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Back Catalogue: Studio Equipment

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Cat: 698471 Rel: 10 Oct 18
 
Desktop synth with integrated USB/MIDI interface - green
Notes: The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
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 1 in stock $544.49
Cat: 698470 Rel: 10 Oct 18
 
Desktop synth with integrated USB/MIDI interface - purple
Notes: The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
Read more
 1 in stock $544.49
Cat: 698472 Rel: 10 Oct 18
 
Desktop synth with integrated USB/MIDI interface - yellow
Notes: The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
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 1 in stock $544.49
Cat: 680765 Rel: 08 Mar 18
 
Protective dust cover, custom moulded to fit the Endorphin.es Shuttle System
Notes: The Endorphin.es cover protects the sockets and control elements of your Shuttle Systems on the road. The lid is deep enough to transport the modular instrument with patch cables plugged in. A self-adhesive strip (included) holds the cover in place.
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 2 in stock $59.88
Cat: 642571 Rel: 07 Mar 17
 
Complete modular synthesiser system featuring 5 Endorphine.es modules, plus selection of patch cables & carry bag
Notes: Endorphin.es Full Shuttle System, featuring the following modules;

Endorphin.es Cockpit:
The Cockpit is a performance mixer with 4 stereo channels, two channels of send and return to use iOS devices for signal processing (via a 4-pin TRRS cable) and also comes with an integrated compressor with sidechain input.

Endorphin.es Furthrrrr Generator:
The Furthrrrr Generator is a complex, completely analog oscillator inspired by the Buchla 259.

Endorphin.es Gateway:
Gateway is an expander for Endorhin.es Terminal which expands the envelope possibilities, with an integrated autotune-function for VCOs.

Endorphin.es Grand Terminal:
The Grand Terminal is a digital multipurpose module. Its two function generators can be used as envelopes, LFOs or VCOs. The 2 filter channels individually offer 8 modes of operation, and combined with its mixing and routing capabilities and a multi effects unit, it is not only a complete back end of a synth voice, but can also be used as a synthesizer voice, stereo filter bank or general purpose sound effects processor.

Endorphin.es Shuttle Control:
Shuttle Control is a freely configurable converter from USB-MIDI to CV/gate/clock with16 outputs. Use the USB sockets to connect a USB keyboard and the "to device" micro USB connector to hook up a tablet or PC/Mac with controller software which doesn't have to be capable of MIDI.
Furthermore it can be used as power supply and distribution and internal MIDI/CV-bus for a small modular system.

Please note: Comes with 2 Pin European Power Supply and may require 2 Pin to 3 Pin Converter Plug.
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 1 in stock $2,118.11
Cat: 614713 Rel: 20 Jun 16
 
Eurorack synth module case, with built-in power supply - 104HP wide
Notes: Desktop Eurorack moduile case 3U - 104HP with power supply on the left side.

Plexiglas side panels 5mm thick.

Aluminium chassis.

6cm deep, but only 4cm deep all along the 5HP of the power supply. Check your modules before!

Tech specs:
- Width : 104HP
- Depth : 6cm
- Depth all along the 5HP of the power supply : 4cm
- Current Consumption : +12V : 2.4A ; -12V : 1.2A ; +5V : 0.5A
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 1 in stock $211.27
Cat: 614712 Rel: 20 Jun 16
 
Eurorack synth module case, with built-in power supply - 84HP wide
Notes: Desktop Eurorack moduile case 3U - 84HP with power supply on the left side.

Plexiglas side panels 5mm thick.

Aluminium chassis.

6cm deep, but only 4cm deep all along the 5HP of the power supply. Check your modules before!

Tech specs:
- Width : 84HP
- Depth : 6cm
- Depth all along the 5HP of the power supply : 4cm
- Current Consumption : +12V : 2.4A ; -12V : 1.2A ; +5V : 0.5A
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 1 in stock $194.93
Cat: 695368 Rel: 01 Aug 18
 
Angled 2 x 84 HP Eurorack case with PSU & power cord
Notes: Eowave Studio Cases are made of metal, with wooden side panels to give them a modern look. The case here is angled, and features two rows with 84 HP each. A power supply and Bus Boards are built-in.
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 3 in stock $238.49
Cat: 695374 Rel: 10 Jul 18
 
Male 3.5mm TRS to Female 5 pin DIN
Notes: The MIDI adapter has a male 3.5mm TRS minijack at one end, and a female 5 pin DIN MIDI connector on the other, and is 22 cm/8.5" long.
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 More than 10 in stock $3.26
Cat: 604966 Rel: 18 Mar 16
 
Tactile 12bit synth & CV/gate controller device
Notes: The Ribbon MK2 is a tactile instrument which is sensitive to position and pressure. At the same time a 12 -bit synth and a USB and CV/Gate controller, it can be used in many different ways - as a solo instrument, to control virtual instruments and iOS or to control analog/modular systems and CV/gate devices. The Ribbon comes with a software editor, which allows you to choose from 9 oscillator sources, LFO and FM modulation and delay and downsampling effects. 16 Presets can be stored and recalled on the fly using the two buttons on the Ribbon.
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 1 in stock $246.11
Cat: 623628 Rel: 29 Sep 16
 
Professional grade acoustic tile for use on ceilings and walls
Notes: Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Classrooms and more

Each tile measures 1150mm x 575mm x 25mm

Fabric encapsulated 65KG/M3 absorber core providing high sound absorption

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

For installation on a ceiling use our Cloud Hangers

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools)

Quantity: 2 tiles
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 1 in stock $85.36
Cat: 623629 Rel: 29 Sep 16
 
Professional grade acoustic tile for use on ceilings and walls
Notes: Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Classrooms and more

Each tile measures 1150mm x 575mm x 25mm

Fabric encapsulated 65KG/M3 absorber core providing high sound absorption

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

For installation on a ceiling use our Cloud Hangers

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools)

Quantity: 2 tiles
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 2 in stock $63.51
Cat: 623634 Rel: 29 Sep 16
 
Professional grade acoustic tile
Notes: Measures 1150mm x 575mm x 50mm

Fabric encapsulated 65KG/M3 absorber core providing high sound absorption

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

2 items per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools)

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Classrooms and more
Read more
 1 in stock $128.65
Cat: 623665 Rel: 30 Sep 16
 
Professional grade membrane panel bass trap for wall or ceiling mounting
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Bass Trap 100L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
 2 in stock $69.69
Cat: 623668 Rel: 30 Sep 16
 
Professional grade membrane panel bass trap for wall or ceiling mounting
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Bass Trap 100L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
 2 in stock $69.69
Cat: 623663 Rel: 30 Sep 16
 
Professional grade membrane panel bass trap for wall or ceiling mounting
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Bass Trap 100L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
 2 in stock $69.69
Cat: 623661 Rel: 29 Sep 16
 
Pair of professional grade membrane panel bass traps for wall or ceiling mounting
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Bass Trap 50L measures 1150mm x 575mm x 50mm. Click 'Installation Instructions' above for a drawing.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
 1 in stock $87.33
Cat: 623658 Rel: 29 Sep 16
 
Pair of professional grade membrane panel bass traps for wall or ceiling mounting
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Bass Trap 50L measures 1150mm x 575mm x 50mm. Click 'Installation Instructions' above for a drawing.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
 1 in stock $87.33
Cat: 623655 Rel: 30 Sep 16
 
Professional grade membrane ‘wedge’ corner bass trap
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Corner Bass Trap L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

You will need just under 410mm of free wall space from the corner of the room to the edge of the bass trap.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
 1 in stock $99.95
Cat: 623652 Rel: 30 Sep 16
 
Professional grade membrane ‘wedge’ corner bass trap
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Corner Bass Trap L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

You will need just under 410mm of free wall space from the corner of the room to the edge of the bass trap.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
 2 in stock $99.95
Cat: 457891 Rel: 12 Jul 12
 
Pair of 2 way direct field active coaxial studio monitors
Notes: The new D5's (Direct 5) studio monitors are geared for the recording professional seeking a small (9.75" x 7" x 8.5"), affordable, accurate, well-voiced, reference studio monitor solution. Focused attention was paid to the development details to ensure that they deliver professional sonic performance. These monitors feature an expensive coaxially designed transducer with a 5.25" woofer and a 1" silk tweeter. The frequency response is 53Hz to 20 kHz. A new cutting edge digital amplifier with breakthrough performance was designed specifically for the D5. The internal DSP allows for intricate factory adjustments.

