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Back Catalogue: Studio Equipment

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Cat: 655895 Rel: 02 Jan 18
 
Analog drum machine with 8 drum voices, sampling, analog distortion, multimode filters & step sequencer
Notes: Analog Rytm MKII is an 8 voice analog drum machine and sampler. By combining analog drum synthesis with a digital sample engine and a sequencer, it offers vast beat sound design possibilities. Sampling with the Analog Rytm MKII is quick and effortless and perfect for adding a customized touch to any beat. General playability is stellar thanks to the large pads, the generous amount of dedicated buttons and the quick performance controls. High bandwidth Overbridge and two expression/CV inputs for external control further strengthen the Analog Rytm MKII case. The feel and look of the unit itself is stunning, thanks to the cast aluminium enclosure, the back-lit buttons, the hi-res encoders and the big OLED screen. All in all, the Analog Rytm MKII represents a major leap when it comes to beat making instruments.

What's new?

- Sampling capability
- Crisp, large OLED screen providing optimal feedback in dimly lit environments
- Ultra durable back-lit buttons. Rated for 50 million presses
- Precise, hi-res encoders
- Quick performance controls
- Large pads for maximum playability
- Increased amount of dedicated buttons enabling quicker workflow
- Expression/CV inputs for external control of Analog Rytm MKII parameters
- Balanced sampling inputs
- Overbridge with higher bandwidth
- Premium cast aluminium enclosure

True analog punch:
What really sets the Analog Rytm MKII apart is the analog sound. It has a magic character. The depth of the kick drums, the bite of the snare drums, those cavernous toms, the airy shimmer of the hihats. Fine-tune the sounds to your liking and get working.

Elevated by samples:
For ultimate creative versatility you can layer samples on top of the analog drum sounds. Capture your own sounds, or use pre-recorded material, to make your beats as smooth, as rough, as realistic or as fantastic as you'd like. The perfect unity of analog percussion and sampling simply goes beyond.

Maximized playability:
When you've got your drums ready, record them to the sequencer and play them back. Do it using the pads, or perform detailed programming on the sequencer steps. Really meticulous or totally spontaneous: it's up to you.
Read more
 3 in stock $1,343.39
Cat: 686769 Rel: 02 Jan 18
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Analog Rytm MKII is an 8 voice analog drum machine and sampler. By combining analog drum synthesis with a digital sample engine and a sequencer, it offers vast beat sound design possibilities. Sampling with the Analog Rytm MKII is quick and effortless and perfect for adding a customized touch to any beat. General playability is stellar thanks to the large pads, the generous amount of dedicated buttons and the quick performance controls. High bandwidth Overbridge and two expression/CV inputs for external control further strengthen the Analog Rytm MKII case. The feel and look of the unit itself is stunning, thanks to the cast aluminium enclosure, the back-lit buttons, the hi-res encoders and the big OLED screen. All in all, the Analog Rytm MKII represents a major leap when it comes to beat making instruments.

What's new?

- Sampling capability
- Crisp, large OLED screen providing optimal feedback in dimly lit environments
- Ultra durable back-lit buttons. Rated for 50 million presses
- Precise, hi-res encoders
- Quick performance controls
- Large pads for maximum playability
- Increased amount of dedicated buttons enabling quicker workflow
- Expression/CV inputs for external control of Analog Rytm MKII parameters
- Balanced sampling inputs
- Overbridge with higher bandwidth
- Premium cast aluminium enclosure

True analog punch:
What really sets the Analog Rytm MKII apart is the analog sound. It has a magic character. The depth of the kick drums, the bite of the snare drums, those cavernous toms, the airy shimmer of the hihats. Fine-tune the sounds to your liking and get working.

Elevated by samples:
For ultimate creative versatility you can layer samples on top of the analog drum sounds. Capture your own sounds, or use pre-recorded material, to make your beats as smooth, as rough, as realistic or as fantastic as you'd like. The perfect unity of analog percussion and sampling simply goes beyond.

Maximized playability:
When you've got your drums ready, record them to the sequencer and play them back. Do it using the pads, or perform detailed programming on the sequencer steps. Really meticulous or totally spontaneous: it's up to you.
Read more
 3 in stock $1,354.44
Cat: 575950 Rel: 09 Jun 15
 
High quality USB 2.0 cable - woven black & red cable with Elektron logo on connectors
Notes: Length: 1.5 meters.

Woven black and red cable with Elektron logo on the connectors.
Read more
 1 in stock $14.36
Cat: 638981 Rel: 01 Jun 17
 
Compact eight track digital drum machine & sampler
Notes: Beat making powerhouse:
Compact, rugged and to the point. Digitakt is a formidable drum machine. With an astounding feature set and an exquisite digital sound engine, the stage is set for a striking encounter.

Rhythm is a fundamental part of music. Off-kilter beats, four on the floor workouts, polyrhythmic excursions all serve the same purpose. They provide musical structure and sometimes they even make us dance.

Digitakt is a new compact drum machine from Elektron. It contains all the necessary tools to make people move to the beat. A digital and highly flexible sound engine, sampling capability, a live-friendly sequencer, the means to control external MIDI gear. Round it off with a super crisp OLED screen and wonderfully tactile back-lit buttons. Done deal.

Drum machines are something of an Elektron speciality. With the Digitakt we show why.

Complete computer integration:
Overbridge is a breakthrough technology. It allows Elektron analog instruments to be handled as software plugins. Your computer has become a new gateway to the unmatched sound of true hardware.

Full plugin control:
Shape your sounds and handle your patches with precision. The instrument specific software plugins are intuitive and beautifully designed, making analog circuitry more accessible and easier to manage than ever.

Audio streaming:
Record multiple Elektron machine voices to your computer. Or add warmth to DAW tracks with the analog circuitry of the Elektron machines. Always in complete sync at all times. One USB cable is all it takes.

Total recall:
All sound settings on an Elektron machine can be automatically recalled when you load a DAW project. It is quick, easy and simply works. Overbridge offers ultimate convenience. It is a time saver.
Read more
 2 in stock $619.89
Cat: 671639 Rel: 01 Jun 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Beat making powerhouse:
Compact, rugged and to the point. Digitakt is a formidable drum machine. With an astounding feature set and an exquisite digital sound engine, the stage is set for a striking encounter.

Rhythm is a fundamental part of music. Off-kilter beats, four on the floor workouts, polyrhythmic excursions all serve the same purpose. They provide musical structure and sometimes they even make us dance.

Digitakt is a new compact drum machine from Elektron. It contains all the necessary tools to make people move to the beat. A digital and highly flexible sound engine, sampling capability, a live-friendly sequencer, the means to control external MIDI gear. Round it off with a super crisp OLED screen and wonderfully tactile back-lit buttons. Done deal.

Drum machines are something of an Elektron speciality. With the Digitakt we show why.

Complete computer integration:
Overbridge is a breakthrough technology. It allows Elektron analog instruments to be handled as software plugins. Your computer has become a new gateway to the unmatched sound of true hardware.

Full plugin control:
Shape your sounds and handle your patches with precision. The instrument specific software plugins are intuitive and beautifully designed, making analog circuitry more accessible and easier to manage than ever.

