Review: Bristol-based badman Borai has been quietly issuing some of the city's most immense club wreckers for many years now, sometimes in partnership with October, and sometimes flying solo (as on the crucial Anybody From London for Hotline Recordings). Here he's inaugurating Higher Level with some absolute dance slayers, kicking off with the mammoth pitched-down drum funk and gut-wrenching bass of "Razor" before switching stance for the dreamier but no less rowdy "Predators." Both cuts are a masterclass in classic breakbeat science, delivering the foundational UK sound with panache that sets these weapons far apart from the rest of the pack.
Review: Sublime retro future breaks from Keysound affiliate Etch. As suggested in the title, none of these breaks have real titles; it's just all about the crisp drum work, vast roominess and old school dynamics from the brushed drum swing of the first slice and the rubber ball bass of the second, right the way through the ghostly vocal tones and MC commands on the fourth slice, this is the sound of a man who knows his foundations inside out. Sneaker Social Club don't release anywhere near as much as they should.... But when they do you should always pay attention.
Review: Back to 93! Rave duo Hyper On Experience were absolutely dominating the sets of DJs like Seduction, Carl Cox, Slipmatt and Phantasy and anyone paying attention to the then-fledgling Moving Shadow imprint. Now part of a major remaster and reissue campaign from Kniteforce, their third EP enjoys a timely evaluation: "Disturbance" is the mischievous opener, all impish and no sense of direction (in the best way possible), "Monarch Of The Glen" takes us more into happier territories with some goosebumping pianos and cool halfbeats while "Lil Ruffion" nods heavily to a European drum, all techno and flighty. Reload.
Review: For those of a certain age, listening to this white label outing from debutants Millie may result in giddy flashbacks or serious pangs of nostalgia. You see, Millie's inspirations mainly revolve around jungle-era hardcore, a time when sped-up breakbeats, pitched-up chipmunk vocal samples and hammered out piano riffs were all the rage. There's a certainly a rushing "back to '94" feel about A-side "So High", where "Let Me Be Your Fantasy" style piano riffs, bonkers synth stabs and a variety of cheeky vocal samples ride a galloping, high-octane breakbeat. "Back II Reality" works with similar inspirations, peppering another bombastic breakbeat with razor-sharp rave samples, rumbling sub-bass and choice snippets from Soul II Soul's most celebrated tune. Dennis Sulta will love it.
Review: This release comes from a misterious guy with two untitled tracks on the a-side that have the intention to open the project and marking guidelines and sounds that you will hear on the whole series. On the b-side you find the remix of the track "Untitled 02" by the swedish artist Rivet and the "Secret Rave Mix" of "Rhythm Sticks" by G-23, originally released on London based label No Logo, done by the same author of the two originals.
The graphic of SECRET RAVE 01 is composed with a photo by Molly Macindoe. Heavily influenced by her father, a world traveller and architect, and her mother, a university lecturer and author, she developed a love for international travel and visited many faraway places - documenting the many diverse cultures she encountered. However, her attention was always drawn back to the free party community and, since 1997, she has participated in and documented the underground scene. Also she has already released a book called "Out Of Order" that is the culmination of ten years of work and a photographic celebration of the free party scene. Only 300 pressed....