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Back Catalogue: Studio Equipment

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Cat: 647973 Rel: 09 May 17
 
Pack of 30 white undercovers for use with Lavalier microphones under clothing
Notes: Undercovers have been specifically designed for use with Lavalier mics under clothing.

Using Stickies to affix the microphone, a soft fabric disc is then added on top to minimise the sounds of clothing rustle and low wind noise.
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 3 in stock $8.41
Cat: 586817 Rel: 26 Jan 18
 
Telescoping boom microphone stand
Notes: Samson's BT4 telescoping boom stand combines lightweight durability with an attractive and functional design. This collapsible tripod mic stand has a sturdy die-cast and steel construction that offers superior resiliency with great flexibility of positioning, so it's always convenient and never conspicuous.

And its sleek black finish ensures an elegant yet understated presence, making it perfect for on-the-go musicians, performance venues and rehearsal/recording spaces.
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 1 in stock $35.11
Samson MD5 Desktop Microphone Stand (microphone accessory)
Cat: 484101 Rel: 12 Apr 13
 
Desktop microphone stand suitable for broadcast or interview applications
Notes: Desktop Microphone Stand

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 2 in stock $18.68
Cat: 586822 Rel: 26 Jan 18
 
Professional & lightweight microphone stand
Notes: Samson's MK10 Professional Microphone Stand combines the crucial elements of lightweight durability with an attractive and functional design. This collapsible tripod boom stand folds up easily for transport anywhere you need it.

It also features a roadworthy, steel-constructed design that offers superior resiliency with great flexibility of positioning. Its sleek black finish ensures an elegant, yet inconspicuous presence. Packaged with a standard mic clip, Samson's MK10 is perfect for any microphone application, especially in live and studio settings.
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 1 in stock $20.96
Samson MK5 Boom Microphone Kit (microphone stand)
Cat: 586816 Rel: 26 Jan 18
 
Complete boom mic stand set-up
Notes: The MK5 package gives you all the accessories you need: a heavy-duty adjustable boom mic stand, an 18-foot XLR mic cable, a microphone windscreen and a mic clip. Perfect for use with your favourite microphone, Samson's MK5 mic stand gives you both durability and portability, so it's ideal for on-the-go musicians, venues and rehearsal spaces. Combined with a professional-grade windscreen and mic cable, you're ready to perform anywhere anytime.
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 1 in stock $36.37
Cat: 559881 Rel: 09 Jan 15
 
Nylon mesh pop shield for reducing "pops" and sibilance when recording vocals, with universal mic stand adapter
Notes: - Dual layer 4.75" nylon mesh screen reduces vocal popping ("P-Pops") and sibilance

- Flexible 12" gooseneck for easily adjusting filter position

- Universal mic stand adapter
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 1 in stock $21.89
Cat: 587609 Rel: 26 Jan 18
 
Microphone pop filter with dual layer nylon mesh screen
Notes: - Dual layer 4.75" nylon mesh screen reduces vocal popping ("P-Pops") and sibilance

- Flexible 8" gooseneck for easily adjusting filter position

- Universal mic stand adapter
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 1 in stock $13.12
Cat: 484104 Rel: 09 Mar 13
 
Condenser microphone shock mount
Notes: A spider-style suspension microphone shockmount designed for use with the C01, C03, CL7, CL8 and C01U condenser mics.
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 1 in stock $41.43
Cat: 675749 Rel: 23 Jan 18
 
Dual pop filter with fabric membrane & metal units
Notes: A simple but highly effective solution to the problem of needing different pop shields for different vocal performances. The Dual Pro Pop uses a rock-solid gooseneck with both a standard fabric membrane and our professional metal pop shield on a hinged mechanism. You can use either separately or both simultaneously, depending on the application.
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$32.77 SAVE 10%
 9 in stock $29.49
Cat: 675748 Rel: 06 Apr 18
 
Studio mic angled metal pop screen
Notes: This unique metal screen is not simply perforated but implements a slightly convex shape to redirect low-frequency air blasts to the side of the screen. This process does not attenuate high frequencies (as fabric screens can) and leaves the vocal performance completely unaffected, minus any disruptive low frequency "pops".

