Tags: Delay module

Notes: Freaky stereo digital delay from the Eurorack gods at Make Noise. Typically creative stuff, packed full of interesting features for creating complex echoes, modulating sounds and generating loops.

Supplier notes:
The Mimeophon music synthesiser module is a stereo, multi-zone colour audio repeater by Make Noise and soundhack, coded by Tom Erbe.

The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical sound copying, echo and repeating devices. It allows for Stereo modulations of Time, Space and Timbre of Mono or Stereo sound sources. The Mimeophon is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also colouring and spatializing the repeats.

Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company

Notes: The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.

It offers 14 different full featured effects programs plus a number of metering utilities.
Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical Eurorack effects module.

Reshape sounds with the distortion and dynamics engines. Bend time, space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one of a kind granular and glitch engines. Check signals and tune oscillators with various utilities.

The MFX user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to CV or clocked control. Additionally, each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.

Effect Program List

Digi-PCM Echo
Feature rich digital delay taking inspiration from early prime time rack delay units with added modern features.

Tape-Tech Echo
Tape style delay with a digital pitch shifter bolted on.

Crumbular Echo
More experimental granular style echo.

Ursa Minor Echoverb
Emulation of the classic Ursa Major 'Space station' providing more delays and reverb type effects.

Pocket PL8 Reverb
Emulation of very early digital style reverbs with a dense metallic sound.

Almicon Reverb
Emulation of 80s studio style reverb great for bright rooms and vast synthetic spaces.

Quaidra Reverb
Emulation of a popular 90s rack reverb. Excels at creating airy, atmospheric reverbs.

TY-50 Compressor
Flexible modern compressor great for adding punch, smoothing transients or as a clean mix bus compressor.

Transient Shaper
Fast acting dynamics processor for reshaping the attack and release envelope of any sound.

TH-30 Distortion
A versatile distortion program with distortion types ranging from analog style saturation to intense digital wavefolding.

2051 Bit Corrupter
Real-time audio buffer designed to imitate malfunctioning digital audio equipment.

Modulating Panner
Clock-syncable mono or stereo auto-pan with an additional scan mode that cross fades between 2 input signals. Use for VCA, Panner, crossfader, tremolo type effects.

Ring + Freq Modulator
Pair of classic modulation effects in stereo, tailored towards otherworldly and dissonant sounds.

Ensembles Ensemble
Simulation of classic chorus and ensemble effects. An added digital pitch shifter takes the effect beyond traditional chorus circuits.

Utilities
Simple oscilloscope and VCO tuner.

Technical Specifications

Supply: +12V 50mA Max / -12v 15mA
Size: 6 HP
Depth: 32mm
16 Bit / 44.1Khz Stereo processing

Notes: Multi-model stereo delay with reverb, featuring tape, bucket brigade and crossfading digital models, plus saturation, filters, internal modulation plus tons of CV control. Vibey as hell.

Supplier's Notes:
It's all gone a bit wobbly

Intellijel's design goal for Sealegs was to create the warmest, most musical and organic delay module possible - something that would sweeten and enhance any audio one chose to feed into it. As such, great care has gone into modelling the most distinctive and desirable sonic characteristics of three different types of delay circuits: Tape; Bucket Brigade, and Crossfading Digital.

A plethora of onboard controls enable you to dial in exactly the sound you want; synced or un-synced delays times (for both left and right channels); a built-in modulator with seven morphing waveshapes, a Wow & Flutter emulation, and an envelope follower; plus dedicated low- and high-pass filters; built-in hiss & crackle noises; per-model colour controls; a spacious reverb; and a re-configurable signal flow through the unit. In addition, attenuverted modulation inputs abound - ensuring the delay ebbs and flows with your musical needs.

Features
Three Unique delay models with per-model "Color", modulation behaviour, and saturation/limiting
Three Stereo configurations (PONG, L/R, Time/Width)
Built-in modulator with multiple, morphing wave shapes
Lush, routable 1970s-inspired reverb
Noise control to introduce hiss and crackle.
Highpass and lowpass filters for filtered repeats
Input drive with level trim
Per-model Freeze functionality for holding the delay contents and looping
Delay times up to 6 sec (L channel) and 8 sec (R channel, Width adds 33% to Time)
9 CV inputs (with attenuverters)
Stable external clock syncing (or tap tempo)
96 kHz, 32-bit stereo floating point processing

Size: 20HP
Depth: 29mm
Power: 116mA @ +12V 10mA @ -12V

Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.

