Studio Equipment charts

Notes: Coiled neon yellow 1.5m thermo plastic cable with soft touch surface. Extends up to 3.2m. Perfect for DJing or small studio use. Comes with 1/4 to 1/8 screw-on adapter.

Notes: Introducing the Decksaver cover for the Korg Wavestate synthesizer - the ultimate protection for a synth that has the power to revolutionize your music production. When a synth comes along that changes your whole approach to making music, it becomes an invaluable part of your creative process. The Decksaver cover ensures that this remarkable machine remains in pristine condition, safeguarding it from dust, liquid spills, and accidental impacts.

Crafted with precision in the UK, the Decksaver cover is meticulously trimmed to provide a perfect fit for the Korg Wavestate synthesizer. Its design takes into consideration every aspect of the synth, allowing you to keep it fully assembled while providing reliable protection. The cover is manufactured from super durable polycarbonate, a transparent and hard-wearing material that shields the delicate controls and internal components of your Wavestate from potential damage.

The Korg Wavestate is a powerful and innovative synthesizer that opens up new sonic possibilities. Its unique sound engine and vast array of controls allow you to create complex and evolving soundscapes with ease. With the Decksaver cover, you can keep your Wavestate ready for operation at all times, knowing that it is protected from the elements that can compromise its performance.

Transporting your Korg Wavestate is made worry-free with the Decksaver cover. Its slim profile and precise fit enable it to slide effortlessly into a flight case or soft bag, providing maximum protection during transportation. Whether you're taking your Wavestate to a live performance, a recording session, or a jamming session with fellow musicians, the Decksaver cover ensures that your synth arrives safely and securely.

The Decksaver cover not only shields your Korg Wavestate from physical damage but also safeguards its longevity. By preventing dust accumulation and accidental spills, the cover helps maintain the pristine condition of the synth's controls and internal components. Whether you're using your Wavestate at home, in the studio, or on stage, the Decksaver cover ensures that it remains a reliable tool for your musical endeavors.

Invest in the Decksaver cover for your Korg Wavestate and give your synth the protection it deserves. Let your creativity flow freely, knowing that your machine is shielded from harm. With its durable construction, precise fit, and unwavering defense, the Decksaver cover offers peace of mind and ensures that your Korg Wavestate remains an integral part of your musical journey for years to come.

Fits both the MK1 & MK2 Wavestate and Modwave devices.

Key features

Patented smoked/clear transparency, unique to Decksaver.
Protects against dust, liquid and impacts.
Keeps settings and controls in place when not in use.
Low profile design enables compatibility with most flight cases and travel bags.

Fits

Wavestate
Wavestate MK2
Modwave
Modwave MK2
Opsix

Dimensions

Weight: 1.25 kg
Length: 57 cm
Width: 34.5 cm
Height: 3.8 cm

Notes: Korg's excellent FM synth offers a modern take on those classic 80s digital tones. Second-gen version doubles the number of voices to six, adds new MIDI features and extra effects.

Supplier's Notes:
The next-gen Volca FM is a powerful 6-voice, 6-Operator FM synthesizer with all 32 classic algorithms, a 16-step loop sequencer, effects and a powerful arpeggiator that perfectly reproduces the sound of the classic Yamaha DX7 and is completely compatible with SYS-EX patches for the DX7 as well.

Battery (included) or adapter (optional) operated with built-in speakers and a compact and light chassis, the Volca FM is the ultimate portable FM solution for all musicians.

This new generation - with double the voices of its predecessor, additional effects, expanded MIDI connectivity, and intuitive interface - is poised to bring unprecedented possibilities to your setup, and revolutionize your studio with new musical ideas.
With 6 voices (instead of the 3 of its predecessor) the new Volca FM brings a new world of harmonic possibilities to your production.

Now it is possible to play, sequence or arpeggiate complex chords with up to 6 voices in order to bring a unique flavour to your music production. No more running out of voices when sequencing melody, harmony and bass all in one device!

Moreover, the new Volca FM is now velocity sensitive via MIDI, which coupled with its 6 voice polyphony, provides a much more expressive and nuanced playing experience than ever before.

By popular request, Volca FM includes a lush Reverb effect in addition to the Chorus effect. Each of these two effects can be used and adjusted individually to add the finishing touch to any FM sound you are going for.

In addition to MIDI IN the new Volca FM also includes a MIDI OUT (IN/OUT 3.5 mm TRS), making it possible to use the intuitive Volca internal sequencer to control other devices through MIDI, making it the perfect addition to your standalone setup. Of course, it also works well with your DAW of choice thanks to note, control, and clock receipt via the MIDI IN.

The internal sequencer offers looping up to 16 steps, allowing you to record your performance on the touch panel keyboard as you play. Up to 16 sequence patterns can be stored in the internal memory.

Volca FM also incorporates a motion sequence function to record in real time all the subtle nuances of your playing and knob movements, letting you add time-varying change to the sound. This is a great way to polish your loops, and also lets you generate highly original live performances.
In order to spice things up, the new generation of Volca FM includes a brand new program randomizer, letting you find new inspiration through happy accidents and unexpected patches.

Of course, it still incorporates highly acclaimed functions such as the warp active step, pattern chain and an improved arpeggiator, making it easy to create crazy looping rhythms and patterns.

In addition to the active step function that lets you skip steps during a sequence, the volca fm provides new functions that enable you to generate more irregular rhythms. If the active step is fewer than 16 steps, you can use the warp active step function to compensate so you occupy the same playback time as 16 steps; then by synchronizing the playback with another volca series unit, you can deliberately skew the step timing to generate truly unconventional performances.

Specifications

Keyboard: Multi touch 27 key keypad
Synthesizer:
Type: FM synthesis
Maximum Polyphony: 6 voices
Structure: 6 operators, 32 algorithms
Number of Programs: 64
Edit parameters: Modulator (Attack, Decay), Carrier (Attack, Decay), LFO (Rate, P.Depth), Algrtm, Randomize Available to edit full parameters for each operator in Edit Mode
Controls: Transpose, Velocity, Octave, Arp (Type, Div), Chorus Level, Reverb Level
Arpeggiator Types: 9 (each 3 patterns of "Rise", "Fall", and "Random")
Voice Modes: Poly, Mono, Unison
Effect: Chorus, Reverb
Sequencer:
Number of Parts: 1
Number of Steps: 16
Number of Recording Patterns: 16
Controls: Motion Sequence, Active Step, Warp Active Step, Pattern Chain, Metronome
Audio Output: Headphones (3.5mm stereo mini jack)
Sync: Sync In (3.5mm monaural mini jack, Maximum input level: 20V), Sync Out (3.5mm monaural mini jack, Output level: 5V), When two units of Volca FM, available to export the sound programs and sequence data from a Volca FM to the other one
MIDI: IN/OUT - Note: 3.5mm stereo mini jack connector (type-A MIDI adaptor needed)
Available to convert and load SYS-EX/SYX files from Yamaha DX7
Power Supply: AA alkaline battery x 6 or AA nickel-metal hydride battery x 6, Or AC adapter (DC 9V) (optional)
Battery Life: Approximately 10 hours (using alkaline batteries)
Dimensions (W x D x H): 193 x 115 x 40 mm / 7.60" x 4.53" x 1.57"
Weight: 360 g / 12.70 oz. (Excluding batteries)
Included Items: AA alkaline battery x 6 (for verifying operation), Sync Cable, Edit Parameter List - Accessories: AC adapter (DC 9V) KA-350

Notes: A tiny powerhouse of a mixer and audio interface. High-end electronics crammed into a compact, battery-powered format, featuring six stereo inputs, MIDI and Bluetooth support.

Supplier's Notes:
Ultra-portable pro-mixer and audio interface

TX-6 is an ultra-portable, battery-powered mixer and multi-channel audio interface. Comparable to larger units, but with even more tech packed into one sturdy little machine.

Mix 6 stereo input channels, use tempo sync, discover the internal synthesizer and sequencer or use the built-in tuner. MFi compatibility even lets you connect to your ios devices.

The smallest of its kind.

Tx-6 features a 6 channel stereo mixer with a configurable knob layout. Choose to have the three-band EQ at your fingertips, or customize each knob to control whichever setting you prefer. With more than meets the eye, TX-6 is packed full of features and connectivity options.

Battery powered

The rechargeable battery holds for about 8 hours. For energy efficiency, the display automatically goes to sleep when not in use, and led strength is completely adjustable.

Synthesizer & sequencer

TX-6 also functions as a portable synthesizer and sequencer with 4 oscillator waveforms and 4 synthesized drum sounds. Use tempo sync to stay on the beat.

8 built-in effects

Explore send effects like reverb, chorus and delay, and creative effects freeze, tape, filter, and distortion. Each channel has a three-band EQ and adjustable compressor.

Quality and engineering

TX-6 is a sturdy little machine. Encased in CNC aluminium with 2k moulding, custom-made encoders and faders, and custom PCB - engineered for portability.

Wireless connectivity

With BLE, you can use TX-6 as a wireless controller for other BLE MIDI devices or trigger and sync the internal synth and sequencer from other sources.

Super slimline cables

High quality, slimline cables custom-made for tx-6. The narrow profile allows you to use all 6 channels at once and makes for an easy pack down.

Customizable interface

When you're ready for the studio, use tx-6 as a 12 channel audio interface and connect to any daw over USB-C. MFi also allows you to connect to ios devices.