The gooseneck holds its position at any angle, keeping you covered at all times. And since the whole thing is made of metal, it will take a lot more abuse than a traditional fabric shield. This tool is built to last.
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$24.40 SAVE 10%
 4 in stock $21.96
Cat: 681275 Rel: 23 Jan 18
 
B-STOCK: Box water damaged, product in perfect working order
Notes: ***B-STOCK: Box water damaged, product in perfect working order***


The original, patented, portable acoustic treatment device: the Reflexion Filter PRO.

Beautiful concert halls, gigantic high-ceilinged spaces, lofty stairwells with glorious natural reverb...capturing the sound of an acoustically-pleasing room can make a great recording truly special. But getting a good sound in a bad space is very, very difficult.

What if you're an artist recording at home? What if you don't have the budget for a properly treated studio? What if you move to a new house or apartment?

Since sE invented the Reflexion Filter in 2006, over 120,000 units have made their way into studios and homes worldwide - and it remains the indisputable industry standard for portable, effective acoustic treatment.

How does it work?

When you put a microphone in front of you, it doesn't just hear you - it hears the room around you.

Even if it's a cardioid mic and is listening mostly to just you, it's still picking up reflections from your voice or instrument that are bouncing off the walls and coming back to the mic. The goal of acoustic treatment is to minimize the pickup of such reflections so your primary sound source comes through as pure as possible.

So why not just put some cardboard or foam behind the mic?

Some materials are good at absorbing or reflecting particular frequencies - for example, foam absorbs highs really well, but does nothing for lows.

Unlike cheap foam RF imitations, sE's patented multi-layer technology works evenly across the whole frequency spectrum to ensure a balanced, even sound with no coloration at all.

This is what makes the Reflexion Filter unique, and makes it the choice of the biggest recording artists in the world - whether they're working in untreated rooms, or working in a professionally-designed studio and just need a little more isolation.

Ultra stable hardware:

In 2016, sE completely redesigned their RF Pro's mounting hardware to increase stability, simplify ease of use, and provide an updated level of performance, durability, and aesthetics.

It allows panning and tilting for maximum flexibility, and all moving parts are chromatized to ensure low wear. The extra stability means that your RF Pro can be positioned solidly at any angle to help provide a "dry" sound when recording any source - vocals, acoustic and electric guitars, amplifiers, drums, room mics, strings, and countless other instruments.

In the box:

- Reflexion Filter Pro
- Mounting bracket
- Screw wrench
- Mic stand thread adapter
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 1 in stock $145.08
Cat: 451153 Rel: 20 Apr 12
 
Microphone clip
Notes: Tie clip for Sennheiser's radio microphone system, with 3.5mm jack and locking connection.

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 6 in stock $5.00
Cat: 440878 Rel: 16 Nov 11
 
Microphone clip for Shure SM58 SM57 SM87A Beta 87A & all other microphones with round 3/4" and larger handles
Notes: The A25D is a break resistant stand adapter for the Shure SM58, SM57, SM87A, Beta 87A and all other microphones with round 3/4" and larger handles.
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 4 in stock $6.04
Cat: 673634 Rel: 20 Dec 17
 
Windshield for SM57 & 545 microphones, with magnetic locking mechanism - black
Notes: The Shure A2WS Windscreen is designed with acoustically transparent material to reduce unwanted breath and wind noise without affecting the sound quality. It is particularly effective in reducing pops and ticks caused by talking or singing closely into the microphone as well as reducing wind noise when using the microphones in outdoor applications. Locks securely to the microphone with a side set screw.