The D5 also has pro features such as balanced XLR and balanced/unbalanced TRS inputs as well as a boundary selection switch to select the appropriate monitor response for their placement (in a corner, in front of a wall, free standing). No plastic front baffle here. The D5 features an all wood cabinet, including a wood front baffle for optimum performance. No simple air releasing cutout on the front baffle or cut-out hole in the back. The D5 features a fully extended 1.75" perfectly tuned front port, providing superior and accurate extended low-end response. And because the port is on the front baffle, the D5's can be positioned close to a wall with no fear of the low-end being choked.

The coaxial transducer design combined with a steep 4th order crossover delivers a detailed mid-range that allows for clarity in that complex 900Hz - 3 kHz range. Guitars, voices, strings, horns, & reverb trails are very clearly and accurately portrayed and any mid-range anomalies that might exist in the source material can be easily determined and addressed. Because of our matched transducer output, mid-range mix elements can be positioned in the stereo field without the fear of being misplaced. The D5's are optimally pre-set and voiced for ideal instrument translation.

The D5 also features Equator's Zero-Point Reference custom designed coaxial Digitally-Controlled Transducers, along with internal DSP to provide a matched output curve for every unit. This allows for accurate no-shift imaging. The DSP allowed pin-point accurate adjusting during the voicing process. The voicing was aided by award-winning recording engineers that referenced their hit mixes for voicing considerations. The final D5 pre-set voicing curve is optimal for mid-range detail. With high-quality components, internal DSP, 100W of power and 103 dB of SPL the D5 deliver a huge bang for a little buck.

It is a well known fact and a matter of physics that sonic reflections off of walls, ceilings and other reflective surfaces, when combined with directly received audio information, will result in a distorted representation of the original audio at any given space.

The farther the listening position from the speakers, the larger the percentage of combined reflective information, the greater the distorted results. Room reflective problems can be relieved through digital software manipulation, as in the Equator Q Series Room Analysis software, or by building a room with non parallel walls and strategically positioned absorption panels or by working in the direct field.

In a normal room, the farther from the speakers, the greater the room effect. Conversely: the closer to the speakers the less the room effect. The direct field monitoring is where the clear majority of the audio information is received directly from the speakers with minimal reflective interference. By working in the direct field, the negative distortion effect caused by the combining of reflected information with direct information is dramatically reduced.

Many speaker systems are designed to deliver their optimum low frequency and high frequency combined audio results when monitoring from a certain distance away from the speakers. In the case of traditional tweeter over woofer designs, that distance would generally be greater than that of a coaxial design where the audio develops and is delivered from a single source.

The D5 works perfectly in the near field or the direct field.

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 1 in stock $488.96
Cat: 700036 Rel: 24 Aug 18
 
Modular whip breakout cable
Notes: Breakout converter to use E-RM masterclocks with a modular synth. Converts between DIN sockets and clock/reset/start/stop 3.5mm jacks and vice versa.
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 2 in stock $18.50
Cat: 563495 Rel: 08 Jun 15
 
Universal MIDI controller unit for use with all MIDI-controllable hardware and software
Notes: The all-rounder has 8 push-encoders without detents, 9 faders and 8 buttons, all switchable to 8 controller groups that allow to control a total amount of 264 control parameters. A 4-digit-display and 8 leds show the current values of all controls.

Various kinds of MIDI commands like program change, pitchbend, aftertouch and control change in relative and absolute mode with different acceleration amounts are possible. All these properties are fully programmable on the devices very fast and easy for each control separately.

The encoders can work as high resolution 14bit controllers too (control change or pitchbend) which makes them suitable for sensitive parameters like resonating filter cutoffs or similar things.

Use the internal 18 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

The little box is also a great extension for your Ableton Live setup.

There you can control all the continues parameters like track volumes, rack macros, send amounts, track pannings and switchable patameters like clip launch/stop, mute, solo, rec arm, monitor and track select. A special control surface script for Ableton Live 8/9 with all necessary mappings is enclosed in the package. With that script you can also use two UC4 devices to control up to 16 tracks simultaneously.

Check out this amazing power box and you will get a reliable mate...
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 3 in stock $221.07
Cat: 563494 Rel: 05 Mar 15
 
Universal controller for all kinds of MIDI controllable hard- and software, iPad compatible with camera connection kit
Notes: PC4 is a universal controller for all kinds of midi controllable hard- and software.

The device has 24 standard pots with rubber knobs designed in a 4 x 6 matrix. Various kinds of midi commands like control change, pitchbend and program change are possible.

Of course you can assign the pots to any of these commands by learning incoming midi commands like software it does. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instruments, effects and DAW's. Use the internal 16 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

A special feature is the switchable snap function for all pots. This simple function is very rare on standard midi controllers with pots. It avoids possible annoying value jumps.

Three switchable midi routings makes the unit much more flexible for complex midi setups.

Simultaneous control of external gear and software instruments is no problem for the PC4 due to the available USB and MIDI ports.
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 2 in stock $194.92
Cat: 667857 Rel: 05 Dec 17
 
Universal controller for all MIDI controllable hardware & software
Notes: PC12 as successor of the PC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine two or more NEW MODULE devices to create a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the pot controller also with your DAW like a classical 12-track-mixer.

The device has 72 standard pots and 12 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...
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 3 in stock $461.74
Cat: 384414 Rel: 27 Apr 10
Notes: This edition of the Faderfox Traveller DC Adaptor has a 5V/1A power supply output, 100-240V AC input, 1.8m cord length, and exchangeable UK wall plug.

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 1 in stock $22.82
Cat: 677321 Rel: 31 Jan 18
 
Compact, flexible rubber gooseneck USB lamp
Notes: A handy, compact USB lamp with touch control, 3 brightness settings and a flexible goose-neck stem for ideal positioning. The USB connection makes it perfect to add extra light for home or travel.
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 2 in stock $6.10
Cat: 605089 Rel: 17 Mar 16
 
Active studio monitor with 7" composite cone driver, 140watt bi-amplified
Notes: Building upon the acclaimed Fader Series of studio monitors, Fluid Audio now announces the new FPX (Fader Pro Coax) line of monitors, with the FPX7 leading the way.

Featuring beefed-up Class AB amplifiers, a performance toroidal transformer for superior noise characteristic, optimized composite cone woofers and AMT tweeters, the FPX7 produces the most accurate monitoring experience in its price range. With its lightning fast response, the AMT tweeter provides detail and depth only seen in Professional studios.

What makes the FPX7 so unique, however, is that the AMT tweeter is mounted in the center of the woofer - in a coaxial configuration, which makes this speaker the first of its kind.

Coaxial drivers, found in such world renowned monitors such as the Manley ML10, provide such accuracy and detail because all of the frequencies coming from the tweeter and woofer radiate from the exact same position in space. This is critical for accurate off-axis response as well as phase coherence. The AMT tweeter is mounted to a custom designed waveguide, which provides it with wide dispersion and an expansive sweet spot. The complex, DSP controlled crossover provides a perfect blending of the woofer to the AMT tweeter, and ensures that there is effectively zero variance speaker-to-speaker. The "engine" is DSP powered.
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 1 in stock $293.05
Cat: 526236 Rel: 26 Aug 14
 
Active studio monitor with 5" woofer and 1" aluminium inverted dome tweeter
Notes: Alpha studio monitors are specifically designed for music creation.

Thanks to Focal's exclusive technologies, its expertise in terms of speaker drivers and to the mechanical design of Alpha studio monitors, optimum integration is guaranteed. The environments for music production are very diverse, they are not optimised acoustically, or have only been done so insufficiently, and the listening distances vary greatly. Whether for confined spaces, rooms with poor acoustic qualities or for styles of music, which require neutrality, dynamics and high SPL, Alpha studio monitors are the solution for you.

