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Eight Weeks: Studio Equipment

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Cat: 674119 Rel: 25 May 18
 
MIDI to CV interface - controls up to 4 CV synthesizers individually or as a polysynth - 32HP
Notes: Polygene is a Eurorack polyphonic MIDI to CV converter with 4 voice outputs that can be used to play your CV synths/modules as a 4 voice polysynth.

Simple to use, it's the perfect way to have MIDI control over 4 CV synths, to play together as one poly synth.

Connect to 4 mono synths, e.g. Analogue Solutions Nyborg, or connect to Eurorack modules set up as 4 synth voices.

The Arpeggiator has no nonsense operation harking back to the days of early Roland synths such as the Jupiter 8 and SH101. The Arpeggiator can also be used as a simple 16 note step sequencer, and also plays back the velocity amount that was used. The Arpeggiator will control CV synths, but the note info is also sent to the MIDI Out socket as MIDI notes, so you can have it play a MIDI synth.
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 1 in stock $365.87
Cat: 680755 Rel: 22 May 18
 
Dual vactrol based LPG/VCA module - 2HP
Notes: The Meng Qi DPLPG is a Dual Passive 1-pole vactrol based Low Pass Gate/VCA in modest 2 HP. No power is required as the design is completely passive.

Handpicked components ensure that the modules will be musical.

Feed it a trigger and enjoy the natural smooth decay of a vactrol.
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 2 in stock $76.27
Cat: 680754 Rel: 29 May 18
 
Physical modelling synth voice module - 8HP
Notes: DU-KRPLS is a physical modelling synthesizer voice that simulates the sound of string instruments. It is based on Karplus Strong algorithms. Small errors in the code were added to create results reminiscent of circuit bending. Compared to the Karp, this module is even more glitchy and unpredictable.
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 2 in stock $138.17
Cat: 680757 Rel: 22 May 18
 
Dual stereo attenuator - 6HP
Notes: The Dual Stereo Volume is a passive dual stereo attenuator controller module which uses high quality Alps Stereo potentiometers. The most obvious use would be as an audio output module or as a complement to stereo output transformers that do not have a volume control.
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 1 in stock $76.27
Cat: 680752 Rel: 07 Jun 18
 
Collection of real time functions integrated with hand gestures & trigger input - 8HP
Notes: Hand is a gestural controller based on a piezo mic build in the elevated front panel.

When you tap the front panel, the audio is converted into CV and allows you to control a collection of real time functions including an LFO or envelope, a clock source and a trigger delay. It's possible to switch between LFO and envelope mode when holding the Rec button for 4 seconds.

Slew smoothes the slopes and the Rec button allows you to record the gestures for 2.22 seconds max.
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 3 in stock $150.33
Cat: 680753 Rel: 29 May 18
 
Physical modelling synth voice module - 8HP
Notes: Karp is a physical modelling synthesizer voice that simulates the sound of string instruments. It is based on Karplus Strong algorithms. Small errors in the code were added to create results reminiscent of circuit bending.

Karp explores and exploits errors in code, achieving non-linearity in control and circuit-bent-esque sounds. In a general sense Karp excels in glitches and micro-movements with millions of sweet spots. Circuit bent sounds are achieved by literally using wrong code.
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 1 in stock $138.17
Cat: 680750 Rel: 07 Jun 18
 
Tactile patching interface
Notes: Lines takes another approach of control than expressive CV generation; it's a tactile patching interface. Your patch is now linked to your muscle memory, as swift as your movements.

The diagonal layout ensures ultimate versatility with easy hand shapes; +5V normalled to input 1/3, -5V normalled to input 2/4.

Spread and divide an input signal by routing it to multiple outputs.

Bi-colour LED's display signals of each output.
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 3 in stock $150.33
Cat: 680758 Rel: 07 Jun 18
 
Transformer module for Eurorack - 6HP
Notes: The Please Exist module shifts signal levels and offers a bidirectional audio path. Send and return your guitar pedals (may need gain) or apply DC offset to saturate your audio.

- Handmade item
- Transformer, Audio jack, PCB
- 1/4" is balanced (use TRS cable)
- 6hp, 45mm deep
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 3 in stock $175.75
Cat: 680756 Rel: 22 May 18
 
Passive multiple module with one input & five outputs - 4HP
Notes: Meng Qi Split module is a passive 1 In 5 Out multiple. Four of the Outputs have their own attenuators which makes it a perfect choice for routing signals in setups where multiple parallel processing is required or as an Aux-send module for effects.
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 1 in stock $65.21
Cat: 687873 Rel: 01 May 18
 
Unique contact microphone & amplifier, based on Tom Whitwell's open-source module - 4HP
Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.
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 More than 10 in stock $93.95
Cat: 676565 Rel: 19 Jun 18
 
Complex 16-step CV sequencer - 10HP
Notes: Mimetic Digitalis is a 10HP step sequencer optimized for live use. MD includes four individually editable CV outputs and a trigger out. Each step can be manually programmed or use MD to live record CV sequences using the encoder. The zero button mutes the CV at a step and shred randomizes the voltage. Save and load up to 16 patterns. Edit a pattern and use undo to return to the unedited version.
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 5 in stock $275.23
Cat: 676568 Rel: 19 Jun 18
 
4-channel mute for audio & CV signals
Notes: Muta Jovis is a 4HP switchable quad mute. The inputs are circularly normalled so a single input can be sent (and muted) to up to four outputs. Switches and LEDs that indicate channels that are outputting signal leave no doubt about the state of each channel. MJ was designed with gates/triggers in mind.