For use with Shure SM57 and 545 Series microphones.
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 1 in stock $19.88
Cat: 673635 Rel: 20 Dec 17
 
Windshield for SM57 & 545 microphones, with magnetic locking mechanism - grey
Notes: The Shure A2WS Windscreen is designed with acoustically transparent material to reduce unwanted breath and wind noise without affecting the sound quality. It is particularly effective in reducing pops and ticks caused by talking or singing closely into the microphone as well as reducing wind noise when using the microphones in outdoor applications. Locks securely to the microphone with a side set screw.

For use with Shure SM57 and 545 Series microphones.
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 2 in stock $17.02
Notes: Official Shure A55M Shock Stopper microphone clip holder for Shure SM57, SM58, SM86, Beta 57A, Beta 58A, Beta 87C, KSM109 and all microphones with a tapered body.

Holds your microphone securely, and the built-in elastics provide isolation from unwanted vibrations.
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 1 in stock $43.45
Cat: 440848 Rel: 16 Nov 11
 
Black foam windscreen for all Shure ball-type microphones
Notes: The Shure A58WS Windscreen is designed with acoustically transparent foam to reduce unwanted breath and wind noise without affecting the sound quality. It is particularly effective in reducing pops and ticks caused by talking or singing closely into the microphone as well as reducing wind noise when using the microphones in outdoor applications. For use with all larger Shure 'ball-type' microphones including the SM58, Beta58A, SM48, and the 565SD microphones.
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 3 in stock $5.55
Cat: 673943 Rel: 05 Jan 18
 
Blue foam windscreen for all Shure ball-type microphones
Notes: The Shure A58WS Windscreen is designed with acoustically transparent foam to reduce unwanted breath and wind noise without affecting the sound quality. It is particularly effective in reducing pops and ticks caused by talking or singing closely into the microphone as well as reducing wind noise when using the microphones in outdoor applications. For use with all larger Shure 'ball-type' microphones including the SM58, Beta58A, SM48, and the 565SD microphones.
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 2 in stock $5.55
Cat: 674281 Rel: 08 Jan 18
 
Green foam windscreen for all Shure ball-type microphones
Notes: The Shure A58WS Windscreen is designed with acoustically transparent foam to reduce unwanted breath and wind noise without affecting the sound quality. It is particularly effective in reducing pops and ticks caused by talking or singing closely into the microphone as well as reducing wind noise when using the microphones in outdoor applications. For use with all larger Shure 'ball-type' microphones including the SM58, Beta58A, SM48, and the 565SD microphones.
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 2 in stock $5.55
Cat: 674280 Rel: 08 Jan 18
 
Grey foam windscreen for all Shure ball-type microphones
Notes: The Shure A58WS Windscreen is designed with acoustically transparent foam to reduce unwanted breath and wind noise without affecting the sound quality. It is particularly effective in reducing pops and ticks caused by talking or singing closely into the microphone as well as reducing wind noise when using the microphones in outdoor applications. For use with all larger Shure 'ball-type' microphones including the SM58, Beta58A, SM48, and the 565SD microphones.
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 2 in stock $5.55
Cat: 674504 Rel: 10 Jan 18
 
Yellow foam windscreen for all Shure ball-type microphones
Notes: The Shure A58WS Windscreen is designed with acoustically transparent foam to reduce unwanted breath and wind noise without affecting the sound quality. It is particularly effective in reducing pops and ticks caused by talking or singing closely into the microphone as well as reducing wind noise when using the microphones in outdoor applications. For use with all larger Shure 'ball-type' microphones including the SM58, Beta58A, SM48, and the 565SD microphones.
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 1 in stock $5.55
Cat: 674404 Rel: 09 Jan 18
 
Official Shure 'Popper Stopper' windscreen
Notes: Reduces unwanted breath and wind noise. For use with Shure microphones such as the KSM9, Beta 87A, Beta 87C, SM87A, and SM86 microphones.
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 1 in stock $16.49
Cat: 674651 Rel: 11 Jan 18
 
Single channel wireless receiver with microprocessor-controlled internal antenna diversity
Notes: Analog wireless receiver provides improved linearity and frequency response with group and channel scan for easy set-up. Features include microprocessor internal antenna diversity, frequency QuickScan, and two-colour audio status indicator LED.
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 2 in stock $167.06
Cat: 636595 Rel: 04 Jan 17
 
UK AC power adapter for Shure radio mic receivers
Notes: UK AC power adapter for Shure radio mic receivers. Supplies 12v D.C. unregulated power for the T, UT, PG, PGX, BLX, SLX & QLXD receivers.
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 2 in stock $27.48
Cat: 457893 Rel: 29 May 12
 
Microphone pop screen
Notes: The PS-6 Popper Stopper microphone pop screen is an effective studio tool for softening explosive consonants and controlling excessive breath noise in vocal recording.