DJ mode

Turn TX-6 on its side and use it as a DJ mixer. Turn channel 1 into a fader to crossfade between the channel 5 and 6 so you can fade or cut between the two.

6.35 + 3.5 mm output

Connect your audio output through 3.5 mm mini jack or use the included and removable 6.35 mm jack to 3.5 mm mini jack adapter.

Field bags

Designed to fit TX-6 field mixer and constructed in heavy duty fabric and hardware, field bags are designed for durability, ready to be used out in the field.

Multitrack elegance.

The first portable pro-mixer that can be used as a multi-functional 32-bit 48khz audio interface that has an instrument tuner, built-in digital FX, synthesizer and drum machine.

Connect to your daw for 12 channel multitrack recordings. Use the internal synth and sequencer, or control them via external midi device. With MFi you can even connect to your ios device.inputs and outputs.

Specifications

Inputs and outputs.

32-bit/48kHz USB interface
3.5 mm mini jack to 6.3 mm jack
Headset mic input
Aux output
Connect to iPhoner, lightning cable
Stereo or mono for each input

Dimensions and weight

90 mm (102 mm with adapter) x 62 mm x 23 mm
160 g / 5.6 oz

Electrical characteristics
Audio inputs:
Impedance: 10 kOhm
Analog gain: 0 - 42 dB
Max level 8 dBu, 2 Vrms
TLV320ADC3140 burr-brown
SNR ~ 102 dBA
Audio output (main and aux):max level 8 dBu, 2 Vrms
Cirrus Logic Master Hifi CS43131
SNR > 120 dBA
Audio output (cue):max level 2 dBu, 1 Vrms
Cirrus logic CS47L35SNR > 110 dBA
Handling
Ambient working temperature: 0-50-C (32-122-F)
Ambient storage temperature: 0-30-C (32-86-F)

Clean the shell of the unit with a microfibre cloth. Use pressurized air to remove dust from the faders.

To keep the battery healthy, the unit should be charged at least every 6 months. If not used for a long time, it may not charge again.

Notes: Nazca Noodles is a cable brand developed in partnership between Pittsburgh Modular Synthesizers and Cre8audio that's purpose is to provide a luxurious patching experience for electronic music creators.

Described by Cre8audio as "Bright and happy to monotonous monochrome," Nazca Noodles will be initially available as 3.5mm TS to 3.5mm TS "eurorack style" patch cables. They are available in six different colours and seven sizes per colour. A total of forty-two cable SKUs are available at launch.

Nazca Noodles were previously sold by Pittsburgh Modular but were discontinued so that they completely revamp the line to dramatically expand the offerings.

Talking about Nazca Noodles, the Pittsburgh team said, "people like these Noodles because of their super slimline jack ends. They are great for tight patch points. Plus, their soft cable jackets make them floppier and easier to work with than your typical patch cable. Before we partnered with Cre8audio, people kept requesting them in multiple colours and sizes. We didn't really have the resources nor did we really want to manage a 42+ product cable line. But for some reason Cre8audio does.... They're pretty weird (and seem to really like these cables)".

Nazca Noodles Specifications and other info

All current Nazca Noodles products feature the following:
3.5mm TS to 3.5mm TS connectors
Specially designed slimline over-molding jack ends - perfect for squeezing into tight patch points
Super soft and floppy cable jacketing for patching pleasure
Initial colours available - Black, White, Very Violet, Hot Pink, Groovy Green, and Baby Blue,
All colours are available in the following sizes 15cm, 25cm, 50cm, 75cm, 100cm, 150cm, and 300cm
All come in packs of five cables per colour, except 300cm which comes in packs of 2 cables

Nazca noodles are available now from Cre8audio.com, Pittsburghmodular.com, and Cre8audio dealers worldwide. To see more pictures, check out videos, find a list of dealers, and to just learn more, please visit Nazcanoodles.com

Nazca Noodles is a trademark of Pittsburgh Modular Synthesizers llc. - 2022.

Notes: Nazca Noodles is a cable brand developed in partnership between Pittsburgh Modular Synthesizers and Cre8audio that's purpose is to provide a luxurious patching experience for electronic music creators.

Described by Cre8audio as "Bright and happy to monotonous monochrome," Nazca Noodles will be initially available as 3.5mm TS to 3.5mm TS "eurorack style" patch cables. They are available in six different colours and seven sizes per colour. A total of forty-two cable SKUs are available at launch.

Nazca Noodles were previously sold by Pittsburgh Modular but were discontinued so that they completely revamp the line to dramatically expand the offerings.

Talking about Nazca Noodles, the Pittsburgh team said, "people like these Noodles because of their super slimline jack ends. They are great for tight patch points. Plus, their soft cable jackets make them floppier and easier to work with than your typical patch cable. Before we partnered with Cre8audio, people kept requesting them in multiple colours and sizes. We didn't really have the resources nor did we really want to manage a 42+ product cable line. But for some reason Cre8audio does.... They're pretty weird (and seem to really like these cables)".

Nazca Noodles Specifications and other info

All current Nazca Noodles products feature the following:
3.5mm TS to 3.5mm TS connectors
Specially designed slimline over-molding jack ends - perfect for squeezing into tight patch points
Super soft and floppy cable jacketing for patching pleasure
Initial colours available - Black, White, Very Violet, Hot Pink, Groovy Green, and Baby Blue,
All colours are available in the following sizes 15cm, 25cm, 50cm, 75cm, 100cm, 150cm, and 300cm
All come in packs of five cables per colour, except 300cm which comes in packs of 2 cables

Nazca noodles are available now from Cre8audio.com, Pittsburghmodular.com, and Cre8audio dealers worldwide. To see more pictures, check out videos, find a list of dealers, and to just learn more, please visit Nazcanoodles.com

Nazca Noodles is a trademark of Pittsburgh Modular Synthesizers llc. - 2022.

Notes: Nazca Noodles is a cable brand developed in partnership between Pittsburgh Modular Synthesizers and Cre8audior that's purpose is to provide a luxurious patching experience for electronic music creators.

Described by Cre8audio as "Bright and happy to monotonous monochrome," Nazca Noodles will be initially available as 3.5mm TS to 3.5mm TS "eurorack style" patch cables. They are available in six different colours and seven sizes per colour. A total of forty-two cable SKUs are available at launch.

Nazca Noodles were previously sold by Pittsburgh Modular but were discontinued so that they completely revamp the line to dramatically expand the offerings.

Talking about Nazca Noodles, the Pittsburgh team said, "people like these Noodles because of their super slimline jack ends. They are great for tight patch points. Plus, their soft cable jackets make them floppier and easier to work with than your typical patch cable. Before we partnered with Cre8audio, people kept requesting them in multiple colours and sizes. We didn't really have the resources nor did we really want to manage a 42+ product cable line. But for some reason Cre8audio does.... They're pretty weird (and seem to really like these cables)".

Nazca Noodles Specifications and other info

All current Nazca Noodles products feature the following:
3.5mm TS to 3.5mm TS connectors
Specially designed slimline over-molding jack ends - perfect for squeezing into tight patch points
Super soft and floppy cable jacketing for patching pleasure
Initial colours available - Black, White, Very Violet, Hot Pink, Groovy Green, and Baby Blue,
All colours are available in the following sizes 15cm, 25cm, 50cm, 75cm, 100cm, 150cm, and 300cm
All come in packs of five cables per colour, except 300cm which comes in packs of 2 cables

Nazca noodles are available now from Cre8audio.com, Pittsburghmodular.com, and Cre8audio dealers worldwide. To see more pictures, check out videos, find a list of dealers, and to just learn more, please visit Nazcanoodles.com

Nazca Noodles is a trademark of Pittsburgh Modular Synthesizers llc. - 2022.

Notes: Desktop enclosure case for the Empress Zoia Euroboro- 12v power supply included. Euroboro not included- picture shown for demonstration purposes only.

Notes: More great value from TipTop's Eurorack reissues of classic Buchla modules. Noise sources, random voltages, sample-and-hold and integrator (slew) provide a range of modulation and processing options.

Supplier's Notes:
Offering tonnes of opportunity for creating unique instances of controlled randomness, TipTop Audio's Buchla Model 266t Source of Uncertainty is a recreation of the classic random voltage generator and sculpting module. Bringing back a classic set of Buchla's 200-series modules, the 266t recreates six different tools in one classic interface for all of the Eurorack community to bask in. The 266t divides into two sections of generation and modification, featuring two different processors and four generator types with one producing three flavours of analogue noise, labelled flat, -3dB/oct, and +3dB/oct.

The fluctuating random voltages section features two individual smooth voltage generators for adding wiggles and warbles to your modules, each controlled by a rate parameter with CV inputs for modulation. Right below is the quantized random voltage, offering a stepped random output that randomly decides voltage based upon one of two equations corresponding to a value called "n". Depending on the output, you can tune your range to a set amount of possibilities with n+1 output being more localized to the 5V range and the 2^n output having equal opportunity across all 10 volts. The final generator labelled stored random voltage produces two outputs of stepped voltage with an equally distributed random voltage output as well as a selectable bell distribution output that centres its options based on the probability control.