Right from the first stages of R&D, the Alpha line was designed as a solution to these problems whilst focusing on one objective in particular: improving the quality of music production by giving the user better control over the audio spectrum.

This is reflected in the choice of technologies used, such as the inverted dome tweeter, that provide a very linear treble, reveal the slightest imperfections of equalisation even from a short distance away and also prevent auditory fatigue ; the Polyglass cone woofer, which gives excellent damping qualities, ensuring flawless neutrality over the entire bass/high-midrange frequency spectrum, and a remarkable transparency to the midrange frequencies ; and the unique bass-reflex design with large double front ports, which improves acoustical integration even in confined spaces nor installed near a front wall.

Finally each Alpha studio monitor is equipped with two class AB amplifiers. The high-current amplifiers enable complete control of the dynamics of the audio signal. This also allows for listening at high volumes without distortion.

Alpha 50, the most compact of the line, is perfectly adapted for confined spaces.

The ALPHA 50 is composed of a 5" (13cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port and of a 1" (25mm) aluminum inverted dome tweeter. It features a 20W amplifier for the tweeter and a 35W amplifier for the woofer, and has a frequency response of 45Hz to 22kHz (+/- 3dB).
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 3 in stock $208.28
Cat: 695971 Rel: 26 Aug 14
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Alpha studio monitors are specifically designed for music creation.

Thanks to Focal's exclusive technologies, its expertise in terms of speaker drivers and to the mechanical design of Alpha studio monitors, optimum integration is guaranteed. The environments for music production are very diverse, they are not optimised acoustically, or have only been done so insufficiently, and the listening distances vary greatly. Whether for confined spaces, rooms with poor acoustic qualities or for styles of music, which require neutrality, dynamics and high SPL, Alpha studio monitors are the solution for you.

Right from the first stages of R&D, the Alpha line was designed as a solution to these problems whilst focusing on one objective in particular: improving the quality of music production by giving the user better control over the audio spectrum.

This is reflected in the choice of technologies used, such as the inverted dome tweeter, that provide a very linear treble, reveal the slightest imperfections of equalisation even from a short distance away and also prevent auditory fatigue ; the Polyglass cone woofer, which gives excellent damping qualities, ensuring flawless neutrality over the entire bass/high-midrange frequency spectrum, and a remarkable transparency to the midrange frequencies ; and the unique bass-reflex design with large double front ports, which improves acoustical integration even in confined spaces nor installed near a front wall.

Finally each Alpha studio monitor is equipped with two class AB amplifiers. The high-current amplifiers enable complete control of the dynamics of the audio signal. This also allows for listening at high volumes without distortion.

Alpha 50, the most compact of the line, is perfectly adapted for confined spaces.

The ALPHA 50 is composed of a 5" (13cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port and of a 1" (25mm) aluminum inverted dome tweeter. It features a 20W amplifier for the tweeter and a 35W amplifier for the woofer, and has a frequency response of 45Hz to 22kHz (+/- 3dB).
Read more
 2 in stock $200.88
Cat: 546504 Rel: 26 Aug 14
 
Pair of active studio monitors with 5" woofers and 1" aluminium inverted dome tweeters
Notes: Alpha studio monitors are specifically designed for music creation.

Thanks to Focal's exclusive technologies, its expertise in terms of speaker drivers and to the mechanical design of Alpha studio monitors, optimum integration is guaranteed. The environments for music production are very diverse, they are not optimised acoustically, or have only been done so insufficiently, and the listening distances vary greatly. Whether for confined spaces, rooms with poor acoustic qualities or for styles of music, which require neutrality, dynamics and high SPL, Alpha studio monitors are the solution for you.

Right from the first stages of R&D, the Alpha line was designed as a solution to these problems whilst focusing on one objective in particular: improving the quality of music production by giving the user better control over the audio spectrum.

This is reflected in the choice of technologies used, such as the inverted dome tweeter, that provide a very linear treble, reveal the slightest imperfections of equalisation even from a short distance away and also prevent auditory fatigue ; the Polyglass cone woofer, which gives excellent damping qualities, ensuring flawless neutrality over the entire bass/high-midrange frequency spectrum, and a remarkable transparency to the midrange frequencies ; and the unique bass-reflex design with large double front ports, which improves acoustical integration even in confined spaces nor installed near a front wall.

Finally each Alpha studio monitor is equipped with two class AB amplifiers. The high-current amplifiers enable complete control of the dynamics of the audio signal. This also allows for listening at high volumes without distortion.

Alpha 50, the most compact of the line, is perfectly adapted for confined spaces.

The ALPHA 50 is composed of a 5" (13cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port and of a 1" (25mm) aluminum inverted dome tweeter. It features a 20W amplifier for the tweeter and a 35W amplifier for the woofer, and has a frequency response of 45Hz to 22kHz (+/- 3dB).
Read more
 1 in stock $419.27
Cat: 677372 Rel: 28 Mar 18
 
Premium closed-back circum-aural portable headphones with carry case
Notes: Listen Professional circum-aural closed back headphones are the essential work tool for music production. Their tonal balance and precision in terms of audio spectrum make them perfect to evaluate the sound work quality. In addition, their comfort and accessories will make them very attractive for people travelling on business trips. The sound quality and the dynamics of these headphones are very surprising considering that this quality is usually found on more expensive items. The attention to detail of these headphones can be also shown thanks to the various patents and technologies which belong to Focal. Hence, a brand-new driver membrane was developed. The main goal was to propose a solution which would keep all the dynamics from the original track while reproducing accurately every single detail on the whole audio spectrum. Even if Listen Professional headphones are closed, they produce a very lively sound, giving the feeling of semi-open headphones while still providing the isolation of closed headphones.

Focal's core expertise:

The speaker driver has been given a 100% Mylar suspension, whereas the central dome is composed of a Mylar-titanium alloy to provide more rigidity and extended frequency response in the upper end of the spectrum. Thus, the moving part is extremely light, enabling the transducer to exceed 40kHz on a flat baffle. The reproduction of the bass and sub-bass registers also received a great deal of attention. The team of engineers managed to combine two factors which are hardly compatible: a tuning frequency which is as low as possible and extremely low distortion (0.3% at 1kHz - 100dB).

Ear cushions - the ideal acoustics:

The size of the ear cushions (height, width and depth) gives them a volume which makes it possible to achieve a great tonal balance. Microfiber provides a more linear bass response providing a better acoustic output, whereas the acoustic tissue, which is closer to the speaker driver, offers great absorption and linearity in the 3-9kHz register. The bass and lower mid-range sections benefit from remarkable tonal balance and excellent articulation: where compression and frequency response generally suffer on closed-back headphones.

For a frequent and intensive use:

Listen Professional is also equipped with a headband boasting a unique design to ensure comfort and durability. Its curve remains consistent, regardless of the shape or size of the user's head. Combined with the layer of silicone underneath the headband, this ensures that the weight is spread out evenly over the head, preventing the user from feeling any pressure in certain areas, which can be very uncomfortable during long working sessions. The horizontal and vertical rotation of the ear cups operate thanks to one single part: a joint integrated into each one. The ear cups also feature a black structured covering, making them resistant to impacts and scratching.

Provided Accessories:

Rigid carrying case. Thermoformed shell in the shape of the headphones. Can store one cable and an iLok key (not provided), all within its compact dimensions. Two OFC copper 24AWG cables with a very low resistance.

- 5m spiral for domestic use
- 1.2m cable fitted with a 3.5mm stereo jack connector
- 3.5mm and 6.35mm jack adapter
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 1 in stock $201.17
Cat: 646975 Rel: 27 Jun 17
 
Compact, 6.5-inch, nearfield studio monitor with unique flax sandwich cone woofer & 6.5-inch passive radiator
Notes: Shape 65 is the reference of the Shape line. Although it's dedicated to nearfield monitoring, this monitor enables extraordinary monitoring quality, in the lowest to the highest frequencies. Simply a must, this monitor will express its full potential from a listening distance of three feet away (1 metre).