The PS-6 Popper Stopper is widely recognized throughout the recording and post-production communities as the leading tool in pop elimination technology. With a 6" diameter, the highly durable 4-layer screen stops plosive consonants such as p and b, while the fully adjustable 14" gooseneck and mic stand clamp ensure flexibility across any number of applications.
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 1 in stock $41.22
Cat: 482696 Rel: 23 Feb 13
 
XLR-to-USB microphone signal adapter
Notes: Any microphone. Any time. Any where.

Use your favorite microphones to digitally record wherever and whenever your computer takes you with the new X2u XLR-USB Signal Adapter.

Perfect for multi-track recording, the X2u features built-in headphone monitoring with zero latency, and easy controls to balance microphone and playback audio, just plug and play for better-than-CD quality sound.
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 1 in stock $118.22
Cat: 491017 Rel: 09 May 13
 
Pack of 3 black foam microphone windshields with an internal opening of 22 x 50mm
 2 in stock $1.32
Cat: 491019 Rel: 27 Jun 13
 
Assorted colour 35mm foam microphone windshields
Notes: Assorted coloured 35mm foam microphone windshields (pack of 5).
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 1 in stock $1.48
Cat: 634500 Rel: 05 Jan 17
 
Black microphone desk stand
Notes: Microphone stand with a heavy black cast base. Supplied with microphone clip.
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 2 in stock $8.24
Cat: 491025 Rel: 08 May 13
 
Metal bar to allow 2 microphones to be mounted on 1 stand
Notes: This metal microphone stand accessory fits onto most mic stands to allow 2 mics to be used on 1 stand. All metal construction with 5/8" 27tpi male threads fittings.
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$6.54 SAVE 10%
 8 in stock $5.89
Cat: 559388 Rel: 09 Jan 15
 
Microphone isolation screen with microphone stand attachments, and adjustable side panels
Notes: A well designed studio sound isolation screen which can be stand alone or can fit onto most stands that have tube diameter from OD 15mm to OD 28mm.

A feature of this screen is that the left and right panels can be adjusted to give the best sound protection and as a result improves voice recording quality. Ideally in home studios, rehearsal studios or other untreated acoustic locations, isolating the mic from unwanted reflections and resulting in a closer, drier sound.

Screens only, does not include microphone, shock mount holder, headphones or stand.
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 2 in stock $73.63
Cat: 694671 Rel: 09 Jan 15
 
B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition
Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


A well designed studio sound isolation screen which can be stand alone or can fit onto most stands that have tube diameter from OD 15mm to OD 28mm.

A feature of this screen is that the left and right panels can be adjusted to give the best sound protection and as a result improves voice recording quality. Ideally in home studios, rehearsal studios or other untreated acoustic locations, isolating the mic from unwanted reflections and resulting in a closer, drier sound.

