New releases last eight weeks: Techno (All)

Review: Originally released in 2005, Silenced captures the essence of The Black Dog's enigmatic allure, transporting listeners to otherworldly realms with its lush, tuneful compositions and angular genius. Each track on the album is a testament to the group's unparalleled ability to surprise and entrance, evoking a sense of both unease and beauty. For fans of The Black Dog, Silenced serves as a welcome treat, while also serving as an entry point for those new to the group's mesmerising soundscapes. Definitelt one of their best full length albums yet to date.

Review: Seven arresting, original new exercises from E-Saggila aka Canadian producer Rita Mikhael. She wears her love of dub on her sleeve - see the slow motion skank of 'Amnesiac' aming others - but not in the usual reassuring, bubbling echoes of dub techno, aiming for something much more angular and alarming. "Breaks remain staccato hammers," says the blurb, with maximum accuracy, "and kicks are cast to negate cardiac systems," while the rhythms veer from off kilter to nailed down and the sonics vary from the lush to the caustic. This territory to the left(field) of electronica is over saturated with identikit productions, but Mikhael does it like you've never quite heard before.

Review: The impeccable Lithuanian label Greyscale is a real leader when it comes to dub techno and already they are racing into 2024 in fine style with a first full-length of the year from label head Grad_U! The sublime and immersive Sustain has eight larges ambient soundscapes that are detailed with field recordings from another planet. Each one is alluringly empty and beautiful, intriguing and unsettling to make for an escapist trip to another dimension. The way the producer manages to conjure up what feel like familiar emotions in such a faraway world is second to none and will leave you wanting to do it all over again the second it ends.

Review: Juno Reactor are without much doubt, the most successful and important Goa and psy-trance related artist of the 90s. From 1993 to 2000, the band was in lock and step with the growing sound and scene across the world within trance music. This five-disc boxset gathers all five albums they made plus material they did for movies like Matrix and Mortal Kombat Annihilation. Composer, producer, musician and performer Ben Watkins is an essential innovator of modern electronic music. Over the course of nearly 30 years, Watkins has created a unique driving fusion of electronica, orchestral and global music executed on an epic & symphonic scale. Every trance and 90s electronic music fan should have this retrospect from this ground breaking act.

Review: Premier dub techno outlet Greyscale from Lithuania welcomes back Lotech/Hijack following the success of his last album here, Static Phase. He has served up another full length's worth of sublime deep dub techno explorations here, and that marks his rather remarkable 36th full length in total. Winter Constellations is inspired by the Canadian's love of star gazing and the vastness of space and results in plenty of widescreen and cinematic tracks that are subtly detailed with celestial moods. From the power of 'Let's Forget Who We Are' to the infinite depth of 'Auriga' via the airiness of 'Night Sky Dreaming' and 'Horologium', this is another masterfully immersive work that really exploits the album format.

Review: Orbital's debut and self-titled album (also known as the green album) is a classic example of the UK rave sound in 1991. Featuring the hits 'Belfast' and 'Chime', this important piece of electronic music gets some loving attention in the form of being remastered for the first time since release. But that's not the only thing - this CD edition also comes with a bonus CD featuring rarities and remixes from the time. What better way to celebrate 25 years of this amazing band and its cherished history for their role in helping create the sound of techno.

Review: The creative partnership between Tiga & Hudson Mohawke expresses a mutual love of "hardcore romance," a liminal state where the bounds between euphoria, melancholy and the raw power of friendship disintegrate completely. Recorded in Los Angeles from 2019-2023, these commonalities ebbed and flowed through various recording sessions, culminating in their debut album - L'Ecstacy - the sounds in which "all come from the same place, the same musical universe," in Hudson Mohawke's own words. Referencing the album's locus of bouncy elasticity and cinematic gloss - "we're building a particular kind of zone where it all fits together. A place lost in time." With guest appearances by luminaries like Abra, Channel Tres, and Jesse Boykins III, as well as album artwork by Wolfgang Tillmans, the result is delivered with "no apology, no cynicism, no irony, no winking."