing’s for sure, the German maverick – a purveyor of the deep, ambient side of techno and house dipped in a distinctly European aesthetic – is certainly an interesting character. He’s had releases on Mikrodisko and Workshop; comparisons have been drawn with deep house don Theo Parrish and his previous efforts have quite rightly garnered widespread applause and admiration. This time, he goes in on a deep, experimental tip for a release on increasingly eclectic Instra:mental owned label, Non Plus.

“We Speak To Those” begins with the thumping pound of marching drum beats, like hob nail boots trudging down a tarmac path. Solid as steel, the ticking percussive hiss kicks in, along with warm atmospheric waves and melodic vocal snatches. An organic flow of sound is sustained masterfully, with a hint of Autechre in there, and a pervasive sense of drift as sounds entwine themselves around the steady paced tempo, coming in and out of focus like wind down a tunnel. “Hi Res”, on the flipside, completes the package with a tripping, tribal pattering intro, which leads us to a more spaced out, experimental mid section. A warm, evocative background is hinted at behind a flurry of ecstatic sounds and hyperactive kinetics, creating an immense soundscape.

Belinda Rowse


Full Commix remix album details

As Juno Plus revealed back in May, Cambridge duo Commix will release a remix album of their debut LP Call to Mind, featuring heavyweights from the world of dubstep and techno.

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