Looking at the processing section, the top-right sample and hold section is actually a track and hold processor, tracking the cv input and changing only at the next high input on the pulse in. The resulting CV output additionally has two alternate outputs that base off alternative pulse counts, and the pulse output alternatives similarly alternate each pulse count. The final section of the 266t lies in the integrator, featuring a simple yet very handy smoothing processor by determining the time it takes to reach from one CV value to the next. With all this versatility to work amongst many modules or even self-patch for related modulation, the Buchla Model 266t Source of Uncertainty will certainly make any modular system lively.

Specifications:

Size: 24 HP
Depth: 25mm
Power: +12V 150mA / -12V 100mA

Notes: The successor to Dinky's Taiko, Tyso Daiko is a 12-bit dual digital drum voice, with built-in analogue tilt EQ and wavefolder, plus extensive CV control. Intuitive, powerful and versatile.

Supplier's Notes:
The 'Tyso Daiko' is a dual 12-bit digital wavetable drum voice with full voltage control and an analogue EQ output path.

The twin voices are independently triggered and output, but share pitch, envelope and other parameters of a swept wavetable oscillator. One voice is output through a voltage controlled analogue tilt EQ emphasising upper or lower frequencies.

The other voice is output through a digital wavefolder which adds increasing timbral complexity (to noise).

Both voices respond independently to an accent input and the first voice is able to be 'choked' . A surface control allows for fine control of additional transients from a click to a slow attack. Full voltage control including a V/Oct pitch input makes the Daiko an expressive and wide ranging drum module with extremely wide pallet of sounds with lots of modulation possibilities.

The Daiko succeeds the original Dinky with the same spirit but much improved control, new features and new wavetables.

Technical Specifications

Supply: +12V 70mA Max / -12v 35mA
Size: 14 HP
Depth: 32mm

Notes: Not just a drum machine but a drum synth, the LXR-02 combines the best analogue and digital sound design options to great effect. Six drum voices each with over 30 adjustable parameters.

Supplier's Notes:
Two companies - Sonic Potions and Erica Synths joined efforts to develop a drum machine that would stand apart from the masses and the LXR-02 was born. The LXR is a full-fledged digital drum machine with an integrated sequencer. Its sound engine provides 6 different instruments, each with over 30 parameters to tweak, producing sounds from classic analog emulations to crunchy digital mayhem, thus offering some of the most extensive sound design capabilities found on a drum synthesizer. Its compact, durable design and clear user interface make it ideal for live gigs.

Features
6 drum voices
Powerful sound design engine
Over 30 adjustable parameters per voice
Voice volume sliders
Insert FX section
4 assignable 6,3" jack outputs (2x stereo or 4x mono)
Full-size MIDI in/out
Flexible, performance-oriented 64 step sequencer
Performance mode with mutes, rolls, master bitcrush, and kit morphing
Kit, Pattern, Performance, and Song memory
SD card for easy FW updates and Project backup
USB MIDI
Headphone output
Extensive MIDI implementation
Durable and compact aluminum casing

Notes: Audio Optimized USB-A to USB-B Cables

Dual slimline ferrites prevent signal dropouts
Gold connectors ensure long cable life
Available in 8 colours and 2 types

Ideal for home and professional use where impeccable audio is a must, Chroma Cables complement the modern DJ and music production technology with a streamlined styling that keeps your setup looking fresh and sleek. All cables are not created equal, and ours are engineered from scratch for digital performers, by digital performers.

Noise-Filtering Features

Each cable has two ferrite core chokes, one at each end of the cable. Paired with fully-braided shielding, Chroma Cables do a great job of eliminating interference along the signal path - making these the best USB cables for DJs.
Two Styles, Eight Colours

Cables come in straight and right-angle options. The angled cable helps to prevent accidental removal and takes up less space, giving you a less crowded DJ booth. Label gear by colour so you always know your soundcard from your controller.

Always Strapped

Even after placing your cables neatly in your bag, it's easy to wind up with a tangled clump of cables. The built-in velcro cable strap helps prevent this, keeping your gig bag nice and tidy. You'll wonder how you managed without this.

Compatibility Notes:

Works with all* USB devices with a USB type B connector but it's worth checking for obstructions if you plan on ordering an angled cable.

*Please note that the right angle cable won't work with a Kontrol D2, S2, S4, S5, S8, or Z1 or Traktor Audio 10 while using the power supply.

Size + Weight:
Length: 78.74" / 200cm
Weight: 0.18lb / 0.08kg

Notes: Custom ALM finger friendly case mount screws sized M3 with a 6mm depth.

No screwdriver necessary - makes your daily case rearranging ritual even easier!

These low profile and stylish screws stay out of hands way and will fit underneath a Decksaver lid with ALM cases.

Available in boxes of 100 screws.

Notes: Black version of Bitbox's excellent sampling module. Touchscreen-based design allowing up to eight stereo samples, recording directly or loaded from SD card.

Supplier's Notes:
Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Powerful Sampling Capabilities in a Smaller Form Factor

With the sampling features of Bitbox micro you can add interesting new ways of generating sound and music to your Eurorack. Trigger one shots, play time synched loops or record live looping. Bitbox micro is equally at home in your studio or as a component of your live performance.

Features

Sample Playback
Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:
Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes

Find creative ways of using your samples with our 5 sample playback modes:
Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs

Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output
Inputs and outputs are DC coupled so you can record and play out CV signals
External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode i no need to look up CC numbers

Module Features

Use the 2" diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Compare to Our Other Samplers
Our Sampler Selection Guide shows you how bitbox micro compares to our other samplers.

What Is Included

When you purchase bitbox micro, you will receive:

a bitbox micro Eurorack module
a microSD card with a bank of demo presets and samples loaded on it
a Eurorack power cable
a bitbox micro Quick Start guide
a MIDI Adapter
Firmware Updates
Get new features by downloading firmware updates from forum.1010music.com.

Documentation and Video Tutorials

The Bitbox Micro Support page has links to videos, the quick start guide and the full user manual to get you up and running quickly and answer your detailed questions. If you can't find answers there, reach out to the community with questions on the 1010 Music forum.

Notes: The 'MEGA-TANG' is a 4-channel linear VCA and stereo mixer providing per input control over level, effect send, pan and muting. Designed for live use in mind with a simple & compact layout, the 'MEGA-TANG' builds on the clean and transparent sounding Tangle Quartet VCA by adding a stereo mix output, effect sends (mono send with a stereo return) which pair great with the MFX, manual panning, soft mute buttons with LED indicators and an expansion port for future expandability.

Individual VCA outputs are available which remove the channel from the main mix (useful for cueing and monitoring). All signals are Euro level and bar the effects return, DC coupled for CV use as well as audio.

Technical Specifications

Power: +12V 125ma -12V 125ma
Size: 16HP
Depth: 32mm
Attenuation: approx -70db

Notes: The Headliner 2-Tier Desktop Synth Stand was designed to improve your workflow and help you stay organized while fitting more gear on your production desk. It fits two compact devices like synthesizers, controllers, drum machines, and effects modules. The angled design makes it easier to reach knobs and view LCD screens.

The Headliner 2-Tier Desktop Synth Stand is adjustable in width from 7.3" to 11.5" and fits a variety of devices from Roland, Korg, Elektron, and more (partial list below). It is made from solid steel and includes non-slip rubber strips for added stability.

Features
Fits two devices like synthesizers, controllers, drum machines, and effects modules
Improve your workflow and stay organized while fitting more gear on your production desk
Angled stand makes it easier to reach knobs and view LCD screens
Solid steel construction with non-slip rubber pads keep stand in place
Width adjustable from 7.3" to 11.5"
Best fits devices from 8" to 14" in width
Each tier has a depth of 7"
Overall dimensions of stand (WxDxH): 7.3"-11.5" x 14" x 10.75"
Includes non-slip rubber strips
Fits: Akai Fire, Akai LPD8, Akai MPX8, Alesis SR-16, Arturia SparkLE, Behringer Crave, Behringer TD-3, Behringer RD-6, Dreadbox Typhon, Elektron Digitone, Korg nanoPAD2, Korg SQ-1, Korg Volca Bass, Korg Volca Beats, Korg Volca Drum, Korg Volca Kick, Korg Volca NuBass, Korg Volca Sample 2, Native Instruments Maschine Mikro MK3, PreSonus ATOM SQ, Roland Boutique Series, Roland MC-101, Roland TB-3 Touch Bassline, Roland TR-6S, and more.

Notes: An affordable taste of the legendary Solid State Logic sound, an iconic name in high-end recording consoles. The SSL 12 offers four analogue inputs and four analogue outputs plus eight-channel ADAT digital expansion and two stereo headphone outs which can also be used as line outs.

Supplier notes:
Class-leading performance, in the studio and on the road

The Solid State Logic SSL 12 is the perfect audio interface for producers and engineers who demand uncompromising performance and versatility from a desktop device. SSL 12 is capable of being both a studio centrepiece and a portable production hub to take with you on the road. Four SSL-designed mic pre-amps with uncompromising low-noise and high gain performance, Legacy 4K analogue enhancement for adding that signature SSL colour, class-leading dynamic range from premium-quality converters, comprehensive monitoring section, ADAT expandability, talkback mic, flexible headphone outputs and an intuitive console-style software mixer. SSL 12 just set a new bar for what you can expect from a unit that is entirely USB-powered.