Notes: Another cracker from Xaoc, the Timiszoara is a take on digital multi-effects with stereo in and out, an intuitive interface and CV control of effect parameters. Big power with 176 factory programs.

Supplier's Notes:
Timiszoara is a stereo, Eurorack compatible, voltage-controlled multi-effect signal processor based on the popular Spin Semiconductor FV-1 DSP chip. It features a full stereo signal path with two adjustable audio inputs, two outputs, and a stereo voltage-controlled wet/dry mixer. In addition, there is a microSD memory card slot on the front panel that allows for loading factory and custom effects without any restrictions or copyright protection, which means you can use many effects available on the Internet and even create your own.

Effect programs are organized in banks of 8 and can be selected using a rotary encoder, as well as CV and trigger signals. Timiszoara features a crisp OLED screen that displays the program parameters and its name. It also facilitates navigating the list of banks. Up to three parameters per effect can be controlled from the front panel with illuminated slider potentiometers and dedicated CV inputs.

Xaoc Devices have prepared quite a few banks of algorithms (176 in total) that cover most effects needs: delays, reverbs, filters, modulation effects (such as choruses and flangers), pitch shifters, and, of course, shimmers (no multi-effects unit would be complete without its share of those). However, Xaoc Devices wanted to ensure that users had access to some more adventurous programs, so some special banks have been created to allow you to take a walk on the wild side.

For detailed description, please refer to the manual.

Technical details:

10hp, skiff friendly
Current draw: +120/-45 mA
Reverse power protection

Notes: Collabing with YouTube sensation Andrew Huang, Endorphin.es offer up this impressive multipurpose processor module. Building blocks of stereo filtering, compression, reverb and more offer huge creative potential.

Supplier's Notes:
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.

Processing unit without fixed structure: intuitively create astonishing and ephemeral timbres, from atmospheric rumbles to heavy or distorted textures.
Creative stereo effect processor with delay, reverb, filter and distortion with quickly explorable routing chain with single button press.
New generation ARM Cortex - M7 processor with 96 kHz 32 bit internal processing.
Lush hall and whooshing reverse reverbs with audio freeze and pre-delay.
Sidechain audio ducking envelope available both internally and externally with additional one knob single band compressor.
Tap delay with maximum delay time up to 2.5 seconds, external clock input with onboard clock divider and 1v/oct time control.
8x oversampled distortion algorithm.
Pre- and post - VCA, tone and volume controls with extra gain.

Power consumption:
135 mA +12V
35 mA -12V
0 mA 5V

Dimensions:
16 HP
26 mm deep with power ribbon cable connected.

Notes: Sarajewo is an analog delay module based on old school (but newly manufactured) BBD (Bucket Brigade Delay) chips. It features three delay taps, an external clock input with various tempo sync factors, and a wide range of settings controllable via CV. It is based on high quality components with maximum effort put towards the highest sound quality possible, while still preserving the charm of the BBD technology. The module offers a clean and warm analog sound with tons of character and a comfortable user interface with a tap tempo button, signal level indicators, sync and CV inputs, four signal outputs, and an adjustable feedback filter.

TECHNICAL DETAILS:
Eurorack synth compatible
12hp, skiff friendly
Current draw: +180mA / -120mA
Reverse power protection

Notes: Upgraded Pro version of the outstanding FX Aid multi-effects module. 200 onboard stereo effects, customisable via an online app, with added CV inputs and even more physical controls. Superb.

Supplier's Notes:
FX AID Pro:

OLED screen shows current effect's number, name and its three parameters

200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro

Instant switching of the effects or seek then activate option

Stereo input level control

SRR input can also be routed to parameters 1-3 or effect selection

Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection

Manual control of the Sample Rate with one click for default position

10 user storable presets with handy indicator lines for each stored parameter

Screensaver with 1, 10, 30, 60 minutes options

Easy update by playing wav file, level indicator for proper volumes matching

Notes: uBurst

This is a new build of the micro version of Mutable Instruments Clouds. The module retains all the functions of the original Clouds, taking up significantly less rack space.