Size: 4HP Eurorack
Depth: 0.8 Inches
Power: 2x5 Eurorack
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 3 in stock $88.42
Cat: 676569 Rel: 19 Jun 18
 
Three-input stroboscopic tuner module - 4HP
Notes: Soleo Vero is a 4HP stroboscope tuner for up to three oscillators. Patch directly through the SV to avoid patching and repatching. Stroboscope allows tuning across a range of octaves on the fly...and even without audio monitoring. No more bumped oscillator surprises! Optional mode allows tuning to either the 440Hz and 432Hz standards.

Size: 4HP Eurorack
Depth: 0.8 Inches
Power: 2x5 Eurorack
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 2 in stock $202.27
Cat: 690831 Rel: 30 May 18
 
Hand-wired glitch, pitch & slice module - 14HP
Notes: Is it a distortion? Is it a ring modulator or a delay? We call it the Bad Comrade, the world's first hand-wired glitch, pitch and slice module.

The Bad Comrade will let you beef up every sound you will send through the device. Dull drums will be transformed into hard banging sounds. Acoustic instruments, as well as synthesizers, can be "spiced up" the same way. For the adventurous sound-researcher that craves unthinkable tones, the Bad Comrade lets you distort, modulate, glitch and slice on the fly like no other module.

There are three simple parameters for varying the sound.

The delay time can be set manually via the Time potentiometer and it is possible to influence it via the CV input. Altering this parameter during operation leads to pitch effects.

Turning the Glitch knob to the left will increase the threshold, cutting noise and clipping the signal.

To compensate the boost in amplification caused by the module, you can use the Level knob to bring it back to the desired volume. Turned all the way to the left, the sound will be completely silenced.

Pushing the Freeze button will lock the signal at the rate set by the delay time control knob.

The Bad Comrade is hand-wired in Seattle, Washington.

Full-lifetime warranty.
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 1 in stock $190.12
Cat: 690832 Rel: 30 May 18
 
Versatile module featuring delay, modulation, freeze & stutter effects - 14HP
Notes: Cutting Room Floor is the most versatile release from Recovery Effects to date. Unlike any effect you've heard before, it offers mountains of wild modulation, delay, freeze and stutter. Anything from smooth lo-fi chorus to broken-tape-deck sounds can be achieved with this unique effect. First melt, then freeze sounds in place, or use it as a gritty echo or faux reverb.

The Time knob sets the delay time, which can also be influenced via CV. Altering this parameter during operation leads to pitch effects.

The Blend potentiometer acts like a Dry/Wet.

The level of the output can be controlled by the Volume knob.

It's possible to change the shape of the flutter modulation from triangle to square wave with the Shape knob. The speed of tape fluctuation can be set by the Flutter knob. This is to be used in conjunction with the Wow knob, which controls the level of melting modulation.

It's possible to turn flutter on and off with the Stability toggle-switch, enabling or disabling the fluctuation of the tape speed.

There is also a toggle-switch labelled S/M, which changes the effect from a single to repeated delays, acting like a simple feedback control.

The Freeze button temporarily loops the playback head and locks the audio signal. This mode alters the behaviour of the Blend potentiometer. - It sets twelve o'clock to zero. Rotating the knob to the left models the playback of an Ampex 456. Turned to the right, it models the playback of an Ampex 499.

The module is hand-wired in Seattle, Washington.

Full-lifetime warranty.
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 1 in stock $190.12
Cat: 690833 Rel: 30 May 18
 
Ringmod/frequency shifter - 14HP
Notes: Motormatic adds a new twist on classic old school synth technology, creating beautifully bizarre textures and erratic pitches from your original sound source.

Starting with a two-channel ring modulator, Motormatic produces its own variable frequency that latches to CV, allowing movement and dynamic motion. Relation of the original sound source to carrier frequency can be modified with input sensitivity controls.

The Frequency potentiometers control the frequencies of the carriers and the Level knobs adjust the volume of each channel. The pitch of each channel can be influenced by the corresponding CV input.

Motormatic is hand-wired in Seattle, Washington.