Big studio features, small desktop footprint

SSL 12 is loaded with an extraordinary amount of professional studio features normally reserved for high-end rackmount interfaces. For tracking, the ADAT connectivity, together with the on-board talkback mic and an incredibly powerful cue mixer (that allows you to create up to 4 independent near-zero latency performer mixes) will handle the most demanding of recording sessions. For mixing, alternative monitor switching and assignable front panel control room functions puts everything you need at your fingertips. For production, USB Loopback, MIDI I/O and DC-coupled outputs for CV control of synths and FX equip you with a serious toolkit to keep the creativity flowing. To top it all off, the ever-expanding SSL Production Pack (packed with a selection of must-have virtual instruments, plug-ins, samples and DAWs) helps to bring your productions to life.

SSL Studio Quality and Know-How

For over 50 years, SSL have been designing cutting-edge mixing consoles and hardware processors, as used by the world's most recognised artists and recording studios. Over that time, their reputation as a world-leading manufacturer of professional audio equipment has centred around a constant pursuit of audio excellence and technical innovation, accomplished through streamlining production workflows and advanced studio ergonomics. SSL 12 takes the 'traditional' desktop audio interface where it's never been before with an incredible array of features in a compact footprint that delivers outstanding audio quality. Featuring the familiar Alps pots, Neutrik connectors and an attractive brushed aluminium front panel, SSL 12 is built to last whether you're using it in the studio or on location.

Real Analogue Enhancement Inspired By The SSL 4000-Series (4K) Console

SSL has a history of innovation in analogue electronics and console design. Whether it be the sound of the classic '242' and '292' EQ circuits, the punch of the legendary SSL Bus Compressor or the incredible bandwidth and sonic accuracy of the ground-breaking SuperAnalogue designed mic amps and consoles, SSL are always moving forward with analogue. Legacy 4K is an all-analogue enhancement effect, inspired by the character of an SSL 4000-series console (often referred to as '4K'). It distils two essential characteristics of the 4K sound into a single circuit. The first thing engaging the Legacy 4K circuit will do is to introduce a forward, yet musical sounding high frequency EQ boost, helping to add some excitement to your vocal or instrument. Secondly, it'll add some subtle analogue distortion with finely tuned harmonic content, helping bolster any sound with more edge and personality.

Notes: The best of both worlds, combining analogue drum circuits with samples and Korg's Multi Engine. Versatile step sequencing, built-in effects and seamless connectivity.

Supplier's Notes:
The introduction of Drumlogue marks a paradigm shift for drum machines. It combines the rich and raw power of analogue, the flexibility and convenience of digital, and the deep customisation of a unique SDK. A heavy-duty dynamic sequencer, powerful effects, and intuitive controls make Drumlogue a must-have in any setup.

The power of analogue

Drumlogue features completely new analogue circuitry from legendary Korg engineer: Junichi Ikeuchi (ARP 2600 M, MS-20 Mini, ARP Odyssey). The depth and richness of its sound is on a whole new level. New analogue circuits for bass drum, snare drum, low tom and high tom provide a solid foundation, and elevate tracks with harmonic richness and a thick low end.

The versaility of digital

Drumlogue has 7 digital parts: 6 sample-based and 1 Multi Engine based. The sample-based parts can play a wide selection of pre-loaded PCM samples alongside imported user samples. These can be easily loaded into Drumlogue by connecting to a computer via USB and simply dragging and dropping into its main memory.

Endless creative potential

The wildly popular Multi Engine from Minilogue XD is made even more powerful: in addition to Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine in Drumlogue features a new user slot able to play fully-fledged synth voices - providing vast sonic possibilities never before heard on a drum machine.

Custom Synths

Synth voices in Drumlogue are so much more than static waveforms. Custom synths can be built to not only generate sound, but can also draw on built-in filters, LFOs, MIDI controlled polyphony

Exclusive "Nano" plugin

Korg has collaborated with popular plugin developer "Sinevibes" to create a brand new synth plugin for Drumlogue: Nano. This exclusive plugin explores the power behind the newly expanded Multi Engine and gives an incredible first taste of the platform.

"Nano" is a full-fledged virtual analogue synth with a broad array of features and customisable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Sequencing powerhouse

At the heart of Drumlogue is a flexible, easy-to-use, and extremely powerful 64-step sequencer. This makes it easy to create complex patterns and polyrhythms that elevates the music creation process. Innovative features are available including per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. With the clear OLED display, it's also easy to follow and edit your sequences visually.

Chain mode makes creating long and interesting patterns simple. In loop mode you can switch between several variations to play sequences in new and interesting ways. The Motion and Accent recording functions are fast and intuitive, and if you want to try new things on your track, the randomisation function is there to help you.

Effects and customisation

Drumlogue has high-quality effects across three categories that can be used simultaneously: delay, reverb and master effects. The send amounts for delay and reverb effects are set independently, with multiple return points also available. Master effects add that final polish to the sound and can be bypassed on a per-part basis, meaning it's possible to send the effect to specific audio parts. A sidechain bus is also available to the master effects section.

Drumlogue has an audio input, so you can process other instruments through Drumlogue's effect chain, making it an ideal companion for your studio setup.

Connectivity

With a wide range of I/O, Drumlogue can be integrated seamlessly with your rig. A USB-A port supports connectivity with USB MIDI class-compliant devices, meaning volumes can be controlled with the faders on a nanoKONTROL 2, or sounds triggered by the pads on a nanoPAD 2.
It almost goes without saying that Drumlogue easily syncs with other gear via the MIDI in/out, sync in/out, or via USB MIDI.

Four individual outputs are available, in addition to headphone and main L/R. Any part can be assigned to any output, allowing for expanded routing versatility with external processing and multi-track integration.

Ease of use

Drumlogue is incredibly easy to use - having been designed with simplicity and accessibility in mind. The most important parameters for the main drum parts have dedicated knobs on the front panel for on-the-fly adjustments, as well as dedicated volume pots for each part to speed up the mixing process.

A wide and clear OLED screen coupled with a simple UI and 4 dedicated encoder knobs makes the navigation process fast and smooth.

Design

Unlike other drum machines, Drumlogue's main panel is slanted. This offers superior ergonomics and visibility, while a brushed aluminium body and wooden side panels add to the premium look and feel.

Specifications

Polyphony: 11 voices (*)
(*) User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation

Sound Engine
Analogue:4
PCM / User samples: 6
Multi-engine(NOISE, VPM, User Synthesizer): 1

Number of Programs (including rhythm patterns): 128 (64 preset programs by factory default)
Effects: Reverb, delay, master

Inputs / Outputs
Headphones
OUTPUT, (L/Mono, R/Audio, Out 1-4)
Sync In/Out
Audio In, MIDI In/Out
USB A (To Device) (Only for MIDI controllers)
USB B (To Host)

Power supply: AC adapter (DC9V)
Dimensions (W × D × H): 317 × 189 × 73 mm/12.48" × 7.44" × 2.87"
Weight: 1.4 kg/3.09 lbs.
Included items: AC adapter, Precautions, Quick Start Guide

Notes: The ideal MIDI routing solution for those with large hardware setups, the MRCC 880 simplifies MIDI setup over a range of DIN, USB and 3.5mm TRS connections, including preset storage and advanced options like filtering and merging.

Supplier's Notes:
Essential MIDI patch bay features give you exactly the connectivity you require. Slim, beautiful, and easy to configure without a PC, the MRCC 880 gets you quickly setup and productive

MRCC 880 - MIDI Router Flexibility, Configuration Without a PC

The MRCC 880, with dedicated per port routing buttons, makes routing MIDI connections super quick! Simply select an input, then pick which outputs to route to. MIDI merging is automatic. Status and activity are displayed on per-port LED indicators. More advanced features such as Filtering, Channel Split, Panic and MIDI monitoring are configured with dedicated buttons. When your performance setup is complete, save it for recall later. All without needing a PC for configuration.

Essential Features for Your MIDI Studio

When you need the matrix MIDI patching of a MIDI Router, or you have outgrown a MIDI thru box or 1×1 USB MIDI interface, the MRCC 880 is what you are looking for. It has just the right number of inputs and outputs for a small desktop or live jamming rig:

4x 5-pin DIN inputs, plus a shared 3.5mm MIDI TRS
4x 5-pin DIN outputs, plus a shared 3.5mm MIDI TRS thru
4x USB MIDI virtual Inputs and Outputs
It's killer for DAW-less jamming, but of course you can use it in the studio as a USB MIDI interface for your PC, Mac, or tablet. It's great for playing stand-alone soft synths, or connect it to your DAW and plug-in instruments. With the dedicated routing buttons, you can choose which inputs get routed to which output(s) at any time.

Specifications

Requirements

Power:

USB 2.0, 5V DC, 80mA, USB type B connector

USB Power Supply not included. Power from your PC or other host port, or for use without a PC, power with a USB charger or USB battery

USB MIDI Interface:
Works with PCs, Mac, Tablets and most other USB hosts that support a USB MIDI Class Compliant device.

Firmware Updates:
Requires a Windows PC, macOS or other computing device that supports USB mass storage mode.

Limited Warranty

Conductive Labs LLC provides a limited warranty for 1 year (or the minimum required by law in your country) to the original purchaser with proof of date of purchase. In case of failure due to defects in material or workmanship, for the duration of the warranty period, Conductive Labs will repair or replace the device at their discretion. If a replacement is not available, it may be replaced with a device of similar functionality.

