Review: Bristol-based badman Borai has been quietly issuing some of the city's most immense club wreckers for many years now, sometimes in partnership with October, and sometimes flying solo (as on the crucial Anybody From London for Hotline Recordings). Here he's inaugurating Higher Level with some absolute dance slayers, kicking off with the mammoth pitched-down drum funk and gut-wrenching bass of "Razor" before switching stance for the dreamier but no less rowdy "Predators." Both cuts are a masterclass in classic breakbeat science, delivering the foundational UK sound with panache that sets these weapons far apart from the rest of the pack.
Review: Sublime retro future breaks from Keysound affiliate Etch. As suggested in the title, none of these breaks have real titles; it's just all about the crisp drum work, vast roominess and old school dynamics from the brushed drum swing of the first slice and the rubber ball bass of the second, right the way through the ghostly vocal tones and MC commands on the fourth slice, this is the sound of a man who knows his foundations inside out. Sneaker Social Club don't release anywhere near as much as they should.... But when they do you should always pay attention.
Review: Back to 93! Rave duo Hyper On Experience were absolutely dominating the sets of DJs like Seduction, Carl Cox, Slipmatt and Phantasy and anyone paying attention to the then-fledgling Moving Shadow imprint. Now part of a major remaster and reissue campaign from Kniteforce, their third EP enjoys a timely evaluation: "Disturbance" is the mischievous opener, all impish and no sense of direction (in the best way possible), "Monarch Of The Glen" takes us more into happier territories with some goosebumping pianos and cool halfbeats while "Lil Ruffion" nods heavily to a European drum, all techno and flighty. Reload.
Review: Nodding to the days of widespread dance anonymity, where the focus was firmly placed on the music rather than reputations and brand hype, Bring Back's fourth release is soaked in hardcore and jungle tones in keeping with both the mysterious artist tip and the label's name. Basically music to make you sweat. 'Night Selector' is perhaps the least rave-y of the lot, and that's saying something considering its stretched amens and mysterious, futurist ambience. 'Light In Ghetto' throws itself fully into the revivalist movement, beautiful female lyrics and pitched vocal cuts crying out over a rhythm section that's stripped enough to make room for choppy, distorted keys. 'Lobster', meanwhile, plays with time signatures, paying respect to the roots of these sounds- dub and soundystem culture- in between full-throttle nastiness.