Full-lifetime warranty.
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 1 in stock $140.38
Cat: 687377 Rel: 19 Jun 18
 
Compact Eurorack module based on the SH-5 monophonic synth filter section
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 505 VCF:

Inject the sound of the Roland SH-5's revered filter section into your modular rig. The Roland SH-5 is one of the most sought after monosynths in history. Its dual architecture was deep and sounded massive. It also happened to have one of the most distinguished filters of any monosynth in history. Combining a multi-mode filter with a band-pass filter, it produced a sound that has propelled it to "favourite filter ever" territory for many. In stark contrast to the traditional Ladder filter design, the SH-5's filter maintained its bass response with a meaty resonance growl. With the SYS-505, Roland and Malekko have brought this highly-coveted filter, in all its sonic glory, to the Eurorack format. With switchable outputs, built-in VCAs, and CV control of cut-off, resonance, this dual filter gives you two different vintage filter characters in a flexible and compact 16hp module.
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 2 in stock $385.76
Cat: 687381 Rel: 19 Jun 18
 
Compact Eurorack module based on System-100m's 110 VCF, VCO & VCA module
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 510 SYNTH:

With the SYS-510, designing your first modular setup or integrating classic Roland sound into your existing modular rig has never been easier. Based on the vintage SYSTEM-100m's 110 VCO, VCF, and VCA module, the SYS-510 brings together the best aspects of the SYSTEM-500 into a single voice module. It contains three pristine oscillator waveforms, classic Roland low pass filter with hi-pass switches, and a VCA with multiple outputs. It has inputs for external signals and modulation, and output jacks for both Eurorack and line-level audio. At 20hp and internally normalled for cableless operation, the SYS-510 is an essential building block, whether you're an experienced user or just diving into modular synthesis.
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 3 in stock $374.63
Cat: 687379 Rel: 22 Jun 18
 
Versatile Eurorack module based on System 1000m's 150 & 165 modules
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYS-555 LAG / S&H:

Channelling inspiration from the Roland SYSTEM-100m's 150 and 165 modules, the SYS-555 is a five-in-one powerhouse that brings core utility functions to your modular setup, but with some new and interesting twists. The SYS-555 contains both traditional and non-traditional modulation sources applicable to any imaginable configuration or setup. With ring modulation, versatile sample and hold with seven waveforms and internal LPF, pink and white noise modes, LFO with internal ENV and VCA, and two CV controlled portamento circuits, your tonal shaping and modulation options are near infinite.
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 3 in stock $415.59
Cat: 682068 Rel: 16 May 18
 
Complex noise oscillator module - 14HP
Notes: The Interstellar Radio is a faulty transmission line providing several varieties of destructive effects as well as acting as a non-volts/octave complex oscillator when no input is provided.

Interstellar radio converts an audio signal from the input jack to a high frequency pulse train and then back to an audio signal with voltage control over the clock for the up conversion (CARRIER) as well as the down conversion (DEMODULATOR), like a voltage controlled radio transceiver designed for poor reception.

Manipulating these clocks allows for a variety of aliasing, distortion, and frequency modulation type effects. The output is also sent to a comparator along with the input, and the result is available at the "ERROR" output for a ring modulation type effect.

When no input is provided a DC offset (controllable with the input jack) sets a frequency for the up conversion (which is effectively a VCO), the down conversion acts as a modulation oscillator allowing for a fairly radical form of frequency modulation. Two audio signals can be inserted into the clock input jacks and modulate each other in the same way.
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 1 in stock $208.91
Cat: 690787 Rel: 31 May 18
 
Powerful, hand-wired tube distortion module featuring American military grade low-noise tubes
Notes: Strakal Orsel is a powerful, hand-wired tube distortion module. As known from other Touell Skouarn circuits, all sockets and control elements have Breton names. (Except for the audio input and output, which are marked with arrows.)

Triodenn (switch) - Here, you can choose between pentode and triode operation for the left tube. Thus, this switch varies the basic sound character.

Boukl Retroaktin (switch/knob) - The switch activates the feedback path. With the potentiometer, you can vary the feedback intensity. High values lead to screaming self-oscillation. At low settings, signals are nicely thickened.

Gounid (knob) - This potentiometer is used for determining the level between the first and the second tube stage.

Ampled (knob) - For setting the degree of distortion. How hardcore would you like your sound to be?

Enklas Modulan (socket) - CV input for influencing the feedback respectively volume. (It works even without the feedback being active.)

Without an input signal, but with wide open feedback, the Strakal Orsel can be used as a beefy effect oscillator. Using its CV input, the pitch can be varied. There is no accurate pitch tracking according to the standard 1 v/octave, though. If you now deactivate the feedback and dial in the right volume and distortion settings, you can enjoy the Orsel's noise floor in its purest form. In other words, the module will emit charming tube noise. Operation as a crude VCA is possible as well.

The following tubes are compatible with the Strakal Orsel:

- 6J1P
- 5654
- 6AK5
- EF95

The Strakal Orsel offered here is equipped with American military grade low-noise tubes, type 5654. This one sounds better than the 6J1P and offer higher gain.