MIDI I/O
Ports:

4x 5-Pin DIN, and 1x 3.5mm TRS (Type A) optically isolated Inputs.1
4x 5-Pin DIN, and 1x 3.5mm TRS (Type A) thru Outputs. Traditional 5V MIDI spec for maximum compatibility with vintage gear.
1x USB 2.0 Type B device port for computer connection with 4x USB MIDI virtual inputs and outputs.
1 First input pair, choose one of the 2 jacks; 5-pin DIN or 3.5mm MIDI type A
*Unlike MRCC MIDI Router Control Center, MRCC 880 is not expandable, or compatible with MRCC expansion modules such as Remote 7 or XpandR.

Features:
Save/Load
4x Save slots
1x Init (clears settings)

Filters (per input):
MIDI Clock
Stop/Start/Continue messages

Panic button:
Sends MIDI "All Notes Off" to routed ports.

Channel Split:
Select an input and the channels will be split sequentially to the 4 DIN outputs.
For example, when Chan Split enabled for Input 1:
Output port 1 will send MIDI channels 1, 5, 9 and 13.
Output 2 channels 2, 6, 10, 14.
Output 3 channels 3, 7, 11, 15.
Output 4 channels 4, 8, 12, 16.

The MRCC 880 MIDI Monitor button to optionally indicate MIDI activity on port LEDs.
The MIDI Merging is automatic. Just select the same output from a different input.
This product also has a Dedicated Power Switch.

Notes: Standard audio cable in slimline design. for audio between TX-6 and synthesizers or speakers. Sync your pocket operators to OP-1 or use it for TRS MIDI.

Stereo mini jack audio cable
Shielded, narrow profile, specially designed for teenage engineering devices
Length: 1200 mm

Notes: A unique analogue take on granular synthesis, inspired by Yannis Xenakis, the Grainity pairs a granular filter with a multimode filter to create new textures and harmonics.

Supplier's Notes:
The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.

While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.

The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.

A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.

What is the Grainity

Granular?

The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.

This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.

Technology wise ...

In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.

The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.

What the Grainity is not

Technology wise ...

Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.

Sound wise ...

Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.

The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.

Dimensions
10 HP
21 mm deep

Current Draw
101 mA +12V
59 mA -12V

Notes: Elevated Desktop Speaker Stands

These desktop speaker stands from QTX are compactly designed for use in the studio, home and office. These stands provide a platform for your speakers allowing perfect positioning and optimize listening height. Foam surface pads are provided to minimize unwanted vibrations. These stands are designed for use with small nearfield monitor speakers and bookshelf speakers.

Plate dimensions: 160 x 130mm
Base dimensions: 190 x 130mm
Height: 130mm
Max. load: 5" speaker
Dimensions: 190 x 130 x 130mm
Weight: 2.3kg

In the box

The box for this item contains :
Elevated Desktop Speaker Stand Pair

Notes: Two oscillators independently set as VCO, LFO, or random generator

This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)

Features in VCO mode:

V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter

Features in LFO mode:

Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

Dimensions
8 HP
21 mm deep

Current Draw
52 mA +12V
17 mA -12V
0 mA 5V

Notes: Introducing the Ergonomic Studio Stand for Ableton Push 3: a game-changer in the world of music production. Designed with your comfort and productivity in mind, this stand is the ultimate solution for those seeking a more immersive and ergonomic music-making experience.

Crafted with precision, the stand offers a sleek and sturdy design that seamlessly integrates with your Ableton Push 3 controller. By elevating your controller to an optimal height and angle, it eliminates the strain on your wrists and neck, allowing you to focus on your creativity without any discomfort.

One of the standout features of this stand is its ability to enhance your visual experience. With a specially designed screen mount, it brings the Ableton Push 3's display closer to your line of sight, ensuring crystal-clear visibility of every detail. No more squinting or straining your eyes to read parameters or follow your music-making process. The screen becomes an extension of your creativity, effortlessly accessible at all times.

The stand's ergonomic design also promotes a more organized and efficient workspace. Its integrated cable management system keeps your cables neat and tangle-free, reducing clutter and allowing you to concentrate fully on your music production. Additionally, the stand's robust construction ensures stability, even during intense sessions, guaranteeing a secure and reliable platform for your Ableton Push 3.

Whether you're a professional music producer or an aspiring artist, the Ergonomic Studio Stand for Ableton Push 3 offers unparalleled comfort and convenience. It enhances your workflow, minimizes physical strain, and maximizes your creative potential. Take your music production to new heights with this exceptional accessory that is both stylish and functional.

Upgrade your studio setup today and revolutionize the way you create music with the Ergonomic Studio Stand for Ableton Push 3. Experience comfort, visual clarity, and an improved working environment that will elevate your musical journey to new levels of excellence.

Notes: RackBrute 3U is a comprehensive Eurorack housing, transport, and protection solution. Featuring configurable positions, dependable power supply, and maximum practicality, you can be assured your precious modules will be well guarded.

Don't worry; your beloved modules are under heavy guard.

Modular gear is a precious commodity, and you need a versatile housing and security system to accommodate them. A first glance, you'll see that this is a perfectly fitted 3U, 88 HP case made of a light but strong aluminium chassis, fitted with wood side panels.

Deceptively simple, RackBrute is far more than a simple box. It includes many smart additions, such as the included +12V / -12V / +5V power supply that ensures that keeps everything up and running, and the multi-position handle system that not only lets you carry your collection with ease, but also lets you deploy an optimal operating angle, whatever your preference.

Ready for anything

Secure an unobstructed viewpoint over the theatre of operation, and hold the position 'til further orders.

In addition to keeping your modules safe and secure, RackBrute 3U gives you total control of the situation, no matter the context. The first of its secret weapons is the Link fastening system. Paired with the included handle, it will let you choose one of several configurations and orientations for your modular arsenal. Whether you want your gear stealthy and prone, or standing to attention, RackBrute is at your command.

The second trick up its sleeve is the stalwart, ever-reliable, power supply module. Including two independent circuits to supply common modular voltages, it will more than cover your need for +12V, -12V and +5V, providing up to 1600mA in total.

Thirdly, its robust power rail includes a sophisticated noise-filtering technology, and provides 20 standard slots to leave plenty of space for your collection.

Once you're powered, in position, and locked down, you'll feel like your modular rig could withstand a siege.

Joining forces with allies

Always remember the Modular Republic's motto: Unity is strength.

The Link fastening system not only equips the RackBrute 3U, but also its large-calibre sibling, RackBrute 6U as well the MiniBrute 2 and MiniBrute 2S. No matter the combination you go for, you can make the most out of your extensive module collection, or create a powerful EcoSystem with the extensive CV/Gate connectivity of the MiniBrute 2 and 2S.

It's also worth noting that although this technology comes straight from the top secret Arturia research labs, they are working for the greater good. The Link system is patent-free, so you can expect more and more Link-enhanced equipment to become available in the near future.

Do not wait for reinforcements, bring them yourself.

Let's move out

Arturia have made sure that your gear would arrive without any scratches.

When carrying precious cargo, dozens of fragile modules, a unique and irreplaceable collection, you need to be certain of their safety. With RackBrute 3U, you have nothing to fear: from the handle, all the way to the threaded nut strips, you'll find strong aluminum and steel. Wherever you go, however long your journey, however heavy your setup, RackBrute was built to last. Even transporting two RackBrutes or a RackBrute and a MiniBrute 2 is totally risk-free thanks to the built-in Spacers, eliminating any chance of collision.

If you are planning an undercover mission, the dedicated, discrete RackBrute Travel Case will keep your precious equipment free from harm.

When you need to take your show on the road, rehearse, or even just rearrange your creative space, you can depend on RackBrute.

What's in the box

Box content:

RackBrute 3U unit
Power cord
Instrument dimensions
Size : 19 x 6.6 x 3.3 inches (484 x 167 x 83mm)
Weight : 4.7 lbs. (2.1 Kg)

Main Features:

Eurorack format, 88 HP
Aluminum Chassis
Provided with a 5 HP power module
Up to 1600mA on +12V and 1600mA on -12V (2 separate circuits of 800mA)
Up to 900mA on 5V (USB + 5V modules)
Power rail with noise filtering
20 standard power slots with up to 800mA on +12V and -12V
Link system and smart handle to fasten a MiniBrute 2/2S or another RackBrute unit in various configurations
Built-in Spacers for the highest protection in transport configuration

Notes: Serge Tcherepnin's superb DUSG multi-function module gets redesigned and updated for Eurorack. Function generator, integrator, oscillator and much more.

Supplier's Notes:
The Serge GTS is a complete redesign of the famous Serge Dual Universal Slope Generator (DUSG) by Serge himself - with a new core, optimized for speed and tracking. Like some of the clones it can be used for CV, but also provides exceptional audio performance: transient rise times as fast as 13us and a maximum cycle speed of 27kHz.

Some functions for which one Slope Generator can be used:

Function generator for linear, logarithmic, exponential, stepped etc. curves
Integrate an incoming signal
Sawtooth / Pulse oscillator
Add, subtract up to 4 signals
Max and Min function
VC Transient Envelope Generator
VC LFO
VC Portamento device, Envelope Follower (Detector), VC Pulse Delay (Monostable), Sub-Harmonic Series Generator (Divider), Audio Oscillator with variable waveform symmetry (saw to triangle), Non-Linear Audio Processor (low-fidelity VCF).
Serge GTS for eurorack:

Designed by Serge Tcherepnin 2021-2023
Increased audio range (up to >28kHz)
Tracks >5 octaves as a Sawtooth / Pulse oscillator
Temperature stabilized
Eurorack format (3U), 26 hp
Power consumption: 90mA @ +12V, 80mA @ -12V
(NEW) Skiff-friendly: < 25mm (1")

Notes: Solid State Logic (SSL) is a brand that has been synonymous with high-quality studio equipment for over 40 years.

