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Two Weeks: Studio Equipment

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Items 1 to 15 of 15 on page 1 of 1
Cat: 731197 Rel: 24 Jun 19
 
Compact sampling studio
Notes: Blackbox is a portable sampler and groovebox that lets you record, save/load, apply effects and edit one-shot samples and beat-sliced loops. Create sequences with samples by tapping on pads, playing a virtual keyboard, using external MIDI controllers or by drawing-in notes using a standard Piano Roll editor on a fast touchscreen interface. Sequences can be played back to create song sections and entire compositions. Finish your song by mixing it, adding stereo effects and by saving it as a Preset for fast and easy recall.

Perform songs live and trigger samples on the fly. Blackbox makes it easy to create and perform music anywhere thanks to its compact and rock-solid hardware design. Just throw it in a backpack and hit the club.

Record hours of song ideas, jam sessions, and performances thanks to a microSD slot that enables you to expand internal memory.

Blackbox comes with gigabytes of premium samples and loops by SoundTrack Loops and Loopmasters to let you start making beats right out of the box.

Blackbox - your own personal sampler.

What Is Included:

- Blackbox compact sampling studio
- MicroSD card with blackbox firmware, about 60 presets and approximately 900 WAV files
- USB power cable and USB wall wart with 3 international adapters
- 2 MIDI Adapters - Male 3.5mm TRS to Female 5 pin DIN, MIDI Class B standard
- Quick Start guide to get you playing right away
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 2 in stock $582.89
Arturia V Collection 7 Software (boxed) (virtual instrument software)
Cat: 730553 Rel: 18 Jun 19
 
Keyboard & synthesiser software featuring 24 virtual instruments
Notes: V Collection 7 includes 24 legendary and carefully crafted instruments - making it the must-have software instrument bundle. Synths, string machines, a tape replay keyboard, organs, and pianos let you create brutal bass lines, cutting leads, sensual pads, and everything in between. Simply put, it's a synth bliss. V Collection 7 contains 3 new instruments: Synthi V, CZ V, and Mellotron V.

This is the most comprehensive anthology of classic synth and keyboards ever made. This is decades of passionate research, modelling, and development. This is your chance to take your place in music history.

The best synths and keys reborn:

V Collection has grown into the industry reference of software instruments that made music history. The solution demanding musicians choose.

Unrivalled, perfectly modelled sound:

V Collection uses our advanced TAE and Phi modelling technologies that perfectly recreate both the sound and feel of these legendary instruments.

Thousands of masterfully crafted presets:

An army of top-tier sound designers and big-name artists have created some of the most awe-inspiring synth and keyboard patches just for you.

Create with confidence:

All the instruments in V Collection are modelled on keyboards that made history. Now you can use them in your DAW to create the music you've always wanted to.

Play, perform, control:

V Collection seamlessly integrates with Arturia's KeyLab range, as well as controllers from other brands, giving you full control of your sound in the studio and on stage.

Easy yet powerful:

Every instrument features an integrated tutorial, tips on every control, and an intuitive sound browser. No matter what skill level you are, or what style you play, this has you covered.

Includes 24 software titles:

Mellotron V, Synthi V, CZ V, Analog Lab, Clavinet V, CMI V, DX7 V, Buchla Easel V, Synclavier V, B-3 V, Mini V, Piano V, Stage-73 V, Matrix-12 V, Farfisa V, Solina V, SEM V, Wurli V, Jup-8 V, ARP 2600 V, CS-80 V, Prophet V, VOX Continental V, Modular V
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 4 in stock $358.86
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Cat: 735374 Rel: 20 Jun 19
 
Multiple output power supply designed for guitar pedals
Notes: Multiple output power supply designed for guitar pedals and accessories built into a slim yet sturdy aluminium housing. Powered by the included 18Vdc adaptor, which has 4 region plugs to allow the user to use the power supply in all regions. A row of 9 DC outputs include 9V, 12V and 18V output options. Supplied with a selection of DC power leads for connection. Low profile and easy to fit underneath popular frame style pedal boards.
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 1 in stock $49.89
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Cat: 735370 Rel: 11 Jun 19
 
Compact mixer with USB/Bluetooth
Notes: Compact format audio mixer with 4 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.
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 2 in stock $81.23
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Cat: 735368 Rel: 11 Jun 19
 
Compact mixer with USB/Bluetooth
Notes: Compact format audio mixer with 2 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.
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 2 in stock $65.72
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Cat: 731938 Rel: 10 Jun 19
 
Noise/random generator - 4HP
Notes: Module A-118-2 is the slim version of module A-118-1 and offers essentially the same features as the A-118-1. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-118-1. The module is primarily planned for applications where only limited space is available. The functional difference between A-118-1 and A-118-2 is the additional T&H/S&H unit which is not included in the A-118-1.