The three monitors are all made in France and integrate five innovations to maximise acoustic transparency. Designed to meet the needs of nearfield monitoring, Shape monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms.

These innovations provide remarkable acoustic transparency. These new work tools distinguish themselves through the wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalisation of these essential registers much easier. Finally, the new tweeter is what's at the source of the very high definition. It efficiently reveals any hissing, and it's also very precise in the very high end.
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 4 in stock $617.45
Cat: 677373 Rel: 11 Jun 18
 
Dual 5-inch powered studio monitor with passive radiators
Notes: This standard bearer of the Shape series features two passive radiators, woofers equipped with a new Flax cone, and the latest "M"-shaped Aluminium/Magnesium inverted dome tweeter. Perfect weapon of mass production for professionals.

Shape Twin is made in France, just like Shape 40, 50 and 65. Designed to meet the needs of nearfield monitoring, these monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms.

Shape Twin's five innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined as well as controlled. The low-mid and mid ranges provide a true neutral sound.
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 2 in stock $780.80
Cat: 626676 Rel: 09 May 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Sphear breaks with conventions and proves that high-fidelity in-ear headphones can be used for hours on end without the slightest discomfort!
Sphear is faithful to Focal's historic acoustic signature, the "Spirit of Sound", with a particularly rich mid-range which is never muffled, accurate and clear sound, it is extremely faithful to the original work, and offers harmonic richness, from the low end to the high end, for true listening pleasure.
Thanks to their unbeatable performance in this price category, Sphear are the most accomplished in-ear headphones to date, the most comfortable and the most generous for getting the most out of your music, wherever you are. In this age of "High-Resolution" and CD quality audio files, through its spherical design and its preservation of Focal's acoustic signature, Sphear provides an original and unique solution for those passionate for high resolution sound.

Rich and natural sound:
Never wanting to change music as it's intended, with Sphear, Focal also offers a sound which is precise and clear, and extremely faithful to the original music. These unique in-ear headphones offer harmonic richness, from the low end to the high end, for true listening pleasure.
A particularly rich and powerful mid-range:
Our research and development teams have perfected a Mylar driver whose specific shape and ridging were designed to avoid deformation and distortion. Equipped with an acoustic chamber with port for providing remarkable neutrality, such astonishing tonal balance has never been heard before from this family of headphones.

Pronounced bass for mobile use:
The spherical design of Sphear's ear-pieces makes it possible to have a larger driver than usual. The 10.8mm multi-channel transducer, one of the biggest in its category, and the Bass Reflex system provide extended frequency response in the low end and ultra realistic bass. Additionally, the bass level on Sphear has been slightly increased for mobile use in noisy environments.

Designed like a loudspeaker:
1 - Stainless steel ring and grille for increased robustness, reliability and aesthetics
2 - Bass-reflex system for ultra-realistic bass
3 - 10.8mm electrodynamic drivers for rich and natural sound
4 - Acoustic chamber with port for providing tonal balance
5 - Silicone or memory foam tips to ensure optimal noise isolation for ears of all shapes and sizes

Sleek design & high-end finished:
Light and practical, discreet and attractive, Sphear in-ear headphones are the fruition of the close collaboration between designers and engineers aiming to conciliate complex constraints related to miniaturisation with innovative and sophisticated solutions.
A job for the true audiophile, this collaboration resulted in this simple and pronounced bulbous design of the ear pieces secured by a stainless steel ring and grille for increased robustness, reliability and aesthetics.
Sphear is available in the Black High Gloss finish

Comfort, even during prolonged listening:
Focal's idea with Sphear? To prove that in-ear headphones could provide high-fidelity acoustics worthy of the best of standard headphones, while avoiding any discomfort during prolonged listening.
Since 2 years, the engineers at Focal worked with our designer to change people's vision of in-ear headphones.
Its innovative concept when it comes to shape, Sphear has redefined the approach towards the ear canal which dominated the in-ear market: memory foam tips on the front adapt naturally to the ear; an extended housing at the back shifts the weight of the headphones to the inferior auricle of the ear.
This relieves the ear canal from excessive volume and weight which generally resulted in temporary discomfort.

Multi-function remote control:
Connect the headphones to the audio source using the 3.5mm mini-jack. The multi-function remote control enables you to control all your devices connected to your In-Ear headphones: smartphone, tablets, MP3 player, computers.
Equipped with an omnidirectional microphone, the remote control enables you to control telephone calls (answer call, end call) and play functions (play, stop, next track, previous track).

Ergonomic tips for optimal comfort:
Sphear is supplied with 3 pairs of memory foam tips and 3 pairs of silicone tips so you can use those which suit your ear canal best to optimise noise isolation and audio quality.

Carrying case to protect your headphones:
To protect your headphones when you travel, wind them up and place them in the appropriate compartment in the carrying case. The thickness of the cables helps to reduce tangling.

Aircraft adapter for better compatibility:
Take full advantage of in-flight films and music in stereo sound. This double 3.5mm jack ensures compatibility in aeroplanes.
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 1 in stock $87.21
Cat: 560988 Rel: 26 Nov 15
 
10-in, 4-out Clarett 2Pre Thunderbolt interface with newly designed preamps featuring "Air" technology
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Better. Faster. Easier:
Excellent sound is the quality Clarett owners love most. With up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and two specially-designed mic preamps with a unique analogue "Air" effect, Clarett 2Pre simply sounds great, easily out-performing other interfaces in its class and beyond. Meanwhile, its astonishing 1.38ms round-trip latency* simplifies your workflow and lets you use your favourite plug-ins in real time.

Two New Clarett Mic Pres with extra 'Air':
The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special "Air" feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. The Instrument inputs also feature extra headroom to handle the loudest pickup.

Precision Digital Conversion:
Clarett features Focusrite's class-leading 24/192 conversion: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW.

Plug Straight In:
Do not underestimate the quality of the Clarett range DI. This newly designed instrument input allows for even the hottest of guitar pick-ups to be recorded without clipping, and the performance specifications easily match some of the finest dedicated DI's on the market. Coupled with the low latency environment, now you can get the most out of recording through your favourite amp sim and guitar effect plug-ins in real time.

Revolutionise your Workflow:
Clarett's ultra-low round-trip latency completely transforms your workflow. If you're used to having to build two different mixes - one using input monitoring to overdub, the other using the DAW for playback - the good news is that now, one is enough. Build your mix on the DAW and use it whether you're overdubbing (monitoring the input you're recording with the new Focusrite Control software mixer) or playing back, with all your plugins in place, all the time. Use your favourite plugins while recording too - whether it's reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage.

Intuitive, Easy to Use Software Mixer and Sweet Sounding Plug-ins:
Focusrite Control is a brand new software mixer designed for easy configuration of monitoring and routing setups. Simple and intuitive to use, Focusrite Control offers a traditional mixer workflow and allows immediate access to internal hardware functions. Also included is a sweet sounding plug-in collection comprising Softube's world-class Time and Tone Bundle, with TSAR-1R Reverb, Tube Delay and Saturation Knob. This is complemented by the Red 2 & Red 3 AAX, AU & VST Plug-in Suite, which accurately models Focusrite's classic Red range equalizer and compressor hardware.

'Gain Halos' help keep levels in check:
The front panel inputs include Focusrite's signature "Gain Halo" - an illuminated ring around the gain control that lights up green when there's signal and red when it's too high. There's a main monitor knob plus a high-power headphone output with its own volume control.

The ins and outs:
Clarett 2Pre offers 10 audio inputs and four outputs, including two front-panel multi-function inputs and a headphone output, plus four rear-panel line outputs (one pair doubling the headphone feed). There are also eight channels of ADAT-format digital input - ideal for adding eight channels of digital mic pre.
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 1 in stock $396.62
Cat: 560990 Rel: 29 Jun 15
 
18 input, 20 output Thunderbolt audio/MIDI interface with extra-low round-trip latency
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Designed for the project studio that needs plenty of I/O, Focusrite's 18-in, 20-out Clarett 8Pre combines eight mic preamps, class-leading digital conversion and extra-low round-trip latency - enabling DAW plugins to be used while monitoring recordings. Clarett's mic pre offers superbly low noise and distortion, plus the "Air" effect that models the sound of Focusrite's renowned ISA transformer-based preamps. Complete with Focusrite's precision 24/192 conversion offering up to 119dB real-world dynamic range, there's never been a better, faster or easier way of getting audio into or out of a DAW.