The new SSL 12 interface is no exception, boasting a sleek design that is packed with advanced features that make it one of the best in the industry.

With 12 channel strips, each with a wealth of controls for equalization, dynamics, and routing, the SSL 12 is the perfect choice for producers and engineers who demand the utmost in precision and flexibility. Whether you're recording a band or mixing a film score, this console has everything you need to create a polished, professional sound.

Your 12 is not just a piece of equipment, but a vital part of your creative process. That's why Decksaver have designed a custom polycarbonate cover that will keep your console safe from dust, spills, and other hazards.

This SSL 12 cover is crafted from ultra-durable polycarbonate, ensuring that it can withstand the rigors of studio life. The cover is precision-molded to fit your SSL 12 like a glove, so you can be sure that it will not only protect your console but also look great while doing it.

With a Decksaver cover, you can rest easy knowing that your console is safe from harm and that you can focus on making great music.

Weight: 0.275 kg
Length: 28.5 cm
Width: 15 cm
Height: 3.5 cm

Material: Smoked clear polycarbonate.

Warning: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: A 4 ft Type B MIDI Adapter

This cable enables you to connect MIDI devices that use standard MIDI cables to the stereo minijacks that use the Type B standard. The adapter cable has a male stereo minijack at one end, and a male 5 pin DIN MIDI connector on the other, and is 1.42 meters/4' 8" long. It is also useful as a converter for connecting to other MIDI devices that use a different mapping of MIDI signals to the stereo minijacks.

Early 1010music music products use the Type B mapping of MIDI signals to stereo minijacks. Bitbox mk2 and bitbox micro can use mini TRS Type A or Type B for MIDI inputs. Bitbox micro uses Type B for MIDI outputs.

The diagram to the right shows the numbering of the pins on a MIDI connector and the labels of the connection components of a stereo minijack. Type B products are compatible with cables that use the following mapping of MIDI signals between female MIDI connectors and stereo minijacks.

Notes: Dark grey version of the 8030C, part of Genelec's iconic range of compact monitors. Max SPL of 104 dB and frequency response of 47 Hz - 25 kHz mean that the 8030Cs pack a bigger punch than their 30 x 19 cm dimensions would suggest.

Supplier's Notes:
If you love the compact format of the 8010 and 8020 models but demand higher SPL and more bass extension, meet the 8030C.

Welcome to the sweet spot

Short term max SPL: >104 dB

Maximum short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz at 1 m.

Long term max SPL: >96 dB

Maximum long term RMS acoustic output in same conditions with IEC weighted noise (limited by driver unit protection circuit) at 1 m.

Self-generated noise: <5 dB SPL

Self generated noise level in free field at 1 m on axis (A-weighted).

Weight: 5 kg (11.0 lb)

Dimensions

Height: 285 mm (11 1/4 in)
Height with Iso-Pod: 299 mm (11 3/4 in)
Width: 189 mm (7 1/2 in)
Depth: 178 mm (7 in)

Enclosure

Enclosure material: Die cast aluminium
Enclosure type: Reflex port

Drivers

Bass

Driver type: Cone
Diameter: 130 mm (5 1/8 in)

Treble

Driver type: Metal dome
Diameter: 19 mm (3/4 in)
Harmonic distortion

50-100 Hz <2 %
> 100 Hz <0.5 %

Amplifiers

8030C bass amplifier: 50 W Class D
8030C treble amplifier: 50 W Class D

Mains voltage: 100-240 VAC 50/60Hz

Power consumption

ISS Active: <0.5 W
Idle@ <3 W
Full output: 60 W

Signal processing section

Connectors

Input: Analogue signal input connector XLR female, balanced 10 kOhm.

Crossover

Bass/Treble: 3000 Hz

Notes: The DS2 is a compact desktop studio arm that's ideal for microphones, cameras, smartphones, lights and other accessories up to 900g. With its heavy base stand, there's no need for clamps or mounting points - simply sit it on your desk or other flat surface. It features two pivot points so you can quickly reposition your equipment, and its integrated cable guide slots will ensure your desktop remains tidy.

Weight (grams): 1471g
Dimensions (millimetres):
Length: 170mm
Width: 120mm
Height (folded): 190mm
Height (extended): 380mm
Maximum Capacity: 900g

Compatible Products (including, but not limited to): Can be used with any microphone, accessory or other product that is under 900g and either features or is compatible with an accessory that has a 3/8" or 1/4" thread mount.

Thread Mount: 3/8"-16 UNC Thread (1/4"- 20 UNC adapter included in the box)

In The Box:
DS2 Arm
DS2 Base
M4 Screws (x2)
3/8" to 1/4" thread adapter
M3 Hex key
Quick Start Guide

Notes: Meris describe the MercuryX as the most flexible studio reverb pedal ever made. A bold claim, but hear them out. Immense power with eight custom algorithms in a modular architecture. Full stereo with a wealth of programs from lush plates and twangy springs to experimental weirdness.

Supplier's Notes:
The Meris MercuryX takes the heart and soul of Mercury7 and expands it far beyond sci-fi into the highest quality and most flexible studio reverb ever created in a pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries. MercuryX features the same easy to use UI as LVX, making it immediately intuitive to navigate.

All of Meris' passion for pro audio has made it into both the algorithms and hardware performance of this pedal. MercuryX combines 8 custom Meris reverb algorithms and incorporates those into a modular system architecture that first introduced with the award winning LVX pedal. It features discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs.

Here is a deep dive into the 8 different reverb structures in MercuryX. Each Reverb Structure has Gate controls that can be used to dial in a range of gated reverb effects including the classic percussive gate sound, reverse tail reverb sounds, and slow breathing textures.

Similar to the Dry Blend control of the Predelay, each Reverb Structure features a Predelay Blend control that allows you to put some or all of the predelay reflections in parallel with the reverb tank.

Ultraplate - Adapted from Mercury7, Ultraplate is an inspiring and lush plate with a fast build. Use the Ultraplate's flexible decay range to create a wide range of studio textures.

Cathedra - Adapted from Mercury7, Cathedra is a massive and ethereal algorithm with a slow build. Cathedra is perfect for scifi textures and recreating C-beams glittering in the dark near the Tannhauser gate.

Spring - A flexible algorithm that can be voiced to replicate both the amp based reverb sounds and the classic studio spring tanks featured on early recordings.

78 Room - A lively and direct sound. This algorithm is great for transforming static sounding virtual amps into the difficult to capture sound of a great amp live in the room with you. The Room algorithm features a unique infinite mode (Maxed out Decay controls) that interacts with the Tank Mod to provide deep chorused and flanged reflections.

78 Plate - Fast and dense, the 78 Plate algorithm is a good match for beefing up percussion and vocals.

78 Hall - A large hall with a medium build up of reflections. Great for building up ambient walls of sound. The Hall algorithm's extended reflections are a great base for sculpting with the Bass/Mids/Cross controls. Deep rumbling bass caverns and ethereal upper mid emphasized halos of sound are easy to create. Explore the additional sparse mode for the Hall when Diffusion is set Low.

Prism - The Prism Strucure is an dual tank that allows you to build your own geometric rooms by specificying the size and distance and reflectivity. Prism features a highly configurable modulation section which allows different modulation phases per side to further increase the stereo image.

Gravity - The Gravity Structure works by accelerating indivual windows of your signal and stretching them across the horizon.

Notes: Portable recording made with musicians in mind, the R4 records up to four tracks in 32-bit float resolution, with on-board EQ and effects, amp simulation and the option to bounce recordings down then overdub.

Supplier's Notes:
The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms

Notes: The ODR-1 30th Anniversary Overdrive - Limited Gold Sparkle Edition commemorates three decades since the pedal's introduction in 1993.

Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for 30 years. To celebrate this milestone, Nobels have produced a very special gold sparkle finish edition and added a new versatile and convenient Bass Cut Pot for more even more tonal flexibility.

Limited to 5000 units worldwide, each pedal is numbered and includes a certificate, a sticker, a special plectrum and features the original ODR-1 front cover design.

The top selling ODR-1 pedal has developed its own almost cult following since it was first designed and engineered way back in the eighties. At NAMM 2020, the pedal was upgraded to the now current ODR-1BC model. With the addition of a (much-requested) bass cut switch to help tame low end (if needed for humbuckers etc.) as well as newly developed power circuitry for enhanced headroom, it makes the pedal way more versatile for the modern age.

However, in celebration of three decades of Natural Overdrive, the ODR-1 30th Anniversary Overdrive now features an even more useful and convenient variable Bass Cut Pot, based on feedback from musicians around the world. It also retains all the other upgraded features from the BC model such as higher headroom and Glow-in-the-Dark knobs, as well as Nobels' Spectrum control- one of the most important ingredients of the original pedal's success.

The very special gold sparkle finish makes this edition look as stunning as it sounds and only a limited number of ODR-1 30th Anniversary Overdrive pedals will be released, just 5000 worldwide.

So grab a piece of legendary overdrive history while you can!

Notes: DP-2000 is a digital percussion pad with 8 touch sensitive zones and a huge library of internal sounds.