The module generates the signals white noise, coloured noise, continuous random voltage and stepped random voltage (derived from the continuous random voltage by means of a S&H/T&H unit).

The noise signal is generated 100% analogue by amplification of the noise of a transistor. White and coloured noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is derived from the coloured noise signal by low pass filtering. Consequently the settings of the controls for the coloured noise (Blue, Red) affect the behaviour of the random voltage! A dual colour LED (red = positive / yellow = negative output voltage) indicates the continuous random voltage.

The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal (= continuous random voltage) as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal (= continuous random voltage) is sampled at the rising edge of the Clock signal.

For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. It does not work with slowly changing continuous CV signals. Another dual colour LED (red = positive / yellow = negative output voltage) indicates the stepped random voltage.
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 2 in stock $79.62
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quote 731938
Cat: 731939 Rel: 11 Jun 19
 
Voltage controlled 12dB/octave filter - 8HP
Notes: Module A-121-3 is functionally nearly identical to module A-121-2. Only the distances between the controls and sockets are smaller and rubberized, small rotary knobs are used. Therefore the front panel width is only 4HP compared to 8HP of the A-121-2. In the first place it is planned for applications where only limited space is available. The only functional difference compared to the A-121-2 is the missing attenuator for the resonance CV input CQ.

These are the most important features of the module:

- Voltage-controlled multi-mode filter with a cut-off slope of -12 dB / octave (identical to the filter of the Dark Energy II/III but has been expanded by the voltage controlled resonance feature)
- Four simultaneous outputs are available, each with different characteristics: low-pass (LP), high-pass (HP), band-pass (BP) and notch (N)
- Manual control Frequ. for the cut-off frequency of the filter (the cut-off frequency determines the point at which the respective filter effect appears)
- Two inputs for frequency control by means of external control voltages (frequency modulation, e.g. by ADSR or LFO):
- Control voltage input CV1 without attenuator, about 1V/octave sensitivity
- Control voltage input CV2 with attenuator FCV2 for the adjustment of the modulation depth of input CV2
- Frequency range about 10Hz ... 20kHz
- Manual control Q for the resonance of the filter
- Control voltage input CQ without attenuator for voltage control of the resonance
- Resonance up to self-oscillation, in which case the module will behave like a sine wave oscillator even without audio input signal
- Audio input In with attenuator Level for the adjustment of the filter input level (beyond about pos. 5 clipping/distortion occurs with typical A-100 audio levels)
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 1 in stock $111.70
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quote 731939
Cat: 731940 Rel: 11 Jun 19
 
Compact two-channel VCA - 4HP
Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output
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 1 in stock $79.62
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quote 731940
Cat: 731951 Rel: 11 Jun 19
 
Quad passive switch - 4HP
Notes: A-182-2 is a simple passive module that contains four changeover switches, which are used to connect or disconnect the sockets of the corresponding socket triplet:

- In the upper position of the switch the upper socket of the corresponding socket triplet is connected to the centre socket
- In the lower position of the switch the lower socket of the corresponding socket triplet is connected to the centre socket
- In the centre position of the switch the sockets are not connected

Each unit of the module can be used to switch between two signals or to interrupt/connect a signal. In the last case the third socket of the triplet is not used.

The module is fully passive and both audio or control signals can be switched.
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 1 in stock $69.00
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quote 731951
EBS
Cat: 718776 Rel: 24 Jun 19
 
Flexible overdrive/compression pedal designed in collaboration with Billy Sheehan
Notes: When Billy Sheehan first turned to EBS to create his signature pedal, he needed to capture the essence of his sound in a pedal to serve him when he could not bring his entire rig. It turned out so great it has been a significant part of his main setup ever since and served thousands of other bass players as well. Now it's time for the ultimate version!

"This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together", Billy said when EBS released his first signature pedal in 2013. The original concept is still the same, but with more features added along the way.