The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special "Air" feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. Instrument inputs feature extra headroom to handle the loudest pickup.

Latency is the delay to a signal as it passes through your DAW system from interface input to interface output. Clarett Thunderbolt offers the world's shortest. Signals go round so fast that you can record and monitor through your DAW with your favourite plugins such as EQ, reverb or compression, giving artists a fuller sound to perform with.

Clarett features Focusrite's class-leading 24/192 conversion quality: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW

18 audio inputs and 20 outputs within a 1U rack space, including eight analogue inputs, 10 analogue outputs, stereo S/PDIF I/O and eight channels of ADAT I/O. The ADAT ports are ideal for sending audio to an external D/A for line output expansion, or adding eight channels of digital mic pre..

Two mic/line/instrument inputs on the front panel give you instant, easy access to a pair of analogue inputs, even when rack mounted.

The monitor panel provides analogue and digital input levels, and main monitor outputs, via a 6-segment, multichannel hardware meter. Monitor features include a level control, plus dim and mute buttons, alongside dual high-power headphone outputs.
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 1 in stock $753.21
Cat: 675142 Rel: 16 Mar 18
 
18-in/20-out USB 2.0 audio interface for PC & Mac
Notes: The Clarett sound - now on USB.

Clarett USB lays down the challenge to interfaces twice the price. The Clarett USB range features specially designed high performance, low-noise (-128dB EIN) mic pres with a low distortion, ultra-linear design that guarantees a clean, open and transparent sound, giving accurate representation of the original performance. Boasting 119dB dynamic range, Clarett can now be experienced with any Mac or PC supporting USB 2.0 and above.

The perfect A-D and D-A conversion:

Decades of analogue circuit design experience, applied around 24-bit/192kHz A-D and D-A conversion, delivers a superior signal path. Hear your music sound better than you've ever heard it sound before.

Ins and outs:

Clarett 8Pre USB is an 18-in, 20-out audio interface. Six-segment LED metering easily shows the signal level of the eight mic/line inputs, two of which are also high-impedance instrument inputs that can record super-hot pickups with no unwanted distortion.

MIDI I/O and S/PDIF I/O are also included. ADAT I/O allows you to expand your setup with up to eight extra inputs and outputs when combined with multi-channel mic preamps like Clarett OctoPre.

Analogue outs include two monitor outputs with anti-thump technology, eight line outputs, two headphone outputs with volume controls, and a word clock output for sending clock signal to external devices.

Super-low latency recording:

Clarett 8Pre USB connects to Mac or PC using the included standard USB and USB Type-C cables. Record with super-low latency through amp simulators and effects plug-ins.

The clarity of Clarett:

The Clarett range is acclaimed for its sound quality. It's due partly to Clarett's specially-designed mic pres with the unique "Air" effect, adding air and clarity especially to vocals and acoustic instruments. Plus Focusrite's precision digital conversion, carefully balancing noise floor, dynamic range, frequency response and distortion for the best possible sound to and from your DAW.

Included software:

- XLN Audio - Addictive Keys: one of four inspiring and interesting keyboard instruments
- Focusrite - Red Plug-in Suite: accurately models our classic Red 2 equaliser and Red 3 compressor
- Softube - Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins
- Focusrite - Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies
- Abletonr - Live Lite: Industry leading music-making software
- Loopmasters: 2GB of royalty-free sample libraries
- Focusrite Control
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 2 in stock $679.54
Cat: 643234 Rel: 30 May 17
 
Compact, portable iOS audio interface featuring Focusrite's high-resolution audio technology
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

iTrack One Pre - easy to use, high-quality mic pre and instrument input for iPhone and iPad. Compact, portable and designed for recording high resolution audio without the need for external power. It even generates phantom power from iPhones and iPads without significantly draining their battery life, so you can record with professional condenser microphones whenever and wherever you want.

The preamp in iTrack One Pre holds true to the Focusrite philosophy where Sound is Everything. It lets you capture crisp and clear recordings of vocals and acoustic instruments directly into your favourite apps, including Garageband, Auria and Cubasis. Setting the right recording level is quick and easy thanks to the illuminated gain halo, which is unique technology from Focusrite's larger interfaces.

Recording guitar with iTrack One Pre is also easy: you just plug straight in. Even with exceptionally hot pickups, the high headroom guitar input will capture every element of your tone and playing style without any clipping or unwanted distortion.

Officially Apple certified, iTrack One Pre works perfectly with iOS devices and music making apps. If you haven't started recording on iOS yet, why not check out our sister company's app, Blocs Wave - a powerful and beautifully designed iOS app for making and recording new music, combining new ideas and real-time loop recording. Compact and lightweight, with a micro-suction base to stick it on any flat surface, iTrack One Pre will stay put anywhere while you lay down your tracks with confidence. it is ideal for capturing high resolution audio while on the go, and for keeping on you to record your playing and singing, so you can listen back and improve.

Made for iPhone SE, iPhone 6s, iPhone 6s Plus, iPhone 6, iPhone 5s, iPhone 5c, iPhone 5, iPad Pro (12.9-inch), iPad Pro (9.7-inch), iPad Air 2, iPad Air, iPad mini 4, iPad mini 3, iPad mini 2, iPad mini, iPad (4th generation), iPod touch (5th and 6th generation).

(Please note: iTrack One Pre is compatible for recording with the iPhone 7 however, simultaneous record and monitoring is not possible due to the iPhone 7 not having a 3.5mm headphone output)

What's included:

- iTrack One Pre
- Micro USB B - Lightning
- Micro USB B - USB
- Polyester drawstring bag
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 1 in stock $109.98
Cat: 559859 Rel: 16 Jan 15
 
Complete studio recording package including audio interface, microphone, headphones and software package - new Apple Lightning connection
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Whether you're an experienced musician or just starting out, iTrack Studio gives you everything you need to record music on your iPad, Mac, or Windows PC. At the heart of iTrack Studio is the Focusrite iTrack Solo: a 2-in, 2-out audio interface with a Focusrite mic preamp developed with over 25 years of Focusrite experience. In addition, there's a high-quality studio condenser microphone, monitoring headphones and all the cables you need, plus excellent integration with Tape by Focusrite: the beautiful, free recording app for iPad and a suite of recording software and effects for Mac and Windows.

The quality of the audio interface is one of the defining characteristics of a recording system, and Focusrite is an acknowledged leader in computer audio interfaces. iTrack Studio includes Focusrite's solid, metal-cased iTrack Solo interface, with an instrument input and a microphone preamplifier designed specifically for Focusrite's computer interfaces. Record your vocal with the included studio microphone and capture your instrument at the same time on a different track.

iTrack Solo ensures that everything is captured as high quality audio - up to 24-bit 96kHz sampling (significantly better than CD quality). It comes with an Apple Lightning cable - it can also connect via USB to a Windows or Mac computer. You can connect your speakers and the included headphones to the high fidelity/low noise outputs on the iTrack Solo.

The matching CM25S studio-quality condenser mic is designed to catch the life and soul of your vocals and acoustic instruments. Clean, smooth and sensitive, it captures every nuance. If you can hear it, you can record it. There's even a high-quality, 3m long low-noise microphone cable included to connect the CM25S to the iTrack Solo. Meanwhile, the included HP60S studio monitoring headphones give you a clear, unflattering and accurate impression of exactly how your music sounds, so you can get it just the way you want it. And when you play it back elsewhere, it'll sound great. Plus they're comfortable, too.