Screens only, does not include microphone, shock mount holder, headphones or stand.
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 1 in stock $61.47
Cat: 484355 Rel: 08 Mar 13
 
Lightweight microphone stand carry bag (black)
Notes: High quality Black Fabric Microphone Stand Carry Bag With 2 Strap Handles and Zipper
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 2 in stock $2.86
Tascam TM AG1 Pop Filter (microphone pop filter)
Cat: 638684 Rel: 09 Mar 17
 
Microphone pop filter with dual-layer nylon screen & side air vents
Notes: TM-AG1 is a pop filter that that helps to achieve cleaner vocal recordings. It consists of a dual-layer nylon screen with side air vents that effectively reduces plosives and protects the microphone from saliva. With its gooseneck clamp, it can be easily attached to the mic stand and adjusted in a variety of positions.
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 1 in stock $23.63
Cat: 526918 Rel: 01 May 14
 
Quick-release adapter for microphone stands and microphone clips
Notes: Taking advantage of a ball bearing / dual flat wall fitting that makes an extra tight, super quiet connection, the QR-1 is the perfect tool for expeditious swapping of microphones in the studio or on stage. The bottom half threads onto a 5/8" microphone stand while the top half threads into a 5/8" threaded microphone clip. To disconnect the two, simply pull down on the lower half's molded grip while lifting up on the top half!
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 1 in stock $26.65
ART SplitCom Pro Mic Splitter/Combiner (microphone splitter/combiner)
Cat: 458020 Rel: 02 Jun 12
 
Microphone controller
Notes: Use the SPLITComPro to split or combine balanced low impedance microphone signals.

As a splitter: the SPLITComPro provides one direct-coupled output and one isolated output from a single microphone. Applications include sending the direct output to the main or FOH mixer, and the second isolated output to a monitor or recording mixer. The main mic output passes phantom power from the main mixer to the amin mic input for use with condenser microphones. The Phantom power is blocked from passing to the isolated mic output.

Aa a combiner: The SPLITComPro provides one output from 2 microphone inputs. The phase switch can be used to invert the relative phase of the isolated mic input. Applications include dual micing of percussion instruments, choirs, and instrument amplifiers. The Phantom power passes through each output to their respective input, (main to main, isolated to isolated), however the phantom power is blocked from passing between the main and isolated signal paths. Only the audio passes between the main and isolated signal paths (it is present on all inputs and outputs).
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 2 in stock $40.66
Cat: 681328 Rel: 15 Jun 18
 
2-channel microphone preamplifier with discrete, transformer-coupled circuitry
Notes: The TransX two channel microphone preamplifier features a new low noise discrete transformer coupled high performance preamplification circuit. Building upon the quality and success of great sounding products like the Pro MPA II and the Pro VLA II, ART engineers set out to develop the next generation of professional microphone preamplifier to complement our tube-based preamps. The TransX sets a new standard for quality and value. Professional features and spectacular tone are what make the TransX a world-class microphone preamplifier.
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 2 in stock $514.36
ART Tube MP Studio V3 Preamp (tube microphone preamp)
Cat: 250316 Rel: 16 Dec 06
 
Variable voiced tube mic/instrument preamplifier
Notes: Whether you're working with a computer, hard disk or digital multi-track recorder, the Tube MP's TEC award nominated design will allow you to obtain professional results at an affordable price.

The ART preamps offer warm tone, useful features and are innovatively designed. ART's line of Tube MP products add presence, clarity and fullness to any signal and is exceptionally low noise. The ART Tube MP Studio V3 features V3 Technology (Variable Valve Voicing), which provides optimized reference points to begin the recording process. The V3 delivers a wide variety of settings designed for various microphones and DI inputs, including guitars, basses, keyboards, synths, electronic drums and much more. Don't settle for a copy cat look alike.

Go with the real thing, the Tube MP by ART.
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 2 in stock $86.04
Cat: 493513 Rel: 31 Aug 16
 
Audiophile ultra-low noise vacuum tube microphone/line preamplifier
Notes: Tubes can really warm up a signal fast, giving it increased depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver a far superior sound. A true audiophile 2-channel Mic/Line preamplifier, the ULTRAGAIN PRO MIC2200's hand-selected 12AX7 vacuum tube gives everything from microphones to acoustic or bass guitars that vintage tube vibe in a dependable and highly-affordable package. The onboard fully parametric EQs provide unparalleled tonal characteristics, allowing you to sculpt instrument and vocal sounds with the ultimate precision and musicality.