These modules use tall bushing potentiometers to offer a more stable feel.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Notes: LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: FX AID Pro:

OLED screen shows current effect's number, name and its three parameters

200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro

Instant switching of the effects or seek then activate option

Stereo input level control

SRR input can also be routed to parameters 1-3 or effect selection

Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection

Manual control of the Sample Rate with one click for default position

10 user storable presets with handy indicator lines for each stored parameter

Screensaver with 1, 10, 30, 60 minutes options

Easy update by playing wav file, level indicator for proper volumes matching

Notes: LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma

Notes: This is a new build of a Monsoon, which is a variation of Mutable Instruments Clouds with separate CV and controls for the 4 "blend" functions. The 4 LEDs on the sliders indicate incoming control voltage for the 4 main parameters. The button which was used to select blend parameters now simply switches what the 4 LEDs display (audio input monitoring or monitoring the 4 blend amounts.) Parasites 2.01 firmware is loaded by default. Alternative firmware can be loaded by request.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Width: 12HP
Depth: 22mm
Height: 3U
Power Consumption: +12V:120mA -12V:10mA

Notes: Collabing with YouTube sensation Andrew Huang, Endorphin.es offer up this impressive multipurpose processor module. Building blocks of stereo filtering, compression, reverb and more offer huge creative potential.

Supplier's Notes:
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.

Processing unit without fixed structure: intuitively create astonishing and ephemeral timbres, from atmospheric rumbles to heavy or distorted textures.
Creative stereo effect processor with delay, reverb, filter and distortion with quickly explorable routing chain with single button press.
New generation ARM Cortex - M7 processor with 96 kHz 32 bit internal processing.
Lush hall and whooshing reverse reverbs with audio freeze and pre-delay.
Sidechain audio ducking envelope available both internally and externally with additional one knob single band compressor.
Tap delay with maximum delay time up to 2.5 seconds, external clock input with onboard clock divider and 1v/oct time control.
8x oversampled distortion algorithm.
Pre- and post - VCA, tone and volume controls with extra gain.

Power consumption
135 mA +12V
35 mA -12V
0 mA 5V

Dimensions
16 HP
26 mm deep with power ribbon cable connected.

Notes: Part of Xaoc's Leibniz binary system, the Rostock is a digital delay line capable of processing triggers, audio, CV and video signals. Another useful module from the unique Leibniz series.

Supplier's Notes:
Rostock is a component of the Leibniz Binary Subsystem. It is a data pipeline, a FIFO (first in - first out) shift register, or a very short digital delay. The module operates similarly to a BBD delay or an ASR (analogue shift register), except that it is digital. It consists of a chain of memory cells that pass bits from one to another at each clock cycle. The delay length is variable from 1 to 64 stages (with optional looping and scrambling). It works by processing data in the Leibniz bus and must be connected to other Leibniz modules using data ribbon cables at the back. Rostock may process data sequences representing rhythms, control voltages, audio-rate signals, and even video signals because the bits can change at extreme rates (up to 2MHz). In addition, its memory may be digitally looped. Delaying and looping is a fundamental building block for sequence automation, pattern and chaos generation, and various cybernetic modular patches. Thus, Rostock is a multi-purpose open-ended device that invites creative thinking.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Current draw: +70mA/-40mA
Reverse power protection

Notes: Bucket brigade delay gets pushed into exciting creative territory with this beauty from Joranalogue. Precise analogue delay with loads of character, capable of simple chorus and flanger or more exotic Karplus-Strong synthesis and comb filtering.

Supplier's Notes:
While digital audio processors are often plagued by latency issues, analogue circuits are known for their instant response. But what if you want to delay a signal on purpose, without the use of tape or digital memory? Enter the bucket brigade delay (BBD) line: a series of capacitor 'buckets', which pass the incoming signal along at a high rate in order to delay it.

Delay 1 is a fully analogue BBD-based delay module with a multitude of features geared towards modern musical use. An integrated temperature-compensated, high-frequency voltage controlled oscillator (VCO) provides the 'clock' signal necessary to drive the delay line within 1 to 50 ms.