A USB-to-PC/Mac interface enables integration with a software recording suite as a trigger controller and sound source. Sounds from the flagship DM-8 kit are stored internally, along with additional world percussion instrument samples and the option to add user samples from a USB flash drive. Sounds are assignable to pads and adjusted using the intuitive user interface and control surface, and each pad has a dynamic indicator which varies in brightness to mirror the playing dynamics. Dedicated MIDI in and out connections mean that the DP-2000 can expand a live playing setup or operate from hardware sequencers and other MIDI controllers. In addition to tuning and dynamics control, dual-engine DSP effects can be applied to each sound and tailored to suit each sound. If performance space is very limited, inputs for a hi-hat pedal, kick pad and an additional trigger can turn the DP-2000 into a fully playable super-compact e-drum kit. Add the possibility of music playback from USB flash drive and comprehensive input and output options, the DP-2000 is as much at home as a standalone instrument or as an expansion to an existing drum or percussion kit.

Add hi-hat & kick triggers for a full e-drum kit
USB-C Bluetooth adaptor
USB interface to PC/Mac
Importable WAV files for custom sounds
Power supply: 9Vdc, 500mA (tip-negative) adaptor supplied
Inputs: Aux input, trigger, hi-hat, kick, MIDI 5-pin DIN, USB-C (U-Disk)
Outputs: Headphones (3.5mm), L+R output (6.3mm), MIDI, USB-B (PC/Mac)
Dimensions: 408 x 314 x 62mm
Weight: 2.8kg

In the box

The box for this item contains:

DP-2000 digital percussion pad
DC power adaptor
USB-C Bluetooth adapter

Notes: The MUSE DRIVER - Andy Timmons Full Range Overdrive is an overdrive workstation that allows you to orchestrate everything from a clean boost to a treble supercharger, a chimey tube-amp overdrive to a square-wave, germanium fuzz generator and more.

This Pedal combines a three-control blues driver circuit with two switches for the voicing of Drive and Tone characteristics. Robert and Andy developed these switches to give players a broad range of drive tones. The Drive toggle engages two germanium diodes for a smoother, slightly compressed drive. Switch to Andy's clipping style for a brighter and more articulate attack.

Every part of the circuit has been optimized for tone and the demanding needs of a recording and touring artist such as Andy Timmons. Simply adding the MUSE DRIVER to your pedalboard will make your rig sound better. This professional grade overdrive can be switched between true-bypass and buffered bypass at any time.

Andy Timmons - Tone Switch

This drive pedal gives you two tone control circuits to choose from. When the Tone Switch is up and in the AT Position the tone control features Andy's preferred voicing and low-end response. Each note in a chord is clear and articulate. If the Tone Switch is down and in the RK Position that features the legendary Phat Boost providing more low-end frequency response, perfect for pushing up vintage or single coil pickups.

Full Range Overdrive - Germanium Toggle Switch

The MUSE DRIVER combines JFET saturation, diode clipping, and op-amp clipping in order to create its harmonically rich tone. Drive Switch UP for AT Clipping - this mode features asymmetrical LED and silicon diode clipping and is Andy's Super AT Mod sound. Drive Switch Down for RK Clipping - now the circuit features two germanium diodes for clipping. This mode can sound a bit like a vintage fuzz pedal with a softer, smoother feel.

Muse Driver - Buffered Bypass or True Bypass

The pedal features our industry leading buffer for noise-free switching. Keeley Electronics have developed a buffer which not only makes your rig sound better, it gives you silent switching with no tone loss. Switch between true-bypass and buffered on the fly. Simply press and hold the foot switch for two seconds and the pedal will switch between true-bypass and buffered bypass! You decide what works best in your rig.

Made In The USA

Keeley Electronics design, engineer, and manufacture the Keeley Electronics/Andy Timmons MUSE DRIVER in Oklahoma City. Everything about the MUSE DRIVER is geared towards the professional musician and their quest for an inspiring tone when performance demands it. From the meticulously built circuit boards to the newly fabricated aluminium enclosure; we make guitar effect pedals like finely crafted musical instruments.

Notes: Nine zip cable ties in 3 different colours. Light Grey, Dark Grey, and Red. Each pack contains 3 cable ties of each colour.

Notes: Black version of Elta's fantastic reboot of the legendary Polyvox filter. Stereo or dual mono operation, with precise control over all parameters and that classic filthy sound.

Supplier's Notes:
POLYVOX PF3 double-stereo filter utilizes the classic Soviet filter chip for a unique and iconic filter tone. Two independent 12dB multi-mode filters that can be controlled by a single cutoff knob. Turning the filter into a 24dB filter, when connected in series. When connected in stereo, you can achieve interesting effects by using different modes to each channel. A noise generator is on board pre-filter and can be used separately as a source of white and pink noise. Volume as well as clean and processed signal balance per channel. Can be used as two independent filters or stereo mode.

WARNING: Before using the device, turn it on for 5-7 minutes and let it stand. The control transistor should warm up. So that in SOFT mode there is no feedback when the FREQ knobs are in zero position. If you overdo it. The UD1208 chips used in the filter are very sensitive and are never the same. Therefore you will not mathematically get two identical filters. Which is an advantage when using the unit in stereo.

FILTER modes - Lowpass, Bandpass, Hi-pass, Notch.

NOISE generator - pink, white and channel balancing.

FILTER 1 and FILTER 2 - CV controls.

LINK switches to control two filters and CV at the same time with one slice knob.

SOFT/HARD cutoff control

Technical specifications:

Input audio signal level: Max 1.5 V
Modulation CV input: - 5 to +5 V or 0 to + 10V
Power supply: universal mains adapter 100-220V / 12V 1A out
Filter weight: 0,7kg
Packed weight: 1 kg
Dimensions: 175 x 135 x 50mm

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Notes: Introducing the Decksaver cover for Erica Synths LXR-02 & DB-01: Your ultimate protection solution!

Are you a proud owner of the innovative Erica Synths LXR-02 or Bassline DB-01? These polyphonic and stand-alone hardware synths are the epitome of creative potential in the world of music production. As you delve into the realm of synchronized sequencing and experimentation with various synthesisers and DAWs, safeguarding your investment becomes a top priority.

The LXR-02 & DB-01 boast an array of touch-sensitive pads, knobs, and LCD screens that are integral to their seamless operation. However, a moment of carelessness can lead to the potential damage that no music enthusiast wants to face. To ensure you have peace of mind during your musical journey, Decksaver have crafted the perfect protective cover for your beloved LXR-02 & DB-01.

Constructed with super durable polycarbonate, this Decksaver cover is engineered to provide the highest degree of protection against dust, debris, spills, and accidental impacts. With a custom-moulded design, the cover fits flawlessly, accommodating cables without hindering your setup. You can now keep your LXR-02 & DB-01 ready for operation at all times while being fully shielded from potential harm.

Decksaver's rigorous testing process guarantees that your Decksaver cover offers unparalleled durability and security for your precious musical instruments. Whether you are creating music at home, on the road, or on stage, this Decksaver cover will be your steadfast guardian, ensuring your Erica Synths devices remain in pristine condition.

Invest in the ultimate protection for your musical assets. Safeguard your creative journey and elevate your musical projects to new heights with the Erica Synths LXR-02 & DB-01 Decksaver cover. Because your passion deserves nothing less than the best!

Fits:
LXR-02
DB-01

Dimensions

Weight: 0.38 kg
Length: 23.6 cm
Width: 14.1 cm
Height: 3.7 cm

Material: Smoked clear polycarbonate.

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: This is a brand new build of a JakPlugg designed Pachinko, which is a micro version of Mutable Instruments Marbles. It retains all of the functionality of the original but takes up less space (12HP) than the original Marbles (18HP).

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module.

The panel is a custom black After Later Audio panel that offers metallic gold accents.

The module comes with a power cable and a 1 year warranty.

Notes: With the BeatBuddy MINI 2 Drummer Pedal, use your foot to take full control over your drummer including transitions, fills, intros, and more.

The ergonomic button makes this drummer pedal perfect for playing or jamming out when wearing socks (or barefoot)!

Over 200 styles and samples of professional drummers result in a versatile and organic feeling drum machine.

The BeatBuddy MINI 2 drummer pedal is a more compact and affordable version of the award winning BeatBuddy drummer pedal. It's used by School of Rock, Taylor Robinson Guitar, Frost School of Music (University of Miami), and more as a tool for efficient and engaging practice.

The ability to play along with beats sampled from professional drummers and control them with nothing but your feet will help you improve your musical talent faster than ever before. Most importantly, the fun you'll be having along the way will keep you coming back for more.

Notes: Back in 2008, the original Z5000 was not only the world's first Eurorack DSP effects module but also the first Tiptop Audio module released. It brought voltage controlled digital effects to Eurorack for the first time and the Z5000 was eventually replaced by the Z-DSP open source platform. Now, years later with over a decade of experience developing audio effects for Eurorack signals we are introducing a totally new version of the Z5000: a compact stereo 8HP multi effect with voltage controlled parameters, VC analogue clock generator driving the DSP chip and 24 of our creme de la creme reverbs, delays, modulation, harmonization and pitch modulated effects. A number of programs in the Z5000 combine more than one effect, in series or parallel, that represent studio techniques from-the early days till modern times often leaning toward the more experimental side.

Notes: Unreal value from Cre8audio's West Pest, the more experimental sibling to the East Beast. Loosely Buchla-inspired semi-modular synthesis with built-in sequencer, MIDI control and full Eurorack compatibility.