The MIC2200 is perfect for studio and live applications. The balanced 1/4" TRS and gold-plated XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 tube with for superior tube character and low-noise operation. The MIC2200 is ideally-suited for use with standard digital recorders and sound cards, imbuing signals with the warmth, presence and classic tube-compression that will bring your digital tracks to life.

The incredible MIC2200's controls consist of: switches for +48 V phantom power, Phase Reverse, Lo Cut, EQ Frequency range and EQ In/Out; plus Mic Gain, Lo Cut Frequency, Octave Bandwidth, Level and Output knobs. A 12-segment LED meter provides accurate monitoring of output levels. And when used as a high-end DI (Direct Injection) box in the studio or on the stage, the MIC2200 delivers flawless performance and outstanding signal integrity. For further tone conditioning, the MIC2200 features a fully parametric EQ with adjustable centre Frequency, Bandwidth and Level per channel. Both channels also feature independent phase reverse switches for maximum versatility.

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 4 in stock $82.96
Cat: 684816 Rel: 09 Apr 18
 
Versatile acoustic preamp for instruments with piezo & magnetic pickups
Notes: Providing extensive sound shaping options for acoustic guitars and basses, the Acoustic Pocket Amp is a versatile preamp that's perfect for gigging, recording and practising. It accommodates both piezo and magnetic pickups, and the 3-band EQ with semi-parametric mid control is specifically tuned for acoustic instruments. The Pocket Preamp features an input limiter to prevent transient distortion while a 5-position rotary notch filter eliminates resonant frequency feedback. A mode switch selects between crisp contemporary or warm vintage sound characteristics, and a blend control allows you to mix the direct and processed signals.

The Acoustic Pocket Amp provides an insert for external effects, 3.5 mm stereo line input, headphones output and a footswitch-assignable thru jack to connect a tuner. Enabling DI applications, the balanced XLR output is pre or post signal processing switchable. The Acoustic Pocket Amp requires a 9 volt battery or power adapter and comes in a rugged diecast enclosure with heavy duty long-life footswitch, convenient LED status indicators and ground lift.
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 1 in stock $155.19
Cat: 663606 Rel: 21 Sep 17
 
Portable mixing headphone amplifier
Notes: Getting the band together or even practicing by yourself isn't always easy. Conflicting schedules, space restrictions, and perhaps most importantly, not bothering your family and neighbours, are just a few of the factors that can hijack a jam session. SesssionCake is the affordable, ultra-portable, and flexible solution for aspiring musicians who don't have the time, the money, or an appropriate space to really cut loose when they practice alone or jam with friends. Connect an iOS device as an effector or to play along with your favourite tunes, or link together up to eight units for a full-blown jam session with your friends or bandmates. No money, no time, no space? No problem - SessionCake has got you covered.

SessionCake SC-02 adds vocalists, keyboardists, and digital instruments to the mix with XLR and stereo left (mono) and right (Hi-Z) inputs, as well as a GAIN (MIC) control for dynamic microphones.
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 1 in stock $131.89
Cat: 667903 Rel: 26 Oct 17
 
Converts the synchronisation signal known as DIN-Sync/Sync24/Sync48 to MIDI clock signals & vice versa
Notes: The audiowerkstatt din2midi2din has a MIDI- and a DIN-sync-output and on both outputs a clock-signal - sent at the same time.

With a button you can select, if the clock-signal present at the DIN-sync- or the MIDI-input is used. A LED indicates the selected input.

The device operates as a standard in "Sync24"-mode (24 clock pulses per quarter note). By holding the button when switching on, the device is started in "Sync48"-mode (48 clock pulses per quarter note).
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 2 in stock $108.81
Cat: 667901 Rel: 26 Oct 17
 
Stop & start the following DIN-Sync/Sync24/Sync48 device in perfect synchronisation
Notes: You push the button and the audiowerkstatt din-restarter starts or stops the following sequencer at the beginning of the next bar (4/4-stroke only) in perfect timing.

If the sequencer is running, it will be stopped at the next bar and if the sequencer is standing, it is started at the next bar.

