Various – 2010 Dial review

by Juno Daily on 09.04.2010 at 16:57pm.
Last edited: 09.04.2010 at 16:57pm.

Artist: Various
Title: 2010
Label: Dial
Genre: Minimal/Tech House
Format: CD, Digital
Buy From: Juno Records, Juno Download

Hamburg based label Dial Records shot to fame in the second half of the 00s with their high brow approach to deep, minimal house and techno. Founded in 2000, they now celebrate their tenth birthday with a new compilation featuring all their usual suspects, aptly titled 2010.

Set up at the turn of the millennium by Carsten Jost and Peter M, better known as Lawrence, Dial remained largely unnoticed at first. It was only the last five or so years that the imprint famed for its sophisticated and emotionally evocative style of deep and minimal house came to the wider attention. Releases such as Efdemin’s “Bergwein” EP and Pantha Du Prince “This Bliss” have garnered them the most attention leading up to today’s celebratory compilation. But rather than just collecting the finest moments from those ten years, such is Dial’s ethos, they celebrate with entirely new material, including previously unreleased tracks from the likes of Rndm, Pigon and John Roberts.

Opening the compilation in typically refined style, Phantom Ghost embark on a fittingly theatrical ode to the pleasures of the highlife with the twilight keys of “My Secret Europe”. Cultivated 4/4s then take over, starting with John Roberts who brings a classical element into the mix on “Lines”. Efdemin explores sensuously deep tribalism on “Time,” whereas Kassian Troyer uses layers of sub bass on “Tourist” to get into the groove. Isolée makes a rare appearance with some trippier house moments on “Black Lodge” before Pigon take it unfeasibly deep on “Koto”. One of the label’s starlets, Pantha Du Prince, adds one of the highlights of the release with the enveloping masterpiece of “Fountain Drive”.

Dial celebrate their tenth year, and twentieth release, the only way they know how – with a selection of tracks that look unreservedly forward, proving their need to do more than simply sit back on their previous successes. We’re already looking forward to their 2020 compilation.

Review: Tom Jones