Power consumption: 5 mA at +12 V, 5 mA at -12 V and 350 mA at +5 V

HP: 12
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 1 in stock $370.29
Cat: 690784 Rel: 31 May 18
 
Powerful, hand-wired tube distortion module featuring Russian NOS tubes
Notes: Strakal Orsel is a powerful, hand-wired tube distortion module. As known from other Touell Skouarn circuits, all sockets and control elements have Breton names. (Except for the audio input and output, which are marked with arrows.)

Triodenn (switch) - Here, you can choose between pentode and triode operation for the left tube. Thus, this switch varies the basic sound character.

Boukl Retroaktin (switch/knob) - The switch activates the feedback path. With the potentiometer, you can vary the feedback intensity. High values lead to screaming self-oscillation. At low settings, signals are nicely thickened.

Gounid (knob) - This potentiometer is used for determining the level between the first and the second tube stage.

Ampled (knob) - For setting the degree of distortion. How hardcore would you like your sound to be?

Enklas Modulan (socket) - CV input for influencing the feedback respectively volume. (It works even without the feedback being active.)

Without an input signal, but with wide open feedback, the Strakal Orsel can be used as a beefy effect oscillator. Using its CV input, the pitch can be varied. There is no accurate pitch tracking according to the standard 1 v / octave, though. If you now deactivate the feedback and dial in the right volume and distortion settings, you can enjoy the Orsel's noise floor in its purest form. In other words, the module will emit charming tube noise. Operation as a crude VCA is possible as well.

The following tubes are compatible with the Strakal Orsel:

- 6J1P
- 5654
- 6AK5
- EF95

The Strakal Orsel offered here is equipped with Russian NOS tubes, type 6J1P.

Power consumption: 5 mA at +12 V, 5 mA at -12 V and 350 mA at +5 V

HP: 12
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 1 in stock $330.49
VSL
Cat: 676905 Rel: 16 May 18
 
Delayed envelope generator - 10HP
Notes: The D-ENV is a 10hp Eurorack Envelope Generator with the addition of Delay and Hold functions for gates. As a "utility-effect" of sorts, it allows for delayed dynamics, which can provide more spacial or dimensional sounds within many configurations, including drum beat delays, or part of an echoic soundscape. Exponential envelope generator (ADSR/AR) with independent delayed gate/trigger processing (up to 1 second), and delay-hold (up to 1 second).

- 3 Env timing ranges (Short timing fixed range. Long timing can be extended for Extended-Long timing.)
- CV to Delay time
- Delay + Hold for Gate/Trigger Delays

Delayed Gate/Trigger can be routed internally at the push of a switch, and is "OR'd" with any income gates or triggers entering the envelope generator's gate and trigger input jacks.

Delayed gates only accept new gate signals once the entire Delay and Hold cycles are complete. Delay cycle starts once a signal at the D-G IN jack is received (rising edge -or- positive-going). Both the Delay and Hold cycles are minimum 12 ms, and maximum 1050 ms, each, and are sequenced from Delay to Hold.
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 1 in stock $237.65
Cat: 690926 Rel: 14 Jun 18
 
Stereo lowpass/bandpass VCF in desktop case
Notes: Erica Synths Acidbox III brings you the core of the famous Polivoks VCF in stereo version with a unique audio signal overdrive circuit, built in LFO and envelope follower in a compact, full aluminium case.

The Acidbox III has adjustable input gain, therefore it works with various sound sources - guitars, units with line level signals (synthesizers, grooveboxes, etc.) and modular synths. Configurable control input allows you to connect a bypass footswitch, expression pedal, external cut-off control voltage source and LFO synchronization trigger. This makes the Acidbox an ideal companion in almost every production or live performance setup.
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 1 in stock $424.45
Cat: 687637 Rel: 27 Apr 18
 
Carry case/sleeve for Korg Nano controllers
Notes: Official high quality Korg sleeve, for Nanokey, Nanopad and other similar MIDI controllers.
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 1 in stock $11.04
Cat: 678143 Rel: 27 Apr 18
 
Robust, lightweight case, fits up to 3 small diaphragm microphones & includes 3 protective mic tubes - 30cm version
Notes: The brand new Rycote Mic Protector Case is a supremely tough, water resistant case designed to carry and safely protect up to 3 small diaphragm microphones. Available in 2 lengths - a 20cm and a 30cm version - this case has been designed with location/production sound professionals firmly in mind. Durable, lightweight and practical, the Mic Protector Case is a really useful addition to your sound kit.

As well as offering additional physical protection, the 3 clear plastic Mic Tubes provided are incredibly handy in their own right. With a clever 'threaded' design, each cylindrical tube is extendable - from 200mm to 340mm or from 125mm to 180mm in length.

Each Mic Tube is supplied with 4 foam inserts, to help cushion the microphone within the tube. You can also use the foam inserts to separate multiple smaller microphones within a single Mic Tube, e.g. Schoeps CCM's. The hexagonal tube-end offers another layer of protection, by ensuring your valuable microphone won't accidentally roll off flat surfaces, like tables!