Record both channels on iPad with Tape by Focusrite, the beautiful, free recording app for iPad - or use it with Garageband, Cubasis, or any of a host of iPad recording applications. A Device Link cable with 30-pin iPad connector is included to connect your iPad to the iTrack Solo. If you are on a Mac or PC, iTrack Studio includes revolutionary music production software Ableton Live Lite as well as the Focusrite Scarlett Plug-in Suite - which includes EQ, compression and reverb - tried and tested tools to help you perfect your recordings.
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 1 in stock $206.72
Cat: 613652 Rel: 27 Jul 16
 
18-in 8-out USB audio/MIDI interface with Pro Tools First Focusrite Creative Pack software bundle
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Record whatever you want, whenever you want:
Our latest generation 18-in, 8-out USB interface is ideal for multi-instrumentalists, producers and small bands who want to record audio from a wide range of sources such as drums, guitars, keyboards and vocals. It's our most comprehensive desktop interface, giving you four mic preamps, round-trip latency as low as 2.74ms*, class-leading sound quality, and two separate headphone outputs, so you can give different monitoring settings to two artists, or an engineer and artist. It's also expandable over ADAT.

Focusrite interfaces are perfect partners for Pro Tools, so Scarlett 18i8 comes with Pro Tools | First Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software and a suite of software and samples, so you can start recording straight away. Scarlett 18i8 works flawlessly with all major DAWs on Mac and PC, and we continue to work with Avid to ensure it is compatible with every update to Pro Tools.

Delimit Your Studio:
Don't be limited by your interface's connectivity. 18 separate inputs let you connect just about anything you want, and leave your instruments permanently set up and ready to record.

The four combination inputs on the front each have a natural-sounding Scarlett mic preamp, 48V phantom power and superior linear gain. Backed by 30 years of design experience, they guarantee low noise, minimal distortion and a dynamic range that is unrivalled in this class.

On the back are four more line inputs for connecting your synths, keyboards or mixers, and two additional S/PDIF inputs for recording digital sources. For even more inputs, connect an eight-channel mic pre like the Focusrite OctoPre Mk II, for a total of 16 analogue inputs with 12 preamps.

Separate Headphones:
As well as two balanced analogue line outputs for connecting professional speakers, Scarlett 18i8 gives you two independent stereo headphone outputs, so you can give two artists (or an engineer and artist) their own cans and monitoring settings.

Revolutionise Your Workflow:
An unrivalled round-trip latency as low as 2.74ms* completely revolutionises your workflow. You can work entirely inside your DAW for both overdubbing and playback, and use your favourite plugins while recording - whether it's reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage. You'll also get the best out of vocal performances, by applying real-time comfort reverb to headphones.

Unrivalled Sound Quality:
We've been perfecting audio conversion for over 20 years. Our class-leading digital conversion operates at up to 24-bit and up to 192kHz, so you capture every nuance of every performance in crystal clear audio without any unwanted noise or hum, even when you're playing softly.

Designed For Guitarists:
We've redesigned Scarlett 18i8's instrument inputs and given them plenty of extra headroom, so you can handle extreme levels without any unwanted clipping or distortion. If you're recording extra loud instruments, you can also engage the 10dB pad in Focusrite Control software.

New Generation - Better In Every Way:
The latest generation Scarlett 18i8 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.

Intuitive Control Software
Scarlett 18i8 works with all major DAWs on Mac and PC, and comes with Focusrite Control: our brand new software mixer designed for easily configuring your monitoring and routing setups. Simple and intuitive to use, it gives you a traditional mixer workflow, separate headphone mixes and immediate access to internal hardware functions.

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.
Read more
 3 in stock $272.53
Cat: 613648 Rel: 03 Jun 16
 
USB audio interface bundle pack with headphones and studio condenser microphone included - also includes Pro Tools First recording software
Notes: Stop Wasting Time:
Everything you need to make studio-quality recordings from home:
You could spend another evening comparing equipment online. Or you could spend it recording your demo. Scarlett 2i2 Studio Pack gives you everything you need to easily make studio-quality music on Mac or PC.

Headphones - HP60 closed-back studio headphones for blocking out background noise.

Scarlett 2i2 - The top selling USB interface in the world, for recording studio-quality audio.

Microphone and Cable - CM25 large diaphragm condenser mic for capturing crystal clear sound, plus a three metre XLR mic cable and stand clip.

The World's Top Selling USB Interface:
Get your hands on the top selling USB audio interface of all time. It's a compact and versatile 2-in, 2-out interface that gives singer songwriters two natural-sounding Scarlett mic preamps and the same class-leading sound quality and digital conversion as the rest of the latest Scarlett range.
Take it anywhere, connect by USB, plug the CM25 condenser mic and your guitar straight in, and easily make studio-quality recordings that sound just the way you intended.

Perfect Partners:
Plus, because Focusrite interfaces are the perfect partner for Pro Tools, this studio pack comes with Pro Tools | First - Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software with a further suite of software and samples so you can start recording straight away.

Sound As Good As You:
If you want your recordings to sound as good as your performances, you want this studio pack. It gives you an interface with the best sound quality and digital conversion in its class, plus a large diaphragm condenser microphone that captures every detail of your sound.
Combined, they'll make sure your recordings that sound as true to life as possible. You also get a long mic cable and a stand clip, so you can get started straight away.

Hear Everything:
The art of recording is all about getting lost in the music. You don't want background noises interfering or distracting you when you're trying to concentrate.
The closed-back headphones in this studio pack block out background noise, giving you honest and accurate playback. They let you hear everything you want to hear, and nothing you don't - so you can stay entirely focused while recording and mixing.
Balanced jack outputs let you connect professional monitors, as well.

Effects In Real Time:
Don't let interface latency hold you back. Enhance your recordings in ways that are simply impossible with any other interface in this class, like enabling real-time guitar amp simulation and vocal reverb (depending on your software, settings and computer).

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.
You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.
Scarlett 2i2 works with all major DAWs on Mac and PC, and all the software included is simple enough for beginners, yet sophisticated enough for advanced users.

Record Absolutely Anywhere:
Never miss another moment of inspiration. Everything in this studio pack is compact, lightweight and sturdy enough to take with you anywhere, so you can lay down ideas at a friend's house or record your next gig. You don't need a power supply, either - just connect with a USB cable and start recording.

Designed for the Guitarist:
No matter how loud you play, or how hot your pick-ups, the newly-designed instrument inputs can handle it. You'll be free to play without the worry of unwanted distortion.

New Generation - Better In Every Way
The latest generation Scarlett 2i2 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.

Crisp and Clear Conversion:
Converting your performance into digital audio and back again is the most important part of the recording process. We've been making class-leading converters for over 20 years, and Scarlett 2i2 has the best converters of any interface in its class. You can hear the difference! Every part of your recording will be beautifully crisp and clear, even when you're playing softly. This means you can amplify your quieter moments without any unwanted hiss or buzzing.
Read more
 7 in stock $206.72
Cat: 693424 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: Stop Wasting Time:
Everything you need to make studio-quality recordings from home:
You could spend another evening comparing equipment online. Or you could spend it recording your demo. Scarlett 2i2 Studio Pack gives you everything you need to easily make studio-quality music on Mac or PC.

Headphones - HP60 closed-back studio headphones for blocking out background noise.

Scarlett 2i2 - The top selling USB interface in the world, for recording studio-quality audio.

Microphone and Cable - CM25 large diaphragm condenser mic for capturing crystal clear sound, plus a three metre XLR mic cable and stand clip.

The World's Top Selling USB Interface:
Get your hands on the top selling USB audio interface of all time. It's a compact and versatile 2-in, 2-out interface that gives singer songwriters two natural-sounding Scarlett mic preamps and the same class-leading sound quality and digital conversion as the rest of the latest Scarlett range.
Take it anywhere, connect by USB, plug the CM25 condenser mic and your guitar straight in, and easily make studio-quality recordings that sound just the way you intended.

Perfect Partners:
Plus, because Focusrite interfaces are the perfect partner for Pro Tools, this studio pack comes with Pro Tools | First - Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software with a further suite of software and samples so you can start recording straight away.

Sound As Good As You:
If you want your recordings to sound as good as your performances, you want this studio pack. It gives you an interface with the best sound quality and digital conversion in its class, plus a large diaphragm condenser microphone that captures every detail of your sound.
Combined, they'll make sure your recordings that sound as true to life as possible. You also get a long mic cable and a stand clip, so you can get started straight away.