By increasing the drive frequency to over 20 kHz, the classic 'BBD clock whine' problem is solved, while still providing a wide range in delay time. Classic chorus, flanger and echo effects are easily achieved using the dry/wet blend, feedback and damping parameters.

To greatly reduce distortion and noise, Delay 1 includes a newly developed control circuit. The improved fidelity is maintained at a multitude of signal levels by an integrated high-performance compander, while maintaining signal dynamics.

The module's 'split phase' topology provides two different dry/wet mixes, which may be used to convert mono signals to stereo, for complementary comb filtering and more.

Delay 1 also allows you to experiment with Karplus-Strong synthesis, an exciting technique to create string and percussion type sounds. This is made easy by an integrated noise transient generator, driven by the 'pluck' input, and by the clock VCO's 1 volt per octave response.

By re-engineering the classic analogue delay line, Delay 1 brings the unique magic of BBDs into the contemporary electronic musician's arsenal.

Analogue bucket brigade delay line.
Integrated temperature-stable high-frequency BBD clock VCO with fine and coarse tuning.
Split-phase topology with additive and subtractive dry/wet blend outputs.
Blend, feedback and damping (feedback filter) parameters. Positive or negative feedback with low or high pass filtering.
High-performance BBD drive circuitry and transparent compander chain ensure optimal signal fidelity.
Dedicated pluck trigger input for Karplus-Strong synthesis.
High-frequency BBD clock input and output to synchronise multiple delay lines.
Impedance-compensated outputs with dual-colour LEDs.
Trim potentiometer accessible from the front panel.
Premium mounting hardware: black screws, black nylon washers and matching hex key.
High-quality components and assembly; designed and made in Belgium.

12 HP | +12: 125 mA, -12: 95 mA

Notes: Crush Delay v3 is a special Echo-Delay unit based on the PT2399 IC, which is able to offer 400ms of clean delay and up to 2 seconds of dirty repetitions, having a special talent to generate noisy-glitch textures. The module bases its operation on controlling the PT2399 chip with circuit bending techniques, converting the unit in an advanced VC digital trash generator. This third version comes with some interesting new features like redesigned VCAs circuits, wider range for clean delay and reduced depth to make it skiff friendly.

The module features a few VCAs to provide a flexible signal route to maximize module's possibilities. First two VCAs at the inputs to control the amount of signal sent to the delay. The first is routed to both the dry/wet mix and the delay, and the second directly to the delay. Combining the second VCA and the FX Send output allows external feedback routings.

Compared with v2, this third version offers a bigger range of clean delay time as well as a revision of some of the Crush modifiers. Combining those modifiers you will have a access to a vast palette of noises and textures that can be used in many different ways. From ambient/drone patches to even percussion sounds.

The VC Feedback features an automatic gain control to keep levels stable at any feedback level.

- Current needs: +12V: 135mA, -12V: 35mA
- Width: 11 HP
- Depth: 30 mm (inc power connector)
- Aluminium, heat-treated front panel
- Designed, kits prepared and modules assembled in Barcelona

Notes: This is an exact hardware replica of the Mutable Instruments Clouds.

Notes: Crystal-clear clock-synced delay for loop up to 90 seconds, echoes, sound-on-sound, Karplus-Strong etc.

Features:
Loop or echo time is synchronized to a clock
87 seconds of delay/loop time maximum
48kHz/24-bit sampling rate, loop recorded at 16-bit (24-bit optional)
Extremely quiet, low noise and low jitter design
Tap tempo button and clock Ping input set the basis for one "beat"
Delay/loop time set as a number of musical beats (or fractions of beats) using the Time knob, switch, and CV jack
Sample-accurate clock output for perfect synchronization
Loop clock outputs for each channel
Time switches change range of Time knob from 1/8th notes up to 32 bars
Digital feedback, up to 110%
Delay Feed control, independent of dry/wet signal mix
Infinite Hold mode disables recording input and fixes regeneration at exactly 100%
Reverse mode plays memory contents backwards
With an infinite loop locked, knobs or CV can "window" around memory, by shifting the loop
Trigger inputs for toggling Infinite Hold and Reverse
Send and Return for applying effects to feedback with external modules
CV jacks to control Time, Level, Feedback and Dry/Wet Mix
16HP Eurorack module

Specs:
48kHz, 24-bit low-noise hi-fidelity
Up to 90 seconds of loop time
16HP
+12V: 110mA
-12V: 45mA

Included with the Looping Delay:
16-to-16 pin power cable
4 x M3 Knurlie screws

Notes: The Morphor Ensemble is an 8-voice fully analogue chorus effect module. The module can truly upgrade any input audio into a sound with body. Transform your creations into warm and full sounds as if a whole orchestra is playing them.

