100% Secure Shopping

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

100% Secure Shopping

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

Eight Weeks: Studio Equipment

View:
Options
Items 51 to 100 of 156 on page 2 of 4
«  1  2  3  4  »
Cat: 705027 Rel: 10 Oct 18 • View all Audio & MIDI interfaces
 
All-in-one recording package featuring audio interface, monitors, microphone, headphones & software
Notes: Everything you need to record and produce:

Start recording today with this complete, all-PreSonus package! Based on the AudioBox USB 96 audio/MIDI interface and award-winning Studio One recording and production software, PreSonus AudioBox 96 Studio is great for creating multitrack recordings, demos, live recordings, podcasts, field recordings for video and sound effects, and much more.

AudioBox USB 96: Simple, reliable, and portable:

The AudioBox USB 96 is the heart of the AudioBox 96 Studio. This simple, handy little audio/MIDI interface has just the right features for basic recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy.

Studio One Artist makes recording a breeze:

No other entry-level recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio Oner Artist lets you work quickly and stay focused on your inspiration, offers unlimited tracks and plug-ins, and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy!

Sound you can trust. Eris 3.5:

PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. They're compact enough to fit almost anywhere, but still offer robust I/O - you can connect them to nearly anything.

Capture every nuance with the M7 condenser microphone:

Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones, like the M7, tend to "warm up" a sound, making them the go-to microphone for recording vocals and a wide range of instruments.

Hear every detail with HD7 professional headphones:

PreSonus' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
Read more
 1 in stock $267.07
Cat: 695711 Rel: 09 Oct 18 • View all MIDI controllers
 
USB control surface featuring new design for easier & faster control of your DAW
Notes: The latest generation of PreSonus classic USB control surface, the FaderPort enables you to record and mix with a smooth, touch-sensitive, motorized, 100 mm fader; transport controls; and many of the new workflows introduced in the FaderPort 8 and 16. Manage markers, punch in and out with a footswitch (not included), arm tracks, and employ the innovative Session Navigator to control your favourite DAW application quickly and easily. The FaderPort connects via USB 2.0 and offers native control of PreSonus Studio One DAW (Studio One Artist is included), including Control Link support and parameter follow, allowing quick hardware access to any control.
Read more
 2 in stock $192.34
Cat: 707838 Rel: 09 Oct 18 • View all MIDI controllers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The latest generation of PreSonus classic USB control surface, the FaderPort enables you to record and mix with a smooth, touch-sensitive, motorized, 100 mm fader; transport controls; and many of the new workflows introduced in the FaderPort 8 and 16. Manage markers, punch in and out with a footswitch (not included), arm tracks, and employ the innovative Session Navigator to control your favourite DAW application quickly and easily. The FaderPort connects via USB 2.0 and offers native control of PreSonus Studio One DAW (Studio One Artist is included), including Control Link support and parameter follow, allowing quick hardware access to any control.
Read more
 1 in stock $175.85
Cat: 690690 Rel: 10 Oct 18 • View all Music production software
 
Music creation, production & mastering software - Professional edition
Notes: Work better, faster. Studio One 4 Professional is designed for ease of use without sacrificing effectiveness. It seamlessly combines the time-tested recording studio model with today's beat-oriented production process, so musicians of all genres can bring their musical ideas to sonic reality - quickly and easily.

Studio One doesn't dictate a workflow but provides the tools and flexibility for musicians to follow their own musical path. Songwriters prototyping a song will love the new Harmonic Editing features, which allow Instrument and Audio Tracks to follow chord progressions dynamically. For EDM and hip-hop producers, the next-generation Impact XT and Sample One XT virtual instruments are complete production environments - auto-slice, dice, sample, de-construct, and trigger synched loops with an intuitive workflow. Patterns and a new Drum Editor bring step sequencing and drum machine-style music creation into the 21st century. Studio One is also a complete mastering suite, including DDP import/export for CD duplicators and digital delivery for online streaming and publishing.

There's a very good reason why so many musicians have switched to Studio One from older, more rigid programs. Built on a modern foundation that's not bogged down by legacy code, Studio One provides an efficient, creative companion from initial inspiration to final master. Its efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, advanced virtual instruments, mastering, and video player - you spend your time creating music, not wondering what to click next. The 64-bit double-precision mix engine is state of the art, while the smooth, analogue quality of the virtual instruments comes from proprietary techniques that provide much higher controller resolution. That's why Studio One just plain sounds better.

The reason why Studio One resonates with musicians is simple: PreSonus listens. Many new features in Version 4 are the direct result of user feedback, including AAF import/export so users can bring song data from their old DAW into Studio One. Add the most flexible arranging tools of any music program, full integration with Notion for superior notation, over 20 GB of carefully curated content, analogue console emulation, advanced step sequencing, unified hardware control with the FaderPort series of hands-on controllers, and much more - it's no wonder that Studio One continues to gain new followers every day.
Read more
 1 in stock $374.79
Cat: 705029 Rel: 09 Oct 18 • View all Studio mixers
 
22-channel hybrid performance & recording mixer
Notes: StudioLive AR22 USB 22-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician's mixer: lightweight, versatile, feature-rich, and packed with analogue connections and digital tools, yet easy to learn and use. Mix with 16 of PreSonus' famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD digital recorder. Stream program music wirelessly, using onboard Bluetooth. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.

StudioLive AR22 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the 12 mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus' prized Class A preamps; 3-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicated bus, for feeding stage wedges, a headphone amp, or an in-ear system. You also get control-room outputs with level control to feed your studio or front-of-house monitors.

Most mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board - no direct box needed.

Our unique Super Channel (stereo Channel 21/22) allows you to connect four stereo analogue and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel's unbalanced RCA and 1/8-inch stereo inputs, play stereo audio from the onboard SD recorder or from your USB-connected Mac or Windows PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!

Naturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It's smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR22 USB mixer to your computer via USB 2.0, and you have a 22x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer - just hit Record and go. Recording can't get much easier than this!

Both the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. With just a few backing tracks, your small band can sound like a much larger act. Using the two stereo USB playback streams, you can add backing tracks, click tracks, or program music to your mix. Use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer. And don't forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to.

PreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus' Capture live-recording software, then edit in our award-winning Studio Oner Artist DAW (recording and production software); both are included free. As a bonus, you get the Studio Magic Plug-in Suite for Mac and Windows, which includes seven popular plug-ins in VST, AU, and AAX formats.

To get a great mix, you need high-quality effects. The StudioLive AR22 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor sends, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). It's just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.

Compact and built for the road, the StudioLive AR22 USB is an easy-to-use, all-in-one solution for audio mixing and recording. With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems.
Read more
 1 in stock $658.35
Cat: 701428 Rel: 05 Sep 18 • View all Studio mixers
 
RK-003 8CH stereo passive mixer board can be used for audio
Notes: The RK-003 is a little kit we made to mix your gear in the simplest way possible. The mixer can be used for audio but also for e.g. the splitting of sync signals.

Note: This is a 'passive mixer' which means there is no amplifier in it, only small resistors to protect the gear you're mixing. You have to adjust volume on the devices itself and expect a volume drop which needs to be compensated on the amplifier on which your mixing to.
Read more
 1 in stock $38.46
Cat: 701432 Rel: 12 Sep 18 • View all Audio & MIDI interfaces
 
The 6 channel MIDI Merger/Splitter, 8 channel Sync-hub & clock processor
Notes: The RK-004 is not your 'ordinary 6 channel MIDI-merger or MIDI-splitter'. The 7 MIDI DIN5 sockets hide more than you would expect at first sight.

MIDI thru
MIDI message arriving at an input will be casted-thru to all connected outputs. This makes the RK-004 behave like a MIDI-thru box, syncing up all your connected MIDI devices. The cool thing is that each connector can act as MIDI input or MIDI-output. This means you can use the RK-004 to merge up to 6 MIDI-sources into one output, split one MIDI source up to 6 outputs or just sync up 7 MIDI devices by using the RK-004's internal clock or (or slave all MIDI devices to an incoming sync pulse, see 'tempo manipulation') The direction of the ports is ad hoc, and the direction is detected automatically: this means that you just can "plug and play™", and use the connectors as you like.
MIDI merge Today you want to control your sound module with 2 controllers(='merge'): just connect and it will merge. Tomorrow you want to control 2 sound modules with 1 controller (='split'): just connect and it will split... any other combination is valid also! The good thing is that you don't have to reconfigure: the direction will be auto-detected. Note that the MIDI-in mode of the RK-004 is not opto-isolated like regular MIDI-in ports. Although this could sometimes lead to a 'ground loop' it is not more dangerous for your equipment than plugging a midi-out to a midi-out port.
Analog SYNC input In order to use your favorite analog sync source there is the sync-in connector which accepts good-old analog sync input. With this connection it is possible to use an analog sync generator as master clock to which the whole remaining system will lock. So yes: this will generate MIDI clocks from analog sync input!
Analog SYNC output
The other way around: if you want to slave-sync your analog equipment with a clock originating in the digital MIDI world there is the sync-out connector. On this connector you can connect analog equipment which will lock to the generated sync signal.
Ports can be defined as sync-only You can change the MIDI connector into sending out sync signals. With the use of a MIDI to Mini-jack converter (as provided with e.g. the Arturia Beatstep) in reverse to the RK-002, this enables you to use the MIDI-connectors as sync output. This way you can also use the RK-004 to drive a bunch of (example given) Pocket Operators.

Tempo manipulation Every port can be set to run relative to the midi or sync master clock (or discard the master clock all together). This way you can creatively use sequencer machines to run in different tempos with each other.

Stand-alone tempo If you don't use any MIDI or analog sync-master gear on the RK-004 you can use it so generate it's own tempo just by tapping it.

Raspberry Pi USB Host
The basic RK-004 only has it's USB ports for power distribution but you can connect a RaspberryPi to the (PiZero)-layout-compatible connector, download our disk image and use the RK-004 to merge your USB-only midi devices into 'the real MIDI world'.
Not only for RPi projects by the way; By setting the 1st RK-004 port to Serial mode you are able to connect the RK-004 via serial port on a regular baud rate, easily integrating other hardware projects into your music.
You can download a RPi disk image from Google Drive

Configurable with Audio only
It is not necessary to have another MIDI interface at hand to set the clock divisons, force port directions or set sync properties. Just a phone or tablet with audio out can be used to configure the RK-004.
You can use this link to open the RK-004 settings page on a new tab so you can bookmark it on your home screen as a web app.

The RK-004 comes with the RK-USB cable
Read more
 2 in stock $236.29
Cat: 701438 Rel: 12 Sep 18 • View all Audio & MIDI interfaces
 
Host for USB MIDI devices and USB Hubs
Notes: The RK-005 hosts USB MIDI devices and USB Hubs. It interconnects USB-Devices and sends the merged MIDI to the DIN5 out port.
Where other USB-Hosts do host-only, the RK-005 is also a Class Compliant MIDI device as well. The RK-005 connects to a computer, phone or tablet and gives you a fast and solid MIDI In and Out from your DAW. Even simultaneously.

Translates MIDI clock to Gate-out: Sync up Pocket Operators, Monotribes or Modular systems to your USB or DAW setup with ease.
The RK-005 is a small device which can combine all layers of the MIDI spectrum and beyond!