Audio streaming:
Record multiple Elektron machine voices to your computer. Or add warmth to DAW tracks with the analog circuitry of the Elektron machines. Always in complete sync at all times. One USB cable is all it takes.

Total recall:
All sound settings on an Elektron machine can be automatically recalled when you load a DAW project. It is quick, easy and simply works. Overbridge offers ultimate convenience. It is a time saver.
Read more
 1 in stock $615.86
Cat: 677038 Rel: 06 Feb 18
 
8-voice polyphonic digital synthesizer featuring an integrated 16-step sequencer & multiple FM algorithms
Notes: Digitone is a very special eight voice digital synthesizer. It combines a modernized FM implementation with a classic subtractive synthesis signal flow, making it a powerful source of highly unique tones and timbres. The FM sound generators have been optimized for a clean and efficient sound design process. Turn a few knobs, and something interesting and musically relevant is bound to happen.

Naturally, the world class Elektron sequencer is an integral part of Digitone. Four tracks are available for the internal sounds and four dedicated MIDI tracks stand ready for controlling external gear. Use the sequencer to quickly add chords or create melodies adhering to a specific scale. Add probability settings to individual notes. Create tracks with different lengths. Digitone makes it easy to create intricate and musical patterns.
Read more
 More than 10 in stock $651.24
Cat: 655893 Rel: 10 Oct 17
 
8-track performance sampler featuring several upgrades from the MKI version
Notes: More than a sampler:

Discovering the perfect sample is the start of the process. Then twist it, mess around with it and rebuild it into something uniquely yours. The Octatrack MKII sets new standards for sampling as an art form.

What does the MKII version bring:

Octatrack MKII is improved, enhanced and modified. A better version of itself, built to mangle samples in demanding environments. Ensured by: high quality buttons and hi-res encoders, a crisp OLED screen with fantastic viewing angles, a professional contactless crossfader and an increased count of dedicated buttons.

Octatrack MKII features several upgrades compared to the MKI version:

- Crisp OLED screen providing optimal feedback in dimly lit environments
- Ultra durable back-lit buttons. Rated for 50 million presses
- Contactless silky smooth performance crossfader
- Precise, hi-res encoders
- Increased amount of dedicated buttons enabling quicker workflow
- Balanced audio inputs with plenty of headroom

Game-changing hardware:

The Octatrack MKII brings enormous sample processing ability into a machine designed for live performance. It redefines how you transform your sounds, as well as how you interact and play with them. It lets you do things that were previously impossible with a single instrument.

Natural born performer:

Record samples in real time. Add live time-stretching and pitch-shifting. Use the sequencer to control both internal sounds and external MIDI gear. The Octatrack MKII can also be treated as a small mixing desk for your whole setup. The immediate control makes all the difference.

Audio mutation:

The crossfader adds immense depth to your sound. First, choose how you want it to affect your samples. Then nudge the crossfader gently for the most subtle and natural-sounding changes - or knock it back and forth like you're scratching for rapid and extreme enhancements.

The legend continues:

During its seven year life span, the original Octatrack quickly became one of the most widely used live performance samplers. An industry standard if there ever was one. It undoubtedly changed the way gear setups look like and gave artists the power to perform live in the truest sense of the word. Now the Octatrack MKII is here. Sharper, better, more robust. It proudly carries the legacy of its predecessor, confirming the position as the creative artist's instrument of choice.
Read more
 More than 10 in stock $1,142.90
Cat: 537983 Rel: 11 Feb 15
 
Protective cover designed to fit a number of Elektron synth units
Notes: Hard plastic protective lid. Fits Analog Four, Analog Rytm, Octatrack, Machinedrum/Monomachine MKI/MKII units.
Read more
 1 in stock $45.32
Cat: 644155 Rel: 21 Mar 17
 
Replacement power supply for Octatrack, Monomachine MKII, Machinedrum UW MKII & Machinedrum MKII
Notes: The power supply is compatible with Octatrack, Monomachine MKII, Machinedrum UW MKII and Machinedrum MKII.

Please note that it is not compatible with any MM/MD MKI units.
Read more
 1 in stock $57.30
Cat: 644154 Rel: 21 Mar 17
 
Replacement power supply for Analog Heat & Analog Drive
Notes: Power supply, compatible with the Analog Heat and Analog Drive.
Read more
 1 in stock $50.85
Cat: 622880 Rel: 18 Aug 16
 
Electric bass nickel plated steel strings with Nanoweb coating
Notes: Elixir Nickel Plated Steel Bass Strings with a NANOWEB Coating deliver a rich, rounded tone with greater clarity and heavier mid-range presence.

Working closely with the global bass community, we asked 4000+ players what they needed from a bass string, and recruited 1000+ players for field trials to help improve the playability and our protective NANOWEB Coating. Inspired by our field trials, Elixir Strings entire line of round wound electric bass strings now benefits from a NANOWEB Coating made exclusively for bass guitar. With playing experience also enhanced by optimized string tension profiles, flexibility and feel, our Nickel Plated Steel Bass Strings deliver:

- Rich, rounded tone with greater clarity
- Smooth, natural feel and reduced finger squeak
- Greater durability and response, even during hard-hitting attacks
- Longer tone life than any other bass string, uncoated or coated

Elixir Strings is the only coated string brand to protect the entire string with an ultra-thin coating, keeping gunk out of the gaps between the windings. With consistent performance from gig-to-gig, Elixir Nickel Plated Steel Bass Strings remove the hassle and expense of frequent string changes.

4-String Medium, Long Scale .050 .070 .085 .105
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 1 in stock $48.26
Cat: 622870 Rel: 16 Aug 16
 
Custom Light acoustic phosphor bronze acoustic guitar strings with nanoweb coating
Notes: Elixir Strings Acoustic Phosphor Bronze with NANOWEB Coating deliver distinctive phosphor bronze warmth and sparkle together with extended tone life.

- #1 acoustic guitar string

- Only coated string brand to protect the entire string with an ultra-thin coating, keeping gunk out of the gaps between the windings

- Extended Tone Life - players report their tone lasts longer than any other string, uncoated or coated

- Consistent performance and tone - ready to play whenever you are

- Smooth feel that is easy on your fingers and enhances playability

- Reduces finger squeak - good for both performance and recording

- Anti-Rust Plated Plain Steel Strings resist tone-deadening corrosion, ensuring a longer life for entire set

- With less hassle and expense of frequent string changes, spend more time making music

Custom Light .011 .015 .022 .032 .042 .052
Read more
 1 in stock $18.01
Cat: 680765 Rel: 08 Mar 18
 
Protective dust cover, custom moulded to fit the Endorphin.es Shuttle System
Notes: The Endorphin.es cover protects the sockets and control elements of your Shuttle Systems on the road. The lid is deep enough to transport the modular instrument with patch cables plugged in. A self-adhesive strip (included) holds the cover in place.
Read more
 2 in stock $60.80
Cat: 642571 Rel: 07 Mar 17
 
Complete modular synthesizer system featuring 5 Endorphine.es modules, plus selection of patch cables & carry bag
Notes: Endorphin.es Full Shuttle System, featuring the following modules;

Endorphin.es Cockpit:
The Cockpit is a performance mixer with 4 stereo channels, two channels of send and return to use iOS devices for signal processing (via a 4-pin TRRS cable) and also comes with an integrated compressor with sidechain input.