Hear Everything:
The art of recording is all about getting lost in the music. You don't want background noises interfering or distracting you when you're trying to concentrate.
The closed-back headphones in this studio pack block out background noise, giving you honest and accurate playback. They let you hear everything you want to hear, and nothing you don't - so you can stay entirely focused while recording and mixing.
Balanced jack outputs let you connect professional monitors, as well.

Effects In Real Time:
Don't let interface latency hold you back. Enhance your recordings in ways that are simply impossible with any other interface in this class, like enabling real-time guitar amp simulation and vocal reverb (depending on your software, settings and computer).

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.
You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.
Scarlett 2i2 works with all major DAWs on Mac and PC, and all the software included is simple enough for beginners, yet sophisticated enough for advanced users.

Record Absolutely Anywhere:
Never miss another moment of inspiration. Everything in this studio pack is compact, lightweight and sturdy enough to take with you anywhere, so you can lay down ideas at a friend's house or record your next gig. You don't need a power supply, either - just connect with a USB cable and start recording.

Designed for the Guitarist:
No matter how loud you play, or how hot your pick-ups, the newly-designed instrument inputs can handle it. You'll be free to play without the worry of unwanted distortion.

New Generation - Better In Every Way
The latest generation Scarlett 2i2 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.

Crisp and Clear Conversion:
Converting your performance into digital audio and back again is the most important part of the recording process. We've been making class-leading converters for over 20 years, and Scarlett 2i2 has the best converters of any interface in its class. You can hear the difference! Every part of your recording will be beautifully crisp and clear, even when you're playing softly. This means you can amplify your quieter moments without any unwanted hiss or buzzing.
Read more
 1 in stock $216.71
Cat: 613650 Rel: 02 Jun 16
 
USB bus powered audio interface with 2 inputs & 4 outputs - comes with Pro Tools First software
Notes: Six pedals, three amps and three presets come with BIAS FX LE, a partnership between Positive Grid and Focusrite that offers a free version of the BIAS FX guitar effects processor.

BIAS Amp LE, however, gives you a taste of the full-blown BIAS Amp Pro amp modeller - one of the most popular and best-sounding guitar amp plug-ins in the industry. The new built-in reverb provides four classic reverb modes including room, chamber, hall and modulated plate reverb***

Ideal for anyone who needs a cue mix for performing or recording:
Our compact and flexible 2-in, 4-out USB audio interface makes it easy to perform and record studio quality audio against a cue mix. Take it anywhere, connect by USB and get two natural-sounding Scarlett mic preamps, super-low latency*, MIDI I/O, four analogue outputs and the same class-leading sound quality and digital conversion as the rest of the latest Scarlett range.

Focusrite interfaces are perfect partners for Pro Tools, so Scarlett 2i4 comes with Pro Tools | First - Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software and a suite of software and samples, so you can start recording straight away. As you'd expect, it works flawlessly with all major DAWs on Mac and PC.

Sound Like You:
Easily make studio-quality recordings that sound just the way you intended. Record anything you want using two combination inputs, with natural-sounding Scarlett mic preamps, 48v phantom power, line level inputs and newly-designed instrument inputs that can handle even the loudest guitar pick-ups.

The Performer's Interface:
Four analogue outputs, MIDI I/O and cue mixing make Scarlett 2i4 ideal for live performances. It also gives you a loud headphone output, two balanced outputs and four RCA outputs for connecting to your speakers or mixer.

Real Time Effects:
Don't let interface latency ruin your performance. Scarlett 2i4's new super-low latency lets you enhance your recording or performance in ways that are simply impossible with any other interface in this class, like enabling real-time guitar amp simulation and vocal reverb (subject to your software, settings and computer).

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.
You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.
Scarlett 2i4 works flawlessly with all major DAWs on Mac and PC, and all the included software is simple enough for beginners, yet sophisticated enough for advanced users.

Record and Perform Anywhere:
Compact, tough and entirely powered by USB, you don't even need to carry a power cable to record or perform anywhere you like with Scarlett 2i4.

Designed For Guitarists:
No matter how loud you play, or how hot your pick-ups, the newly-designed instrument inputs can handle it. You'll be free to play without the worry of unwanted distortion.

New Generation - Better In Every Way:
The latest generation Scarlett 2i4 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.
We completely redesigned the instrument inputs so they can handle even the hottest guitar pick-ups, and we've made it easier than ever to set your levels accurately. We've also built in new analogue protection circuitry across the inputs and the outputs, to guard your interface against unwanted power surges.

Crisp and Clear Conversion:
Converting your performance into digital audio and back again is the most important part of the recording process. We've been making class-leading converters for over 20 years, and Scarlett 2i4 has the best converters of any interface in its class.
You can hear the difference! Every part of your recording will be beautifully crisp and clear, even when you're playing softly. This means you can amplify your quieter moments without any unwanted hiss or buzzing.
Read more
 1 in stock $159.84
Cat: 613651 Rel: 30 Jun 16
 
New generation 6 in 6 out USB audio interface with Pro Tools First & Ableton Live Lite software
Notes: Ideal for multi-instrumentalists, producers and small bands:
Our latest generation 6-in, 6-out USB audio interface is perfect for anybody who wants more than two analogue inputs: multi-instrumentalists, producers, recording artists, and small bands who want to record vocals, guitar and keyboards simultaneously. It gives you four analogue inputs with two Scarlett mic preamps, four analogue outputs and two separate headphone outputs, so you can give different headphone mixes to different artists, or an engineer and an artist.

Focusrite interfaces are perfect partners for Pro Tools, so Scarlett 6i6 comes with Pro Tools | First - Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software and a suite of software and samples, so you can start recording straight away. As you'd expect, it works with all major DAWs on Mac and PC.

Sound Like You:
Backed by 30 years of design experience, these two Scarlett preamps offer a pristine and natural sound, with 48V phantom power, superior linear gain, low noise, low distortion and dynamic range that is unrivalled in this class.

Be Ready For Anything:
Need to record vocals, guitars and bass together? You need Scarlett 18i8. It gives you twice as many preamps as Scarlett 6i6 and 18 separate inputs, so you can be ready for anything.

Separate Headphones
Two separate headphone outputs let you give two artists (or an engineer and artist) their own headphones and monitoring settings.

You also get four balanced outputs so you can connect two sets of monitors, or send audio to an effects processor.

Effects In Real Time:
An unrivalled round-trip latency as low as 2.74ms* lets you do things that are simply impossible with most other USB interfaces (subject to your software, settings and computer). You can work entirely inside your DAW for both overdubbing and playback, and use your favourite plugins while recording - whether it's reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage. You'll also get the best out of vocal performances, by applying real-time comfort reverb to headphones.

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.

You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.

Scarlett 6i6 works flawlessly with all major DAWs on Mac and PC, and all the software included is simple enough for beginners, yet sophisticated enough for advanced users.

Record Live?
At just over 1kg and protected by a solid metal case, Scarlett 6i6 is lightweight and compact, yet tough enough to take to your live shows for onstage recording or playback.

Designed for the Guitarist:
We've redesigned the instrument inputs and given them plenty of extra headroom, so you can handle extreme levels without any unwanted clipping or distortion. If you're recording extra loud instruments, you can also engage the 10dB pad in Focusrite Control software.

New Generation - Better In Every Way:
The latest generation Scarlett 6i6 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.

Intuitive Control Software:
Scarlett 6i6 works with all major DAWs on Mac and PC, and comes with Focusrite Control: our brand new software mixer designed for easily configuring your monitoring and routing setups. Simple and intuitive to use, it gives you a traditional mixer workflow and immediate access to internal hardware functions

Used By the Best:
What do Sam Smith, Foo Fighters and Massive Attack have in common? Not a lot, admittedly, but they all use Focusrite equipment because they agree with us that sound is everything.