The RK-005 is the most complete Standalone USB Host out there: Integrate those small and handy USB MIDI devices to your traditional MIDI gear and leave your computer at peace. And it's not just a bridge to DIN5 MIDI: The RK-005 supports USB-Hubs too so you can interconnect multiple USB devices with it without using MIDI cables at all.
And where other USB-Hosts do host-only, the RK-005 is also a Class Compliant MIDI device. This means if you connect the RK-005 to a computer, phone or tablet: It will give you a fast and solid MIDI In and Out from your DAW. Even simultaneously. The RK-005 is a 2-in-1 device!

If you're also looking to connect other gear which only have gate triggers to listen to: The RK-005 has an on-board MIDI clock to Gate converter. You can sync up your Pocket Operators, Monotribes or Modular systems to your USB or DAW setup with ease.

With the RK-005 you can now create that compact live or production hardware setup: full control without the full table.
Read more
 2 in stock $143.97
Cat: 701442 Rel: 07 Sep 18 • View all Power cables & adapters
 
9V To 5V Converter small PCB with the LT1129 onboard
Notes: Just a small PCB which has the LT1129 onboard, a very low-dropout regulator which in this case is used to step down the 9V battery to a small 5V USB power level (700mA).
Read more
 2 in stock $12.36
Cat: 700731 Rel: 29 Aug 18 • View all Studio headphones
 
High-resolution professional monitoring headphones
Notes: The newly developed HD 300 PRO delivers a neutral, high-resolution working sound. Its huge depth of detail passes through even in the loudest of environments. Irrespective of whether you are editing, playing or composing music, and regardless of whether you're behind a drum kit, at the mixing desk, in a live setting or in the studio, the HD 300 PRO provides the details that you need for making good decisions.

The HD 300 PRO works at the same level of precision that you apply to your production. To make this possible, we have pushed its acoustic properties to the boundaries of physics and recalculated them. Firstly, it's linear frequency response. It doesn't interpret, but rather ensures neutral transparency - the basis for good decisions. Its sound pattern remains delicate and precise in every application - across the entire spectrum.

Secondly, we have reduced distortion, wobbling motions and partial vibrations of the diaphragm to a minimum. Together with highly sensitive transducers, this construction guarantees powerful and distortion-free reproduction even at high sound pressure levels. Not to mention the recalculated air volumes in front of the ear. The HD 300 PRO gives the sound a remarkably natural, three-dimensional quality.

The design of the HD 300 PRO represents a smart combination of wearing comfort and ambient noise attenuation. Its circumaural, viscoelastic earpads can barely be felt even after several hours. And they provide reliable protection even against very loud ambient noise. To achieve this, we have designed the acoustic unit to be more isolated than a monitoring set has ever been. Even after sessions lasting several hours, you will detect only its sound - not its weight.

What's in the box?

1 x HD 300 PRO headphones
1 x Cable (1.5m with 3.5mm jack)
1 x 1/4" Adapter jack
1 x Quick start guide
Read more
 2 in stock $185.75
Cat: 702243 Rel: 28 Sep 18 • View all Earphones
 
Comfortable in ear monitoring headphones with stage-proof cable
Notes: Monitor your performances on stage with clarity. The Sennheiser IE 40 Pro in-ear monitors have an innovative dynamic single-driver design that produces well-rounded sound across an extended frequency range.

Audio is faithfully reproduced with no distortion and complete phase linearity, regardless of sound level. You're able to hear every detail, from incredibly deep lows to well-defined mids and crystal-clear highs.

The IE 40 Pro in-ear monitors are the perfect way for musicians and sound engineers to monitor live performances. Enhance your performance by being able to clearly hear backing tracks and personalised mixes.

The Sennheiser IE 40 Pros come supplied with silicone and foam earbuds, a cleaning tool and a soft carry pouch.
Read more
 2 in stock $91.22
Cat: 703183 Rel: 13 Sep 18 • View all Studio accessories
 
The world's first wearable smart metronome
Notes: Finally, a metronome that you'll actually love using! The Soundbrenner Pulse is the metronome of the 21st century - wearable, intelligent, and powered by vibrations. It becomes even more powerful when combined with The Metronome by Soundbrenner, our popular mobile app available for iOS and Android. Using the app, you can create and save complex rhythms, organize them into setlists, and even choose custom vibrations and LED colours.

You no longer have to listen to annoying audio clicks. Experience amazingly accurate haptic feedback in the form of strong, distinct vibrations that are easily felt against your skin.
Twist the wheel or triple tap to set the tempo to your liking. Yes, it's that simple. Free companion app is the most advanced, intuitive and customisable app on the market. It enables you to create and save any rhythm, change the time signature, choose a subdivision and much more.

To help bands and orchestras play with rock-solid precision, we've enabled Multi-Player Synchronisation. Connect up to 5 Soundbrenner Pulse to one smartphone which serves as a master to all devices. In a matter of seconds, you can play together, feeling the rhythm in perfect synchronisation.

Each Soundbrenner Pulse comes with two bands. Depending on your instrument and preference you can try out at home which location you prefer and comfortably switch out the bands.
Read more
 2 in stock $79.31
Cat: 701091 Rel: 03 Sep 18 • View all T-Shirts & sweatshirts
 
Black t-shirt with green print on front & back
Notes: Black Gildan 'Soft Style' t-shirt with green ALM logo print on front, and 'Busy Circuits' print on back. Size Small.
Read more
 1 in stock $16.48
Cat: 703556 Rel: 10 Oct 18 • View all Audio cables
 
Pack of three 300cm patch cables - 300cm length
Notes: 300cm long, 3.5mm pink Eurorack patch cables. Colour and length correspond to Doepfer standard.
Read more
 More than 10 in stock $15.38
Cat: 704973 Rel: 01 Oct 18 • View all Audio cables
 
Standard 3.5mm mono jack to jack lead with screened cable
Notes: Mono jack to jack lead, 1.2m length.
Read more
 More than 10 in stock $0.49
Cat: 704972 Rel: 27 Sep 18 • View all Audio cables
 