Endorphin.es Furthrrrr Generator:
The Furthrrrr Generator is a complex, completely analog oscillator inspired by the Buchla 259.

Endorphin.es Gateway:
Gateway is an expander for Endorhin.es Terminal which expands the envelope possibilities, with an integrated autotune-function for VCOs.

Endorphin.es Grand Terminal:
The Grand Terminal is a digital multipurpose module. Its two function generators can be used as envelopes, LFOs or VCOs. The 2 filter channels individually offer 8 modes of operation, and combined with its mixing and routing capabilities and a multi effects unit, it is not only a complete back end of a synth voice, but can also be used as a synthesizer voice, stereo filter bank or general purpose sound effects processor.

Endorphin.es Shuttle Control:
Shuttle Control is a freely configurable converter from USB-MIDI to CV/gate/clock with16 outputs. Use the USB sockets to connect a USB keyboard and the "to device" micro USB connector to hook up a tablet or PC/Mac with controller software which doesn't have to be capable of MIDI.
Furthermore it can be used as power supply and distribution and internal MIDI/CV-bus for a small modular system.

Please note: Comes with 2 Pin European Power Supply and may require 2 Pin to 3 Pin Converter Plug.
Read more
 2 in stock $2,154.94
Cat: 680763 Rel: 08 Mar 18
 
Side panels & protective dust cover, custom moulded to fit the Endorphin.es Shuttle System
Notes: The Endorphin.es cover protects the sockets and control elements of your Shuttle Systems on the road. The lid is deep enough to transport the modular instrument with patch cables plugged in. A self-adhesive strip (included) holds the cover in place. With the help of the side panels included in this package, the cover can also be used for Frap Tools cases (2x Plus 84 HP).
Read more
 1 in stock $100.60
Cat: 614713 Rel: 20 Jun 16
 
Eurorack synth module case, with built-in power supply - 104HP wide
Notes: Desktop Eurorack moduile case 3U - 104HP with power supply on the left side.

Plexiglas side panels 5mm thick.

Aluminium chassis.

6cm deep, but only 4cm deep all along the 5HP of the power supply. Check your modules before!

Tech specs:
- Width : 104HP
- Depth : 6cm
- Depth all along the 5HP of the power supply : 4cm
- Current Consumption : +12V : 2.4A ; -12V : 1.2A ; +5V : 0.5A
Read more
 1 in stock $215.59
Cat: 623628 Rel: 29 Sep 16
 
Professional grade acoustic tile for use on ceilings and walls
Notes: Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Classrooms and more

Each tile measures 1150mm x 575mm x 25mm

Fabric encapsulated 65KG/M3 absorber core providing high sound absorption

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

For installation on a ceiling use our Cloud Hangers

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools)

Quantity: 2 tiles
Read more
 1 in stock $96.29
Cat: 623629 Rel: 29 Sep 16
 
Professional grade acoustic tile for use on ceilings and walls
Notes: Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Classrooms and more

Each tile measures 1150mm x 575mm x 25mm

Fabric encapsulated 65KG/M3 absorber core providing high sound absorption

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

For installation on a ceiling use our Cloud Hangers

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools)

Quantity: 2 tiles
Read more
$71.65 SAVE 20%
 2 in stock $57.32
Cat: 623622 Rel: 29 Sep 16
 
Professional grade acoustic tile for use on ceilings and walls
Notes: Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Classrooms and more

Each tile measures 1150mm x 575mm x 25mm

Fabric encapsulated 65KG/M3 absorber core providing high sound absorption

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

For installation on a ceiling use our Cloud Hangers

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools)

Quantity: 2 tiles
Read more
$68.66 SAVE 20%
 2 in stock $54.93
Cat: 623633 Rel: 29 Sep 16
 
Professional grade acoustic tile
Notes: Measures 1150mm x 575mm x 50mm

Fabric encapsulated 65KG/M3 absorber core providing high sound absorption

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

2 items per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools)

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Classrooms and more
Read more
$88.56 SAVE 20%
 2 in stock $70.85
Cat: 623634 Rel: 29 Sep 16
 
Professional grade acoustic tile
Notes: Measures 1150mm x 575mm x 50mm

Fabric encapsulated 65KG/M3 absorber core providing high sound absorption

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

2 items per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools)

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Classrooms and more
Read more
 1 in stock $116.25
Cat: 623605 Rel: 06 Sep 16
 
Pack of 6 fabric-faced open cell foam sound absorbers - red
Notes: Get creative in your studio with ColourPanel 60 fabric-faced acoustic tiles.

Building on the success of the original ColourPanels, our new ColourPanel 60 tiles offer a sharper and more inspiring way to brighten up your recording studio.

Available in 6 modern colours, these fabric-faced sound absorbers will create a superior atmosphere in any room, both sonically and visually.

A new edge bevel softens the look of individually placed tiles and gives you a cool shadow gap when tiles are placed next to each other. They also integrate perfectly with our popular Classic Wedge acoustic tiles and Project Corner Traps.

As with all our open-cell foam absorbers, ColourPanels are highly effective at dealing with unwanted sound reflections. Place them in the right spot on your wall or ceiling and in no time you'll be making better mix decisions and experiencing less unwanted reverb and acoustic distortion.

Tile Size: 60cm x 60cm x 5cm
Quantity: 6 per box
Coverage: 2.16 SQM
Colours: Black, White, Natural, Red, Burgundy, Ink Blue
Foam Colour: Storm Grey
Noise Reduction Coefficient (NRC): 0.85
Fire: Fabric - FRBS587 / Foam - UL94 HF1
Suggested Fixing Method: EQ FlexFit hook and loop / building adhesive
Read more
 1 in stock $132.72
Cat: 623665 Rel: 30 Sep 16
 
Professional grade membrane panel bass trap for wall or ceiling mounting
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Bass Trap 100L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
$78.61 SAVE 20%
 2 in stock $62.89
Cat: 623668 Rel: 30 Sep 16
 
Professional grade membrane panel bass trap for wall or ceiling mounting
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Bass Trap 100L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
$78.61 SAVE 20%
 2 in stock $62.89
Cat: 623663 Rel: 30 Sep 16
 
Professional grade membrane panel bass trap for wall or ceiling mounting
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Bass Trap 100L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
$78.61 SAVE 20%
 2 in stock $62.89
Cat: 623661 Rel: 29 Sep 16
 
Pair of professional grade membrane panel bass traps for wall or ceiling mounting
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Bass Trap 50L measures 1150mm x 575mm x 50mm. Click 'Installation Instructions' above for a drawing.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
$98.51 SAVE 20%
 1 in stock $78.81
Cat: 623658 Rel: 29 Sep 16
 
Pair of professional grade membrane panel bass traps for wall or ceiling mounting
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Bass Trap 50L measures 1150mm x 575mm x 50mm. Click 'Installation Instructions' above for a drawing.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
$98.51 SAVE 20%
 1 in stock $78.81
Cat: 623655 Rel: 30 Sep 16
 
Professional grade membrane ‘wedge’ corner bass trap
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Corner Bass Trap L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

You will need just under 410mm of free wall space from the corner of the room to the edge of the bass trap.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
Read more
 1 in stock $112.75
Cat: 623652 Rel: 30 Sep 16
 
Professional grade membrane ‘wedge’ corner bass trap
Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Corner Bass Trap L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

You will need just under 410mm of free wall space from the corner of the room to the edge of the bass trap.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.
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$112.75 SAVE 20%
 2 in stock $90.20
Cat: 457891 Rel: 12 Jul 12
 
Pair of 2 way direct field active coaxial studio monitors
Notes: The new D5's (Direct 5) studio monitors are geared for the recording professional seeking a small (9.75" x 7" x 8.5"), affordable, accurate, well-voiced, reference studio monitor solution. Focused attention was paid to the development details to ensure that they deliver professional sonic performance. These monitors feature an expensive coaxially designed transducer with a 5.25" woofer and a 1" silk tweeter. The frequency response is 53Hz to 20 kHz. A new cutting edge digital amplifier with breakthrough performance was designed specifically for the D5. The internal DSP allows for intricate factory adjustments.