Since the pedal splits the signal into two parallel paths - one clean and one with distortion - it becomes as if running the sound through two different bass rigs at the same time. The two Clean and Drive Level controls decides how you set the mix and melt the paths together. For a tighter, more defined sound you can engage the built-in compressor. Threshold settings for the compressor can be adjusted inside.

A Phase Inverter switch brings back more low-end to the drive channel at times. The Boost footswitch kicks up the drive gain a notch when needed.

The new and major feature of the Ultimate version is the Hi or Lo Frequency Filter. This switch moves the whole frequency spectrum of the Tone filter up or down, to extend the capabilities of the pedal.

The Hi setting adds a whole new palette of distortion sounds that was not possible to create with previous versions of the pedal.

The individual Effect Loops for each channel can be used to colour the channels individually with external effects. The Clean Loop jack can also be used as a clean input if you have a bass that features dual outputs. It sounds great if you run the lows through the Clean Loop jack while the mids/highs go through the main input, which leaves the lows untouched and only the higher frequencies treated by the drive.

This version has inherited all the features from the Deluxe version (including the possibility to swap the drive chip without the need of soldering). But the palette of sounds you can create is expanded by the new Hi or Lo frequency filter to make it complete.
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 1 in stock $225.08
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quote 718776
EBS MicroBass 3 Preamp Pedal (preamp pedal/DI box)
EBS
Cat: 718777 Rel: 24 Jun 19
 
Professional analogue bass preamp/DI box
Notes: The EBS Microbass 3. We've all been there. Being forced by circumstances to rely on someone else's gear and left with that uneasy feeling it could turn into a disaster. With the new EBS Microbass 3, you can let go of that feeling and be confident you'll have your sound no matter the situation.

The EBS MicroBass 3 is a 2-channel preamp, built exclusively with premium components. It is engineered by EBS in Sweden with technologies from the famous HD360 and Fafner II amplifier designs. The preamp operates at a signal level equal to a professional mixing console (+/- 15V) which gives you plenty of headroom. The high signal level makes it suitable to use as a preamp in combination with any type of power amp.

Run the Clean and Drive channels in series or parallel. Use the dual balanced XLR-outputs to tap the signal post and pre EQ at the same time. If you run the Effects loop in stereo mode, the balanced outputs become a Left and Right output instead. With 10 Mohms input impedance, it handles any type of bass - passive, active or with piezo pickups.

The built-in tuner makes it easy to tune between songs without the need of an external device. The MicroBass 3 also carries an onboard compressor, similar to the one found on several EBS amplifiers, and several more features.

The analog EBS MicroBass 3 ensures your sound - every time.
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 1 in stock $338.69
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quote 718777
Cat: 731216 Rel: 18 Jun 19
 
4 variable waveshape operators for linear FM synthesis - 30HP
Notes: Implementing frequency modulation synthesis completely from scratch in firmware, the Quad Operator is able to provide a modern take on frequency modulation synthesis.

- One knob per function design for true ease of use
- Any FM algorithm is possible via modulation matrix
- The Algo expander provides algorithm save/recall and crossfading capabilities
- Independent output per operator
- Virtual VCA per operator for both animating modulation and output volume control
- Includes a dedicated "AR FM" input with its own modulation sends, designed to bring an audio rate signal in from your rack for use as a modulator. Try processing a phase locked operator, and feeding it back in!
- Each operator can also be unlocked then tuned and patched independently, making the module a great general purpose oscillator bank
- Convincing digital emulation of classic analogue waveshapes - sine, triangle, square, and saw
- An LFO mode, enabled the generation of phase locked, complex modulation signals
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 5 in stock $509.63
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quote 731216
Cat: 731217 Rel: 18 Jun 19
 
Expander for Quad Operator's algorithm functionality - 4HP
Notes: Where the unexpanded Quad Operator maintains a one knob per function design discipline, we nevertheless recognized the value of some more advanced algorithm-oriented functionality.

The Algo expander for the Quad Operator provides:

- Saving and loading of modulation send knob positions for FM algorithm design reuse

- Crossfade between pairs of saved algorithms, or a saved algorithm and the live knob positions
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 2 in stock $97.67
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quote 731217
Cat: 730432 Rel: 11 Jun 19
 
Bass line generator with a rhythmic chord section
Notes: The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.
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 4 in stock $316.39
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quote 730432
Cat: 731192 Rel: 19 Jun 19
 
CV-controlled 5-channel stereo mixer - 10HP
Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.
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 More than 10 in stock $241.01
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