The webbed carry loop and lightweight carabiner clip give you plenty of options for keeping the Mic Protector Case close to hand.
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 1 in stock $44.20
Cat: 693966 Rel: 21 Jun 18
 
Mini Windjammer specifically designed for the Rode Video Mic GO
Notes: The Mini Windjammer for the Rode Video Mic GO provides excellent wind isolation for capturing audio in high-wind environments. Made from high-quality synthetic fur specifically designed for wind isolation, easy-to-fit slip-on fur covers for use when recording outside with the built-in microphones found on portable cameras, external camera mics and handheld reporter microphones.
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 More than 10 in stock $36.60
Cat: 681328 Rel: 15 Jun 18
 
2-channel microphone preamplifier with discrete, transformer-coupled circuitry
Notes: The TransX two channel microphone preamplifier features a new low noise discrete transformer coupled high performance preamplification circuit. Building upon the quality and success of great sounding products like the Pro MPA II and the Pro VLA II, ART engineers set out to develop the next generation of professional microphone preamplifier to complement our tube-based preamps. The TransX sets a new standard for quality and value. Professional features and spectacular tone are what make the TransX a world-class microphone preamplifier.
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 2 in stock $548.25
Cat: 691664 Rel: 31 May 18
 
Converts analog trigger clock signals to MIDI clock signals & vice versa
Notes: The Audiowerkstatt trigger2midi2trigger v2 has all functions of the classic version 1, but comes in a powder-coated steel-enclosure and stores its settings.

If used as trigger-clock-to-MIDI-clock-converter or MIDI-clock-to-trigger-clock-converter, there is always a MIDI-clock-signal (incl. start/stop) sent at the "midi out"-jack. At the tip of the "clock"-phone-jack, an analog trigger-clock-signal (v-trigger: 0v/5v, s-trigger "open"/"closed") is sent. The tip of the "start/stop"-phone-jack is 5v while the masterclock is running and 0v while the masterclock is paused for v-trigger and "closed" while the masterclock is running and "open" while the masterclock is paused, if s-trigger is used.

A clock-source can be connected to the "midi in"-jack or to the ring of the "clock"- and "start/stop"-phone-jack.

Normal insert-cables can be used to connect the analog inputs/outputs. If only the analog outputs are used, normal phone-jack-cables (mono or stereo) can be used.

The following parameters can be adjusted:

1. Clock-source (MIDI-clock or analog trigger-clock).
2. Trigger-type of the analog input (s-trigger or v-trigger).
3. Trigger-type of the analog output (s-trigger or v-trigger).
4. Clock-divider of the incoming analog trigger-clock (1/4, 1/8. 1/16 or 1/32).
5. Clock-divider of the outgoing analog trigger-clock (1/4, 1/8. 1/16 or 1/32).
6. Pulse-length of the outgoing analog trigger-clock (adjustable in 6 steps, the pulse-length is calculated dependent on clock-divider and clock-frequency).

In addition to the clock-signal, start-/stop-signals from the masterclock are detected and processed, but it is also possible to send start-/stop-signals manual.

The settings for the analog output (trigger.type out, clock.divider out and pulse.length) can be changed without losing synchronisation, while the masterclock is running.

The Audiowerkstatt trigger2midi2trigger v2 can also be used as a tool for analog-trigger-signals, if it isn't used as a converter.

The following uses are possible:

a) "S-trigger" to "V-trigger" converter
b) "V-trigger" to "S-trigger" converter
c) Analog clock-divider
d) Analog clock-multiplier
e) Gate to trigger converter
f) Trigger to gate converter with adjustable gate-length

Power: 9-12V AC or DC (polarity doesn't matter)
Dimensions: 112 mm x 72 mm x 48 mm
Weight: 290g
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 2 in stock $242.07
Cat: 686702 Rel: 27 Apr 18
 
Compact MIDI box featuring 8 MIDI through splitters
Notes: Erica Synths MIDI thru box is professional quality, no latency, one MIDI In to 8 MIDI Through splitter in rigid aluminium case. It allows to connect up to 8 instruments to your sequencer or master keyboard and control them simultaneously without undesired delays and interference.
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 2 in stock $132.64
Cat: 689860 Rel: 31 May 18
 
Small studio monitor stands with isolation-enhancing design, tilt adjustment & height adjustment
Notes: IsoAcoustics introduce the next evolution of their specialized line of speaker stands for the audio professional, music hobbyist, audiophile, and music lover. The new ISO Series of speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.

With a lower profile and new contemporary design, the ISO Series of stands positions your studio closer to the supporting surface or meter bridge, and the new redesigned isolators moves the acoustic performance another step forward.

IsoAcoustics ISO Series speaker stands are built with a unique, patented isolation technology that provides a high degree of isolations and manages the speaker's energy to deliver authentic, uncoloured sound. This next generation of speaker stands effectively eliminates energy transfer into the supporting surfaces. Bass becomes tighter, overall imaging is enhanced and your speakers are enabled to perform to their full potential. Following the same design philosophy as the ISO-L8R Series, these isolation stands provide 14 variations of height and tilt adjustment to optimize the placement and performance of studio monitors by getting the tweeters in the correct alignment with the listening position.