The device operates as a standard in "Sync24"-mode (24 clock pulses per quarter note). By holding the button when switching on, the device is started in "Sync48"-mode (48 clock pulses per quarter note).
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 2 in stock $104.41
Cat: 691664 Rel: 31 May 18
 
Converts analog trigger clock signals to MIDI clock signals & vice versa
Notes: The Audiowerkstatt trigger2midi2trigger v2 has all functions of the classic version 1, but comes in a powder-coated steel-enclosure and stores its settings.

If used as trigger-clock-to-MIDI-clock-converter or MIDI-clock-to-trigger-clock-converter, there is always a MIDI-clock-signal (incl. start/stop) sent at the "midi out"-jack. At the tip of the "clock"-phone-jack, an analog trigger-clock-signal (v-trigger: 0v/5v, s-trigger "open"/"closed") is sent. The tip of the "start/stop"-phone-jack is 5v while the masterclock is running and 0v while the masterclock is paused for v-trigger and "closed" while the masterclock is running and "open" while the masterclock is paused, if s-trigger is used.

A clock-source can be connected to the "midi in"-jack or to the ring of the "clock"- and "start/stop"-phone-jack.

Normal insert-cables can be used to connect the analog inputs/outputs. If only the analog outputs are used, normal phone-jack-cables (mono or stereo) can be used.

The following parameters can be adjusted:

1. Clock-source (MIDI-clock or analog trigger-clock).
2. Trigger-type of the analog input (s-trigger or v-trigger).
3. Trigger-type of the analog output (s-trigger or v-trigger).
4. Clock-divider of the incoming analog trigger-clock (1/4, 1/8. 1/16 or 1/32).
5. Clock-divider of the outgoing analog trigger-clock (1/4, 1/8. 1/16 or 1/32).
6. Pulse-length of the outgoing analog trigger-clock (adjustable in 6 steps, the pulse-length is calculated dependent on clock-divider and clock-frequency).

In addition to the clock-signal, start-/stop-signals from the masterclock are detected and processed, but it is also possible to send start-/stop-signals manual.

The settings for the analog output (trigger.type out, clock.divider out and pulse.length) can be changed without losing synchronisation, while the masterclock is running.

The Audiowerkstatt trigger2midi2trigger v2 can also be used as a tool for analog-trigger-signals, if it isn't used as a converter.

The following uses are possible:

a) "S-trigger" to "V-trigger" converter
b) "V-trigger" to "S-trigger" converter
c) Analog clock-divider
d) Analog clock-multiplier
e) Gate to trigger converter
f) Trigger to gate converter with adjustable gate-length

Power: 9-12V AC or DC (polarity doesn't matter)
Dimensions: 112 mm x 72 mm x 48 mm
Weight: 290g
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 2 in stock $240.70
Cat: 686702 Rel: 27 Apr 18
 
Compact MIDI box featuring 8 MIDI through splitters
Notes: Erica Synths MIDI thru box is professional quality, no latency, one MIDI In to 8 MIDI Through splitter in rigid aluminium case. It allows to connect up to 8 instruments to your sequencer or master keyboard and control them simultaneously without undesired delays and interference.
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 1 in stock $128.58
Cat: 531918 Rel: 02 Sep 14
 
Jitter-free MIDI masterclock for hardware gear or synchronisation with DAWs
Notes: Sync all your sequencers with ease and control the BPM - that's what we designed the midiclock for!

It's an ultra-stable hardware MIDI-Masterclock generator & has a great knob to give you full control over the tempo of your performances.

The midiclock generates incredibly accurate MIDI Clock messages.

It has two DIN MIDI outputs to connect to your gear. The clock signal can be distributed to more than two slaves by using MIDI Thru and you can start and stop everything with a single button.

Simply attach all devices that have MIDI Clock slave capabilities: Sequencers, synthesizers, drummachines and software like 'Live' from Ableton.