The D5 also has pro features such as balanced XLR and balanced/unbalanced TRS inputs as well as a boundary selection switch to select the appropriate monitor response for their placement (in a corner, in front of a wall, free standing). No plastic front baffle here. The D5 features an all wood cabinet, including a wood front baffle for optimum performance. No simple air releasing cutout on the front baffle or cut-out hole in the back. The D5 features a fully extended 1.75" perfectly tuned front port, providing superior and accurate extended low-end response. And because the port is on the front baffle, the D5's can be positioned close to a wall with no fear of the low-end being choked.

The coaxial transducer design combined with a steep 4th order crossover delivers a detailed mid-range that allows for clarity in that complex 900Hz - 3 kHz range. Guitars, voices, strings, horns, & reverb trails are very clearly and accurately portrayed and any mid-range anomalies that might exist in the source material can be easily determined and addressed. Because of our matched transducer output, mid-range mix elements can be positioned in the stereo field without the fear of being misplaced. The D5's are optimally pre-set and voiced for ideal instrument translation.

The D5 also features Equator's Zero-Point Reference custom designed coaxial Digitally-Controlled Transducers, along with internal DSP to provide a matched output curve for every unit. This allows for accurate no-shift imaging. The DSP allowed pin-point accurate adjusting during the voicing process. The voicing was aided by award-winning recording engineers that referenced their hit mixes for voicing considerations. The final D5 pre-set voicing curve is optimal for mid-range detail. With high-quality components, internal DSP, 100W of power and 103 dB of SPL the D5 deliver a huge bang for a little buck.

It is a well known fact and a matter of physics that sonic reflections off of walls, ceilings and other reflective surfaces, when combined with directly received audio information, will result in a distorted representation of the original audio at any given space.

The farther the listening position from the speakers, the larger the percentage of combined reflective information, the greater the distorted results. Room reflective problems can be relieved through digital software manipulation, as in the Equator Q Series Room Analysis software, or by building a room with non parallel walls and strategically positioned absorption panels or by working in the direct field.

In a normal room, the farther from the speakers, the greater the room effect. Conversely: the closer to the speakers the less the room effect. The direct field monitoring is where the clear majority of the audio information is received directly from the speakers with minimal reflective interference. By working in the direct field, the negative distortion effect caused by the combining of reflected information with direct information is dramatically reduced.

Many speaker systems are designed to deliver their optimum low frequency and high frequency combined audio results when monitoring from a certain distance away from the speakers. In the case of traditional tweeter over woofer designs, that distance would generally be greater than that of a coaxial design where the audio develops and is delivered from a single source.

The D5 works perfectly in the near field or the direct field.

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 1 in stock $443.22
ESI
Cat: 650669 Rel: 19 Dec 16
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


MAYA22 USB is not simply another USB audio interface - it's a very stylish portable device that can go with you anywhere. It offers total flexibility as an external and fully bus-powered USB device with excellent professional 24-bit audio quality.

It features 2 analog input and 2 analog output channels with RCA connection, a microphone preamplifier with XLR input and support for +48V phantom power, a Hi-Z instrument input for guitars, a high quality headphone output and TRS line outputs. This can make MAYA22 USB easily one of the most useful devices in your studio, wherever that may be.

Use it to record microphone and guitar signals simultaneously and then process the incoming signals with your PC or Mac notebook or desktop in realtime and listen to the mix directly via headphones or studio monitoring speakers. All these features are provided with a professional low latency drivers with support for WDM, ASIO 2.0 and CoreAudio.

If you're looking for a really powerful USB audio device that is small and that gives you maximum performance under any current Windows system as well as under Mac OS X, then MAYA22 USB is for you.
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 1 in stock $74.63
Cat: 667857 Rel: 05 Dec 17
 
Universal controller for all MIDI controllable hardware & software
Notes: PC12 as successor of the PC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine two or more NEW MODULE devices to create a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the pot controller also with your DAW like a classical 12-track-mixer.

The device has 72 standard pots and 12 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...
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 2 in stock $468.80
Cat: 384414 Rel: 27 Apr 10
Notes: This edition of the Faderfox Traveller DC Adaptor has a 5V/1A power supply output, 100-240V AC input, 1.8m cord length, and exchangeable UK wall plug.

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 1 in stock $28.61
Cat: 677321 Rel: 31 Jan 18
 
Compact, flexible rubber gooseneck USB lamp
Notes: A handy, compact USB lamp with touch control, 3 brightness settings and a flexible goose-neck stem for ideal positioning. The USB connection makes it perfect to add extra light for home or travel.
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 4 in stock $6.19
Cat: 605089 Rel: 17 Mar 16
 
Active studio monitor with 7" composite cone driver, 140watt bi-amplified
Notes: Building upon the acclaimed Fader Series of studio monitors, Fluid Audio now announces the new FPX (Fader Pro Coax) line of monitors, with the FPX7 leading the way.

Featuring beefed-up Class AB amplifiers, a performance toroidal transformer for superior noise characteristic, optimized composite cone woofers and AMT tweeters, the FPX7 produces the most accurate monitoring experience in its price range. With its lightning fast response, the AMT tweeter provides detail and depth only seen in Professional studios.

What makes the FPX7 so unique, however, is that the AMT tweeter is mounted in the center of the woofer - in a coaxial configuration, which makes this speaker the first of its kind.

Coaxial drivers, found in such world renowned monitors such as the Manley ML10, provide such accuracy and detail because all of the frequencies coming from the tweeter and woofer radiate from the exact same position in space. This is critical for accurate off-axis response as well as phase coherence. The AMT tweeter is mounted to a custom designed waveguide, which provides it with wide dispersion and an expansive sweet spot. The complex, DSP controlled crossover provides a perfect blending of the woofer to the AMT tweeter, and ensures that there is effectively zero variance speaker-to-speaker. The "engine" is DSP powered.
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 1 in stock $330.59
Cat: 526236 Rel: 26 Aug 14
 
Active studio monitor with 5" woofer and 1" aluminium inverted dome tweeter
Notes: Alpha studio monitors are specifically designed for music creation.

Thanks to Focal's exclusive technologies, its expertise in terms of speaker drivers and to the mechanical design of Alpha studio monitors, optimum integration is guaranteed. The environments for music production are very diverse, they are not optimised acoustically, or have only been done so insufficiently, and the listening distances vary greatly. Whether for confined spaces, rooms with poor acoustic qualities or for styles of music, which require neutrality, dynamics and high SPL, Alpha studio monitors are the solution for you.