3.5mm stereo jack to 2 x 3.5mm right angled mono jacks
Notes: 3.5 mm Stereo jack plug to 2 x 3.5 mm right angled jack plugs. Loose, 1 m.
Read more
 More than 10 in stock $1.21
Cat: 704974 Rel: 01 Oct 18 • View all Audio cables
 
Standard 3.5mm stereo jack to jack lead with screened cable
Notes: Stereo jack to jack lead, 0.23m length.
Read more
 More than 10 in stock $0.49
Cat: 704976 Rel: 27 Sep 18 • View all Audio cables
 
Male to male stereo 3.5mm mini-jack cable
Notes: Standard 3.5mm Stereo jack to jack lead with screened cable.
Read more
 More than 10 in stock $0.55
Cat: 704978 Rel: 01 Oct 18 • View all Audio cables
 
Standard 3.5mm stereo jack to jack lead with screened cable
Notes: Stereo jack to jack lead, 10m length.
Read more
 More than 10 in stock $1.43
Cat: 704977 Rel: 27 Sep 18 • View all Audio cables
 
Male to male stereo 3.5mm mini-jack cable
Notes: Standard 3.5mm Stereo jack to jack lead with screened cable.
Read more
 More than 10 in stock $0.99
Cat: 704981 Rel: 01 Oct 18 • View all Audio cables
 
Standard 3.5 mm stereo jack plug to 3.5 mm stereo jack socket lead
Notes: Extension lead, 1.5m length.
Read more
 More than 10 in stock $0.60
Cat: 704988 Rel: 27 Sep 18 • View all Audio cables
 
female to male stereo 3.5mm mini-jack extension cable
Notes: Standard 3.5 mm stereo jack plug to 3.5 mm stereo jack socket lead.
Read more
 More than 10 in stock $1.48
Cat: 704983 Rel: 27 Sep 18 • View all Audio cables
 
female to male stereo 3.5mm mini-jack extension cable
Notes: Standard 3.5 mm stereo jack plug to 3.5 mm stereo jack socket lead.
Read more
 More than 10 in stock $0.82
Cat: 704986 Rel: 27 Sep 18 • View all Audio cables
 
female to male stereo 3.5mm mini-jack extension cable
Notes: Standard 3.5 mm stereo jack plug to 3.5 mm stereo jack socket lead.
Ideal for extending the length of an excisting lead. For use with headphones an other audio connections to computer etc.
Read more
 More than 10 in stock $0.88
Cat: 697791 Rel: 29 Aug 18 • View all DI boxes
 
Active DI box with MIDAS transformer, extended dynamic range and phantom/battery operation
Notes: Building on KLARK TEKNIK's storied legacy of highest-quality direct injection devices, the DI 10A PRO DI ACTIVE offers the same high headroom, dynamic response and sonic clarity you have come to expect. DI 10A is ideal for interfacing keyboards, samplers and other electronic musical instruments to mixing consoles, and faithfully reproduces the character of electric and acoustic instruments, allowing far more of the detail of musical performances to be captured. The DI 10A is powered by +48 V phantom power with a 9 V battery backup, which automatically allows the device to function should phantom power fail, or be unavailable. Equipped with a switchable input attenuator, DI 10A easily accommodates instruments, line, and even loudspeaker level signals - and thanks to its extremely low noise input circuit topology (-112 dBu), DI 10A provides extended dynamic range, making it the perfect choice for professional audio and multimedia applications.

Compact & Rugged Construction:

The ultra-compact DI 10A is built to handle the rigours of life on the road via a thick and rugged aluminium extrusion that protects the electronics. The enclosure's roadworthiness is further enhanced through the implementation of sturdy rubber corner bumpers.

MIDAS - The Legend in Sound Quality:

Ever since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations world-wide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.

MIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build quality and in particular for their Award-winning products which are considered by industry experts as the industry's best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.

KLARK TEKNIK is proud to incorporate MIDAS designed transformers for the ultimate in high-quality audio reproduction in both live and studio environments. Find out more about MIDAS' amazing legacy by visiting their extensive website.

High Headroom Design:

A custom instrumentation-grade input circuit was designed for the DI 10A using advanced analogue design techniques to create the very high input impedance required by passive guitar and bass pickups, whilst keeping the actual component values low to minimise noise. This innovative approach to circuit design produces a very low noise floor, which combined with the high clipping point creates an unrivalled dynamic range in a +48 V phantom powered DI Box.

Connectivity & More:

DI 10A PRO DI ACTIVE features genuine high quality Neutrik XLR and high impedance 1/4" TS connectors to maintain the highest signal integrity. The Input connectors accept balanced and unbalanced signals over TRS, TS or XLR cables with plugs, with the Thru jack passing an unbalanced 1/4" TS signal to local amps/monitors. The Output XLR jack sends a balanced version of the Input signal to your mixing board or other processing device.
Read more
 1 in stock $49.45
Cat: 697793 Rel: 29 Aug 18 • View all DI boxes
 
Passive 1-in/2-out signal splitter with MIDAS transformer & extended dynamic range
Notes: Building on KLARK TEKNIKs storied legacy of highest-quality signal processing devices, the DS 20 PRO SPLITTER 2 offers the same high headroom, dynamic response and sonic clarity you have come to expect. DS 20 is ideal for routing balanced XLR signals to multiple discrete destinations, including FOH and monitor consoles, active monitor loudspeakers, broadcast mixers, and more. A passive device, the DS 20 does not require any form of external power to complete its mission. Equipped with a custom-built MIDAS transformer, DS 20 is the perfect solution for a wide range of professional audio and multimedia applications.

Ever since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations world-wide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.

MIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build quality and in particular for their Award-winning products which are considered by industry experts as the industries best sounding designs. Building on KLARK TEKNIKs storied legacy of highest-quality signal processing devices, the DS 20 PRO SPLITTER 2 offers the same high headroom, dynamic response and sonic clarity you have come to expect. DS 20 is ideal for routing balanced XLR signals to multiple discrete destinations, including FOH and monitor consoles, active monitor loudspeakers, broadcast mixers, and more. A passive device, the DS 20 does not require any form of external power to complete its mission. Equipped with a custom-built MIDAS transformer, DS 20 is the perfect solution for a wide range of professional audio and multimedia applications.