Whether you're a pro mixing in the studio - a musician creating in a home project environment - or an audiophile who appreciates every nuance of music and sound - you'll hear and appreciate the difference with the ISO Series speaker stands. It's simply the best investment you can make for superior audio.

ISO-130:

Designed for smaller speakers and studio monitors. These stands provide 14 variations of height and tilt to optimize speaker placement and performance. Isolate your studio monitors from the supporting surface and allow them to breathe so they can deliver the clearest and most accurate sound possible.

5.1"x6"/13x15cm Short: 2.7"/8cm Tall: 8"/20.3cm 20 lbs/9kg
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 9 in stock $86.22
Cat: 689863 Rel: 31 May 18
 
Mid-size studio monitor stands with isolation-enhancing design, tilt adjustment & height adjustment
Notes: IsoAcoustics introduce the next evolution of their specialized line of speaker stands for the audio professional, music hobbyist, audiophile, and music lover. The new ISO Series of speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.

With a lower profile and new contemporary design, the ISO Series of stands positions your studio closer to the supporting surface or meter bridge, and the new redesigned isolators moves the acoustic performance another step forward.

IsoAcoustics ISO Series speaker stands are built with a unique, patented isolation technology that provides a high degree of isolations and manages the speaker's energy to deliver authentic, uncoloured sound. This next generation of speaker stands effectively eliminates energy transfer into the supporting surfaces. Bass becomes tighter, overall imaging is enhanced and your speakers are enabled to perform to their full potential. Following the same design philosophy as the ISO-L8R Series, these isolation stands provide 14 variations of height and tilt adjustment to optimize the placement and performance of studio monitors by getting the tweeters in the correct alignment with the listening position.

Whether you're a pro mixing in the studio - a musician creating in a home project environment - or an audiophile who appreciates every nuance of music and sound - you'll hear and appreciate the difference with the ISO Series speaker stands. It's simply the best investment you can make for superior audio.

ISO-155:

Designed for medium size speakers and studio monitors. These stands provide 14 variations of height and tilt to optimize speaker placement and performance. Isolate your studio monitors from the supporting surface and allow them to breathe so they can deliver the clearest and most accurate sound possible.

6.1"x7.5"/15.5x19cm Short: 2.9"/9.5cm Tall: 8.75"/22.5cm 40 lbs/18kg
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 9 in stock $103.90
Cat: 689864 Rel: 31 May 18
 
Large studio monitor stands with isolation-enhancing design, tilt adjustment & height adjustment
Notes: IsoAcoustics introduce the next evolution of their specialized line of speaker stands for the audio professional, music hobbyist, audiophile, and music lover. The new ISO Series of speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.

With a lower profile and new contemporary design, the ISO Series of stands positions your studio closer to the supporting surface or meter bridge, and the new redesigned isolators moves the acoustic performance another step forward.

IsoAcoustics ISO Series speaker stands are built with a unique, patented isolation technology that provides a high degree of isolations and manages the speaker's energy to deliver authentic, uncoloured sound. This next generation of speaker stands effectively eliminates energy transfer into the supporting surfaces. Bass becomes tighter, overall imaging is enhanced and your speakers are enabled to perform to their full potential. Following the same design philosophy as the ISO-L8R Series, these isolation stands provide 14 variations of height and tilt adjustment to optimize the placement and performance of studio monitors by getting the tweeters in the correct alignment with the listening position.

Whether you're a pro mixing in the studio - a musician creating in a home project environment - or an audiophile who appreciates every nuance of music and sound - you'll hear and appreciate the difference with the ISO Series speaker stands. It's simply the best investment you can make for superior audio.

ISO-200:

Designed for larger speakers and studio monitors. These stands provide 14 variations of height and tilt to optimize speaker placement and performance. Isolate your studio monitors from the supporting surface and allow them to breathe so they can deliver the clearest and most accurate sound possible.

7.8"x10"/20×25.4cm Short: 3.5"/12.5cm Tall: 8.75"/22.5cm 60 lbs/27.2kg
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 9 in stock $152.54
Cat: 688298 Rel: 25 May 18
 
2 x sturdy adjustable monitor stands
Notes: Two steel monitor stands, extendible from 75-130 cm. Max. load each: 30 kg.

- Adjustable monitor stands with cotter lock
- Particularly suited for 5.1 systems or close-range monitors
- Sturdy cast iron foot
- Comes as a pair
- Powder-coated steel version
- Colour: Black
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 2 in stock $56.65
Cat: 680618 Rel: 04 Jun 18
 
Package of ULM300M wireless handheld microphone & ULM300RS single-channel receiver
Notes: Once again Behringer broke the affordability barrier - with the new ULTRALINK ULM300MIC Wireless Microphone System, which includes 1 of their high quality ULM300M handheld mics - and the equally-impressive ULM300RS single-channel receiver. Now you are free to work the room to your heart's content, without the hassle and restriction of cables underfoot. Highest-quality sound is provided by the custom-designed microphone capsule that is optimized for vocal performance, and the built-in transmitter that operates in the license-free 2.4 GHz range.