Morphor Ensemble features extensive control over your effect with number of voices selection, CV-able spread, two full-featured LFOs and control over the amount of dry-add signal. This way it is possible to create a wide range of effects, from subtle broadening or humanisation of your sound up to pitch-bending craziness.

The module features a true analogue audio path based on eight BBD devices, known for their authentic and warm timbre. In summary, the Morphor Ensemble is a high-end, flexible chorus module for every analogue lover.

Weight: 167 g
Dimensions: 128.5 × 60.6 × 40 mm
Width: 12 HP

Notes: Enter a galaxy of rich and vibrant delays. The Dreadbox Nostalgia 3 Stage Delay is a superb effect module that can give you amazing results in moments. Delay is a true staple in the effects world and it can take your modular music to the next level via just a few cables.

The Dreadbox Nostalgia 3 Stage Delay is ideal for a range of modular music styles, from ambient to acid house. This 10HP module fits snugly in your system and has enough CV control to keep even the most avid patcher satisfied.

117 mA +12V
25 mA -12V
35 mm deep
10HP

Notes: The Morphor Plectrum - Analogue BBD Pluck is the successor of Morphor's successful module. Now only 8 HP instead of 10 HP with additional CV-able feedback!

Plectrum is a high quality, fully analogue Eurorack module that can produce plucked string-like sounds. It is a compact all-in-one solution for generating amazing bass, acoustic guitar, percussion and other amazing sounds.

The module is based on the Karplus-Strong principle with a true analog audio path built with an authentic bucket brigade delay (BBD) circuit which is recognizable by its specific timbre. By using carefully chosen high quality components, this module has a rich, warm analogue sound.

Now being only 8 HP in width, you won't need a lot of space to get going and start creating some incredible sounds. If you're looking to fully sculpt the string-like sound, you can extend the internal Karplus-Strong loop by breaking out the signal and adding external modules like filters and/or FX modules to it.

Features

100% analogue
Karplus-Strong principle
Built with classic BBD chip
Break-out BBD loop
Internal/external loop switch
Trigger input
1V/oct input
Tune knob
Pitch modulation CV input
Feedback CV input
Colour CV input (i.e. internal loop LPF cut-off frequency)
Mono output

Specifications

Panel width: 8 HP
Panel height: 3 U
Module depth: 40 mm
Current draw: 12V : 40 mA | -12V : 40 mA | +5V : 0 mA
Dimensions: 128.5 x 40.3 x 40 mm
Weight: 259 g
Frequency Range: sub-audio range to roughly 800 Hz
Power Socket: 16-pin

Notes: Inspired by vintage tape echoes and spring reverbs, the Echo Cinematic combines EQ, delay, reverb, filtering and extensive automation options to create a highly playable echo module. From dub madness to more subtle ambience, this one's a real beauty.

Supplier's Notes:
Echo Cinematic is a practical stereo effects device inspired by the dub music culture that emerged from Jamaica and landed in London during the early 1980s. Analogue tape delays were routinely patched into the mixing desk through a channel strip, to be EQ'd and fed back to themselves via the FX send bus. The engineer could manipulate the EQ and FX send controls to create a constantly evolving rhythmic texture, a feedback loop teetering on the edge of self-oscillation. Echo Cinematic does away with the need for a sophisticated mixing desk and expands on this principle with a versatile resonant filter and five independent sources of automation built into the module; two LFOs for both EQ and delay modulation, a 30 second knob recorder capable of simultaneously controlling every knob on the front panel, and two external CV inputs, instantly assignable to any control as you insert a patch cable.