Find the Perfect Level:
Setting the perfect level couldn't be easier, thanks to haloes around the gain knobs that glow a reassuring shade of green when you're recording at the perfect volume. If they turn red, it's time to back off.
Read more
 2 in stock $201.31
Cat: 613642 Rel: 03 Jun 16
 
USB audio interface with 2 inputs & Pro Tools First recording software included
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Ideal for singer songwriters and guitar players who want to record studio-quality music:
Scarlett Solo is our simplest and most compact interface. It's ideal for singer songwriters and guitar players looking for the easiest way to record studio-quality music onto Mac or PC. Take it anywhere, connect by USB, plug a mic and guitar straight in, and immediately start recording with the same sound quality as the rest of the latest Scarlett range.

Focusrite interfaces are perfect partners for Pro Tools, so Scarlett Solo comes with Pro Tools | First - Focusrite Creative pack in the box, as well as Ableton Live Lite recording software and a suite of software and samples, so you can start recording straight away. As you'd expect, it works flawlessly with all major DAWs on Windows and Mac.

Sound Like You:
Easily make recordings that sound exactly like you. Connect your microphone to our natural sounding Scarlett preamp, and plug your guitar straight into a newly designed input, both of which capture studio-quality audio that sounds just the way you intended. 48V phantom power means you can use any mic you want.

Record Guitar and Vocals Simultaneously:
Record your guitar and vocals at the same time, onto separate tracks. If one doesn't sound right, you won't have to re-record both. You can also apply separate effects: amp simulation to your guitar, for example, and reverb on your vocal.

Effects in Real Time:
Super-low latency lets you enhance your recordings in ways that are simply impossible with any other interface in this class, like enabling real-time guitar amp simulation and vocal reverb (subject to your software, settings and computer).

Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.
You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.
All the software is simple enough for beginners, yet sophisticated enough for advanced users.

Record Absolutely Anywhere:
Never miss another moment of inspiration. Capture ideas at a friend's house, or record your next open mic night: Scarlett Solo is tiny and tough enough to take anywhere - but sounds just like our biggest Scarlett interfaces. You don't need a power supply, either - just connect with a USB cable and start recording.

Designed for the Guitarist:
No matter how loud you play, or how hot your pick-ups, the newly-designed instrument input can handle it. You'll be free to play without the worry of unwanted distortion.

New Generation - Better In Every Way:
The latest generation Scarlett Solo is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.
We completely redesigned the instrument input so it can handle even the hottest guitar pick-ups, and we've made it easier than ever to set your levels accurately. We've also built in new analogue protection circuitry across the inputs and the outputs, to guard your interface against unwanted power surges.

Crisp and Clear Conversion:
Converting your performance into digital audio and back again is the most important part of the recording process. We've been making class-leading converters for over 20 years, and Scarlett Solo has the best converters of any interface in its class.
You can really hear the difference! Every part of your recording will be beautifully crisp and clear, even when you're playing softly. This means you can amplify your quieter moments without any unwanted hiss or buzzing.
Read more
 2 in stock $89.24
Cat: 583868 Rel: 10 Aug 15
 
Professional stereo headphones with semi-open design for flat & clear response
Notes: New RP-Series Professional Headphones:

The new RPmk3 series headphones are successors to the reputed RPmk2 series that have been used as reliable monitor headphones in many professional recording studios for more than 30 years including from the start of the T-series.

The driver unit incorporating the key Fostex proprietary Regular Phase (RP) Technology diaphragm has been refined to achieve sharper audio reproduction for more accurate monitoring. The housing, ear pads and head pad have also been re-designed to derive the maximum performance of the RP driver.

- Refined Fostex proprietary Regular Phase (RP) diaphragm driver using copper foil etched polyimide film and powerful neodymium magnet

- The maximum input level of 3000mW to comply with various professional uses
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 5 in stock $117.60
Cat: 700034 Rel: 24 Aug 18
 
Pack of 100 plastic washers
Notes: Black plastic washers for M3 screws.

Fits: M3x6 Black Button Head Socket Cap Screws, M3x6 Zinc Phillips Panhead Screws
Read more
 5 in stock $8.93
Cat: 700033 Rel: 28 Aug 18
 
Pack of 100 screws
Notes: Frap Tools cross recessed pan head screws.
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 5 in stock $8.93
Cat: 618623 Rel: 22 Jul 16
 
Capacitive touch keyboard with 9 octave ranges for the 29 full-sized keys
Notes: The 512 is a capacitive touch keyboard, packed with a unique blend of truly musical features to enhance your creative experience. The 512 is available with or without the optional rack ears that allow it to fit in a standard 19" rack enclosure, taking up only 4u spaces.

Why is capacitive touch better? Quite simply, eliminating mechanical moving parts found in traditional keyboards makes a product that will never wear out, as mechanical keyboards do. No more intermittent key contacts, or failed aftertouch circuits to worry about! In addition, capacitive touch provides a much faster response time for playing notes, and allows multiple forms of expression to be executed by the performer.

There are five main functions of the 512. It can act as a keyboard, arpeggiator, sequencer, MIDI to CV converter, and MIDI to MIDI converter. The 512 can control both MIDI and CV/Gate synthesizers simultaneously. Pitch, Pitch Bend, Mod Wheel, Gate, Velocity, Aftertouch, and Clock are all available in both their MIDI and CV form. CV's follow the 1V/Oct standard with positive polarity Gate signals, allowing the 512 to control the majority of analog synthesizers both past and present. The 512's CV output is adjustable providing a range of .47V/Oct to 1.34V/Oct. This then allows you to control other CV standards such as the 1.2V/Oct synthesizers used in Buchla and EML brands as well.

KEYBOARD:
The 512 provides 9 octave ranges for the 29 full-sized keys (although shorter in length than typical keys) with response to Velocity and Aftertouch. Users can define one of five different Velocity and Aftertouch curves to apply to the keyboard, and dial in the range for each curve to customize the response. The Pitch Bend provides positive and negative pitch bends, and the bend range can be adjusted for full or half range. Mod Wheel is also provided as a modulation source.

ARPEGGIATOR:
The arpeggiator allows you to quickly construct melodies on the fly, and manipulate them to your hearts content. Up to 16 notes can arpeggiate, and there are 29 user definable rhythm patterns to apply to an arpeggiation. Each step of a rhythm pattern can define note on/off, note duration, sustain, glide, and velocity value. Rhythm patterns can be reassigned to an arpeggiation on the fly. Arpeggiations can play in five directions being: Up, Down, Up/Down (inclusive or exclusive), and Random. You can also apply up to +/- 4 octave reiterations so the arpeggiation plays through multiple octave ranges automatically.
When notes are entered live into the arpeggiator the 512 will generate the typical ascending playback order (when playing in the UP direction), or descending (when playing in the Down direction). At any time you can latch the held notes into memory using the Hold feature. Once Hold mode is active, you can enter notes in any order, and even use the same pitch multiple times.
Once the arpeggiation is latched with the Hold feature the real fun begins. You are free to select different scales, add chords, apply chord inversion, transpose, scalar transpose, change octaves, rhythm patterns, note combinations, MIDI channels, or time signatures. You can also add Pitch Bend, Mod Wheel, and Aftertouch control, and all of these can be done in realtime.

SEQUENCER
The 512 sequencer is similar to beloved classics like the SH-101 or Pro-one in how easy it is to use them. However the 512's sequencer expands on these ideas and goes a lot further. There are 145 user writable sequencer pattern locations. Each pattern can be any length up to 64 steps (4 bars when using 4/4 time signature). Each step records a single note pitch, the note duration, sustain, glide, and velocity. Similar to the arpeggiator, the sequencer in the 512 can play sequences in five directions being Forwards, Backwards, Fowards/Backwards (inclusive and exclusive), and Random. And again, you can apply up to +/- 4 octave reiterations so the sequence plays through multiple octave ranges automatically.
Once a sequence is playing, you are free to select different sequences to play next, choose different scales, add chords, apply chord inversion, transpose, scalar transpose, change octaves, MIDI channels, or time signatures on the fly. You can also add Pitch Bend, Mod Wheel, and Aftertouch control in realtime.

*For full description, please visit - http://www.future-retro.com/products.html#!/512-Touch-Keyboard/p/66528039/category=0
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 2 in stock $779.71
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