Interference-Free Performance:

Behringer's state-of-the-art transmitter operates in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers. And since it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artefacts that often plague other wireless systems. The ULM300RS single-channel receiver tracks your every move, with a range of up to 200 feet (60 m).

Extended Battery Life:

Replacing batteries in wireless mics can get expensive really fast - and having them die in the middle of your set can be a real showstopper! That's why Behringer have devoted extra time to developing the ULM300MIC to ensure that battery life was extended as much as possible. You get an honest 24 hours of performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet.

Easy To Use:

Setup couldn't be easier, because the ULM300M mic automatically pairs with the ULM300RS single channel receiver - without you having to lift a finger. Convenient front-panel LEDs on the receiver show your signal presence and strength, while indicators on the transmitter let you know at a glance when it's time to change batteries. Audio outputs are balanced XLR and unbalanced 1/4" TS, allowing you to connect to PA and conference room systems or high-quality instrument amplifiers.

Convenient Control:

Behringer wanted the ULM300MIC to be ultra-easy to operate, so they gave each mic easy-to-understand and operate Volume buttons right on the microphone body. And should you accidentally wander into the "Feedback Zone", they included a handy Panic Mute function that engages when you press and hold the Volume Down button.

Ready for the World:

Operating in the 2.4 GHz band allows your ULM300MIC Wireless Microphone System to be used across the globe without any special licensing requirements.
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 1 in stock $137.88
Cat: 677590 Rel: 05 Jun 18
 
Tweed Deluxe-inspired stompbox
Notes: The Little Tweedy Drive is voiced after the famous small Tweed amp tone, like the tone on Tweed Deluxe. The Little Tweedy Drive provides a vintage tone that is used on many recordings: big, fat & punchy midrange with a sweet growl reminiscent of the late 50's amplifiers. The Little Tweedy Drive has a tone that almost purrs!

With the Little Tweedy Drive, you don't just have the Tweed tone, but also the hard to get dynamics and touch sensitivity that are the qualities that have made the Tweed amps classic and raved about among the players.

This unique pedal it is the most amp-like feeling pedal you have ever experienced.

Adjusting the amount of gain by picking attack or guitar volume and using the tone controls on your instrument, makes the Little Tweedy Drive pedal fit into a surprisingly broad range of genres: from jazz & blues to country and rock 'n' roll!

Another great feature is that its gain stacks very well too. You can get more saturated and higher gain tones by placing a booster or another overdrive pedal in front of the Little Tweedy Drive.

The Little Tweedy Drive works equally well in front of a clean amp or an already distorted amp.

Thanks to the nicely balanced internal compression, the Little Tweedy Drive cleans up very well from the guitar's volume control. Also, just like on the vintage Tweed amp, the output volume will not drop too much.
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 2 in stock $163.59
Cat: 688711 Rel: 07 Jun 18
 
High quality dual channel preamp based on a handmade US Boutique full-tube combo with British Style sound
Notes: MOOER micro preamps are sonically accurate digital recreations of the preamp sections of popular tube amplifiers. Mooer have developed these by directly analysing real tube amplifiers using a brand new technology to capture their sound, dynamics and response. Each Micro Preamp comes complete with dual channels, integrated speaker cabinet simulation and dual operating modes to suit the needs of all users.

1. DCIN:

Connect a DC 9V 300mA centre pin negative power supply.

2. INPUT:

Connect your instrument directly or the output of your pre, pre-amp effects like Overdrive, distortion, etc.

3. OUTPUT:

Connect to a power amp or your amplifier's effects return (tube amplifier highly recommended). Different power amplifiers will affect the outcome of the final tone. You can also connect directly to a sound card and activate the speaker cab simulation for recording purposes.
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 1 in stock $82.90
Cat: 688712 Rel: 07 Jun 18
 
High quality dual channel preamp based on the signature amp of an 80's tapping legend
Notes: MOOER micro preamps are sonically accurate digital recreations of the preamp sections of popular tube amplifiers. Mooer have developed these by directly analysing real tube amplifiers using a brand new technology to capture their sound, dynamics and response. Each Micro Preamp comes complete with dual channels, integrated speaker cabinet simulation and dual operating modes to suit the needs of all users.

1. DCIN:

Connect a DC 9V 300mA centre pin negative power supply.

2. INPUT:

Connect your instrument directly or the output of your pre, pre-amp effects like Overdrive, distortion, etc.