Ever since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations world-wide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.

MIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build quality and in particular for their Award-winning products which are considered by industry experts as the industries best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.

KLARK TEKNIK is proud to incorporate MIDAS designed transformers for the ultimate in high-quality audio reproduction in both live and studio environments. Find out more about MIDAS amazing legacy by visiting their extensive website.

A custom instrumentation-grade input circuit was designed for the DS 20 using advanced analogue design techniques to create the ideal input impedance match. This innovative approach provides an ultra low noise and ultra-linear system with a ruler-flat frequency response that ranges from 30 Hz to 45 kHz (i3 dB).

All of the Input and Output connections on the DS 20 feature genuine high quality Neutrik XLR jacks for the ultimate in signal integrity. Dual independent Earth Lift switches are provided for both the Output A and Output B jacks, eliminating earth loops between equipment on different mains electricity supplies. DS 20's fully transformer-isolated design further ensures pristine performance even in large-scale production environments.

The ultra-compact DS 20 is built to handle the rigours of life on the road via a thick and rugged aluminium extrusion that protects the electronics. The enclosures road-worthiness is further enhanced through the implementation of sturdy rubber corner bumpers.
Read more
 1 in stock $40.66
Korg KA196 Power Supply (power supply)
Cat: 702730 Rel: 07 Sep 18 • View all
 
Power supply/AC adapter
Notes: Korg KA196 is a PSU compatible with a wide range of Korg products.
Read more
 1 in stock $23.07
2hp
Cat: 706870 Rel: 15 Oct 18 • View all Synth modules
 
Voltage controlled multi mode filter
Notes: MMF is an analogue, multimode filter with a 12dB per octave slope. Its sonic character swings all the way from classic low pass to squelchy acid lines. Simultaneous outputs of low pass, high pass, and band pass filter types are provided allowing for many variations of the input signal. Whether you're looking for smooth and creamy, or resonant and wild, MMF can go there.
Read more
 2 in stock $120.90
2hp
Cat: 706868 Rel: 15 Oct 18 • View all Synth modules
 
Voltage controlled multi mode filter
Notes: MMF is an analogue, multimode filter with a 12dB per octave slope. Its sonic character swings all the way from classic low pass to squelchy acid lines. Simultaneous outputs of low pass, high pass, and band pass filter types are provided allowing for many variations of the input signal. Whether you're looking for smooth and creamy, or resonant and wild, MMF can go there.
Read more
 2 in stock $120.90
2hp
Cat: 704937 Rel: 01 Oct 18 • View all Synth modules
 
Powerful, easy-to-use speech synthesiser & oscillator
Notes: Vowel is a speech synthesis and formant oscillator. It synthesises and approximates the human voice by generating vowel sounds. These can be manipulated to provide deep low baritones, or high-pitched squeaks. Two unique algorithms provide separate takes on this exciting synthesis method and allow for a multitude of talking synth sounds.
Read more
 2 in stock $151.66
Cat: 695405 Rel: 05 Oct 18 • View all Synth modules
 
Versatile analogue synth & sound maker
Notes: No compromise has been made with the construction of Treadstone. Cheaper options in parts have not been used.

- Full rugged steel/aluminium case; no plastic mouldings
- Good quality smooth, fully sealed against dust
- Good quality knobs with spun aluminium caps
- High grade double sided circuit board
- Analogue discrete VCO, analogue SSM style 24db filter
- High Quality 16bit DAC for MIDI-CV conversion Stable MIDI to CV
- MIDI converter
- MIDI loop sequencer
- LFO, Noise, Sub Osc, EG, PWM, lofi digital echo
- Analogue voice and modulation circuits
- Stable analogue oscillator
- Designed, built, tested and assembled in the UK
- True retro analogue voice and modulation circuits used in the synth element to give an authentic retro

Analogue Oscillator:
The VCO is very analogue and uses discrete components and op-amps. One oscillator, yet still sounds big - using PWM and Sub Osc creates a full warm and deep sound.

Analogue Low Frequency Oscillator:
The LFO has triangle and square wave modulation signals.

Analogue Filter:
Treadstone uses a four pole 24bB per octave multimode filter. The filter is a re-issue of the classic SSM2044, as used in many classic synths such as the Korg Poly 6, Monopoly, Emulator, SP1200.

Analogue Mixer:
Audio signals such as the VCO, Noise, external audio are all routed to the VCF via an analogue mixer.

Analogue Amplifier:
The VCA can be set so it is always 'open'. This allows Treadstone to be used as an effects processor.

Analogue Envelope:
The EG features ATTACK, SUSTAIN, and combined DECAY/RELEASE. It's not really true to say it is an ASR envelope, it really is an ADSR - Decay and Release are both controlled by the same control. Saving space with little compromise in flexibility. It's possible to drone or auto-repeat the envelope also.

Modulation:
Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' style sounds.
Read more
 2 in stock $330.77
Cat: 688798 Rel: 10 Sep 18 • View all Synth modules
 
Flexible dual waveform module - 7HP
Notes: Timber is very flexible wave shaping module that can produce rich timbres by adding harmonics to simple waveforms (triangles and sinewaves) or any other signal. It has 2 different unique wave shaping circuits - I. - the WAVE DRIVER and II. -the WAVE FOLDER and voltage-controlled crossfader to fade between the different circuits or between one of them and the clean input signal.

Both circuits share the same control voltages: the SHAPE which sets the input amplification before the wave shaping circuit and the SYMMETRY control which adds voltage offset to the input signal to provide various asymmetric overdrives or wave folding sounds. There is also voltage FBK CV jack which when provided with positive voltages feeds respective portion of the output signal back to the input which results in chaotic and aggressive behaviours. It is calibrated to work well with 5V gate voltages.