Supplier's Notes:
West Pest

Fully analogue West Coast style semi-modular synthesizer

The cousin of Cres8audio's East Beast desktop synthesizer, West Pest is a pesty cornucopia of simple complexity.

West Coast style is typically characterized by additive derived, rich and complex sounds. Often, more traditional user interface elements are replaced by the abstract and experimental.

All that said, West Pest is actually not a deep dive into the abstract. It provides a wide array of sonic capabilities while maintaining a quick and easy workflow. You'll make fresh & inspiring sounds in a flash. West Pest's huge sonic capabilities emanate from its modest bento box-sized exterior.

You can also feel free to pop West Pest out of its enclosure and transform it right into a 40HP eurorack module, or keep it in its case and use it anywhere for your West Coast style pleasure.

West Beast's oscillator, designed in partnership with Pittsburgh Modular Synthesizers, stems from 10 long years of stoic commitment to a continuous development of analogue oscillator research and development.

Its beautiful buzzy circuitry is not a clone or based on any outside designs. It is made with 100% modern components. This keeps it very stable, and giving it a super rich, and unique sound.

Folding waves, space, time & laundry?

West Pest utilizes a custom wave folder to shape the sound. It adds additional dimensions to West Pest's already unique sounding oscillator core.

A wave folder shapes sounds differently than a filter. Instead of removing harmonics, the wave folder increases the harmonic content of the oscillator by folding the wave in on itself to create sonically rich waveforms.

West Pest's wave folder takes what traditional wave folding circuits have done for years and ups the ante, allowing the user to fold previously unfoldable waveforms.

In addition to being able to send all of West Pest's waveforms through its wave folder/shaper, you can also input external sound sources. So go ahead, get weird with it.

Sculpt west-coast style

In continuity with the whole West Coast synth vibe, West Pest has a dynamics controller as well as an LFO to further sculpt its sound.

The Dynamics Controller combines the functionality of a VCA with a low pass filter to imitate the behaviour of soundwaves in the real world by dynamically modifying the harmonic content with the volume of the sound.

Go patch yourself

Semi-modular means that the West Pest will work without any patch cables. But who doesn't want to build a magnificent web of patch cables flowing in and out of their synthesiser? Brewing up sounds the old fashion way like unwavering generations before you, one patch cable at a time is where the real magic happens.
West Pest provides access to basically 8 different modules (Oscillator, wave contour, dynamics controller, LFO, multi-mod tool, MIDI to CV converter, sequencer, and button keyboard) worth of functionality with a whopping 18 Eurorack compatible patch points to plug into itself and your other gear. Rewire West Pest's signal flow, or share your favourite elements from West Pest with any other compatible synthesisers and vice versa.

And furthermore, the West Pest has got MIDI in, and MIDI through. Connect to a DAW, controller, daisy chain, or not. West Pest has you covered, at least, MIDI-wise. There's really no better way to get West Pest integrated into a DAW environment or connect to a controller.
Get your performance on.

But wait, there's more! West Pest includes quite a few additional performance features. You can dive in with its built-in tap tempo clock, arpeggiator, and sequencer. There's a lot of opportunities to inject in some randomness too.

Specifications for when used as a eurorack module
Width when used as a module = 40hp
Depth = 25mm
250mA power draw when running +12V rail
190mA power draw when running -12V

Input voltage range of oscillator = 0-10V

Included in the box - 1x West Pest, 1x West Pest wall-wart power supply, 5x Amazing Nazca Noodles Patch Cables, 1x 3.5mm to 5 pin MIDI Din pigtails and pizzazz (pizzazz's presence not guaranteed)

Notes: Compact audio and MIDI interface from one of the longest-running and most trustworthy brands in the business. Simple 2x2 setup with clear sound. A great entry-level option for getting sounds in and out of your computer.

Supplier notes:
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: Ashun Sound Machines (or more commonly known as ASM) created shockwaves when they released their original Hydrasynth. Now, they have released its little brother - the ASM Hydrasynth Explorer! Even though smaller in size, it still packs the same punch.

The ASM Hydrasynth Explorer features a 37-note mid-sized PolyTouchr keybed and a plethora of knobs and buttons for its oscillators, waveform, sound presets and more. With all of these features, there is always the danger of dust, liquid and accidental impact. But not to worry! After high demand from a vast amount of Hydrasynth Explorer owners, we have made a Decksaver for their precious keyboard.

THis Hydrasynth Explorer cover is designed and custom-moulded to perfectly fit whilst accommodating cables, meaning your unit can sit ready for operation whilst being fully protected. The super durable polycarbonate shell features extreme durability and offers the highest degree of protection.

With its easy portability and backpackable size, no matter where you are, you will never have to worry about your Explorer getting damaged with this Decksaver cover.

Notes: The AX-48 Pro Tote is the perfect accessory for the APEX AX-48 Pro Keyboard Stand. It's a durable tote bag with a carrying strap, plus room for one boom arm (sold separately).

Notes: A beautifully realised instrument drawing on West coast and East coast synthesis concepts to create something new and beguiling. Three oscillators, smooth filter and Buchla-style dynamics controller.

Supplier's Notes:
Taiga Paraphonic Modular Synthesizer

Taiga is a complete, modern, modular instrument that allows us to explore beyond the boundaries of a traditional analog synthesizer. The sound of Taiga can be attributed to three uniquely Pittsburgh innovations. A trio of huge analog oscillators, the unmistakably smooth sound of the Pittsburgh Filter, and the warmth of the unique Dynamics Controller. These enable you to not only create sounds that would be traditionally expected from an analog synthesizer, but also to explore new sonic textures and performance possibilities.

Taiga oscillators

Waveforms generated by the three Taiga oscillators stretch beyond the basic geometric shapes and sounds associated with analog synthesis. Taiga waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga.

The Pittsburgh Filter

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analog delay tuned to enhance the source material by repeating it over and over. Echos utilize a pair of bucket brigade delay chips to produce a classic voltage-controllable analog delay effect that helps to place the sounds of Taiga in a simulated environment.

Open Architecture

Taiga has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 60 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Complete Set of Modular Tools

Taiga includes a host of fully modular, analog, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga toolset is deep enough for any type of sonic exploration.

Taiga features and other info:

Paraphonic synthesizer with unique additive elements

Fully patchable - use Taiga's components as separate modules with external devices or reroute its internal patching.
Controllable via MIDI, CV, and integrated pseudo random sequencing mode
Clock-synced arpeggiator
3x Pittsburgh Modular Synthesizer developed 100% analog oscillators
Oscillator waveforms - sine, triangle, and saw - Waveforms can be combined
3x Pittsburgh Modular Synthesizer 6 stage wave folder/shaper circuit - folds inputted waves back onto themselves to increase harmonic content
Oscillators include frequency modulation (FM)
Noise generator - pitched somewhere between pure white and pink noise. Perfect for percussion or adding a bit of edge to a sound.
Variable state, multi-mode "Pittsburgh No-Dead-Spots" filter (lowpass, bandpass, highpass, modes can be combined)
Sample & Hold circuit
2x Analog ADSR / envelope generators
Pittsburgh dynamics section - an alternative to an envelope generator and a VCA, the dynamics controller is a Pittsburgh Modular invention that adds a dimension of control over a vactrol-less lowpass gate circuit, adding release time. (read more on this in the user guide)
Dual range analog LFO with square and triangle wave outputs.
LFO Range High: 2 Hz to 500 Hz Low: 41 seconds to 5 Hz
Dual Channel Mixer - 2 channel mixer and a 3 channel mixer joined together, capable of mixing both audio or control voltages.

Notes: Module A-138n is a simple four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator available. The output is twice available (two sockets, hard-wired like a multiple).

The module is the slim version of module A-138a and offers nearly the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-138a. The module is primarily planned for applications where only limited space is available. The only functional difference compared to the A-138a is the missing attenuator for the (dual) output.

Notes: Audio Optimized USB-A to USB-B Cables

Dual slimline ferrites prevent signal dropouts
Gold connectors ensure long cable life
Available in 8 colours and 2 types

Ideal for home and professional use where impeccable audio is a must, Chroma Cables complement the modern DJ and music production technology with a streamlined styling that keeps your setup looking fresh and sleek. All cables are not created equal, and these are engineered from scratch for digital performers, by digital performers.

Noise-Filtering Features

Each cable has two ferrite core chokes, one at each end of the cable. Paired with fully-braided shielding, Chroma Cables do a great job of eliminating interference along the signal path - making these the best USB cables for DJs.

Two Styles, Eight Colours

Cables come in straight and right-angle options. The angled cable helps to prevent accidental removal and takes up less space, giving you a less crowded DJ booth. Label gear by colour so you always know your soundcard from your controller.

Always Strapped

Even after placing your cables neatly in your bag, it's easy to wind up with a tangled clump of cables. The built-in velcro cable strap helps prevent this, keeping your gig bag nice and tidy. You'll wonder how you managed without this.

Compatibility Notes:

Works with all* USB devices with a USB type B connector but it's worth checking for obstructions if you plan on ordering an angled cable.

*Please note that the right angle cable won't work with a Kontrol D2, S2, S4, S5, S8, or Z1 or Traktor Audio 10 while using the power supply.

Size + Weight:
Length: 59.05" / 150cm
Weight: 0.18lb / 0.08kg"