Juno Daily – In The Mix: AURAGRAPH
‘Stranger Things’ man setting New Standards
AURAGRAPH is an experimental audio/visual synth-based recording project by Texas born Hector Carlos Ramirez. Currently based in Los Angeles, California, Carlos played in several bands within the punk scene in Laredo, Texas before a move to Austin, Texas prompted his fascination with synths, samplers and visual art.
Carlos has score mix engineered and composed for notable shows including Netflix’s Stranger Things and National Geographic’s Valley of The Boom – collaborating with composers Kyle Dixon and Michael Stein of the band S U R V I V E. AURAGRAPH was established in 2018 after years of producing electronic music under several different project names, and the project’s blend of minimalism, ambient and lo-fi synthesis with upbeat drum patterns is showcased to perfection on New Standard, its second album, out November 17 through the Dais label.
Ramirez has kindly taken to the decks to weave us a glorious hour of grooves. He told us it was made up of “what’s been on repeat as of late in the studio, including some unreleased tracks sprinkled throughout”
TRACKLISTING:
Slices – Spike Hellis – Over-pop
Purity for People – Club Music – Chicago Research
Unreleased – AURAGRAPH – Dais Records
White Dwarf – DJ Nephil – Mechatronica
Time Stands Still – Ron Morelli – L.I.E.S.
Unreleased – AURAGRAPH – Dais Records
Safe House – Tv.Out – L.I.E.S.
You Can Do It! – DMX Krew – Permanent Vacation
Deep in the Jungle – Credit 00 – Uncanny Valley
Don’t Let Go – Tom Carruthers – L.I.E.S
Control – Puerta Negra – SYNTHICIDE
Fatty Acid – Credit 00 – Mechatronica
Trouble (AURAGRAPH Remix) – Joyfriend – self release
I-SOL-8 – Luca Lozano – Klasse Wrecks
Wake Up (Acid Mix) – Posthuman – Balkan Vinyl
After Hours – Steve Summers – L.I.E.S.
Unreleased – AURAGRAPH – Dais Records
Eating Glue – Paranoid London, Muted Pintado – Paranoid London