I. the WAVE DRIVER is an overdrive circuit with one folding stage and it has 2 configuration 3-way switches (9 different configurations). The drive switch can set the overdrive character to SOFT or HARD or something in between. The FOLD switch can set the folding threshold to HI or LO or it can turn the folding stage off in the NO position.

II. the WAVE FOLDER is a novel take on the serge style wavefolding circuit which has specific behaviour to abuse the high gain of the input amplification stage to provide rich high frequency timbres with higher settings of the SHAPE parameter. It has a configuration switch which can either activate clean 4 stage wavefolding in the OK position or highly asymmetric folding stage in the KO position that provides strange metallic character. The NO position provides only the very last overdrive-folding stage.
Read more
 2 in stock $206.63
Cat: 701539 Rel: 04 Sep 18 • View all Synth modules
 
Delta Sound Labs Origami skiff-friendly Wavefolder Module based on the circuit found in the 1973 Buchla Easel - 8 Hp
Notes: Origami is our first eurorack module. This is a skiff-friendly Wavefolder based on the circuit found in the 1973 Buchla Easel but re-imagined for the eurorack standard.
Read more
 2 in stock $119.80
Cat: 701540 Rel: 20 Sep 18 • View all Synth modules
 
Saber SEM classic audio filter module 8HP
Notes: Saber by Delta Sound Labs is a reimagined variation of the pioneering 1970's era SEM filter by Tom Oberheim.
This is a truly classic audio filter reworked as a compact and 100% skiff-friendly 8HP module.

The original SEM (Synthesizer Expander Module) was one of the world's first all-in-one synthesizers and it's unique 12dB/Octave multi-mode filter, imparted unique character to anything it touched.
Saber by Delta Sound Labs remains true to this design but features modern touches such as buffered low-pass, high-pass and band-pass outputs, each of which can be used at the same time.
All in all, this makes for a really flexible, great sounding addition to any Eurorack system.
Read more
 2 in stock $150.56
Cat: 676691 Rel: 21 Sep 18 • View all Synth modules
 
Polyphonic filter with four identical 24dB Lowpass filters 8HP
Notes: A-105-4 is our first polyphonic filter and contains four
identical 24dB Lowpass filters (SSM2044 type). It has
available common manual controls and CV inputs with
attenuators for these parameters:

Frequency (F)

Frequency Modulation Intensity (FM)

Resonance (Q)

Audio Input Level (L)
Each filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4).
The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts.

In addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. The range of the audio input level control (L) allows also clipping/distortion with typical A-100 audio levels
(e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q).
Application: polyphonic patches (four VCFs with same parameters).
Read more
 5 in stock $202.22
Cat: 703566 Rel: 04 Oct 18 • View all Synth modules
 
Voltage controlled low-pass filter - 8HP
Notes: Module A-120 is a voltage controlled low-pass filter, which filters out the higher parts of the sound spectrum, and lets lower frequencies pass through. The Cut-Off Frequency determines the point at which filtering takes effect. You can control this manually, or by voltage control (filter modulation, for instance by an LFO). Three CV inputs are available, and the sum of the voltages from these affects the filter cut-off.

The module is based on a so-called "transistor ladder" design, with a cut-off slope of -24 dB/octave, as in various Moog synthesizers. That's what gives it its classic, legendary Moog sound.

Resonance (or Emphasis) is adjustable all the way up to self-oscillation - in which case the filter behaves like a sine wave oscillator.
Read more
 1 in stock $109.90
Cat: 703567 Rel: 08 Oct 18 • View all Synth modules
 
Voltage-controlled multi-mode filter - 8HP
Notes: Module A-121 is a voltage-controlled multi-mode filter with a cut-off slope of -12 dB / octave. Four simultaneous outputs are available, each with different characteristics: low-pass, band-pass, high-pass and notch (or band reject). The cut-off frequency determines the point at which the respective filter effects appear. The frequency can be adjusted manually, or by voltage control (Filter modulation, for instance by an LFO or ADSR). Two CV inputs are available, whose control voltages are summed. Resonance (Emphasis or Q) can be adjusted manually, or by voltage control, right up to self-oscillation, in which case it will behave like a sine wave oscillator.

Technical notes: Module A-121-2 is the successor of the obsolete module A-121. But the circuitry is totally different from the A-121 which used the obsolete CEM3320 filter circuit. The sound of the new module A-121-2 is identical to filter of the Dark Energy II but has been expanded by the voltage-controlled resonance feature.
Read more
 1 in stock $109.90
Cat: 703568 Rel: 08 Oct 18 • View all Synth modules
 
Voltage-controlled multi-mode filter with black faceplate - 8HP
Notes: Module A-121 is a voltage-controlled multi-mode filter with a cut-off slope of -12 dB / octave. Four simultaneous outputs are available, each with different characteristics: low-pass, band-pass, high-pass and notch (or band reject). The cut-off frequency determines the point at which the respective filter effects appear. The frequency can be adjusted manually, or by voltage control (Filter modulation, for instance by an LFO or ADSR). Two CV inputs are available, whose control voltages are summed. Resonance (Emphasis or Q) can be adjusted manually, or by voltage control, right up to self-oscillation, in which case it will behave like a sine wave oscillator.

Technical notes: Module A-121-2 is the successor of the obsolete module A-121. But the circuitry is totally different from the A-121 which used the obsolete CEM3320 filter circuit. The sound of the new module A-121-2 is identical to filter of the Dark Energy II but has been expanded by the voltage-controlled resonance feature.
Read more
 1 in stock $110.74
Cat: 703570 Rel: 05 Oct 18 • View all Synth modules
 
24dB low pass filter based on a Curtis filter circuit - 8HP
Notes: Module A-122 is a voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum, and lets lower frequencies pass through.

