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Different Fountains – Shrimp That Sleep

The crossover between electronica and indie songwriting can be fraught with pitfalls. In its less inspired moments it can find a traditional band set up winding up as a stadium rave outfit, or a niche production team coming off twee and insipid (after all that much maligned folktronica tag was borne out of such grey-area sounds). There’s no need to dwell on the negative though, and Different Fountains demonstrate another successful step forward in the fine lineage of fusion outfits that understand and innately channel both sides of the stylistic divide.

Different Fountains - Shrimp That Sleep
Different Fountains
Shrimp That Sleep
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Meakusma is a safe haven for such concerns, as the Belgian label busies itself with an ever-shifting array of music pivoting between club tendencies and cerebral home-listening fare, but rarely kowtowing to one or the other. It’s a stubborn eclecticism that runs deep through Shrimp That Sleep, which marks a confident debut album from the Brussels-based pair. Indeed Michael Langeder and Bernado Risquez have struck a smart balance between their predominantly electronic sound sources and sensitivity for song writing. Opening track “Get Up” sounds like murky experimentalism in its first breaths, but as it opens up with a warming arpeggio and an earnest vocal; it’s easier to think of Erlend Oye and his gentle modernist pop as heard in The Whitest Boy Alive.

Much of the first half of the album is given over to these vocal-led songs, and each one is a delight to listen to. The shapeless tremolo of guitars that drift over “Catch 23” have a bewitching shoegaze quality, the track gently building up in layers of melody and dropping away to a more raw electronic construct when the time comes for the singing to begin. It’s noticeable that there are less obvious song structures in place, so instead of verse-chorus-verse-chorus you get protracted intro-vocal interlude-instrumental freestyle, for example. This shirking of the hackneyed pop rulebook undoubtedly works in Different Fountains favour in their quest for an original sound.

“Bay Sic” makes for a standout moment on the album, maintaining a moody atmosphere through a brooding bottom end while the distant vocals and a beguiling set of pads weave an enchanting textural tapestry. With a stout beat anchoring the track and steadily evolving thanks to some finely deployed delay, it makes for a fully-formed and instantly affecting experience.

Elsewhere there are some outright instrumental excursions, such as the B side lead tracks “Deep Home” and “Muybridge”, the former being a detailed and slightly sinister house cut with dexterous percussion, and the latter being a powerful broken beat production carrying the torch from the Skull Disco days. It’s in these tracks that it becomes clear just what skills and ideas Different Fountains have at their disposal. If they chose, they could no doubt turn out a whole album of either style, not to mention a healthy slew of club-friendly EPs. Instead they quest on for an offering as diverse as Shrimp That Sleep, and they succeed in making every twist and turn a worthwhile diversion almost maddening in its perfect execution.

Perhaps one of the greatest gifts of the whole indie-electronica crossover (when it works) is this free attitude, where those responsible could never stick on one style and mine it for all its worth. The curious listener will always wonder what else the pair might be able to deliver with a little further exploration of any given generic strand, and who’s to say that Different Fountains won’t do just that in years to come? For now though, enjoy the fact that you get to enjoy so many stylistic threads played out so expertly on one cohesive album.

Oli Warwick


A1. Get Up
A2. Catch 23
A3. Bay Sic
A4. Ice Cream Idioms
A5. Left Handed
B1. Deep Home
B2. Muybridge
B3. X
B4. River Change