3. OUTPUT:

Connect to a power amp or your amplifier's effects return (tube amplifier highly recommended). Different power amplifiers will affect the outcome of the final tone. You can also connect directly to a sound card and activate the speaker cab simulation for recording purposes.
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 1 in stock $82.90
Cat: 693156 Rel: 20 Jun 18
 
Digital multi modulation pedal with 11 different algorithms
Notes: MOD FACTORY MKII contains 11 algorithms straight out of Mooer's award-winning MOD FACTORY PRO. All the usual suspects are there, such as Chorus, Flange, Trem and Phase, but it also sports a cool new low-bit effect and ring modulator that have proven very popular with the PRO version.

The signal to noise ratio has been greatly improved over the original and your guitar tone will remain full and present when you turn the pedal on. To enhance the experience even further, real-time tap tempo and acceleration functions have been added and can be accessed via the soft touch, momentary footswitch.

MOD FACTORY MKII also has an option for SERIES/PARALLEL. The SERIES/PARALLEL switch toggles between serial and parallel internal signal chain routing. This effectively provides 2 very different sounds from each modulation type.
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 1 in stock $80.04
Cat: 685756 Rel: 01 Jun 18
 
Compressor effects pedal in micro-sized stompbox format
Notes: The Pigtronix Philosopher's Tone Germanium Gold Micro brings back the original Pigtronix custom shop compressor/sustainer/distortion effect - in micro form.

This superlative version of the award-winning and top-selling Pigtronix Philosopher's Tone compressor takes the original pedal's optical sustain engine and lets you mix in a layer of germanium-enhanced distortion.

The unique diode arrangement found in the Germanium Gold version delivers a smooth top end and rich midrange response, tailored to match the characteristics of the optical sustainer driving it. If you felt that the original circuits in the Philosopher's Tone were brilliant, wait 'til you hear how the Germanium distortion adds to the overall character of this compressor/sustainer pedal! The clean side of the Philosopher's Tone remains the same; dial in your Blend and Volume to get the signal you desire. Use the Sustain knob to dial in the amount of compression you need. Higher settings on this control will provide a noiseless clean sustain previously unheard of in compression pedals, while retaining the original integrity of your tone.

What makes the Germanium Gold version unique is the GRIT control. More than a simple gain knob, the Grit knob found on the Philosopher's Tone Germanium Gold Micro acts as a blend for the germanium-enhanced distortion found in this unit. You can dial in more or less grit, depending on your tastes. Your clean and overdriven tones from the Philosopher's Tone can be blended perfectly with just the right amount of grit for your playing. This stompbox features true-bypass switching and runs on standard 9VDC power with an internal, voltage-doubling circuit providing the superior clarity and overall output of 18VDC power rails. The Pigtronix Philosopher's Tone Germanium Gold Micro packs an unprecedented amount of boutique compression and germanium distortion into a micro-sized pedal.
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 1 in stock $141.48
Cat: 690895 Rel: 08 Jun 18
 
Five-knob fuzz featuring two new old-stock sixties germanium transistors
Notes: The Silicon Fuzz Factory contains carefully selected silicon transistors that preserve the classic texture of the original germanium Fuzz Factory while providing temperature stabilization. This means that it can be used in very hot situations such as sunny outdoor stages and under hot lights where germanium fuzzes can change texture as their gain climbs wildly.

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz.
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 1 in stock $219.96
Cat: 690893 Rel: 08 Jun 18
 
Five-knob four-stage phaser effects pedal
Notes: A few years ago ZVEX Effects released the Candela Vibrophase, a candle-powered vibrato/phaser machined from solid brass and glass that used a mix of 1800s technology (a Sterling heat engine) and 60s/70s audio circuitry to create a lovely swirling effect. After numerous requests to put that sound into a guitar pedal, they came up with a way of dramatically broadening the spectrum of textures available using the original circuitry from the Candela.

It's presented to you here as the Vibrophase, a five-knob four-stage phaser that creates phase and vibrato nuances never heard before. Five knobs! Count 'em! Speed sweeps from maddeningly slow to puppy dog flippy, vibrato/phase sweeps from, erm, you'll figure that out, feedback sends the output back through the phaser again to raise intensity, and there are controls for the top end and bottom end of the sweep so you can completely tailor the sound to your song.
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 2 in stock $260.86
Cat: 677561 Rel: 15 Jun 18
 
2-channel compressor/limiter, ideal for digital or analogue recording devices
Notes: The DUAL LIMITER has a unique design that will enhance the sonic textures of your audio system for years to come. Developed in partnership with studio and live-sound engineers, the DUAL LIMITER is very musical.

The heart of the Dual Limiter is a unique PWM gain control circuit. Combined with its intelligent detector, the result is a Classic sounding compressor/limiter without the traditional nose and distortion artefacts.

The DUAL LIMITER may be used as either a compressor or a limiter with all of the following:

- Multitrack or analogue recording device
- In a mixer's channel insert points
- Between a microphone preamp and signal processors
- Between pre-amplified electronic musical instruments (synthesizers, guitars, bass, samplers, acoustic instruments with pickups) and other line-level equipment
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 3 in stock $196.75
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