The cut-off frequency determines the point at which filtering takes effect. You can control this manually, or by voltage control (filter modulation, for instance by an LFO). Two CV inputs are available.

The cut-off slope is -24 dB/octave. The circuitry uses a Curtis chip, and is very similar to the classic Oberheim filter sound. Because of its different circuitry and controls, the A-122 has a considerably different sound to the A-120 'Moog-like' filter, especially in the way the resonance behaves.

Voltage controlled resonance: on the A-122, resonance can be controlled not just manually, but by voltages as well, right up to self-oscillation. In this case, the filter behaves like a sine wave oscillator.
Read more
 1 in stock $96.71
Cat: 684451 Rel: 28 Aug 18 • View all Synth modules
 
Dual envelope controlled VCA - 8HP
Notes: Module A-142-2 contains two envelope-controlled VCAs behind a front panel with 8 HP only. Each of the two sub-units is the combination of a simple AD/ADSR/AR envelope generator and a VCA. The type of envelope can be selected by means of a toggle switch:

- AD: Attack-Decay
- AR: Attack-Release
- ADSR: Attack-Decay-Sustain-Release with the limitation that Decay Time = Release Time and fixed Sustain level (factory setting 50%)

Each sub-unit provides these controls and in/outputs:

- LED control (envelope display)
- Attack (A), manual control
- Decay/Release (D/R), manual control
- Mode switch (AD, AR, ADSR)
- Audio level control (small control without knob)
- CVT Input (CVT = CV Time)
- CV Ducking input
- Attenuator for CVT (small control without knob)
- Gate Input
- Manual Gate (momentary switch)
- Audio Input
- Audio Output

The Envelope Output of version 1 has been cancelled for the benefit of the new CV Duck input. But there is an internal pin header available that has available the envelope signal (0...+10V) and the CV input of the VCA (0...+10V). Ex works the pins are shortened by a jumper but can be used for modifications (envelope output, VCA CV input).

By means of two internal jumpers for each sub-unit one can select which parameter(s) are controlled by the CVT input (e.g. D+R only or A only or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question). Two more jumpers are used for the optional bus access to the gate signal of the bus for each envelope.

CV Duck is an additional control input for the VCA that can be used to mute the VCA by means of an external control voltage. Beyond about +5V CV Duck the VCA is fully muted, in the range 0...+5V there is only a partial muting. Circuitry-wise the CV Duck signal is amplified by two, inverted and added to the internal envelope signal (0...+10V). The sum of both signals is used to control the VCA.

The time range of Attack/Decay/Release is about 1ms to 30s (can be modified by changing the value of a capacitor).

Applications:

Virtually in each patch one or more envelope/VCA combos together with a sound source are very useful, mainly for percussive sounds. Voltage control of the times and the ducking animates each performance.
Read more
 4 in stock $145.07
Cat: 703564 Rel: 08 Oct 18 • View all Synth modules
 
Analogue noise/random with black faceplate & custom knobs - 8HP
Notes: Module A-118 is (as you might have guessed) a noise and random voltage generator. It produces three types of signal: white noise, coloured noise, and random voltage. The noise signal is generated 100% analogue by amplification of the noise of a transistor. White and coloured noise can be used as audio sources, and also, in conjunction with a sample & hold module, as control voltages, and the random voltage is a useful source of voltage control, especially for its low frequency content.

The A-118 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

There are knobs to control the rate of change and amplitude of the random voltage, and two LEDs indicate the state of the voltage at any one time.
Read more
 1 in stock $80.22
Cat: 695534 Rel: 03 Sep 18 • View all Effects units
 
All-analog multi-effects processor - MKII version
Notes: Elektron proudly presents the Analog Heat MKII, a versatile and powerful stereo analog sound processing unit. It does not make any sound on its own but does an excellent job enhancing any sound source you plug into it. The eight analog stereo effects circuits, the multimode filter, and the two-band EQ provide a wealth of sound shaping options. Upgrades from the MKI version include tougher and more precise encoders, back-lit buttons and a larger, sharper OLED screen. Great for stage, great in the studio, it even works as a 2-in/2-out sound card, for the on-the-go music producer.

Eight Effects:
The eight stereo analog circuits are designed to quickly access varied and powerful sound shaping. Each circuit has a distinctive way of processing sound. Clean boost, tape-like saturation, tube amp-like enhancement, overdrive, crunch, distortion, harmonic fuzz or high gain? You'll find your favourite flavour with ease.

Filter, EQ, Modulation:
Right next to the effects dial there's a stereo analog multimode filter and a two-band stereo analog EQ, hands-on and accessible. Modulation sources include a custom envelope and an LFO, each with a host of possible destinations. The intuitive controls and the ample modulation options make precise sound processing a breeze. Combined use of filter and envelope lets you heat up just the frequency range you want, at just the amplitude threshold you want.

Brighter and Better:
The MKII version of the Analog Heat features improved durability and precision encoders, new tough back-lit keys and a crisp OLED screen. The display is bigger, sharper and brighter: perfect for performing in the dark. There is also additional visual feedback on the Amp, Filter, Envelope and LFO pages that makes overview and understanding of sound processing and modulation a whole lot easier.
Read more
 More than 10 in stock $669.34
Cat: 682565 Rel: 11 Oct 18 • View all Synth modules
 
10HP Eurorack filter module
Notes: The Polivoks Filter module, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone, and brings it to the Eurorack modular format. It provides two CV inputs with individual depth pots for ultimate control over cut-off frequency. One input with sensitivity control and four outputs available simultaneously, lowpass, bandpass, high-pass, and notch filter types.
Read more
 2 in stock $153.86
Cat: 688859 Rel: 10 Sep 18 • View all Synth modules
 
Modular drum synthesiser with seven voices 30 HP
Notes: It's black, it's loud, it's dark.