Right from the first stages of R&D, the Alpha line was designed as a solution to these problems whilst focusing on one objective in particular: improving the quality of music production by giving the user better control over the audio spectrum.

This is reflected in the choice of technologies used, such as the inverted dome tweeter, that provide a very linear treble, reveal the slightest imperfections of equalisation even from a short distance away and also prevent auditory fatigue ; the Polyglass cone woofer, which gives excellent damping qualities, ensuring flawless neutrality over the entire bass/high-midrange frequency spectrum, and a remarkable transparency to the midrange frequencies ; and the unique bass-reflex design with large double front ports, which improves acoustical integration even in confined spaces nor installed near a front wall.

Finally each Alpha studio monitor is equipped with two class AB amplifiers. The high-current amplifiers enable complete control of the dynamics of the audio signal. This also allows for listening at high volumes without distortion.

Alpha 50, the most compact of the line, is perfectly adapted for confined spaces.

The ALPHA 50 is composed of a 5" (13cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port and of a 1" (25mm) aluminum inverted dome tweeter. It features a 20W amplifier for the tweeter and a 35W amplifier for the woofer, and has a frequency response of 45Hz to 22kHz (+/- 3dB).
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 4 in stock $211.92
Cat: 546504 Rel: 26 Aug 14
 
Pair of active studio monitors with 5" woofers and 1" aluminium inverted dome tweeters
Notes: Alpha studio monitors are specifically designed for music creation.

Thanks to Focal's exclusive technologies, its expertise in terms of speaker drivers and to the mechanical design of Alpha studio monitors, optimum integration is guaranteed. The environments for music production are very diverse, they are not optimised acoustically, or have only been done so insufficiently, and the listening distances vary greatly. Whether for confined spaces, rooms with poor acoustic qualities or for styles of music, which require neutrality, dynamics and high SPL, Alpha studio monitors are the solution for you.

Right from the first stages of R&D, the Alpha line was designed as a solution to these problems whilst focusing on one objective in particular: improving the quality of music production by giving the user better control over the audio spectrum.

This is reflected in the choice of technologies used, such as the inverted dome tweeter, that provide a very linear treble, reveal the slightest imperfections of equalisation even from a short distance away and also prevent auditory fatigue ; the Polyglass cone woofer, which gives excellent damping qualities, ensuring flawless neutrality over the entire bass/high-midrange frequency spectrum, and a remarkable transparency to the midrange frequencies ; and the unique bass-reflex design with large double front ports, which improves acoustical integration even in confined spaces nor installed near a front wall.

Finally each Alpha studio monitor is equipped with two class AB amplifiers. The high-current amplifiers enable complete control of the dynamics of the audio signal. This also allows for listening at high volumes without distortion.

Alpha 50, the most compact of the line, is perfectly adapted for confined spaces.

The ALPHA 50 is composed of a 5" (13cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port and of a 1" (25mm) aluminum inverted dome tweeter. It features a 20W amplifier for the tweeter and a 35W amplifier for the woofer, and has a frequency response of 45Hz to 22kHz (+/- 3dB).
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 1 in stock $425.68
Cat: 677372 Rel: 28 Mar 18
 
Premium closed-back circum-aural portable headphones with carry case
Notes: Listen Professional circum-aural closed back headphones are the essential work tool for music production. Their tonal balance and precision in terms of audio spectrum make them perfect to evaluate the sound work quality. In addition, their comfort and accessories will make them very attractive for people travelling on business trips. The sound quality and the dynamics of these headphones are very surprising considering that this quality is usually found on more expensive items. The attention to detail of these headphones can be also shown thanks to the various patents and technologies which belong to Focal. Hence, a brand-new driver membrane was developed. The main goal was to propose a solution which would keep all the dynamics from the original track while reproducing accurately every single detail on the whole audio spectrum. Even if Listen Professional headphones are closed, they produce a very lively sound, giving the feeling of semi-open headphones while still providing the isolation of closed headphones.

Focal's core expertise:

The speaker driver has been given a 100% Mylar suspension, whereas the central dome is composed of a Mylar-titanium alloy to provide more rigidity and extended frequency response in the upper end of the spectrum. Thus, the moving part is extremely light, enabling the transducer to exceed 40kHz on a flat baffle. The reproduction of the bass and sub-bass registers also received a great deal of attention. The team of engineers managed to combine two factors which are hardly compatible: a tuning frequency which is as low as possible and extremely low distortion (0.3% at 1kHz - 100dB).

Ear cushions - the ideal acoustics:

The size of the ear cushions (height, width and depth) gives them a volume which makes it possible to achieve a great tonal balance. Microfiber provides a more linear bass response providing a better acoustic output, whereas the acoustic tissue, which is closer to the speaker driver, offers great absorption and linearity in the 3-9kHz register. The bass and lower mid-range sections benefit from remarkable tonal balance and excellent articulation: where compression and frequency response generally suffer on closed-back headphones.

For a frequent and intensive use:

Listen Professional is also equipped with a headband boasting a unique design to ensure comfort and durability. Its curve remains consistent, regardless of the shape or size of the user's head. Combined with the layer of silicone underneath the headband, this ensures that the weight is spread out evenly over the head, preventing the user from feeling any pressure in certain areas, which can be very uncomfortable during long working sessions. The horizontal and vertical rotation of the ear cups operate thanks to one single part: a joint integrated into each one. The ear cups also feature a black structured covering, making them resistant to impacts and scratching.

Provided Accessories:

Rigid carrying case. Thermoformed shell in the shape of the headphones. Can store one cable and an iLok key (not provided), all within its compact dimensions. Two OFC copper 24AWG cables with a very low resistance.

- 5m spiral for domestic use
- 1.2m cable fitted with a 3.5mm stereo jack connector
- 3.5mm and 6.35mm jack adapter
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 1 in stock $218.02
Cat: 693452 Rel: 01 Jan 90
 
Compact, 4-inch, nearfield studio monitor with unique flax sandwich cone woofer & 4-inch passive radiator
Notes: Shape 40 is the most compact studio monitor in the Focal Professional line, and the perfect solution for nearfield monitoring. These monitors can be used from 23" away (60cm), and they have astonishingly extended low end frequency response. Whether you have a room of less than 107ft2 (10m2), or an installation where compactness is paramount, Shape 40 is the perfect solution.

The three monitors are all made in France and integrate five innovations to maximise acoustic transparency. Designed to meet the needs of nearfield monitoring, Shape monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms.

These innovations provide remarkable acoustic transparency. These new work tools distinguish themselves through the wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalisation of these essential registers much easier. Finally, the new tweeter is what's at the source of the very high definition. It efficiently reveals any hissing, and it's also very precise in the very high end.
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 1 in stock $639.08
Cat: 646973 Rel: 27 Jun 17
 
Compact, 4-inch, nearfield studio monitor with unique flax sandwich cone woofer & 4-inch passive radiator
Notes: Shape 40 is the most compact studio monitor in the Focal Professional line, and the perfect solution for nearfield monitoring. These monitors can be used from 23" away (60cm), and they have astonishingly extended low end frequency response. Whether you have a room of less than 107ft2 (10m2), or an installation where compactness is paramount, Shape 40 is the perfect solution.