The EQ section features three filter types: a high/low-pass filter, a peak/notch filter, and a classic comb filter. Each of these can be patched into either the feedback loop (Dub Mode), the delay output, or the entire signal path, including the dry signal. The delay section offers up to two seconds of delay with a tap delay facility that also applies grid snapping, allowing your delay settings to be constantly locked to your beat or to a clock signal. Reverb duties are taken care of by the lush 24-bit stereo reverb, as featured on Knobula's other cinematic modules.

Notes: Cutting Room Floor V3 Eurorack Module

(Vintage Reel-to-Reel Tape, Echo, and Stutter)

The Cutting Room Floor was designed to emulate the sound and functionality of vintage reel-to-reel tape overdrive and echo. This eurorack module reaches into the 21st century with customized features that traverse the world of modulation and delay. Imagine an abandoned factory with a fluttering tape machine left on repeat.

The Cutting Room Floor provides beautifully marred saturated tape tone, and ethereal repeats in a streamlined 6hp interface. Other features include a freeze button that traps any tone while still playing and CV control for time.

Designed and assembled in Seattle, Washington. Includes a limited 1-year warranty, if registered within 30 days of purchase.

6hp, 43mm deep, 150ma current draw.

Notes: Packed with powerful features while maintaining intuitive playability, Strymon's Magneto module is a stereo multi-head tape delay that also functions as a looper, phrase sampler, vintage spring reverb unit, phase-aligned clock multiplier, chaotic oscillator, zero latency sub-oscillator and more, with extensive CV I/O.

Turn simple monophonic signals into complex orchestrations. Create new oscillator tones using self-oscillation. Add rich stereo dimension to your sound, and enjoy the inherent warmth and sweet, subtle distortion characteristics of magnetic tape. Magneto transforms even the smallest rack into a fully expressive, immersive instrument.

To capture the full experience and complexity of a vintage tape echo machine, every last tape system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic tape when driven hard, to hands-on real-time controls for tape age, tape crinkle, and mechanical wow and flutter, Magneto delivers a rich multi-head delay experience that adds life and vibe to your sound.

Every function, control, gain stage, and signal path component in Magneto works together to respond musically and smoothly, even during the wildest live modular improvisations. All this is combined with a luxurious spring reverb to take the sound of your modular setup to a new level, and your sonic explorations into far-out territories.

Not only does Magneto deliver the warm, luscious delay signals that tape delays are known for, it is also capable of a high degree of saturation. Turn up the Record Level knob to send a hot signal to the record head for any amount of tape saturation you desire. Turn up the Tape Age control for warmer repeats. Add some truly beautiful Spring Reverb. Magneto adds organic heart and soul to the sound of your modular.

The effect of the Low Cut and Tape Age knobs are explored, followed by the mechanical 'deterioration' of the machine with the Crinkle and Wow and Flutter controls. The Speed knob is put to use for sonic enhancement.

In a typical digital effect the dry signal gets converted to digital, causing conversion noise and latency. Signals are often attenuated before combining digital dry and wet, with makeup gain amplifying the conversion noise. To avoid this scenario, Strymon have equipped Magneto with a completely analog dry path. Why go to all this trouble? Because the improvements in dynamic range and reduction in noise are so dramatic.

Strymon have outfitted Magneto with the powerful Analog Devices SHARC ADSP-21369 processor, which provides a 366 MHz core instruction rate, and an incredible 2.4 Gigaflops of peak performance. Thanks to this high-powered technology platform within Magneto, we had the freedom to craft our processor-intense tape echo algorithms without compromise.

Notes: Motion Pictures

(Delay And Reverb)

Motion Pictures combines lush delay and reverb with intuitive, powerful controls within a 10HP module. Choose between a crisp digital delay or a warm analogue delay and pair it with a spacious, large-hall stereo reverb. Delay and reverb levels can be adjusted independently, allowing you to use them separately or together. The delay time can be controlled using a knob, tap tempo, or CV. You can even send opposing CV signals to the tap tempo and delay time for glitchy, pitch-bending, rhythmic effects. Additionally, CV control extends to the feedback, delay, and reverb levels, providing greater flexibility. Motion Pictures offers rich ambient sounds in a compact design, combining delay and reverb in one module to optimize rack space while preserving sonic depth.