BLCK_Noir is an amazing 30 HP modular drum synth with a very flexible sound-engine inspired by the Roland CR-78 CompuRhythm. Unlike other modules from Endorphin.es, this one is black, thus the name: Blck_Noir.

It includes seven drum voices: bass drum, snare, tambourine, closed and open hi-hat, cymbal and metal beat. It uses hybrid sound generation: digital noise with spectrum animation, injected into analogue circuits. The analogue generation part is fully discrete, using inductor coils instead of op-amps, giving a raw and powerful sound. Thanks to this special design Black_Noir will sound good in every setting.

Several CV inputs will let you control various parameters for lively drum sounds.

On top of that, the module has an on-board effect processor with eight effects: hall, shimmer, room, plate, spring reverb types, tap and tape delay types as well as a new freezer effect with additional auxiliary input and firmware update over audio.

With this module you will be able to create drums that have character! It will fit all styles of music, from Darkwave to Techno.
Read more
 4 in stock $502.27
Cat: 702199 Rel: 19 Sep 18 • View all Synth modules
 
Analogue clap circuit with sharp, punchy sound 10HP
Notes: Erica Synths Clap is developed together with French company e-licktronic and it's our take on analogue clap circuits adapted for modular systems. Sharp, punchy sound, Accent & CV control over Tone make it distinctively expressive in studio and live performances.

Decay range 120ms - 1100ms
Audio output level -5...+5V
CV level (full span) -5 - +5V
Trigger level 5V
Trigger time 1ms
Accent CV level 10V
Power consumption 24mA@+12V, 20mA@-12V
Module width 10HP
Module depth 35mm
Read more
 1 in stock $151.66
Cat: 702201 Rel: 20 Sep 18 • View all Synth modules
 
Compact drum mixer with compressor - 10HP
Notes: Erica Synths Drum Mixer Lite is compact version of Drum Mixer. It features extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and add power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.

Mixer gain -+6dB
Power consumption 59mA@+12V, 36mA@-12V
Module width 10HP
Module depth 35 mm
Read more
 1 in stock $173.64
Cat: 702185 Rel: 19 Sep 18 • View all Synth modules
 
Dual Drive for For extreme, distorted drums 10HP
Notes: For extreme, distorted drums Dual Drive module is a must! The module features two identical overdrive sections with adjustable Gain and Drive level, each with three flavors of overdrive. CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping. Furthermore, the output of the first section is normalled to the input of the second, so you automatically get extreme, versatile dual overdrive circuit. The module can be used in the stereo appliations as well and it's not limited for drums only - it will turn any sound source into roaring monster.

Audio output level -5V...+5V
CV level (full span) -5V...+5V
Power Consumption 58mA@+12V
58mA@-12V
Module width 10HP
Module depth 50mm
Read more
 1 in stock $243.99
Cat: 702196 Rel: 19 Sep 18 • View all Synth modules
 
Snare drum module with sharp, punchy sounds, Accent & CV control 10 HP
Notes: If you like the snare of the TR-909, but desire more sound design possibilities, you will love the Erica Snare Drum module. It is based on the classic rhythm composer circuit made by Roland, but offers considerably more parameters. Some of which are voltage controllable. At last, you can shape the gorgeous, punchy sound of the 909 in a multitude of ways.

Decay range 150ms - 260ms
Audio output level -5...+5V
CV level (full span) -5 - +5V
Accent CV level 10V
Trigger level 5V
Trigger time 1ms
Power consumption 37mA@+12V, 35mA@-12V
Module width 10HP
Module depth 35mm
Read more
 1 in stock $217.61
Cat: 702197 Rel: 19 Sep 18 • View all Synth modules
 
toms module with Massive, punchy sound, accent and tone CV 16 HP
Notes: Erica Synths Toms is developed in collaboration with the French company e-licktronick and it's our take on analogue toms circuits adapted for modular systems. Massive, punchy sound, Accent and Tone CV make it distinctively expressive in studio and live performances.

Decay range 370ms - 955ms
Audio output level -5...+5V
CV level (full span) -5 - +5V
Accent CV level 10V
Trigger level 5V
Trigger time 1ms
Power consumption 83mA@+12V, 76mA@-12V
Module width 16HP
Module depth 50mm
Read more
 1 in stock $349.50
Cat: 677564 Rel: 24 Aug 18 • View all Synth modules
 
Joystick/vector mixer for CV or Audio - 14HP
Notes: The most complex modulator is you. The Planar 2 puts macro control over six outputs - including a quad panning mixer - into your hands with a buttery smooth joystick. Record up to 30 seconds of your own movements, stretch it or mangle it with scan mode, use a trigger for playback, or just loop it - synced or not. Add yourself to your patch.

With its smoothly responsive precision joystick, Planar 2 facilitates hands-on vector control of two entirely independent sets of outputs (quadrants A-D, and axis X/Y), plus the ability to capture and playback your gestures. Recording your joystick movements enables the creation of organic and complex envelopes, wild and wobbly LFOs, or extended sonic evolutions. It mixes, morphs, routes and pans audio inputs; triggers gates; outputs control voltages and is itself, CV-controllable. Planar 2 puts the 'joy' back in 'joystick,' and the 'fun' back in 'function generator.' Its multitasking and tactile interface makes it a flexible and unique control device, no matter what your musical genre.
Read more
 3 in stock $327.53
Items 51 to 100 of 156 on page 2 of 4
«  1  2  3  4  »

Filter

Eight Weeks: Studio Equipment
Monthly payment
Number of monthly payments
Cash price
Deposit to pay
Loan amount
Loan repayment
Cost of loan
Total amount payable

Only available to UK residents over 18, subject to terms and conditions. More info here.

These rates of finance are based on this specific product and can be applied for once this item has been added to the cart. Adding other products to your cart may change the rate of finance or deposit required.

Checkout and apply for finance now
Close