The three monitors are all made in France and integrate five innovations to maximise acoustic transparency. Designed to meet the needs of nearfield monitoring, Shape monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms.

These innovations provide remarkable acoustic transparency. These new work tools distinguish themselves through the wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalisation of these essential registers much easier. Finally, the new tweeter is what's at the source of the very high definition. It efficiently reveals any hissing, and it's also very precise in the very high end.
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 2 in stock $325.23
Cat: 646975 Rel: 27 Jun 17
 
Compact, 6.5-inch, nearfield studio monitor with unique flax sandwich cone woofer & 6.5-inch passive radiator
Notes: Shape 65 is the reference of the Shape line. Although it's dedicated to nearfield monitoring, this monitor enables extraordinary monitoring quality, in the lowest to the highest frequencies. Simply a must, this monitor will express its full potential from a listening distance of three feet away (1 metre).

The three monitors are all made in France and integrate five innovations to maximise acoustic transparency. Designed to meet the needs of nearfield monitoring, Shape monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms.

These innovations provide remarkable acoustic transparency. These new work tools distinguish themselves through the wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalisation of these essential registers much easier. Finally, the new tweeter is what's at the source of the very high definition. It efficiently reveals any hissing, and it's also very precise in the very high end.
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 2 in stock $657.87
Cat: 677373 Rel: 11 Jun 18
 
Dual 5-inch powered studio monitor with passive radiators
Notes: This standard bearer of the Shape series features two passive radiators, woofers equipped with a new Flax cone, and the latest "M"-shaped Aluminium/Magnesium inverted dome tweeter. Perfect weapon of mass production for professionals.

Shape Twin is made in France, just like Shape 40, 50 and 65. Designed to meet the needs of nearfield monitoring, these monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms.

Shape Twin's five innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined as well as controlled. The low-mid and mid ranges provide a true neutral sound.
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 2 in stock $800.13
Cat: 608755 Rel: 09 May 16
 
High-resolution earphones with inline mic/remote & extra comfort, even during prolonged use
Notes: Sphear breaks with conventions and proves that high-fidelity in-ear headphones can be used for hours on end without the slightest discomfort!
Sphear is faithful to Focal's historic acoustic signature, the "Spirit of Sound", with a particularly rich mid-range which is never muffled, accurate and clear sound, it is extremely faithful to the original work, and offers harmonic richness, from the low end to the high end, for true listening pleasure.
Thanks to their unbeatable performance in this price category, Sphear are the most accomplished in-ear headphones to date, the most comfortable and the most generous for getting the most out of your music, wherever you are. In this age of "High-Resolution" and CD quality audio files, through its spherical design and its preservation of Focal's acoustic signature, Sphear provides an original and unique solution for those passionate for high resolution sound.

Rich and natural sound:
Never wanting to change music as it's intended, with Sphear, Focal also offers a sound which is precise and clear, and extremely faithful to the original music. These unique in-ear headphones offer harmonic richness, from the low end to the high end, for true listening pleasure.
A particularly rich and powerful mid-range:
Our research and development teams have perfected a Mylar driver whose specific shape and ridging were designed to avoid deformation and distortion. Equipped with an acoustic chamber with port for providing remarkable neutrality, such astonishing tonal balance has never been heard before from this family of headphones.

Pronounced bass for mobile use:
The spherical design of Sphear's ear-pieces makes it possible to have a larger driver than usual. The 10.8mm multi-channel transducer, one of the biggest in its category, and the Bass Reflex system provide extended frequency response in the low end and ultra realistic bass. Additionally, the bass level on Sphear has been slightly increased for mobile use in noisy environments.

Designed like a loudspeaker:
1 - Stainless steel ring and grille for increased robustness, reliability and aesthetics
2 - Bass-reflex system for ultra-realistic bass
3 - 10.8mm electrodynamic drivers for rich and natural sound
4 - Acoustic chamber with port for providing tonal balance
5 - Silicone or memory foam tips to ensure optimal noise isolation for ears of all shapes and sizes

Sleek design & high-end finished:
Light and practical, discreet and attractive, Sphear in-ear headphones are the fruition of the close collaboration between designers and engineers aiming to conciliate complex constraints related to miniaturisation with innovative and sophisticated solutions.
A job for the true audiophile, this collaboration resulted in this simple and pronounced bulbous design of the ear pieces secured by a stainless steel ring and grille for increased robustness, reliability and aesthetics.
Sphear is available in the Black High Gloss finish

Comfort, even during prolonged listening:
Focal's idea with Sphear? To prove that in-ear headphones could provide high-fidelity acoustics worthy of the best of standard headphones, while avoiding any discomfort during prolonged listening.
Since 2 years, the engineers at Focal worked with our designer to change people's vision of in-ear headphones.
Its innovative concept when it comes to shape, Sphear has redefined the approach towards the ear canal which dominated the in-ear market: memory foam tips on the front adapt naturally to the ear; an extended housing at the back shifts the weight of the headphones to the inferior auricle of the ear.
This relieves the ear canal from excessive volume and weight which generally resulted in temporary discomfort.

Multi-function remote control:
Connect the headphones to the audio source using the 3.5mm mini-jack. The multi-function remote control enables you to control all your devices connected to your In-Ear headphones: smartphone, tablets, MP3 player, computers.
Equipped with an omnidirectional microphone, the remote control enables you to control telephone calls (answer call, end call) and play functions (play, stop, next track, previous track).

Ergonomic tips for optimal comfort:
Sphear is supplied with 3 pairs of memory foam tips and 3 pairs of silicone tips so you can use those which suit your ear canal best to optimise noise isolation and audio quality.

Carrying case to protect your headphones:
To protect your headphones when you travel, wind them up and place them in the appropriate compartment in the carrying case. The thickness of the cables helps to reduce tangling.

Aircraft adapter for better compatibility:
Take full advantage of in-flight films and music in stereo sound. This double 3.5mm jack ensures compatibility in aeroplanes.
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 1 in stock $100.52
Cat: 626676 Rel: 09 May 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Sphear breaks with conventions and proves that high-fidelity in-ear headphones can be used for hours on end without the slightest discomfort!
Sphear is faithful to Focal's historic acoustic signature, the "Spirit of Sound", with a particularly rich mid-range which is never muffled, accurate and clear sound, it is extremely faithful to the original work, and offers harmonic richness, from the low end to the high end, for true listening pleasure.
Thanks to their unbeatable performance in this price category, Sphear are the most accomplished in-ear headphones to date, the most comfortable and the most generous for getting the most out of your music, wherever you are. In this age of "High-Resolution" and CD quality audio files, through its spherical design and its preservation of Focal's acoustic signature, Sphear provides an original and unique solution for those passionate for high resolution sound.

Rich and natural sound:
Never wanting to change music as it's intended, with Sphear, Focal also offers a sound which is precise and clear, and extremely faithful to the original music. These unique in-ear headphones offer harmonic richness, from the low end to the high end, for true listening pleasure.
A particularly rich and powerful mid-range:
Our research and development teams have perfected a Mylar driver whose specific shape and ridging were designed to avoid deformation and distortion. Equipped with an acoustic chamber with port for providing remarkable neutrality, such astonishing tonal balance has never been heard before from this family of headphones.