How to actually set the current BPM depends on the operating mode:

While using 'Live' mode, the BPM change immediately by turning the knob. You can use this mode if you want to make smooth tempo changes in your performance and are aware, that every turn of the knob changes the BPM.

In the 'Normal' mode, the changed value must be confirmed with a single click of the knob. This mode is perfect if you want to set your tempo once and simply need a stable clock signal. Accidental turning of the knob doesn't affect your BPM.
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 1 in stock $179.15
Cat: 618632 Rel: 25 Jul 16
 
MIDI to MIDI clock/DIN sync/CR-78 clock & and Analog clock converter
Notes: The Swynx is a sync box that converts incoming MIDI messages to MIDI clock, DIN sync, CR-78 clock, and Analog clocks. In addition, the Swynx provides the ability to swing the timing of all these clock outputs and select different time signatures in real-time with the front panel controls, and can also act as a CR-78 pattern programmer.

After you try it in your setup, you will realize just what you've been missing.

For instance, many DIN sync devices do not provide a built-in swing function. And many MIDI sequencers and drum machines suffer from poor implementation of swing, preventing changes to be made live, or only providing swing for 4/4 patterns.

Quite a few MIDI sequencers don't offer any swing function, including our own 777 and Mobius products. Now you can apply swing to any MIDI sequencer, and select new time signatures as well

Need to sync your analog sequencer or arpeggiator with MIDI gear? No problem! Not only can you do so, but now you can swing the timing of those devices as well. You can even use the analog clock output to Gate the envelopes in a synthesizer. The clock duty cycle is 50% of a note duration.

If you are a Roland CR-78 owner, you may have realized finding a WS-1 or TS-1 to program the CR-78 is next to impossible. The Swynx can replicate the programming capabilities of these units, plus provide sync to MIDI, and realtime swing adjustment. The ability to add swing to the CR-78's preset patterns alone will breathe new life into this old friend.

The Swing value is accurate to 0.5% providing much more control resolution than is typically found in sequencers and drum machines.

The Swynx provides 12 different time signatures to choose from. Some time signatures are duplicate, but provide different shuffle patterns for that time signature. Time signatures include 9/8, 7/8, 6/8, 5/8, 2/4, 4/4, 8/4, 3/4, and 6/4.

A universal power supply is provided with each unit, allowing the Swynx to be used anywhere in the world.

The Swynx is all about making the gear you have sound better!
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 3 in stock $178.04
Cat: 578608 Rel: 07 Jul 15
 
Bi-directional MIDI to DIN Sync converter with 1 MIDI In & 1 MIDI Out / 1 Sync In & 1 Sync Out
Notes: Receives MIDI clock and stop/start data and converts them to DIN-Sync (Sync-24). Also converts DIN-Sync back to MIDI.

High quality Kenton MIDI MIDI to DIN-Sync converter box with opto-isolated MIDI In plus MIDI Out, Sync In & Sync Out sockets. Powered from a multi-region mains adaptor (wall wart) so you can fit and forget. Can also be powered from a USB socket (although not a USB product)
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 2 in stock $88.32
Cat: 443853 Rel: 11 Jan 12
 
Merge MIDI box with 4 inputs/2 outputs
Notes: The Kenton Merge 4 can merge the data from up to 4 separate MIDI sources (e.g. Master keyboards or controllers) into a single MIDI data stream which appears at both of the MIDI out sockets. It features 4 opto-isolated MIDI inputs and 2 MIDI outputs.

The Kenton Merge 4 is powered from a mains adaptor (wall wart) so you can fit and forget.

PLEASE NOTE: Comes with UK 3-pin power supply
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 4 in stock $94.51
Cat: 433906 Rel: 10 Sep 11
 
USB host to MIDI converter for 'Class Compliant' USB MIDI devices
Notes: Your USB device is plugged into the USB MIDI Host MkII instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN).

MIDI data received at the MIDI In socket will be sent to the USB device. MIDI data received from the USB device will be sent to the MIDI Out socket.

The attached USB MIDI device MUST be 'Class Compliant'.

The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.
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 9 in stock $96.71
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