Pronounced bass for mobile use:
The spherical design of Sphear's ear-pieces makes it possible to have a larger driver than usual. The 10.8mm multi-channel transducer, one of the biggest in its category, and the Bass Reflex system provide extended frequency response in the low end and ultra realistic bass. Additionally, the bass level on Sphear has been slightly increased for mobile use in noisy environments.

Designed like a loudspeaker:
1 - Stainless steel ring and grille for increased robustness, reliability and aesthetics
2 - Bass-reflex system for ultra-realistic bass
3 - 10.8mm electrodynamic drivers for rich and natural sound
4 - Acoustic chamber with port for providing tonal balance
5 - Silicone or memory foam tips to ensure optimal noise isolation for ears of all shapes and sizes

Sleek design & high-end finished:
Light and practical, discreet and attractive, Sphear in-ear headphones are the fruition of the close collaboration between designers and engineers aiming to conciliate complex constraints related to miniaturisation with innovative and sophisticated solutions.
A job for the true audiophile, this collaboration resulted in this simple and pronounced bulbous design of the ear pieces secured by a stainless steel ring and grille for increased robustness, reliability and aesthetics.
Sphear is available in the Black High Gloss finish

Comfort, even during prolonged listening:
Focal's idea with Sphear? To prove that in-ear headphones could provide high-fidelity acoustics worthy of the best of standard headphones, while avoiding any discomfort during prolonged listening.
Since 2 years, the engineers at Focal worked with our designer to change people's vision of in-ear headphones.
Its innovative concept when it comes to shape, Sphear has redefined the approach towards the ear canal which dominated the in-ear market: memory foam tips on the front adapt naturally to the ear; an extended housing at the back shifts the weight of the headphones to the inferior auricle of the ear.
This relieves the ear canal from excessive volume and weight which generally resulted in temporary discomfort.

Multi-function remote control:
Connect the headphones to the audio source using the 3.5mm mini-jack. The multi-function remote control enables you to control all your devices connected to your In-Ear headphones: smartphone, tablets, MP3 player, computers.
Equipped with an omnidirectional microphone, the remote control enables you to control telephone calls (answer call, end call) and play functions (play, stop, next track, previous track).

Ergonomic tips for optimal comfort:
Sphear is supplied with 3 pairs of memory foam tips and 3 pairs of silicone tips so you can use those which suit your ear canal best to optimise noise isolation and audio quality.

Carrying case to protect your headphones:
To protect your headphones when you travel, wind them up and place them in the appropriate compartment in the carrying case. The thickness of the cables helps to reduce tangling.

Aircraft adapter for better compatibility:
Take full advantage of in-flight films and music in stereo sound. This double 3.5mm jack ensures compatibility in aeroplanes.
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 1 in stock $88.54
Cat: 493100 Rel: 16 Oct 13
 
Studio reference headphones with Mylar titanium alloy transducer
Notes: Spirit Professional headphones have been specifically designed to meet the expectations and requirements of Recording Studios, Home Studios and Broadcasting Studios.

The extreme care paid to the design of the Mylar - Titanium alloy transducer enabled us to combine rigidity, lightness and high damping properties to preserve the dynamics of the audio signal and to provide remarkably neutral sound without any distortion. The highly accurate reproduction of bass frequencies will reveal the smallest defects in the mix, while avoiding acoustic constraints of the workspace. Spirit Professional offers excellent acoustic insulation to address the constraints of the often noisy environments specific to Broadcasting and Home Studios.

Package contents:

- 1 pair of headphones
- 1 detachable 4m coiled cable
- 1 user manual

Accessories included:

- 1 straight detachable cable with remote control
- 1 jack connector 3.5/6.35mm
- 1 carrying bag
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 2 in stock $219.00
Cat: 560988 Rel: 26 Nov 15
 
10-in, 4-out Clarett 2Pre Thunderbolt interface with newly designed preamps featuring "Air" technology
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Better. Faster. Easier:
Excellent sound is the quality Clarett owners love most. With up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and two specially-designed mic preamps with a unique analogue "Air" effect, Clarett 2Pre simply sounds great, easily out-performing other interfaces in its class and beyond. Meanwhile, its astonishing 1.38ms round-trip latency* simplifies your workflow and lets you use your favourite plug-ins in real time.

Two New Clarett Mic Pres with extra 'Air':
The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special "Air" feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. The Instrument inputs also feature extra headroom to handle the loudest pickup.

Precision Digital Conversion:
Clarett features Focusrite's class-leading 24/192 conversion: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW.

Plug Straight In:
Do not underestimate the quality of the Clarett range DI. This newly designed instrument input allows for even the hottest of guitar pick-ups to be recorded without clipping, and the performance specifications easily match some of the finest dedicated DI's on the market. Coupled with the low latency environment, now you can get the most out of recording through your favourite amp sim and guitar effect plug-ins in real time.

Revolutionise your Workflow:
Clarett's ultra-low round-trip latency completely transforms your workflow. If you're used to having to build two different mixes - one using input monitoring to overdub, the other using the DAW for playback - the good news is that now, one is enough. Build your mix on the DAW and use it whether you're overdubbing (monitoring the input you're recording with the new Focusrite Control software mixer) or playing back, with all your plugins in place, all the time. Use your favourite plugins while recording too - whether it's reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage.

Intuitive, Easy to Use Software Mixer and Sweet Sounding Plug-ins:
Focusrite Control is a brand new software mixer designed for easy configuration of monitoring and routing setups. Simple and intuitive to use, Focusrite Control offers a traditional mixer workflow and allows immediate access to internal hardware functions. Also included is a sweet sounding plug-in collection comprising Softube's world-class Time and Tone Bundle, with TSAR-1R Reverb, Tube Delay and Saturation Knob. This is complemented by the Red 2 & Red 3 AAX, AU & VST Plug-in Suite, which accurately models Focusrite's classic Red range equalizer and compressor hardware.

'Gain Halos' help keep levels in check:
The front panel inputs include Focusrite's signature "Gain Halo" - an illuminated ring around the gain control that lights up green when there's signal and red when it's too high. There's a main monitor knob plus a high-power headphone output with its own volume control.

The ins and outs:
Clarett 2Pre offers 10 audio inputs and four outputs, including two front-panel multi-function inputs and a headphone output, plus four rear-panel line outputs (one pair doubling the headphone feed). There are also eight channels of ADAT-format digital input - ideal for adding eight channels of digital mic pre.
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 1 in stock $402.69
Cat: 560989 Rel: 03 Feb 16
 
18-in, 8-out Clarett 4Pre Thunderbolt audio interface with 4 mic preamps
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

The compact desktop format of the Clarett 4Pre Thunderbolt interface belies its versatility as the best interface in its class. Its 18-in, 8-out format combines four newly-designed Clarett mic preamps with Focusrite's precision 24/192 digital conversion and extra-low round-trip latency of 1.38ms* - low enough to revolutionise your recording workflow, as well as enabling the use of DAW plugins in real time.
The newly-designed Clarett mic pre offers superbly low noise and distortion, plus the switchable "Air" effect - an analogue model of the classic transformer-based ISA preamps. Instrument inputs offer extended headroom to suit the loudest guitar pickup.

All four preamps are accessed from combination XLR/TRS sockets on the front panel handling mic (with optional phantom power), line and instrument inputs, and the adjacent gain controls feature Focusrite's signature encircling "gain halo" indicators that show green for good levels and red for overload. New optimised gain controls make gain changes smoother and more natural throughout.

Also on the front panel is a large-format monitor control and two independently-controlled headphone outputs with enough power to drive even high impedance headphones to deliver suitable monitoring levels.

Four more line inputs are provided on the rear panel, along with four line outs - both on TRS jacks - plus S/PDIF I/O and an ADAT digital optical format input allowing the addition of eight more inputs from, for example a digital mic pre.

A new software mixer, Focusrite Control, is included for easy configuration of monitoring and routing setups. Simple and intuitive to use, Focusrite Control offers a traditional mixer workflow and allows immediate access to internal hardware functions.

Clarett 4Pre comes with a sweet sounding plug-in collection comprising Softube's Time and Tone Bundle, with TSAR-1R Reverb, Tube Delay, Saturation Knob and Drawmer S73 Multi-band compressor. The Red 2 & Red 3 AAX, AU & VST Plug-in Suite complements this, accurately modelling Focusrite's classic Red range equalizer and compressor hardware.

The Clarett 4Pre, like the rest of the Clarett range, includes class-leading precision Focusrite 24/192 digital audio conversion with up to 119dB dynamic range, and combines it with astonishingly low round-trip latency - latency so low that it's possible to monitor recordings via effects plugins on the DAW such as reverberation, all within a single mix environment for the best possible recording workflow. There's never been a better, faster or easier way of getting audio into or out of a DAW.

*Measured using Pro Tools 10 @96kHz, 64-sample buffer on a Mac Book Pro.
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 1 in stock $583.16
Cat: 675140 Rel: 23 Jan 18
 
18-in/8-out USB 2.0 audio interface for PC & Mac
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Clarett USB lays down the challenge to interfaces twice the price. The Clarett USB range features specially designed high performance, low-noise (-128dB EIN) mic pres with a low distortion, ultra-linear design that guarantees a clean, open and transparent sound, giving accurate representation of the original performance. Boasting 119dB dynamic range, Clarett can now be experienced with any Mac or PC supporting USB 2.0 and above.

Capture every detail with Clarett 4Pre USB.

The perfect A-D and D-A conversion:

Decades of analogue circuit design experience, applied around 24-bit/192kHz A-D and D-A conversion, delivers a superior signal path. Hear your music sound better than you've ever heard it sound before.

Ins and outs:

Clarett 4Pre USB is an 18-in, 8-out audio interface. Gain Halo meters make it easy for you to set the input level of the four mic/line inputs, two of which are also high-impedance instrument inputs that can record super-hot pickups with no unwanted distortion. Four fixed line inputs are also included, and the ADAT input supports an additional eight channels when combined with multi-channel mic preamps like Clarett OctoPre.

Outs include two monitor outputs with anti-thump technology, a headphone output with volume control, and two line outputs. MIDI I/O is also included.

Super-low latency recording:

Clarett 4Pre USB connects to Mac or PC using the included standard USB and USB Type-C cables. Record with super-low latency through amp simulators and effects plug-ins.

Included software:

- XLN Audio - Addictive Keys: one of four inspiring and interesting keyboard instruments
- Focusrite - Red Plug-in Suite: accurately models our classic Red 2 equaliser and Red 3 compressor
- Softube - Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins
- Focusrite - Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies
- Ableton - Live Lite: Industry leading music-making software
- Loopmasters: 2GB of royalty-free sample libraries
- Focusrite Control
Read more
 3 in stock $502.04
Cat: 682385 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: ***B-STOCK: Box opened, product unused***

Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Clarett USB lays down the challenge to interfaces twice the price. The Clarett USB range features specially designed high performance, low-noise (-128dB EIN) mic pres with a low distortion, ultra-linear design that guarantees a clean, open and transparent sound, giving accurate representation of the original performance. Boasting 119dB dynamic range, Clarett can now be experienced with any Mac or PC supporting USB 2.0 and above.

Capture every detail with Clarett 4Pre USB.

The perfect A-D and D-A conversion:

Decades of analogue circuit design experience, applied around 24-bit/192kHz A-D and D-A conversion, delivers a superior signal path. Hear your music sound better than you've ever heard it sound before.

Ins and outs:

Clarett 4Pre USB is an 18-in, 8-out audio interface. Gain Halo meters make it easy for you to set the input level of the four mic/line inputs, two of which are also high-impedance instrument inputs that can record super-hot pickups with no unwanted distortion. Four fixed line inputs are also included, and the ADAT input supports an additional eight channels when combined with multi-channel mic preamps like Clarett OctoPre.

Outs include two monitor outputs with anti-thump technology, a headphone output with volume control, and two line outputs. MIDI I/O is also included.

Super-low latency recording:

Clarett 4Pre USB connects to Mac or PC using the included standard USB and USB Type-C cables. Record with super-low latency through amp simulators and effects plug-ins.

Included software:

- XLN Audio - Addictive Keys: one of four inspiring and interesting keyboard instruments
- Focusrite - Red Plug-in Suite: accurately models our classic Red 2 equaliser and Red 3 compressor
- Softube - Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins
- Focusrite - Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies
- Ableton - Live Lite: Industry leading music-making software
- Loopmasters: 2GB of royalty-free sample libraries
- Focusrite Control
Read more
 1 in stock $497.55
Cat: 560990 Rel: 29 Jun 15
 
18 input, 20 output Thunderbolt audio/MIDI interface with extra-low round-trip latency
Notes: Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.

Valve Exciter:
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.

SR-88:
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***

Designed for the project studio that needs plenty of I/O, Focusrite's 18-in, 20-out Clarett 8Pre combines eight mic preamps, class-leading digital conversion and extra-low round-trip latency - enabling DAW plugins to be used while monitoring recordings. Clarett's mic pre offers superbly low noise and distortion, plus the "Air" effect that models the sound of Focusrite's renowned ISA transformer-based preamps. Complete with Focusrite's precision 24/192 conversion offering up to 119dB real-world dynamic range, there's never been a better, faster or easier way of getting audio into or out of a DAW.

The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special "Air" feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. Instrument inputs feature extra headroom to handle the loudest pickup.

Latency is the delay to a signal as it passes through your DAW system from interface input to interface output. Clarett Thunderbolt offers the world's shortest. Signals go round so fast that you can record and monitor through your DAW with your favourite plugins such as EQ, reverb or compression, giving artists a fuller sound to perform with.

Clarett features Focusrite's class-leading 24/192 conversion quality: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW

18 audio inputs and 20 outputs within a 1U rack space, including eight analogue inputs, 10 analogue outputs, stereo S/PDIF I/O and eight channels of ADAT I/O. The ADAT ports are ideal for sending audio to an external D/A for line output expansion, or adding eight channels of digital mic pre..

Two mic/line/instrument inputs on the front panel give you instant, easy access to a pair of analogue inputs, even when rack mounted.

The monitor panel provides analogue and digital input levels, and main monitor outputs, via a 6-segment, multichannel hardware meter. Monitor features include a level control, plus dim and mute buttons, alongside dual high-power headphone outputs.
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 2 in stock $662.29
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